List of compositions by Johann Sebastian Bach
| Lists of |
| Compositions by Johann Sebastian Bach |
|---|
sonatas, fugues, and other works for organ, harpsichord, lute, violin, viola da gamba, cello, flute, chamber ensemble and orchestra
.
There are over 1000 known compositions by Bach. Almost all are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.
Listing Bach's compositions
Some of the early
C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl
and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)
BG
BGA
known as Vol. 14, p. 44, over eighty years before it was given the number 857 in the Bach-Werke-VerzeichnisIn the 2nd half of the 19th century the
Bach Gesellschaft Ausgabe (BGA).[3] This offered a unique identification of all Bach's known works, a system that was quickly adopted, for instance, by the biographers: Philipp Spitta used it complementarily to the Peters edition's numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.[4]
But there was still much confusion: some authors preferred to list Bach's works according to
Schirmer's,... giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions
).
NBG
In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII1 in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).[4]
BWV
In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):[5]
thematic catalogue, thus it identifies every movement of every composition by its first measures, like the opening of BWV 1006
, movement 2 (Loure) above.- Kantaten (Cantatas), BWV 1–224
- Motetten (Motets), BWV 225–231
- Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
- Passionen, Oratorien (Passions, Oratorios), BWV 244–249
- Vierstimmige Choräle (Four-part chorales), BWV 250–438
- Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
- Werke für Orgel (Works for organ), BWV 525–771
- Werke für Klavier (Keyboard compositions), BWV 772–994
- Werke für Laute (Lute compositions), BWV 995–1000
- Kammermusik (Chamber music), BWV 1001–1040
- Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
- Kanons (Canons), BWV 1072–1078
- Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080
For instance, the Prelude and Fugue in E-flat major now became
BWV 225).[6]
Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).
BWV Anh.
The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:
- I – lost works, or works of which only a tiny fraction had survived (Anh. 1–23)
- II – works of dubious authenticity (Anh. 24–155)
- III – works that were once attributed to Bach, but for which it had been established they were not composed by him (Anh. 156–189)
Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.
Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example,
BWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183→ indicating it was now considered a spurious work.[7]
In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.[8]
New additions (Nachträge) to BWV2/BWV2a included:
A few exceptions to the principle that compositions were not renumbered were when a composition from the Anhang could be recovered or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ).[9]
Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:
- BWV 243
- BWV 1071 renumbered to first Brandenburg Concerto)
- BWV Anh. 198 renumbered to BWV 149)
Some versions were completely removed from the catalogue, e.g. BWV 655b and c.
Slashes indicate movements: e.g.
BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor
can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV).
21st-century additions
Numbers above BWV 1126 were added in the 21st century.
Reconstructed versions
An upper case R added to a BWV number indicates a
BWV 1060R
.
BWV3
As of mid-2018 the
BWV 4.2.[11]
NBA
NBA illustrates its score editions with facsimiles from manuscripts or contemporary editions: for instance NBA Series IV Volume 4 (Clavier-Übung III
) contains a facsimile of the title page of the 1739 first edition of that collection.In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,[12][13] offering a new system to refer to Bach's works, e.g. NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.
NBArev
Some years after the completion of the NBA in 2007 its publisher Bärenreiter joined with the Bach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the Mass in B minor, appearing in 2010.[14]
BC
The Bach Compendium (BC), a catalogue covering Bach's vocal works was published in 1985.Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.[16]
BNB
Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach or which he (had) copied for performance usually have a BNB number.[17]
SBB
The Berlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of composition manuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance BWV 525a = SBB St 345, or according to the abbreviations used at the Bach-digital website D-B Mus. ms. Bach St 345.
By opus number, and chronological lists
Clavier-Übung I, 1731), the only time he seems to have used an opus number
Apart from indicating his first published keyboard composition as Opus 1, Bach did not use opus numbers. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.
Listing Bach's works according to their time of composition cannot be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.ISBN 2747598888).
Other composers
Various catalogues with works by other composers have intersections with collections of works associated with Bach:[19]
- BR-WFB (or) BR
- Bach-Repertorium numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = BR A49
- Other BRs:
- BR-CPEB: works by Carl Philipp Emanuel Bach (for this composer Helm or Wotquenne numbers are however more often used)
- BR-JCFB: works by Johann Christoph Friedrich Bach
- Fk (or) F
- Falck catalogue numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = F 25/2
- H
- Helm numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = H 569
- HWV
- Works by George Frideric Handel, e.g. BWV Anh. 106 = HWV 605
- TWV
- Compositions by Georg Philipp Telemann, e.g. BWV 824 = TWV 32:14
- Warb (or) W
- Warburton numbers for works by Johann Christian Bach, e.g. BWV Anh. II 131 = W A22 (or: Warb A 22)
- Wq
- Wotquenne numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = Wq 145
Works in Bach's catalogues and collections
There are over 1500 works that feature in a catalogue of works by Bach, like the Bach-Werke-Verzeichnis, or in a collection of works associated with Bach (e.g. in one of the Notebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.
| column | content | |
|---|---|---|
| 1 | BWV | Bach-Werke-Verzeichnis (lit. 'Bach-works-catalogue'; BWV) numbers. Anhang (Annex; Anh.) numbers are indicated as follows:
|
| 2 | 2a | Section in which the composition appears in BWV2a:
|
| 3 | Date | Date associated with the completion of the listed version of the composition. Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. |
| 4 | Name | Name of the composition: if the composition is known by a German incipit, that German name is preceded by the composition type (e.g. cantata, chorale prelude, motet, ...) |
| 5 | Key | Key of the composition |
| 6 | Scoring | See scoring table below for the abbreviations used in this column |
| 7 | BG | Bach Gesellschaft-Ausgabe (BG edition; BGA): numbers before the colon indicate the volume in that edition. After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort (Preface) of the volume.[3] |
| 8 | NBE | New Bach Edition (German: Neue Bach-Ausgabe, NBA): Roman numerals for the series, followed by a slash, and the volume number in Arabic numerals. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume. The volumes group Bach's compositions by genre:[13]
|
| 9 | Additional info | may include:
Provenance of standard texts and tunes, such as Lutheran hymns and their chorale melodies, Latin liturgical texts (e.g. Magnificat) and common tunes (e.g. Folia), are not usually indicated in this column. For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. |
| 10 | BD | Bach Digital Work page |
| Colour | Meaning |
|---|---|
| green | extant or clearly documented partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision |
| yellow | extant or clearly documented manuscript (copy) or print edition, in whole or in part, by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol) |
| orange-brown | extant or clearly documented manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther , ...), or distant family member
|
| BWV (original ranges in parentheses) |
|---|
| 1. Cantatas (1–224) • 2. Motets (225–231) • 3. Masses, Mass movements, Magnificat (232–243) • 4. Passions, Oratorios (244–249) • 5. Four-part chorales (250–438) • 6. Songs, Arias and Quodlibet (439–524) • 7. Works for organ (525–771) • 8. Keyboard compositions (772–994) • 9. Lute compositions (995–1000) • 10. Chamber music (1001–1040) • 11. Works for orchestra (1041–1071) • 12. Canons (1072–1078) • 13. Musical Offering, The Art of Fugue (1079–1080) • Later additions (1081–...) • Reconstructions |
| BWV Anhang (Appendix) |
| I: Lost/fragmentary (1–23) • II: Doubtful (24–155) • III: Spurious (156–189) • N: Nachträge (New additions, 190–213) |
| Not in BWV (BWV deest) |
| Sorted by BC, BGA, BNB, NBA, etc. |
| Without resorting the table (i.e. collection kept together in BWV2a) |
|---|
| Cello Suites BWV 1007–1012 • Christmas Oratorio, BWV 248 • Clavier-Übung IV = Goldberg Variations BWV 988 • Inventions BWV 772–786 • Sinfonias BWV 787–801 • Sonatas and partitas for solo violin BWV 1001–1006 |
| Using the sort function (not available in all browsers) |
|
| BWV | 2a | Date | Name | Key | Scoring | BG | NBE | Additional info | BD |
|---|---|---|---|---|---|---|---|---|---|
| 1. | Cantatas (see also: List of Bach cantatas, Church cantata (Bach) and List of secular cantatas by Johann Sebastian Bach) | Up ↑ | |||||||
| 1 | 1. | 1725-03-25 | Cantata Wie schön leuchtet der Morgenstern (Annunciation)
|
F maj. | stbSATB 2Hn 2Odc 2Vl Str Bc | 1: 1 | I/28.2: 3 | after Z 8359; text after Nicolai
|
00001 |
| 2 | 1. | 1724-06-18 | Cantata Ach Gott, vom Himmel sieh darein (Trinity II)
|
G min. | atbSATB 4Tbn 2Ob Str Bc | 1: 53 | I/16: 81 | after Z 4431; text after Luther
|
00002 |
| 2/6 | chorale setting "Ach Gott, vom Himmel sieh darein" (s. 6) | G Dor. | SATB | 1: 72 | III/2.1: 25 III/2.2: 156 |
after Z 4431; text by Luther
|
11189 | ||
| 3 | 1. | 1725-01-14 | Cantata Ach Gott, wie manches Herzeleid (Epiphany II)
|
A maj. | satbSATB Hn Tbn 2Oba Str Bc | 1: 73 | I/5: 189 | after Z 533a; text after Moller
|
00003 |
| 3/6 | chorale setting "Ach Gott, wie manches Herzeleid" (s. 18) | SATB | 1: 94 | III/2.1: 26 III/2.2: 90 |
after Z 533a; text by Moller
|
11191 | |||
| 4.2 | 1. | 1724-04-09 | Cantata Christ lag in Todes Banden (Easter)
|
E min. | satbSATB Cnt 3Tbn Str Bc | 1: 95 | I/9: 1 | after BWV 4.1; text by Luther
|
00004 |
| 4/8 | chorale setting "Christ lag in Todes Banden" (s. 7) | E min. D min. |
SATB | 1: 124 | III/2.2: 104 | after Z 7012a; text by Luther
|
11295 | ||
| 4.1 | 1. | 1707-04-24 | Cantata Christ lag in Todes Banden (Easter; early version, lost)
|
satbSATB 2Vl 2Va Bc | I/9 | after BWV 4.2; text by Luther
|
00005 | ||
| 5 | 1. | 1724-10-15 | Cantata Wo soll ich fliehen hin (Trinity XIX)
|
G min. | satbSATB Tdt 2Ob Str Bc | 1: 125 | I/24: 133 | after Z 2164; text after Heermann
|
00006 |
| 5/7 | chorale setting "Wo soll ich fliehen hin" (s. 11) | SATB | 1: 150 | III/2.1: 66 III/2.2: 180 |
after Z 2164; text by Heermann
|
11232 | |||
| chorale setting "Auf meinen lieben Gott" | after Z 2164
| ||||||||
| 6 | 1. | 1725-04-02 | Cantata Bleib bei uns, denn es will Abend werden (Easter 2)
|
C min. | satbSATB 2Ob Odc Str Vc Bc | 1: 151 | I/10: 43 | after (/6) | 00007 |
| 6/6 | chorale setting "Erhalt uns, Herr, bei deinem Wort" (s. 2) | G min. | SATB | 1: 176 | III/2.2: 40 | after Z 350a; text by Luther
|
11338 | ||
| 7 | 1. | 1724-06-24 | Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist)
|
E min. | atbSATB 2Oba 2Vl Str Bc | 1: 177 | I/29: 25 | after Z 7246; text after Luther
|
00008 |
| 8.1 | 1. | 1724-09-24 | Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version)
|
E maj. | satbSATB Hn Fl 2Oba Str Bc | 1: 211 | I/23: 105 | after BWV 8 .2
|
00009 |
| 8.2 | 1. | 1747-09-17 | Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version)
|
D maj. | satbSATB Fl 2Oba Tai 2Vl Str Bc | I/23: 163 | after BWV 8 .1
|
00010 | |
| 9 | 1. | 1734-08-01 | Cantata Es ist das Heil uns kommen her (Trinity VI)
|
E maj. | satbSATB Fl Oba Str Bc | 1: 243 | I/17.2: 83 | after Z 4430; text after Speratus
|
00011 |
| 9/7 | chorale setting "Es ist das Heil uns kommen her" (s. 12) | SATB | 1: 274 | III/2.1: 52 III/2.2: 172 |
after Z 4430; text by Speratus
|
11213 | |||
| 10 | 1. | 1724-07-02 | Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation)
|
G min. | satbSATB Tr 2Ob Str Bc | 1: 275 | I/28.2: 131 | after BWV 648
|
00012 |
| 10/7 | chorale setting "Meine Seel erhebt den Herren" (doxology, ss. 10–11) | SATB | 1: 303 | III/2.1: 82 III/2.2: 205 |
after Magnificat peregrini toni; text: German Magnificat
|
11248 | |||
| 12 | 1. | 1714-04-22 | Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions)
|
F Dor. | atbSATB Tr Ob 2Vl 2Va Bas Bc | 2: 59 | I/11.2: 1 | after BWV 232 /14
|
00014 |
| 1724-04-30 | G min. | ||||||||
| 13 | 1. | 1726-01-20 | Cantata Meine Seufzer, meine Tränen (Epiphany II)
|
D min. | satbSATB 2Fl Odc Str Bc | 2: 79 | I/5: 229 | after (/6) | 00015 |
| 13/6 | chorale setting "In allen meinen Taten" (s. 9) | B♭ maj. | SATB | 2: 98 | III/2.2: 58 | after Z 2293b; text by Fleming
|
11347 | ||
| chorale setting "Nun ruhen alle Wälder" | G maj. | III/2.2: 216 | |||||||
| 14 | 1. | 1735-01-30 | Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV)
|
G min. | stbSATB Hn 2Ob Str Bc | 2: 99 | I/6: 139 | after Z 4434; text after Luther
|
00016 |
| 14/5 | chorale setting "Wär Gott nicht mit uns diese Zeit" (s. 3) | SATB | 2: 132 | III/2.1: 88 III/2.2: 103 |
after Z 4434; text by Luther
|
11250 | |||
| 16 | 1. | 1726-01-01 | Cantata Herr Gott, dich loben wir (New Year/Circumcision)
|
A min. | atbSATB Hn 2Ob Odc Str Bc | 2: 173 | I/4: 103 | after (/6) | 00018 |
| 1731-01-01 | atbSATB Hn 2Ob Va Str Bc | ||||||||
| 16/6 | 1726-01-01 | chorale setting "Helft mir Gotts Güte preisen" (s. 6) | SATB | 2: 198 | III/2.2: 56 | after Z 5267; text by Eber
|
11324 | ||
| 17 | 1. | 1726-09-22 | Cantata Wer Dank opfert, der preiset mich (Trinity XIV)
|
A maj. | satbSATB 2Ob Str Bc | 2: 199 | I/21: 147 | after BWV 236/6), Lk 17:15–16 (/4), by Gramann (/7)
|
00019 |
| 17/7 | chorale setting "Nun lob, mein Seel, den Herren" (s. 3) | SATB | 2: 225 | III/2.2: 4 | after Z 8244; text by Gramann
|
11330 | |||
| 18.2 | 1. | 1724-02-13 | Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima)
|
A min. | stbSATB 2Fl Bas 4Va Vc Bc | 2: 227 (in g) |
I/7: 107 | after (/5) | 00020 |
| 18/5 | chorale setting "Durch Adams Fall ist ganz verderbt" (s. 8) | SATB | 2: 252 (in g) |
III/2.2: 71 | after Z 7549; text by Spengler
|
11301 | |||
| 1. | 1715-02-24 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" | G min. | III/2.2: 56 | after Z 7549; text by Agricola
| ||||
| 18.1 | Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima)
|
stbSATB Bas 4Va Vc Bc | I/7: 81 | after BWV 18 .2
|
00021 | ||||
| 19 | 1. | 1726-09-29 | Cantata Es erhub sich ein Streit (Michaelmas)
|
C maj. | stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc | 2: 253 | I/30: 55 | after Z 6543 (/7); text after Picander
|
00022 |
| 19/7 | chorale setting "Freu dich sehr, o meine Seele" (s. 9) | SATB | 2: 288 | III/2.1: 62 III/2.2: 177 |
after Z 6543
|
11227 | |||
| chorale setting "Weg, mein Herz, mit den Gedanken" | after Z 6543; text by Gerhardt
| ||||||||
| 20 | 1. | 1724-06-11 | Cantata O Ewigkeit, du Donnerwort (Trinity I)
|
F maj. | atbSATB Tdt Tmp 3Ob Str Bc | 2: 291 | I/15: 133 | after Rist
|
00023 |
| 20/7 20/11 |
chorale setting "O Ewigkeit, du Donnerwort" (ss. 11, 16) | SATB | 2: 317, 327 |
III/2.2: 17 | after Rist
|
11332 | |||
| 21.1 | 1. | before Dec. 1713 | in ogni tempore ; 1714-06-17: Trinity III)
|
C min. | satbSATB 3Tr Tmp Ob Str Bc | I/16: 109 | after BWV 21 .2
|
00024 | |
| 21.2 | 1. | c. autumn 1720 | in ogni tempore )
|
D min. | satbSATB 3Tr Tmp Ob Str Bas Bc | I/16 | after BWV 21 .3
|
00025 | |
| 21.3 | 1. | 1723-06-13 | Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III)
|
C min. | satbSATB 3Tr Tmp 4Tne Ob Str Bas Bc | 51: 1 | I/16 | after BWV 21 .2 (same text)
|
00026 |
| 22 | 1. | 1723-02-07 | Cantata Jesus nahm zu sich die Zwölfe (Estomihi)
|
satbSATB Ob Str Bc | 51: 65 | I/8: 1 | after (/5) | 00027 | |
| 23.1 | 1. | 1723 | Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi)
|
C min. | satbSATB 2Ob Str Bc | 51: 93 | I/8: 33 | → BWV 23 .2, .3
|
00028 |
| 23.2 | 1. | 1723-02-07 | Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi)
|
B min. | satbSATB Cnt 3Tbn 2Oba Str Bc | I/8: 69 | after 245.2 /40
|
00029 | |
| 23.3 | 1. | 1728–1731 | Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi)
|
C min. | satbSATB 2Ob Str Bc | 51: 93 | I/8: 33 | after (/4) | 00030 |
| 24 | 1. | 1723-06-20 | Cantata Ein ungefärbt Gemüte (Trinity IV)
|
F maj. | satbSATB Tr 2Ob 2Oba Str Bc | 51: 125 | I/17.1: 47 | after (/3) | 00031 |
| 24/6 | chorale setting "O Gott, du frommer Gott" (s. 1) | SATB | 51: 150 | III/2.2: 195 | after Z 5148; text by Heermann
|
11333 | |||
| chorale setting "Was frag ich nach der Welt" | after Z 5148; text by Kindermann
| ||||||||
| 25 | 1. | 1723-08-29 | Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV)
|
E min. | stbSATB Cnt 3Tbn 3Fl 2Ob Str Bc | 51: 153 | I/21: 79 | after (/6) | 00032 |
| 25/6 | chorale setting "Treuer Gott, ich muss dir klagen" (s. 12) | C maj. | SATB | 51: 188 | III/2.1: 15 III/2.2: 150 |
after Z 6543; text by Heermann
|
11177 | ||
| chorale setting "Weg, mein Herz, mit den Gedenken" | after Z 6543; text by Gerhardt
| ||||||||
| chorale setting "Freu dich sehr, o meine Seele" | III/2.2: 168 | after Z 6543
| |||||||
| 26 | 1. | 1724-11-19 | Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV)
|
A min. | satbSATB Hn Fl 3Ob Str Bc | 51: 189 | I/27: 29 | after Z 1887b; text after Franck, M.
|
00033 |
| 26/6 | chorale setting "Ach wie flüchtig, ach wie nichtig" (s. 8) | SATB | 51: 216 | III/2.2: 28 | after Z 1887b; text by Franck, M.
|
11289 | |||
| 27 | 1. | 1726-10-06 | Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI)
|
C min. | satbSSATB Hn 2Ob Odc Str Org Bc | 51: 217 | I/23: 221 | after (/3) | 00034 |
| 28 | 1. | 1725-12-30 | Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I)
|
A min. | satbSATB Cnt 3Tbn 2Ob Tai Str Bc | 51: 245 | I/3.2: 75 | after Anh. 160 /2
|
00035 |
| 28/6 | chorale setting "Helft mir Gotts Güte preisen" (s. 12) | SATB | 51: 272 | III/2.1: 13 III/2.2: 49 |
after Z 5267; text by Eber
|
11175 | |||
| chorale setting "Zeuch ein zu deinen Toren" | III/2.2: 15 | after Z 5267; text by Gerhardt
| |||||||
| 28/2a | 1. | 1725? | Motet Sei Lob und Preis mit Ehren
|
C maj. | SATB | 39: 167 | III/3: 15 | after BWV 231
|
00036 |
| 29 | 1. | 1731-08-27 | Cantata Wir danken dir, Gott, wir danken dir (council election)
|
D maj. | satbSATB 3Tr Tmp 2Ob Str Org Bc | 51: 273 | I/32.2: 1 | after BWV 232/7, /23), by Gramann (/8)
|
00037 |
| 29/8 | chorale setting "Nun lob, mein Seel, den Herren" (s. 5) | SATB | 51: 316 | III/2.2: 65 | after Z 8244; text by Gramann
|
11331 | |||
| 30.2 | 1. | 1738-06-24 | Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist)
|
D maj. | satbSATB 2Fl 2Ob Oba Vl Str Bc | 51: 321 | I/29: 59 | after Z 6543 (/6); text by Picander?, Olearius, J. (/6)
|
00038 |
| 30.2/6 | chorale setting "Tröstet, tröstet, meine Lieben" (s. 3) | A maj. | SATB | 51: 360 | III/2.2: 42 | after Z 6543; text by Olearius, J.
|
11318 | ||
| chorale setting "Freu dich sehr, o meine Seele" | G maj. | after Z 6543
| |||||||
| 30.1 | 1. | 1737-09-28 | ] manor) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc | 51: 399 34: 325 |
I/39: 51 | text by 195 .2/6, /8
|
00039 |
| 31.2 | 1. | 1724-04-09 | Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter)
|
C maj. | stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc | 7: 1 | I/9: 41 | after BWV 31 .1 (same text)
|
00040 |
| 31/9 | chorale setting "Wenn mein Stündlein vorhanden ist" (s. 5) | SATB | 7: 50 | III/2.1: 56 | after Z 4482a; text by Herman
|
11221 | |||
| 31.1 | 1. | 1715-04-21 | Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter)
|
C maj. | stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc | I/9 rev 2: 37 |
after BWV 31 .2
|
00041 | |
| 32 | 1. | 1726-01-13 | Cantata Liebster Jesu, mein Verlangen (Epiphany I)
|
E min. | sbSATB Ob Str Bc | 7: 53 | I/5: 143 | after (/6) | 00042 |
| 32/6 | chorale setting "Weg, mein Herz, mit den Gedenken" (s. 12) | G maj. | SATB | 7: 80 | III/2.2: 18 | after Z 6543; text by Gerhardt
|
11317 | ||
| chorale setting "Freu dich sehr, o meine Seele" | after Z 6543
| ||||||||
| 33 | 1. | 1724-09-03 | Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII)
|
A min. | atbSATB 2Ob Str Bc | 7: 81 | I/21: 23 | after Z 7292b; text after Hubert
|
00043 |
| 33/6 | chorale setting "Allein zu dir, Herr Jesu Christ" (s. 4) | SATB | 7: 114 | III/2.1: 58 III/2.2: 10 |
after Z 7292b; text by Hubert
|
11223 | |||
| 34.1 | 1. | 1727-06-01 | Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost)
|
D maj. | atbSATB 3Tr Tmp 2Fl 2Ob Str Bc | 7: 115 | I/13: 129 | text after BWV 34.2
|
00044 |
| 34.2 | 1. | after 1727 | Cantata O ewiges Feuer, o Ursprung der Liebe (wedding; incomplete)
|
D maj. | satbSATB Vl Va Bc | 41: 117 | I/33: 27 | after 6:24–26 (/7) | 00045 |
| 35 | 1. | 1726-09-08 | Cantata Geist und Seele wird verwirret (Trinity XII)
|
D min. | a 2Ob Tai Str Org Bc | 7: 171 | I/20: 215 | text by BWV 1059
|
00046 |
| 36.4 | 1. | c. 1726–1730 | Cantata Schwingt freudig euch empor (Advent I; early version)
|
D maj. | stbSATB Oba Str Bc | 7: 395 | I/1: 17 | after BWV 36 .5
|
00048 |
| 36.4/5 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 7) | SATB | 7: 399 | III/2.1: 28 | after Z 8359; text by Nicolai
|
11193 | |||
| 36.5 | 1. | 1731-12-02 | Cantata Schwingt freudig euch empor (Advent I)
|
D maj. | satbSATB 2Oba Str Bc | 7: 221 | I/1: 41 | after (/4) | 00047 |
| 36.5/4 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 6) | SATB | 7: 243 | III/2.2: 48, 109, 180 |
after Z 8359; text by Nicolai
|
11346 | |||
| 36.5/8 | chorale setting "Nun komm, der Heiden Heiland" (s. 8) | B min. | SATB | 7: 258 | III/2.2: 18 | after Z 1174; text by Luther
|
11329 | ||
| 36.2 | 1. | 1726-11-30 or 1725-11-30 |
Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost)
|
stbSATB Oba Va Str Bc (?) | I/35 | text by BWV 36.1 /1, /3, /5, /7, /9
|
00049 | ||
| 36.3 | 1. | 1735-07-27 | Secular cantata Die Freude reget sich (birthday of Rivinius, J. F. ]?)
|
D maj. | satSATB Fl Oba Str Bc | 34: 39 | I/38: 255 | after BWV 36.1 /1, /3, /5, /7, /8
|
00050 |
| 36.1 | 1. | April–May 1725 | Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B. ]?)
|
D maj. | stbSATB Oba Str Va Bc | 34: 39 | I/39: 1 | → .4
|
00051 |
| 37 | 1. | 1724-05-18 | Cantata Wer da gläubet und getauft wird (Ascension)
|
A maj. | satbSATB 2Oba Str Bc | 7: 259 | I/12: 79 | after (/6) | 00052 |
| 37/6 | chorale setting "Ich dank dir, lieber Herre" (s. 4) | SATB | 7: 282 | III/2.2: 197 | after Z 5354; text by Kolross
|
11304 | |||
| 38 | 1. | 1724-10-29 | Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI)
|
E min. | satbSATB 2Ob 4Tbn Str Bc | 7: 283 | I/25: 217 | after Z 4437; text after Luther
|
00053 |
| 38/6 | chorale setting "Aus tiefer Not schrei ich zu dir" (s. 5) | SATB | 7: 300 | III/2.1: 67 III/2.2: 8 |
after Z 4437; text by Luther
|
11233 | |||
| 39 | 1. | 1726-06-23 | Cantata Brich dem Hungrigen dein Brot (Trinity I)
|
G min. | sabSATB 2Fl 2Ob Str Bc | 7: 336 | I/15 179 | after (/7) | 00054 |
| 39/7 | chorale setting "Kommt, lasst euch den Herren lehren" (s. 6) | B♭ maj. | SATB | 7: 348 | III/2.1: 81 III/2.2: 37 |
after Z 6543; text by Denicke
|
11247 | ||
| chorale setting "Freu dich sehr, o meine Seele" | after Z 6543
| ||||||||
| 40 | 1. | 1723-12-26 | Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2)
|
F maj. | atbSATB 2Hn 2Ob Str Bc | 7: 349 | I/3.1: 3 | after (/8) | 00055 |
| 40/3 | chorale setting "Wir Christenleut" (s. 3) | G min. | SATB | 7: 377 | III/2.2: 186 | after Z 2072; text by Füger
|
11315 | ||
| 40/6 | chorale setting "Schwing dich auf zu deinem Gott" (s. 2) | D min. | SATB | 7: 387 | III/2.2: 82 | after Z 4870; text by Gerhardt
|
11343 | ||
| 40/8 | chorale setting "Freuet euch, ihr Christen alle" (s. 4) | F min. | SATB | 7: 394 | III/2.2: 6 | after Z 7880a; text by Keymann
|
11339 | ||
| 41 | 1. | 1725-01-01 | Cantata Jesu, nun sei gepreiset (New Year)
|
C maj. | satbSATB 3Tr Tmp 3Ob Str Vc Bc | 10: 1 | I/4: 37 | after BWV 171 /6
|
00056 |
| 41/6 | chorale setting "Jesu, nun sei gepreiset" (s. 3) | SATB | 10: 58 | III/2.1: 90 III/2.2: 8 |
after Z 8477a; text by Hermann
|
11253 | |||
| 42 | 1. | 1725-04-08 | Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti)
|
D maj. | satbSATB 2Ob Bas Str Bc | 10: 63 | I/11.1: 61 | after :2 (/7) | 00057 |
| 42/7 | chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) | F♯ min. | SATB | 10: 91 | III/2.1: 21 III/2.2: 51, 154 |
after :2 | 11186 | ||
| 43 | 1. | 1726-05-30 | Cantata Gott fähret auf mit Jauchzen (Ascension)
|
C maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 10: 93 | I/12: 133 | after Rist (/11)
|
00058 |
| 44 | 1. | 1724-05-21 | Cantata Sie werden euch in den Bann tun (Exaudi)
|
G min. | satbSATB 2Ob Str Bc | 10: 127 | I/12: 165 | after (/7) | 00059 |
| 44/7 | chorale setting "In allen meinen Taten" (s. 7) | B♭ maj. | SATB | 10: 150 | III/2.1: 75 III/2.2: 203 |
after Z 2293b; text by Fleming
|
11242 | ||
| chorale setting "Nun ruhen alle Wälder" | after Z 2293b; text by Gerhardt
| ||||||||
| 45 | 1. | 1726-08-11 | Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII)
|
E maj. | atbSATB 2Fl Ob Oba Str Bc | 10: 151 | I/18: 197 | after (/7) | 00060 |
| 45/7 | chorale setting "O Gott, du frommer Gott" (s. 7) | SATB | 10: 186 | III/2.2: 47 | after Z 5206b–c; text by Heermann
|
11297 | |||
| 46 | 1. | 1723-08-01 | Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X)
|
D min. | atbSATB Tdt Hn 2Fl 2Odc Str Bc | 10: 187 | I/19: 109 | after (/6) | 00061 |
| 46/6 | chorale setting "O großer Gott von Macht" (s. 9) | G min. | SATB | 10: 236 | III/2.2: 45 | after Z 5105a; text by Meyfart
|
11341 | ||
| 47 | 1. | 1726-10-13 | Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII)
|
G min. | sbSATB 2Ob Str Org Bc | 10: 239 | I/23: 319 | after Helbig, after Lk 14 :11 (/1)
|
00062 |
| 47/5 | chorale setting "Warum betrübst du dich, mein Herz" (s. 11) | SATB | 10: 274 | III/2.2: 52 | after Z 1689a
|
11336 | |||
| 48 | 1. | 1723-10-03 | Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX)
|
G min. | atSATB Tr 2Ob Str Bc | 10: 275 | I/24: 105 | after ] (/3) | 00063 |
| 48/3 | chorale setting "Ach Gott und Herr" (s. 4) | B♭ maj. | SATB | 10: 288 | III/2.1: 30 III/2.2: 166 |
after Z 2051; text by Rutilius ]
|
11197 | ||
| 48/7 | chorale setting "Herr Jesu Christ, ich schrei zu dir" (s. 12) | G min. | SATB | 10: 298 | III/2.1: 33 III/2.2: 158 |
after Z 4486
|
11320 | ||
| chorale setting "Herr Jesu Christ, du höchstes Gut" | after Z 4486; text by Ringwaldt
| ||||||||
| 49 | 1. | 1726-11-03 | Cantata Ich geh und suche mit Verlangen (Trinity XX)
|
G min. | sb Oba Str Vl Org Bc | 10: 299 | I/25: 107 | after BWV 1053 /3
|
00064 |
| 50 | 1. | Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?)
|
D maj. | 2SATB 3Tr Tmp 3Ob Str Bc | 10: 341 | I/30: 141 | text after Rv 12:10; in SBB P 136 | 00065 | |
| 51 | 1. | 1730-09-17 | Cantata Jauchzet Gott in allen Landen (Trinity XV)
|
C maj. | s (2)Tr (Tmp) Str Bc | 122: 1 | I/22: 77 | after (/4) | 00066 |
| 52 | 1. | 1726-11-24 | Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII)
|
F maj. | sSATB 2Hn 3Ob Bas Str Bc | 122: 25 | I/26: 131 | after (/6) | 00067 |
| 54 | 1. | 1714–1717? | Cantata Widerstehe doch der Sünde (Oculi)
|
E♭ maj. | a 2Vl 2Va Bc | 122: 59 | I/18: 3 | text by BWV 247 /53?
|
00069 |
| 55 | 1. | 1726-11-17 | Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII)
|
G min. | tSATB Fl Oba Str Bc | 122: 73 | I/26: 55 | after Rist (/5)
|
00070 |
| 55/5 | chorale setting "Werde munter, mein Gemüte" (s. 6) | B♭ maj. | SATB | 122: 86 | III/2.2: 53 | after Rist
|
11319 | ||
| 56 | 1. | 1726-10-27 | Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX)
|
G min. | bSATB 2Ob Tai Str Vc Bc | 122: 87 | I/24: 173 | after Z 6773 (/5); text by Birkmann, Franck, J. (/5)
|
00071 |
| 56/5 | chorale setting "Du, o schönes Weltgebäude" (s. 6) | C Dor. | SATB | 122: 104 | III/2.2: 48 | after Z 6773; text by Franck, J.
|
11300 | ||
| 57 | 1. | 1725-12-26 | Cantata Selig ist der Mann (Christmas 2)
|
G min. | sbSATB 2Ob Tai Str Bc | 122: 105 | I/3.1: 83 | after Jm 1:12 (/1)
|
00072 |
| 57/8 | chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (s. 6) | B♭ maj. | SATB | 122: 132 | III/2.2: 50 | after Z 1912a–c; text by Fritsch
|
11323 | ||
| 58.2 | 1. | 1733-01-04 or 1734-01-03 |
Cantata Ach Gott, wie manches Herzeleid (New Year I)
|
C maj. | sb 2Ob Tai Vl Str Bc | 122: 133 | I/4: 217 | after (/5) | 00073 |
| 58.1 | 1. | 1727-01-05 | Cantata Ach Gott, wie manches Herzeleid (New Year I; early version)
|
C maj. | sb Vl Str Bc | I/4: 241 | after BWV 58 .2
|
00074 | |
| 59 | 1. | 1724-05-28 | Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)
|
C maj. | sbSATB 2Tr Tmp Str Bc | 122: 151 | I/13: 65 | after 175 /7
|
00075 |
| 60 | 1. | 1723-11-07 | Cantata O Ewigkeit, du Donnerwort (Trinity XXIV)
|
D maj. | atbSATB Hn 2Oba Str Bc | 122: 169 | I/27: 1 | after Rist (/1), Burmeister (/5), after Rv 14:13 (/4)
|
00076 |
| 60/5 | chorale setting "Es ist genug, so nimm" (s. 5) | A maj. | SATB | 122: 190 | III/2.1: 37 III/2.2: 127 |
after Z 7173; text by Burmeister
|
11203 | ||
| 61 | 1. | 1714-12-02 | Cantata Nun komm, der Heiden Heiland (Advent I – first setting)
|
A min. | stbSATB Fag 2Vl 2Va Bc | 16: 1 | I/1: 1 | after 3:20 (/4) | 00077 |
| 62 | 1. | 1724-12-03 | Cantata Nun komm, der Heiden Heiland (Advent I – second setting)
|
B min. | satbSATB Hn 2Ob Str Bc | 16: 19 | I/1: 75 | after Z 1174; text after Luther
|
00078 |
| 62/6 | chorale setting "Nun komm, der Heiden Heiland" (s. 8) | SATB | 16: 50 | III/2.1: 68 | after Z 1174; text by Luther
|
11234 | |||
| A min. | III/2.2: 97 | ||||||||
| 63 | 1. | 1714-12-25 1723-12-25 |
Cantata Christen, ätzet diesen Tag (Christmas; two versions)
|
C maj. | satbSATB 4Tr Tmp 3Ob Bas Str Bc | 16: 51 | I/2: 1 | text by Heineccius? | 00079 |
| 64 | 1. | 1723-12-27 | Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3)
|
E min. | sabSATB Cnt 3Tbn Oba Str Bc | 16: 111, 371 | I/3.1: 113 | after (/8) | 00080 |
| 64/2 | chorale setting "Gelobet seist du, Jesu Christ" (s. 7) | G maj. | SATB | 16: 371 | III/2.1: 16 III/2.2: 92 |
after Z 1947; text by Luther
|
11179 | ||
| 64/4 | chorale setting "Was frag ich nach der Welt" (s. 1) | D maj. | SATB | 16: 372 | III/2.1: 16 III/2.2: 151 |
after Z 5206b–c; text by Kindermann
|
11180 | ||
| 64/8 | chorale setting "Jesu, meine Freude" (s. 5) | E min. | SATB | 16: 132 | III/2.1: 15 III/2.2: 80 |
after Z 8032; text by Franck, J.
|
11178 | ||
| 65 | 1. | 1724-01-06 | Cantata Sie werden aus Saba alle kommen (Epiphany)
|
C maj. | tbSATB 2Hn 2Fl 2Odc Str Bc | 16: 133 | I/5: 1 | after (/7) | 00081 |
| 65/2 | chorale setting "Ein Kind geboren zu Bethlehem" (s. 4) | A min. | SATB | 16: 152 | III/2.2: 9 | after Z 192b; text by Spangenberg
|
11342 | ||
| chorale setting "Puer natus in Bethlehem" | after Z 192b
| ||||||||
| 65/7 | chorale setting "Ich hab in Gottes Herz und Sinn" (s. 10) | A min. | SATB | 16: 166 | III/2.2: 24 | after Z 7568; text by Gerhardt
|
11337 | ||
| chorale setting "Was mein Gott will, das gscheh allzeit" | after Z 7568; text by Albert of Prussia
| ||||||||
| 66.2 | 1. | 1724-04-10 | Cantata Erfreut euch, ihr Herzen (Easter 2)
|
D maj. | atbSATB Tr 2Ob Str Bc | 16: 167 | I/10: 1 | after Z 8584 /3
|
00082 |
| 66.2/6 | chorale setting "Alleluja", s. 3 from "Christ ist erstanden" | F♯ min. | SATB | 16: 214 | III/2.1: 57 | after Z 8584 /3
|
11222 | ||
| 66.1 | 1. | 1718-12-10 | Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen )
|
atbSATB 2Ob Bas Str Bc (?) | I/35 | text by BWV 66.2 /1–/5
|
00083 | ||
| 67 | 1. | 1724-04-16 | Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti)
|
A maj. | atbSATB Hn Fl 2Oba Str Bc | 16: 215 | I/11.1: 1 | after (/7) | 00084 |
| 67/7 | chorale setting "Du Friedefürst, Herr Jesu Christ" (s. 1) | SATB | 16: 246 | III/2.1: 10 III/2.2: 25 |
after Z 4373; text by Ebert
|
11174 | |||
| 68 | 1. | 1725-05-21 | Cantata Also hat Gott die Welt geliebt (Pentecost 2)
|
D min. | sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc | 16: 247 | I/14: 31 | after Liscow (/1), after Jh 3 :18 (/5)
|
00085 |
| 69.2 | 1. | 1748-08-26 | Cantata Lobe den Herrn, meine Seele (council election)
|
D maj. | satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | 16: 281 | I/32.2: 111 | after (/6) | 00086 |
| 69.2/6 | chorale setting "Es woll uns Gott genädig sein" (s. 3) | SATB | 16: 325 | III/2.2: 192 | after Z 7247; text by Luther
|
11303 | |||
| 69.1 | 1. | 1723-08-15 | Cantata Lobe den Herrn, meine Seele (Trinity XII)
|
D maj. | satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc | 16: 373 | I/20: 117 | after BWV 69.2 /1, /3, /5
|
00087 |
| 69.1/6 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) | G maj. | SATB | 16: 379 | III/2.1: 55 III/2.2: 174 |
after BWV 12/7; text by Rodigast
|
11219 | ||
| 70.2 | 1. | 1723-11-21 | Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI)
|
C maj. | satbSATB Tr Ob Str Vc Bc | 16: 327 | I/27: 107 | after (/11) | 00088 |
| 70.2/11 | 1716-12-06 | chorale setting "Meinen Jesum laß ich nicht, weil" (s. 5) | C maj. | SATB | 16: 368 | III/2.2: 200 | = BWV 70 .1/6
|
11308 | |
| 70.1 | 1. | Cantata Wachet! Betet! Betet! Wachet! (Advent II)
|
satbSATB Tr Ob Str Vc Bc | 16: 327 | I/1 | after BWV 70 .2/1, /3, /5, /8, /10, /11
|
00089 | ||
| 71 | 1. | 1708-02-04 | Cantata Gott ist mein König (council election)
|
D maj. | satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org | 18: 1 | I/32.1: 3 | after Gn 21 :22b (/3)
|
00090 |
| 72 | 1. | 1726-01-27 | Cantata Alles nur nach Gottes Willen (Epiphany III)
|
A min. | sabSATB 2Ob Str Bc | 18: 55 | I/6: 59 | after BWV 235 /2
|
00091 |
| 73 | 1. | 1724-01-23 | Cantata Herr, wie du willt, so schicks mit mir (Epiphany III)
|
G min. | stbSATB Hn 2Ob Str Bc | 18: 85 | I/6: 3 | after (/5) | 00092 |
| 73/5 | chorale setting "Von Gott will ich nicht lassen" (s. 9) | C min. A min. |
SATB | 18: 104 | III/2.2: 107 | after Z 5264b; text by Helmbold
|
11310 | ||
| 74 | 1. | 1725-05-20 | Cantata Wer mich liebet, der wird mein Wort halten (Pentecost)
|
C maj. | satbSATB 3Tr Tmp 2Ob Odc Str Bc | 18: 105 | I/13: 83 | after :1 (/6) | 00093 |
| 74/8 | chorale setting "Gott Vater, sende deinen Geist" (s. 2) | A min. | SATB | 18: 146 | III/2.1: 78 III/2.2: 212 |
after Z 2496; text by Gerhardt
|
11245 | ||
| chorale setting "Kommt her zu mir, spricht Gottes Sohn" | after Z 2496; text by Grünwald
| ||||||||
| 75 | 1. | 1723-05-30 | Cantata Die Elenden sollen essen (Trinity I)
|
E min. | satbSATB Tr 2Ob Oba Bas Str Bc | 18: 147 | I/15: 85 | after (/7, /14) | 00094 |
| 76 | 1. | 1723-06-06 | Cantata Die Himmel erzählen die Ehre Gottes (Trinity II)
|
C maj. | satbSATB Tr 2Ob Oba Str Vdg Bc | 18: 189 | I/16: 1 | after BWV 528 /1
|
00095 |
| 77 | 1. | 1723-08-22 | Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII)
|
C maj. | satbSATB Tdt 2Ob Str Bc | 18: 233 | I/21: 1 | after Lk 10:27 (/1), by Denicke ? (/6)
|
00096 |
| 77/6 | chorale setting "Wenn einer alle Ding verstünd" (s. 8)? | G min. | SATB | 18: 254 | III/2.1: 14 III/2.2: 150 |
after Z 4431; text by Denicke
|
11176 | ||
| chorale setting "Ach Gott, vom Himmel sieh darein" | after Z 4431; text by Luther
| ||||||||
| 78 | 1. | 1724-09-10 | Cantata Jesu, der du meine Seele (Trinity XIV)
|
G min. | satbSATB Hn Fl 2Ob Str Vne Bc | 18: 255 | I/21: 115 | after Rist
|
00097 |
| 78/7 | chorale setting "Jesu, der du meine Seele" (s. 12) | SATB | 18: 286 | III/2.1: 60 III/2.2: 150 |
after Rist
|
11225 | |||
| 79 | 1. | 1725-10-31 | Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd c.1730)
|
G maj. | sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc | 18: 287 | I/31: 1 | after 234 /5
|
00098 |
| 80.3 | 1. | c. 1735? | Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach 's addition)
|
D maj. | satbSATB 3Ob 2Oba Odc Str Bc | 18: 317 | I/31: 71 | after BWV 80.2 (same text)
|
00099 |
| 80.1 | 1. | 1715-03-24 | Cantata Alles, was von Gott geboren (Oculi; music lost)
|
satb(?)SATB Ob Str Bc | I/8.2: V | after BWV 80.2
|
00100 | ||
| 80.2 | 1. | c. 1729–1731 | Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version)
|
D maj. | sbSATB Ob Str Bc | 18: 351 | I/31: 65 | after BWV 80.3
|
00101 |
| 80/8 | chorale setting "Ein feste Burg ist unser Gott" (s. 4) | SATB | 18: 378 | III/2.1: 29 III/2.2: 162 |
after Z 7377; text by Luther
|
11195 | |||
| 81 | 1. | 1724-01-30 | Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV)
|
E min. | atbSATB 2Fl 2Oba Str Bc | 201: 1 | I/6: 111 | after (/7) | 00102 |
| 81/7 | chorale setting "Jesu, meine Freude" (s. 2) | SATB | 201: 24 | III/2.2: 188 | after Z 8032; text by Franck, J.
|
11305 | |||
| 82.1 | 1. | 1727-02-02 | Cantata Ich habe genug (Purification; 1st version)
|
C min. | b Ob Str Bc | 201: 25 | I/28.1: 77 | text by BWV 82 .2–.4
|
00103 |
| 82.2 | 1. | 1731-02-02 | Cantata Ich habe genug (Purification; 2nd version)
|
E min. | s Fl Str Bc | I/28.1: 155 | after 82 .3–.4
|
00104 | |
| 82.2/2–/3 | 1. | c.1731 (AMB) | Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen" | E min. | s Bc | 432: 46 | V/4:122 | after BWV 82.2; text by Birkmann
|
00104 |
| 82.2/3 | 1. | c.1731 (AMB) | Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete) | E min. | s Bc | 432: 49 | V/4:122 | after BWV 82.2; text by Birkmann
|
00104 |
| 82.3 | 1. | c.1735 | Cantata Ich habe genug (Purification; 3rd version)
|
C min. | b or mezzo Ob Str Bc | I/28.1: 109 | after 82 .4
|
00105 | |
| 82.4 | 1. | 1746–1748 | Cantata Ich habe genug (Purification; 4th version)
|
C min. | b (or mezzo) Ob Odc Str Bc | I/28.1: 109 | after BWV 82 .1–.3 (same text)
|
00106 | |
| 83 | 1. | 1724-02-02 | Cantata Erfreute Zeit im neuen Bunde (Purification)
|
F maj. | atbSATB 2Hn 2Ob Vl Str Bc | 201: 51 | I/28.1: 3 | after (/5) | 00107 |
| 83/5 | chorale setting "Mit Fried und Freud ich fahr dahin" (s. 4) | D min. | SATB | 201: 76 | III/2.2: 188 | after Z 3986; text by Luther
|
11309 | ||
| 84 | 1. | 1727-02-09 | Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae)
|
E min. | sSATB Ob Str Bc | 201: 77 | I/7: 21 | after Z 2778 (/5); text after Picander, by E. J. of Schwarzburg-Rudolstadt (/5)
|
00108 |
| 84/5 | chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 12) | B min. | SATB | 201: 98 | III/2.1: 27 III/2.2: 63 |
after Z 2778; text by E. J. of Schwarzburg-Rudolstadt
|
11192 | ||
| chorale setting "Wer nur den lieben Gott lässt walten" | after Z 2778; text by Neumark
| ||||||||
| 85 | 1. | 1725-04-15 | Cantata Ich bin ein guter Hirt (Misericordias Domini)
|
C min. | satbSATB 2Ob Str Vc Bc | 201: 99 | I/11.1: 157 | after ] (/6) | 00109 |
| 85/6 | chorale setting "Ist Gott mein Schild und Helfersmann" (s. 4) | SATB | 201: 118 | III/2.1: 74 III/2.2: 69 |
after Z 2542; text by Homburg ]
|
11240 | |||
| 86 | 1. | 1724-05-14 | Cantata Wahrlich, wahrlich, ich sage euch (Rogate)
|
E maj. | satbSATB 2Oba Str Bc | 201: 119 | I/12: 45 | after (/6) | 00110 |
| 86/6 | chorale setting "Es ist das Heil uns kommen her" (s. 11) | SATB | 201: 134 | III/2.2: 3 | after Z 4430; text by Speratus
|
11322 | |||
| 87 | 1. | 1725-05-06 | Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate)
|
D min. | atbSATB 2Ob 2Odc Str Bc | 201: 135 | I/12: 61 | after (/7) | 00111 |
| 87/7 | chorale setting "Selig ist die Seele" (s. 9) | SATB | 201: 152 | III/2.1: 73 III/2.2: 54 |
after Z 8032; text by Müller, H.
|
11239 | |||
| chorale setting "Jesu, meine Freude" | after Z 8032; text by Franck, J.
| ||||||||
| 88 | 1. | 1726-07-21 | Cantata Siehe, ich will viel Fischer aussenden (Trinity V)
|
D maj. | satbSATB 2Hn 2Oba Tai Str Bc | 201: 153 | I/17.2: 33 | after (/7) | 00112 |
| 88/7 | chorale setting "Wer nur den lieben Gott lässt walten" (s. 7) | B min. | SATB | 201: 178 | III/2.2: 58 | after Z 2778; text by Neumark
|
11312 | ||
| 89 | 1. | 1723-10-24 | Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII)
|
C min. | sabSATB Hn 2Ob Str Bc | 201: 179 | I/26: 1 | after (/6) | 00113 |
| 89/6 | chorale setting "Wo soll ich fliehen hin" (s. 7) | G min. | SATB | 201: 194 | III/2.2: 167 | after Z 2164; text by Heermann
|
11292 | ||
| 90 | 1. | 1723-11-14 | Cantata Es reißet euch ein schrecklich Ende (Trinity XXV)
|
D min. | atbSATB (Tr) Str Bc | 201: 195 | I/27: 59 | after Z 2561 (/5); text by Moller (/5)
|
00114 |
| 90/5 | chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) | SATB | 201: 214 | III/2.1: 33 III/2.2: 158 |
after Z 2561; text by Moller
|
11199 | |||
| chorale setting "Vater unser im Himmelreich" | after Z 2561; text by Luther
| ||||||||
| 91.2 | 1. | 1746–1747 | Cantata Gelobet seist du, Jesu Christ (Christmas; later version)
|
G maj. | satbSATB 2Hn Tmp 3Ob Str Bc | 22: 1 | I/2: 131 | after BWV 91 .1 (same text)
|
00115 |
| 91.1 | 1. | 1724-12-25 | Cantata Gelobet seist du, Jesu Christ (Christmas; early version)
|
G maj. | satbSATB 2Hn Tmp 3Ob Str Bc | 22: 1, 333 |
I/2: 164 | after BWV 91 .2
|
00116 |
| 91/6 | chorale setting "Gelobet seist du, Jesu Christ" (s. 7) | SATB | III/2.1: 89 III/2.2: 30 |
after Z 1947; text by Luther
|
11252 | ||||
| 92 | 1. | 1725-01-28 | Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae)
|
B min. | satbSATB 2Oba Str Bc | 22: 33 | I/7: 41 | after Z 7568; text after Gerhardt
|
00117 |
| 93 | 1. | 1724-07-09 | Cantata Wer nur den lieben Gott läßt walten (Trinity V)
|
C min. | satbSATB 2Ob Str Bc | 22: 69 | I/17.2: 3 | after BWV 647
|
00118 |
| 94 | 1. | 1724-08-06 | Cantata Was frag ich nach der Welt (Trinity IX)
|
D maj. | satbSATB Fl 2Ob 2Oba Str Bc | 22: 95 | I/19: 43 | after Z 5206b–c; text after Kindermann
|
00119 |
| 94/8 | chorale setting "Was frag ich nach der Welt" (s. 8) | SATB | 22: 127 | III/2.1: 53 III/2.2: 173 |
after Z 5206b–c; text by Kindermann
|
11215 | |||
| 95 | 1. | 1723-09-12 | Cantata Christus, der ist mein Leben (Trinity XVI)
|
G maj. | stbSATB Hn or Cnt 2Ob 2Oba Str Bc | 22: 129 | I/23: 65 | after (/7) | 00120 |
| 95/7 | chorale setting "Wenn mein Stündlein vorhanden ist" (s. 4) | SATB | 22: 153 | III/2.1: 64 | after Z 4482; text by Herman
|
11229 | |||
| 96 | 1. | 1724-10-08 | Cantata Herr Christ, der einge Gottessohn (Trinity XVIII)
|
F maj. | satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc | 22: 155 | I/24: 1 | after Z 4297a; text after Cruciger
|
00121 |
| 96/6 | chorale setting "Herr Christ, der einge Gottessohn" (s. 5) | SATB | 22: 184 | III/2.1: 66 III/2.2: 179 |
after Z 4297a; text by Cruciger
|
11231 | |||
| 97 | 1. | 1734-07-25? after 1735 |
Cantata In allen meinen Taten (two versions; Trinity V?)
|
B♭ maj. | satbSATB 2Ob Str Bc | 22: 185, 336 | I/34: 197 | after BWV 392
|
00122 |
| 97/9 | chorale setting "In allen meinen Taten" (s. 9) | SATB | 22: 230 | III/2.1: 49 | after BWV 392
|
11210 | |||
| chorale setting "Nun ruhen alle Wälder" | after BWV 392
| ||||||||
| 98 | 1. | 1726-11-10 | Cantata Was Gott tut, das ist wohlgetan (Trinity XXI)
|
B♭ maj. | satbSATB 2Ob Str Bc | 22: 231 | I/25: 241 | after (/1) | 00123 |
| 99 | 1. | 1724-09-17 | Cantata Was Gott tut, das ist wohlgetan (Trinity XV)
|
G maj. | satbSATB Hn Fl Oba Str Bc | 22: 251 | I/22: 41 | after BWV 100 /1
|
00124 |
| 100 | 1. | 1734–1735 | Cantata Was Gott tut, das ist wohlgetan
|
G maj. | satbSATB 2Hn Tmp Fl Oba Str Bc | 22: 277 | I/34: 239 | after 75/7 (/6); text by Rodigast
|
00125 |
| 100/6 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 6) | SATB | 22: 323 | III/2.1: 72 | after 75/7=/14; text by Rodigast
|
11238 | |||
| 101 | 1. | 1724-08-13 | Cantata Nimm von uns, Herr, du treuer Gott (Trinity X)
|
D min. | satbSATB 2Hn Tmp Fl Oba Str Bc | 23: 1 | I/19: 173 | after Z 2561; text after Moller
|
00126 |
| 101/7 | chorale setting "Nimm von uns, Herr, du treuer Gott" (s. 7) | SATB | 23: 32 | III/2.1: 54 III/2.2: 174 |
after Z 2561; text by Moller
|
11216 | |||
| 102 | 1. | 1726-08-25 | Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X)
|
G min. | atbSATB Fl Vl 2Ob Str Bc | 23: 33 | I/19: 229 | after BWV 233 /4 & /5
|
00127 |
| 102/7 | chorale setting "So wahr ich lebe, spricht dein Gott" (ss. 6–7) | C min. | SATB | 23: 66 | III/2.2: 62 | after Z 2561; text by Heermann
|
11334 | ||
| chorale setting "Vater unser im Himmelreich" | after Z 2561; text by Luther
| ||||||||
| 103 | 1. | 1725-04-22 1731-04-15 |
Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions)
|
B min. | atSATB Tr Fl Fl (or) Vl 2Oba Str Bc | 23: 67 | I/11.2: 25 | after Z 7568 (/6); text by Ziegler, C. M., Gerhardt (/6)
|
00128 |
| 103/6 | chorale setting "Barmherzger Vater, höchster Gott" (s. 9) | SATB | 23: 94 | III/2.1: 72 III/2.2: 68 |
after Z 7568; text by Gerhardt
|
11237 | |||
| chorale setting "Ich hab in Gottes Herz und Sinn" | |||||||||
| chorale setting "Was mein Gott will, das gscheh allzeit" | after Z 7568; text by Albert of Prussia
| ||||||||
| 104 | 1. | 1724-04-23 | Cantata Du Hirte Israel, höre (Misericordias)
|
G maj. | tbSATB 2Ob 2Oba Tai Str Bc | 23: 95 | I/11.1: 113 | after (/6) | 00129 |
| 104/6 | chorale setting "Der Herr ist mein getreuer Hirt" (s. 1) | A maj. | SATB | 23: 116 | III/2.2: 189 | after Z 4457; text by Becker
|
11283 | ||
| chorale setting "Allein Gott in der Höh sei Ehr" | after Z 4457; text by Decius
| ||||||||
| G maj. | III/2.2: 71 | 11290 | |||||||
| 105 | 1. | 1723-07-25 | Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX)
|
G min. | satbSATB Hn 2Ob Str Bc | 23: 117 | I/19: 1 | after Rist (/6)
|
00130 |
| 105/6 | chorale setting "Jesu, der du meine Seele" (s. 11) | SATB | 23: 146 | III/2.1: 52 | after Rist
|
11214 | |||
| 106 | 1. | 1708-09-16? | Cantata Gottes Zeit ist die allerbeste Zeit (funeral; aka Actus tragicus)
|
E♭ maj. | satbSATB 2Fl 2Vdg Bc | 23: 147 | I/34: 1 | after (/4) | 00131 |
| 107 | 1. | 1724-07-23 | Cantata Was willst du dich betrüben (Trinity VII)
|
B min. | stbSATB Hn 2Fl 2Oba Str Bc | 23: 179 | I/18: 55 | after Z 5264b; text by Heermann
|
00132 |
| 108 | 1. | 1725-04-29 | Cantata Es ist euch gut, daß ich hingehe (Cantate)
|
A maj. | atbSATB 2Oba Str Bc | 23: 203 | I/12: 17 | after :7 (/1), 13 (/4) | 00133 |
| 108/6 | chorale setting "Gott Vater, sende deinen Geist" (s. 10) | B min. | SATB | 23: 230 | III/2.1: 69 III/2.2: 26 |
after Z 2496; text by Gerhardt
|
11235 | ||
| chorale setting "Kommt her zu mir, spricht Gottes Sohn" | after Z 2496; text by Grünwald
| ||||||||
| 109 | 1. | 1723-10-17 | Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions)
|
D min. | atSATB (Hn) 2Ob Str Bc | 23: 231 | I/25: 157 | after (/6) | 00134 |
| 110 | 1. | 1725-12-25 | Cantata Unser Mund sei voll Lachens (Christmas)
|
D maj. | satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc | 23: 263 | I/2: 71 | after :14 (/5) | 00135 |
| 110/7 | chorale setting "Wir Christenleut" (s. 5) | B min. | SATB | 23: 324 | III/2.2: 32 | after Z 2072; text by Füger
|
11316 | ||
| 111 | 1. | 1725-01-25 | Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III)
|
A min. | satbSATB 2Ob Str Bc | 24: 1 | I/6: 27 | after Z 7568; text after Albert of Prussia
|
00136 |
| 112 | 1. | 1731-04-08 | Cantata Der Herr ist mein getreuer Hirt (Misericordias)
|
G maj. | satbSATB 2Hn 2Oba Str Bc | 24: 29 | I/11.1: 179 | after | 00137 |
| 112/5 | chorale setting "Der Herr ist mein getreuer Hirt" (s. 5) | SATB | 24: 48 | III/2.1: 71 III/2.2: 183, 202 |
11236 | ||||
| chorale setting "Allein Gott in der Höh sei Ehr" | after Z 4457; text by Decius
| ||||||||
| 113 | 1. | 1724-08-20 | Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI)
|
B min. | satbSATB Fl 2Oba Str Bc | 24: 49 | I/20: 79 | after Z 4486; text after Ringwaldt
|
00138 |
| 113/8 | chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) | SATB | 24: 80 | III/2.1: 54 III/2.2: 175 |
after Z 4486; text by Ringwaldt
|
11217 | |||
| 114 | 1. | 1724-10-01 | Cantata Ach, lieben Christen, seid getrost (Trinity XVII)
|
G min. | satbSATB Hn Fl 2Ob Str Bc | 24: 81 | I/23: 287 | after Z 4441a; text after Gigas
|
00139 |
| 114/7 | chorale setting "Ach, lieben Christen, seid getrost" (s. 6) | SATB | 24: 108 | III/2.1: 65 III/2.2: 179 |
after Z 4441a; text by Gigas
|
11230 | |||
| 115 | 1. | 1724-11-05 | Cantata Mache dich, mein Geist, bereit (Trinity XXII)
|
G maj. | satbSATB Hn Fl Oba Str Vc Bc | 24: 109 | I/26: 21 | after Z 6274a; text after Freystein
|
00140 |
| 115/6 | chorale setting "Mache dich, mein Geist, bereit" (s. 10) | SATB | 24: 132 | III/2.1: 25 III/2.2: 23 |
after Z 6274a; text by Freystein
|
11190 | |||
| chorale setting "Straf mich nicht in deinem Zorn" | after Z 6274a; text by Albinus
| ||||||||
| 116 | 1. | 1724-11-26 | Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV)
|
A maj. | satbSATB Hn 2Oba Str Bc | 24: 133 | I/27: 79 | after Z 4373; text after Ebert
|
00141 |
| 117 | 1. | 1728–1731 | Cantata Sei Lob und Ehr dem höchsten Gut
|
G maj. | atbSATB 2Fl 2Ob 2Oba Str Bc | 24: 159 | I/34: 151 | after Z 4430; text by Schütz, J. J.
|
00142 |
| 117/4 117/9 |
chorale setting "Sei Lob und Ehr dem höchsten Gut" (ss. 4, 9) | SATB | 24: 159 | III/2.1: 71 III/2.2: 203 |
11172 | ||||
| chorale setting "Sei Lob und Ehr dem höchsten Gut" | III/2.1: 9 III/2.2: 147 |
11173 | |||||||
| 119 | 1. | 1723-08-30 | Cantata Preise, Jerusalem, den Herrn (council election)
|
C maj. | satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc | 24: 193 | I/32.1: 129 | after (/9) | 00144 |
| 120.1 | 1. | 1729 or earlier | Cantata Gott, man lobet dich in der Stille (council election)
|
A maj. | satbSATB 3Tr 2Ob 2Oba Vl Str Bc | 24: 247 | I/32.2: 53 | after 1019a /3 → .3/4)
|
00145 |
| 120.2 | 1. | 1729? | Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete)
|
D maj. | satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc | 41: 149 | I/33: 75 | after 1019a /3 → .3/4), /1 (/6 → .3/1)
|
00146 |
| 120.3 | 1. | 1730-06-26 | Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess. ; music lost, partially reconstructable)
|
saSATB 3Tr Tmp 2Oba Vl Str Bc ? | I/34 I/32.2 |
after 1019a/3); text by Picander
|
00147 | ||
| 121 | 1. | 1724-12-26 | Cantata Christum wir sollen loben schon (Christmas 2)
|
E min. | satbSATB Cnt 3Tbn Oba Str Bc | 26: 1 | I/3.1: 57 | after Z 297c, text after Luther
|
00148 |
| 121/6 | chorale setting "Christum wir sollen loben schon" (s. 8) | SATB | 26: 20 | III/2.2: 31 | after Z 297c, text by Luther
|
11284 | |||
| 122 | 1. | 1724-12-31 | Cantata Das neugeborne Kindelein (Christmas I)
|
G min. | satbSATB 3Fl 2Ob Tai Str Bc | 26: 21 | I/3.2: 53 | after Z 491; text after Schneegaß
|
00149 |
| 122/6 | chorale setting "Das neugeborne Kindelein" (s. 5) | SATB | 26: 40 | III/2.1: 43 III/2.2: 30, 101 |
after Z 491; text by Schneegaß
|
11207 | |||
| 123 | 1. | 1725-01-06 | Cantata Liebster Immanuel, Herzog der Frommen (Epiphany)
|
B min. | atbSATB 2Fl 2Oba Str Bc | 26: 41 | I/5: 47 | after Z 4932c; text after Fritsch
|
00150 |
| 123/6 | chorale setting "Liebster Immanuel, Herzog der Frommen" (s. 6) | SATB | 26: 60 | III/2.2: 108 | after Z 4932c; text by Fritsch
|
11340 | |||
| 124 | 1. | 1725-01-07 | Cantata Meinen Jesum laß ich nicht (Epiphany I)
|
E maj. | satbSATB Hn Oba Str Bc | 26: 61 | I/5: 115 | after Z 3449; text after Keymann
|
00151 |
| 125 | 1. | 1725-02-02 | Cantata Mit Fried und Freud ich fahr dahin (Purification)
|
E min. | atbSATB Hn Fl Ob Oba Str Bc | 26: 83 | I/28.1: 31 | after Z 3986; text after Luther
|
00152 |
| 126 | 1. | 1725-02-04 | Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae)
|
A min. | atbSATB Tr 2Ob Str Bc | 26: 111 | I/7: 155 | after | 00153 |
| 126/6 | chorale setting "Verleih uns Frieden gnädiglich" (ss. 1–2) | SATB | 26: 131 | III/2.2: 126 (in g) |
after | 11335 | |||
| 127 | 1. | 1725-02-11 | Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi)
|
F maj. | stbSATB Tr 2Fl 2Ob Str Bc | 26: 133 | I/8: 107 | after BWV 127/1 (variant)
|
00154 |
| 127/5 | chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" (s. 8) | SATB | 26: 160 | III/2.1: 46 III/2.2: 169 |
after Z 2570; text by Eber
|
11209 | |||
| 127/1 (var.) | 1. | c.1750 | Chorus " Herr Jesu Christ, wahr' Mensch und Gott " (Passion oratorio movement)
|
E♭ maj. | SATB 2Fl 2Ob Str Bc | I/41: 95 | after BC D 10
|
00155 | |
| 128 | 1. | 1725-05-10 | Cantata Auf Christi Himmelfahrt allein (Ascension)
|
G maj. | atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc | 26: 163 | I/12: 101 | after ] (/5) | 00156 |
| 129 | 1. | 1727-06-08 | Cantata Gelobet sei der Herr, mein Gott (Trinity)
|
D maj. | sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc | 26: 185 | I/15: 37 | after Z 5206b; text by Olearius, J.
|
00157 |
| 129/5 | chorale setting "Gelobet sei der Herr, mein Gott" (s. 5) | SATB | 26: 224 | III/2.1: 80 | 11246 | ||||
| chorale setting "O Gott, du frommer Gott" | after Z 5206b; text by Heermann
| ||||||||
| 130.1 | 1. | 1724-09-29 | Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version)
|
C maj. | satbSATB 3Tr Tmp Fl 3Ob Str Bc | 26: 231 | I/30: 1 | after BWV 130 .2
|
00158 |
| 130/6 | chorale setting "Herr Gott, dich loben alle wir" (s. 11) | SATB | 26: 268 | III/2.1: 61 III/2.2: 218 |
after Z 368; text by Eber
|
11226 | |||
| 130.2 | 1. | 1732–1735 | Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version)
|
C maj. | satbSATB 3Tr Tmp Fl 3Ob Str Bc | I/30: 48 | after BWV 130 .1 (same text)
|
00159 | |
| 131 | 1. | 1707 | Cantata Aus der Tiefen rufe ich, Herr, zu dir
|
G min. | satbSATB Ob Bas Str Bc | 28: 1 | I/34: 67 | after BWV 131a
|
00160 |
| 132 | 1. | 1715-12-22 | Cantata Bereitet die Wege, bereitet die Bahn (Advent IV)
|
A maj. | satbSATB Ob Bas Str Vc Bc | 28: 33 | I/1: 99 rev 2: 97 |
text by Franck, S., Cruciger (/6) | 00162 |
| 133 | 1. | 1724-12-27 | Cantata Ich freue mich in dir (Christmas 3)
|
A maj. | satbSATB Cnt 2Oba Str Bc | 28: 51 | I/3.1: 135 | ↔ Z 5187; text after Ziegler, C.
|
00163 |
| 133/6 | chorale setting "Ich freue mich in dir" (s. 4) | D maj. | SATB | 28: 80 | III/2.1: 44 III/2.2: 34 |
↔ Z 5187; text by Ziegler, C.
|
11208 | ||
| 134.3 | 1. | 1731-03-27 1735-04-12 |
Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version)
|
B♭ maj. | atSATB 2Ob Str Bc | 28: 81 | I/10: 69 | after BWV 134 .2
|
00164 |
| 134.2 | 1. | 1724-04-11 | Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version)
|
B♭ maj. | atSATB 2Ob Str Bc | 28: 81, 287 | I/10: 106 | after BWV 134 .3
|
00165 |
| 134.1 | 1. | 1719-01-01 | Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year)
|
B♭ maj. | atSATB 2Ob Str Bc | 29: 209 | I/35: 49 | text by BWV 134 .2
|
00166 |
| 135 | 1. | 1724-06-25 | Cantata Ach Herr, mich armen Sünder (Trinity III)
|
E min. | atbSATB Cnt Tbn 2Ob Str Bc | 28: 119 | I/16: 197 | after Z 5385a; text after Schneegaß
|
00167 |
| 136 | 1. | 1723-07-18 | Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII)
|
A min. | atbSATB Hn 2Ob 2Oba Str Bc | 28: 137 | I/18: 129 | after BWV 234/6), by Heermann (/6)
|
00168 |
| 136/6 | chorale setting "Wo soll ich fliehen hin" (s. 9) | B min. | SATB | 28: 164 | III/2.2: 191 | after Z 2164; text by Heermann
|
11293 | ||
| 137 | 1. | 1725-08-19 | Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII)
|
C maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 28: 165 | I/20: 171 | after 120.2 /8
|
00169 |
| 137/5 | chorale setting "Lobe den Herren, den mächtigen König der Ehren" (s. 5) | SATB | 28: 196 | III/2.1: 56 | after BWV 120.2 /8
|
11220 | |||
| chorale setting "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" | after Z 1912a–c; text by Fritsch
| ||||||||
| 138 | 1. | 1723-09-05 | Cantata Warum betrübst du dich, mein Herz (Trinity XV)
|
B min. | satbSATB 2Oba Str Bc | 28: 197 | I/22: 19 | after BWV 236 /3
|
00170 |
| 139 | 1. | 1724-11-12 | Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII)
|
E maj. | satbSATB 2Oba Str Bc | 28: 223 | I/26: 97 | after Z 2383; text after Rube ]
|
00171 |
| 140 | 1. | 1731-11-25 | Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII)
|
E♭ maj. | stbSATB Hn 2Ob Tai Vl Str Bc | 28: 249 | I/27: 149 | after BWV 645
|
00172 |
| 140/7 | chorale setting "Wachet auf, ruft uns die Stimme" (s. 3) | SATB | 28: 284 | III/2.1: 19 III/2.2: 101 |
after Z 8405a, text by Nicolai
|
11183 | |||
| 143 | 1. | c. 1709–1711? | Cantata Lobe den Herrn, meine Seele (New Year)
|
B♭ maj. | stbSATB 3Hn Tmp Bas Str Bc | 30: 43 | I/4: 165 rev 2: 3 |
after (/2, /7) | 00175 |
| C maj. | stbSATB 3Tr Tmp Bas Str Bc | rev 2: 119 | |||||||
| 144 | 1. | 1724-02-06 | Cantata Nimm, was dein ist, und gehe hin (Septuagesima)
|
B min. | satSATB 2Ob Oba Str Bc | 30: 75 | I/7: 1 | after (/6) | 00176 |
| 144/3 | chorale setting "Was Gott tut, das ist wohlgetan" (s. 1) | G maj. | SATB | 30: 87 | III/2.1: 34 III/2.2: 36 |
after Z 5629; text by Rodigast
|
11204 | ||
| 144/6 | chorale setting "Was mein Gott will, das g'scheh allzeit" (s. 1) | B min. | 30: 92 | III/2.1: 35 III/2.2: 157 |
after Z 7568; text by Albert of Prussia
|
11205 | |||
| 145/1–5 | 1. | 1729-04-19 | Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3)
|
D maj. | stbSATB Tr Fl 2Ob Str Bc | 30: 104 | I/10: 111 | by (/5) | 00177 |
| 145/5 | chorale setting "Erschienen ist der herrlich Tag" (s. 14) | F♯ min. | SATB | 30: 122 | III/2.2: 214 | by Z 1743; text by Herman
|
11321 | ||
| chorale setting "Erschienen ist der herrlich Tag" | E min. | III/2.2: 12 | |||||||
| 145/a | 1. | chorale setting "Auf, mein Herz, des Herren Tag" (s. 1)
|
D maj. | SATB (or) Org | 30: 93 | III/2.2: 195 | by Z 3432b; text by Neumann
|
10584 | |
chorale setting "Jesus, meine Zuversicht"
|
by Z 3432b; text by L. H. of Brandenb.
|
09019 | |||||||
| 146 | 1. | 1726-05-12 or 1727-05-04 |
Cantata Wir müssen durch viel Trübsal (Jubilate)
|
D min. | satbSATB Fl 2Ob 2Oba Tai Str Org Bc | 30: 123 | I/11.2: 65 | after BWV 1052 /1 & /2
|
00179 |
| 147.2 | 1. | 1723-07-02 | Cantata Herz und Mund und Tat und Leben (Visitation)
|
D maj. | satbSATB Tr 2Ob Oba 2Odc Str Bc | 30: 191 | I/28: 63 | after Z 6551 (/6, /10); text by Franck, S. (/1, /3, /7, /5, /9), Janus (/6, /10)
|
00180 |
| 147.1 | 1. | 1716-12-20 | Cantata Herz und Mund und Tat und Leben (Advent IV)
|
D maj. | satbSATB Tr Ob Str Bc | I/1 | text by BWV 147 .2/1, /3, /7, /5, /9
|
00181 | |
| 148 | 1. | 1723-09-19 | Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII)
|
D maj. | atSATB Tr 2Oba Odc Str Bc | 30: 235 | I/23: 253 | after Z 2164 (/6); text after Picander
|
00182 |
| 148/6 | chorale setting "Wo soll ich fliehen hin" | F♯ min. F min. |
SATB | 30: 260 | III/2.2: 16 | after Z 2164; text by Heermann
|
11291 | ||
| 149 | 1. | 1729-09-29 | Cantata Man singet mit Freuden vom Sieg (Michaelmas)
|
D maj. | satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc | 30: 261 | I/30: 97 | after Schalling (/7)
|
00183 |
| 149/1a | 1. | Fall 1729 | Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149 ?)
|
D maj. | SATB 3Tr Tmp 2Ob Str Bc | I/40 I/30 |
in SBB P 175; was BWV Anh. 198 | 01509 | |
| 150 | 1. | 1707-07-10 | Cantata Nach dir, Herr, verlanget mich (Trinity III)
|
B min. | satbSATB Bas 2Vl Bc | 30: 301 | I/41: 3 | text after Ps 25 (/2, /4, /6) | 00184 |
| 151 | 1. | 1725-12-27 | Cantata Süßer Trost, mein Jesus kömmt (Christmas 3)
|
G maj. | satbSATB Fl Vl Oba Str Bc | 32: 1 | I/3.1: 169 | after (/5) | 00185 |
| 151/5 | chorale setting "Lobt Gott, ihr Christen allzugleich" (s. 8) | SATB | 32: 16 | III/2.2: 30 | after Z 198; text by Herman
|
11307 | |||
| 152 | 1. | 1714-12-30 | Cantata Tritt auf die Glaubensbahn (Christmas I)
|
E min. | sb Fl Ob Va Vdg Bc | 32: 17 | I/3.2: 3 | text by Franck, S.; /1 ↔ BWV 536/2, → 536a/2 | 00186 |
| 153 | 1. | 1724-01-02 | Cantata Schau, lieber Gott, wie meine Feind (Christmas II)
|
A min. | atbSATB Str Bc | 32: 41 | I/4: 199 | after :10 (/3) | 00187 |
| 153/1 | chorale setting "Schau, lieber Gott, wie meine Feind" (s. 1) | A min. | SATB | 32: 43 | III/2.2: 3 | after Z 4431; text by Denicke
|
11288 | ||
| chorale setting "Ach Gott, vom Himmel sieh darein" | after Z 4431; text by Martin Luther
| ||||||||
| 153/5 | chorale setting "Befiehl du deine Wege" (s. 5) | A min. | SATB | 32: 46 | III/2.2: 14 | after Z 5385a; text by Gerhardt
|
11326 | ||
| chorale setting "Herzlich tut mich verlangen" | after Z 5385a; text by Knoll
| ||||||||
| 153/9 | chorale setting "Ach Gott, wie manches Herzeleid" (ss. 16–18) | C maj. | SATB | 32: 58 | III/2.2: 128 | after Z 533a; text by Moller
|
11282 | ||
| 154 | 1. | 1724-01-09 | Cantata Mein liebster Jesus ist verloren (Epiphany I)
|
B min. | atbSATB 2Oba Str Hc Bc | 32: 59 | I/5: 89 | after BWV 359
|
00188 |
| 154/3 | chorale setting "Jesu, meiner Seelen Wonne" (s. 2) | A maj. | SATB | 32: 65 | III/2.1: 87 III/2.2: 137 |
after BWV 359
|
11249 | ||
| chorale setting "Werde munter, mein Gemüte" | after Rist
| ||||||||
| 154/8 | chorale setting "Meinen Jesum lass ich nicht, weil" (s. 6) | D maj. | SATB | 32: 82 | III/2.1: 88 III/2.2: 88 |
after Z 3449; text by Keymann
|
11251 | ||
| 155 | 1. | 1716-01-19 1724-01-16 |
Cantata Mein Gott, wie lang, ach lange? (Epiphany II)
|
D min. | satbSATB Bas Str Bc | 32: 83 | I/5: 173 | after Z 4430 (/5); text by Franck, S., Speratus (/5)
|
00189 |
| 155/5 | chorale setting "Es ist das Heil uns kommen her" (s. 12) | F maj. | SATB | 32: 96 | III/2.2: 194 | after Z 4430; text by Speratus
|
11302 | ||
| 156 | 1. | 1727-01-26 or 1729-01-23 |
Cantata Ich steh mit einem Fuß im Grabe (Epiphany III)
|
F maj. | satbSATB Ob Str Bc | 32: 97 | I/6: 91 | after BWV 1056 /2
|
00190 |
| 156/6 | chorale setting "Herr, wie du willt, so schicks mit mir" (s. 1) | C maj. | SATB | 32: 114 | III/2.2: 185 | after Z 4438; text by Bienemann ]
|
11294 | ||
| 157.2 | 1. | after 1727-02-06 | Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification)
|
B min. | tbSATB Fl Ob Oba Va 2Vl Bc | 32: 115 | I/34: 41 | after BWV 157 .1 (same text)
|
00191 |
| 157.1 | 1. | 1727-02-06 | Cantata Ich lasse dich nicht, du segnest mich denn (funeral)
|
tbSATB Fl Oba Va Bc | I/34 | text by BWV 157 .2
|
11366 | ||
| 158 | 1. | c. 1725–1735 | Cantata Der Friede sei mit dir (Purification; later: Easter 3)
|
D maj. | sbSATB Ob Vl Bc | 32: 141 | I/10: 129 | after BWV 279 )
|
00192 |
| 158/4 | chorale setting "Christ lag in Todes Banden" (s. 5) | E min. | SATB | 32: 154 | III/2.1: 24 III/2.2: 155 |
after BWV 279
|
11187 | ||
| 159 | 1. | 1729-02-27 | Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi)
|
C min. | satbSATB Ob Str Bc | 32: 155 | I/8: 153 | after Jh 19:30 (/4)
|
00193 |
| 159/5 | chorale setting "Jesu Leiden, Pein und Tod" (s. 33) | E♭ maj. | SATB | 32: 168 | III/2.1: 41 III/2.2: 33 |
after 6288a–b; text by Stockmann
|
11206 | ||
| 161 | 1. | 1716-09-27 | Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version)
|
C maj. | atSATB 2Fl Str Org Bc | 33: 1 | I/23: 1, 33 | after BWV 161 , v2
|
00195 |
| 161/6 | chorale setting "Herzlich tut mich verlangen" (s. 4) | A min. | SATB | 33: 27 | III/2.1: 29 III/2.2: 160 |
after Z 5385a; text by Knoll
|
11194 | ||
| chorale setting "Befiehl du deine Wege" | after Z 5385a; text by Gerhardt
| ||||||||
| 161, v2 | 1. | 1723–1750? | Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version)
|
C maj. | satSATB 2Fl Str Bc | I/23: 33 | after BWV 161; text by Franck, S., Knoll
|
00196 | |
| 162.1 | 1. | 1716-10-25 | Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX)
|
A min. | satbSATB Str Bc | I/25: 1 | after BWV 162 .2
|
00197 | |
| 162.2 | 1. | 1723-10-10 | Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX)
|
B min. | satbSATB Hn Str Bc | 33: 29 (in a) |
I/25: 23 | after BWV 162 .1 (same text)
|
11367 |
| 163 | 1. | 1715-11-24 | Cantata Nur jedem das Seine (Trinity XXIII)
|
B min. | satbSATB Str 2Vc Bc | 33: 47 | I/26: 77 | after 2177 (/6); text by Franck, S., Heermann (/6)
|
00198 |
| 164 | 1. | 1725-08-26 | Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII)
|
G min. | satbSATB 2Fl 2Ob Str Bc | 33: 65 | I/21: 57 | after Z 4297a (/6); text by Franck, S., Cruciger (/6)
|
00199 |
| 164/6 | chorale setting "Herr Christ, der einge Gottes Sohn" (s. 5) | B♭ maj. | SATB | 33: 88 | III/2.1: 59 III/2.2: 57 |
after Z 4297a; text by Cruciger
|
11224 | ||
| 165 | 1. | 1715-06-16 1724-06-04 |
Cantata O heilges Geist- und Wasserbad (Trinity)
|
G maj. | satbSATB Fag Str Bc | 33: 89 | I/15: 1 | after Z 159 (/6); text by Franck, S., Helmbold (/6)
|
00200 |
| 166 | 1. | 1724-05-07 | Cantata Wo gehest du hin? (Cantate)
|
B♭ maj. | satbSATB Ob Str Bc | 33: 105 | I/12: 1 | after 2778 (/6); text by Franck, S., Ringwaldt (/3), E. J. of Schwarzburg-Rudolstadt (/6), after Jh 16:5 (/1); /2 → BWV 584
|
00201 |
| 166/6 | chorale setting "Wer weiß, wie nahe mir mein Ende" (s. 1) | G min. | SATB | 33: 122 | III/2.2: 116 | after 2778; text by E. J. of Schwarzburg-Rudolstadt
|
11311 | ||
| 167 | 1. | 1723-06-24 | Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist)
|
G maj. | satbSATB Tr Ob Odc Str Bc | 33: 123 | I/29: 1 | after Z 8244 (/5); text by Gramann (/5)
|
00202 |
| 168 | 1. | 1725-07-29 | Cantata Tue Rechnung! Donnerwort (Trinity IX)
|
B min. | satbSATB 2Oba Str Bc | 33: 147 | I/19: 87 | after Z 4486 (/6); text by Franck, S., Ringwaldt (/6)
|
00203 |
| 168/6 | chorale setting "Herr Jesu Christ, du höchstes Gut" (s. 8) | SATB | 33: 166 | III/2.2: 52 | after Z 4486; text by Ringwaldt
|
11198 | |||
| 169 | 1. | 1726-10-20 | Cantata Gott soll allein mein Herze haben (Trinity XVIII)
|
D maj. | aSATB 2Oba Tai Str Org Bc | 33: 167 | I/24: 59 | after BWV 1053 /1 & /2
|
00204 |
| 169/7 | chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) | A maj. | SATB | 33: 192 | III/2.1: 30 III/2.2: 54 |
after Z 2029a; text by Luther
|
11196 | ||
| 170 | 1. | 1726-07-28 | Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI)
|
D maj. | a Oba Fl Str Org Bc | 33: 193 | I/17.2: 61 | text by Lehms | 00205 |
| 171 | 1. | 1729-01-01 | Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year)
|
D maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 35: 1 | I/4: 131 | after (/6) | 00206 |
| 171/6 | chorale setting "Jesu, nun sei gepreiset" (s. 2) | SATB | 35: 32 | after BWV 41/6; text by Hermann
|
11253 | ||||
| 172.1 | 1. | 1714-05-20 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete)
|
C maj. | (SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc) | I/13 | after BWV 172 .2
|
00207 | |
| 172/6 | chorale setting "Wie schön leuchtet der Morgenstern" (s. 4) | F maj. | SATB | 35: 69 | III/2.2: 187 | after Z 8359; text by Nicolai
|
11314 | ||
| 172.2 | 1. | 1724-05-28 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version)
|
D maj. | satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc | I/13: 1 | after BWV 172 .3
|
00208 | |
| 172.3 | 1. | 1731-05-13 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version)
|
C maj. | satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc | 35: 35 | I/13: 33 | after BWV 172 .2 (same text)
|
00209 |
| 173.2 | 1. | 1727-06-02 1731-05-14 |
Cantata Erhöhtes Fleisch und Blut (Pentecost 2)
|
D maj. | satbSATB 2Fl Str Bc | 35: 71 | I/14: 1 | after BWV 173.1
|
00210 |
| 173.1 | 1. | 1722-12-10 | Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen )
|
D maj. | satbSATB 2Fl Str Bc | 34: 1 | I/35: 95 | → 175 /4 (/7)
|
00211 |
| 174 | 1. | 1729-06-06 | Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2)
|
G maj. | atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc | 35: 103 | I/14: 63 | after Schalling (/5)
|
00212 |
| 174/5 | chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 1) | D maj. | SATB | 35: 157 | III/2.1: 78 III/2.2: 32 |
after Schalling
|
11244 | ||
| 175 | 1. | 1725-05-22 | Cantata Er rufet seinen Schafen mit Namen (Pentecost 3)
|
G maj. | atbSATB 2Tr 3Fl Str Vc Bc | 35: 159 | I/14: 147 | after Rist (/7), after Jh 10 :3 & 6 (/1 & /5)
|
00213 |
| 175/7 | chorale setting "O Gottes Geist, mein Trost und Rat" (s. 9) | SATB | 35: 177 | III/2.1: 76 | after Rist
|
11243 | |||
| chorale setting "Komm, Heiliger Geist, Herre Gott" | after Z 7445a; text by Luther
| ||||||||
| 176 | 1. | 1725-05-27 | Cantata Es ist ein trotzig und verzagt Ding (Trinity)
|
C min. | sabSATB 2Ob Odc Str Bc | 35: 179 | I/15: 17 | after :9 (/1) | 00214 |
| 176/6 | chorale setting "Was alle Weisheit in der Welt" (s. 8) | SATB | 35: 198 | III/2.2: 67 | after Z 7246; text by Gerhardt
|
11296 | |||
| chorale setting "Christ unser Herr zum Jordan kam" | after Z 7246; text by Luther
| ||||||||
| 177 | 1. | 1732-07-06 | Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV)
|
G min. | satSATB 2Ob Odc Bas Vl Str Bc | 35: 199 | I/17.1: 77 | after Z 7400; text by Agricola, J.
|
00215 |
| 177/5 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 5) | G min. E min |
SATB | 35: 234 | III/2.1: 50 III/2.2: 40 |
11211 | |||
| 178 | 1. | 1724-07-30 | Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII)
|
A min. | atbSATB Hn 2Ob 2Oba Str Bc | 35: 235 | I/18: 159 | after Z 4441a; text after Jonas
|
00216 |
| 179 | 1. | 1723-08-08 | Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI)
|
G min. | stbSATB 2Ob 2Odc Str Bc | 35: 273 | I/20: 55 | after 234 /4
|
00217 |
| 179/6 | chorale setting "Ich armer Mensch, ich armer Sünder" (s. 1) | A min. | SATB | 35: 292 | III/2.1: 55 III/2.2: 196 |
after Z 2778; text by Tietze ]
|
11218 | ||
| chorale setting "Wer nur den lieben Gott lässt walten | after Z 2778; text by Neumark
| ||||||||
| 180 | 1. | 1724-10-22 | Cantata Schmücke dich, o liebe Seele (Trinity XX)
|
F maj. | satbSATB 2Fl Fl Ob Odc Str Vc Bc | 35: 293 | I/25: 41 | after Z 6923; text after Franck, J.
|
00218 |
| 180/7 | chorale setting "Schmücke dich, o liebe Seele" (s. 9) | F maj. E♭ maj. |
SATB | 35: 322 | III/2.1: 24 III/2.2: 15 |
after Z 6923; text by Franck, J.
|
11188 | ||
| 181 | 1. | 1724-02-13 | Cantata Leichtgesinnte Flattergeister (Sexagesima)
|
E min. | satbSATB Tr Fl Ob Str Bc | 37: 1 | I/7: 133 | 00219 | |
| 182 | 1. | 1714-03-25 | Cantata Himmelskönig, sei willkommen (Palm Sunday)
|
B♭ maj. | atbSATB Fl (Ob 2)Vl 2Va Bc | I/8.2: 1 | after :8–9 (/3) | 00220 | |
| 1724-03-25 1728-03-21 |
G maj. | 37: 21 | I/8.2: 43 | ||||||
| 183 | 1. | 1725-05-13 | Cantata Sie werden euch in den Bann tun (Exaudi)
|
A min. | satbSATB 2Oba 2Odc Str Vc Bc | 37: 59 | I/12: 187 | after :2 (/1) | 00221 |
| 183/5 | chorale setting "Zeuch ein zu deinen Toren" (s. 5) | SATB | 37: 74 | III/2.2: 70 | after Z 5267; text by Gerhardt
|
11325 | |||
| chorale setting "Helft mir Gotts Güte preisen" | after Z 5267; text by Eber
| ||||||||
| 184.2 | 1. | 1724-05-30 1727-06-03 1731-05-15 |
Cantata Erwünschtes Freudenlicht (Pentecost 3)
|
G maj. | satSATB 2Fl Str Bc | 37: 75 | I/14: 119 | after Z 5690 (/5); text by Wildenfels (/5)
|
00222 |
| 184.2/5 | chorale setting "O Herre Gott, dein göttlich Wort" (s. 8) | D maj. G maj. |
SATB | 37: 95 | III/2.1: 17 III/2.2: 10 |
after Z 5690; text by Wildenfels
|
11181 | ||
| 184.1 | 1. | 1721-01-01 | Secular cantata (incomplete)
|
G maj. | sb 2Fl Vl Str Bc (?) | I/35 | → BWV 184 .2/1–/4, /6
|
00223 | |
| 185.1 | 1. | 1715-07-14 | Cantata Barmherziges Herze der ewigen Liebe (Trinity IV)
|
F♯ min. | satbSATB Ob Str Bc | 37: 101 | I/17.1: 1 | after BWV 185 .2
|
00224 |
| 185/6 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (s. 1) | SATB | 37: 118 | III/2.1: 50 | after Z 7400; text by Agricola, J.
|
11212 | |||
| 185.2 | 1. | 1723-06-20 | Cantata Barmherziges Herze der ewigen Liebe (Trinity IV)
|
G min. | satbSATB Tr Ob Str Bc | 37: 101 | I/17.1: 1 | after BWV 185 .1 (same text)
|
11368 |
| 186.2 | 1. | 1723-07-11 | Cantata Ärgre dich, o Seele, nicht (Trinity VII)
|
G min. | satbSATB 2Ob Tai Bas Str Bc | 37: 119 | I/18: 15 | after Z 4430 (/6, /11); text by Franck, S. (/1, /3, /5, /8, /10), Speratus (/6, /11)
|
00225 |
| 186.1 | 1. | 1716-12-13 | Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete)
|
stbSATB 2Ob Odc Tai Bas Str Bc | I/1 | text by BWV 186 .2/1, /3, /5, /8, /10
|
00226 | ||
| 187 | 1. | 1726-08-04 | Cantata Es wartet alles auf dich (Trinity VII)
|
G min. | sabSATB 2Ob Str Bc | 37: 155 | I/18: 91 | after BWV 235 /6, /4, /3, /5
|
00227 |
| 187/7 | chorale setting "Singen wir aus Herzensgrund" (ss. 4, 6) | SATB | 37: 191 | III/2.2: 61 | after Z 4816e; text by Vogel ]
|
11344 | |||
| 188 | 1. | 1728-10-17 | Cantata Ich habe meine Zuversicht (Trinity XXI)
|
D min. | satbSATB 2Ob Tai Str Org Bc | 37: 193 | I/25: 265 | after BWV 1052 /3
|
00228 |
| 190.1 | 1. | 1724-01-01 | Cantata Singet dem Herrn ein neues Lied (New Year; incomplete)
|
D maj. | atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | 37: 227 | I/4: 1 | after BWV 190.2 /1, /2, /3, /5
|
00230 |
| 190/7 | chorale setting "Jesu, nun sei gepreiset" (s. 2) | SATB | 37: 257 | III/2.2: 189 | after 8477a; text by Hermann (/7)
|
11306 | |||
| 190.2 | 1. | 1730-06-25 | Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess. ; incomplete)
|
atbSATB 3Tr Tmp 3Ob Str Bc (?) | I/34 | after (/1–/2, /7) | 00231 | ||
| 191 | 1. | 1743–1746 | Cantata Gloria in excelsis Deo (Christmas)
|
D maj. | stSSATB 3Tr Tmp 2Fl 2Ob Str Bc | 41: 1 | I/2: 171 | after | 00232 |
| 192 | 1. | autumn 1730? | Cantata Nun danket alle Gott (incomplete)
|
G maj. | sbSATB 2Fl 2Ob Str Bc | 41: 65 | I/34: 107 | after Z 5142; text by Rinkart
|
00233 |
| 193.2 | 1. | 1727-08-25 | Cantata Ihr Tore zu Zion (council election; incomplete)
|
D maj. | saSA(TB) 2Ob Str (Bc) | 41: 91 | I/32.1: 201 | after BWV 193.1 /1, /7, /9
|
00234 |
| 193.1 | 1. | 1727-08-03 | Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II ; incomplete)
|
saSA(TB) 2Ob Str (Bc) | I/36 | text by BWV 193 .2/1, /3, /5
|
00235 | ||
| 194.3 | 1. | 1724-06-04 1731-05-20 |
Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version)
|
B♭ maj. | stbSATB 3Ob Bas Str Bc | 29: 99 | I/31: 145 | after BWV 194 .4
|
00236 |
| 194.4 | 1. | 1726-06-16 | Cantata Nun lasst uns Gott, dem Herren? (Trinity; 2nd Leipzig version)
|
B♭ maj. | stbSATB 3Ob Bas Str Bc | 29: 99 | I/31: 145, 235 | after BWV 194 .3/12, /2, /3, /4, /5, /7, /10
|
00237 |
| 194.2 | 1. | 1723-11-02 | Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ)
|
B♭ maj. | sabSATB 3Ob Bas Str Bc | 29: 99 | I/31: 123 | after BWV 194 .3
|
00238 |
| 194.2/6 | chorale setting "Treuer Gott, ich muß dir klagen" (ss. 6–7) | B♭ maj. G maj. |
SATB | 29: 124 | III/2.1: 20 III/2.2: 35, 152 |
after Z 6543; text by Heermann
|
11184 | ||
| chorale setting "Jesu, deine tiefen Wunden" | after Z 6543; text by Heermann
| ||||||||
| chorale setting "Freu dich sehr, o meine Seele" | after Z 6543
| ||||||||
| 194.2/12 | chorale setting "Wach auf, mein Herz, und singe" (ss. 9–10) | B♭ maj. | SATB | 29: 138 | III/2.1: 20 III/2.2: 52, 152 |
after Z 159; text by Gerhardt
|
11185 | ||
| chorale setting "Nun lasst uns Gott dem Herren" | after Z 159; text by Helmbold
| ||||||||
| 194.1 | 1. | 1717–1723? | Secular cantata model for church cantata versions of BWV 194 (incomplete)
|
B♭ maj. | 3Ob Str &? | I/35 | → BWV 194 .2/1, /3, /5, /8, /10
|
00239 | |
| 195.3 | 1. | c.1748–1749 | Cantata Dem Gerechten muß das Licht (wedding; last version)
|
D maj. | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc | 131: 1 | I/33: 171 | after (/6) | 00242 |
| 195.1 | 1. | 1727–1731 | Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost)
|
SATB 3Tr Tmp 2Fl 2Ob Str Bc | I/33 | → BWV 195 .2
|
00240 | ||
| 195.2 | 1. | c. 1742 | Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete)
|
SATB &? | I/33 | after BWV 195 .3
|
00241 | ||
| 196 | 1. | 1708-06-05? | Cantata Der Herr denket an uns (wedding)
|
C maj. | stbSATB Str Bc | 131: 71 | I/33: 1 | text after Ps. 115: 12–15 | 00243 |
| 197.2 | 1. | 1736–1737 | Cantata Gott ist unsre Zuversicht (wedding)
|
D maj. | sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc | 131: 95 | I/33: 117 | after BWV 197.1/4, /6 (/6, /8); text by Luther (/5)
|
00244 |
| 197.2/5 | chorale setting "Nun bitten wir den Heiligen Geist" (s. 3) | A maj. | SATB | 131: 128 | III/2.2: 46 | after Z 2029a; text by Luther
|
11328 | ||
| 197.2/10 | chorale setting "Wer nur den lieben Gott lässt walten" | B min. | SATB | 131: 144 | III/2.2: 37 | after Z 2778; text by Neumark
|
11313 | ||
| 197.1 | 1. | 1728-12-25 | Cantata Ehre sei Gott in der Höhe (Christmas; incomplete)
|
D maj. | abSATB 2Fl Oba Bas Str Vc Bc | 41: 109 | I/2: 63 | after BWV 197.2 /6, /8
|
00245 |
| 197.1/7 | chorale setting "Ich freue mich in dir" (s. 4) | SATB | 41: 114 | III/2.2: 182 | after BWV 398
|
11298 | |||
| chorale setting "O Gott, du frommer Gott" | after BWV 398
| ||||||||
| 198 | 1. | 1727-10-17 | Trauer-Ode (funeral ceremony for Christiane Eberhardine )
|
B min. | satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc | 133: 1 44: 54 |
I/38: 179 | text by 247
|
00246 |
| 199.2 | 1. | 1720–1721 | Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete)
|
D min. | s Ob Str Vdg Bc | 41: 202 | I/20: 48 | after 199 .3
|
00247 |
| 199.3 | 1. | 1723-08-08 | Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version)
|
D min. | s Ob Str Vc Bc | I/20: 23 | after BWV 199 .2 (same text)
|
00248 | |
| 199.1 | 1. | 1714-08-12 | Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version)
|
C min. | s Ob Str Bc | NBG 132 | I/20: 1 | text by BWV 199 .2
|
00249 |
| 200 | 1. | 1742–1743 (JSB) | Aria Bekennen will ich seinen Namen
|
E maj. | a (2Vl) Bc | I/28.1: 189 | after Stölzel; text after Lk 2:29–32 | 00250 | |
| 201 | 1. | autumn 1729 | Der Streit zwischen Phoebus und Pan (dramma per musica)
|
D maj. | sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc | 112: 1 44: 85 |
I/40: 117 | text by BWV 212 /20
|
00251 |
| 202 | 1. | c.1718? | Secular cantata Weichet nur, betrübte Schatten (wedding)
|
G maj. | s Ob Str Bc | 112: 73 | I/40: 1 | in D-LEb Peters Ms. R 8 | 00252 |
| 203 | 1. | c.1720? | Secular cantata Amore traditore
|
A min. | b Hc | 112: 91 | I/41: 31 | 00253 | |
| 204 | 1. | 1726–1727 | Von der Vergnügsamkeit
|
B♭ maj. | s Fl 2Ob Str Bc | 112: 103 | I/40: 79 | text after Hunold | 00254 |
| 205.1 | 1. | 1725-08-03 | Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller )
|
D maj. | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | 112: 137 44: 39 |
I/38: 1 | text by 216 /7
|
00255 |
| 205.2 | 1. | 1734-02-19 | Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III )
|
satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | I/37 | after BWV 205.1/1–/7, /9–/11, /13, /15; text by Picander ?
|
00256 | ||
| 206.1 | 1. | 1736-10-07 (1734?) |
Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III )
|
D maj. | satbSATB 3Tr Tmp 3Fl 2Oba Str Bc | 202: 1 | I/36: 157 | → BWV 206 .2
|
00257 |
| 206.2 | 1. | 1740-08-03 | Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III )
|
D maj. | satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc | I/36: 157 | after BWV 206 .1
|
00258 | |
| 207.1 | 1. | 1726-12-11 | Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte)
|
D maj. | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | 202: 71 | I/38: 97 | after BWV 207.2 /1, /3, /5, /7–/9
|
00259 |
| 207.2 | 1. | 1735-08-03 | Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III )
|
D maj. | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | 202: 139 34: 345 |
I/37: 1 | after BWV 207.1 /1, /3, /5, /7–/9
|
00260 |
| 208.1 | 1. | 1713-02-23 | Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels )
|
F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | 29: 1 | I/35: 1 | text by 149 /1
|
00261 |
| 1040 | 1. | 1713-02-23 | Hunting Cantata ?)
|
F maj. | Vl Ob Bc | 29: 230 | I/35: 1 | after BWV 208.1 /13a
|
01222 |
| 208.2 | 1. | c.1715 | Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar )
|
F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | 29: 1 | I/35: 1 | after BWV 208.3
|
00262 |
| 208.3 | 1. | 1742-08-03 | Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III )
|
F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? | I/37 | after BWV 208.2; text after Franck, S.
|
00263 | |
| 209 | 1. | 1747? | Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?)
|
B min. | s Fl Str Bc | 29: 43 | I/41: 43 | text after Metastasio | 00264 |
| 210.2 | 1. | 1741-09-19 | Secular cantata O holder Tag, erwünschte Zeit (wedding)
|
A maj. | s Fl Oba Str Hc Vne | 29: 67 | I/40: 35 | after BWV 210.1 /1–/2, /4, /8, /10
|
00265 |
| 210.1 | 1. | 1729-01-12 | Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels )
|
A maj. | s (Fl Oba Str Bc)? | 29: 245 | I/39: 141 | → BWV 210.2 /1–/2, /4, /8, /10
|
00266 |
| 211 | 1. | c.1734 | Coffee Cantata
|
G maj. | stb Fl Str Hc Bc | 29: 139 44: 86 |
I/40: 193 | text by Picander | 00267 |
| 212 | 1. | 1742-08-30 | Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau)
|
G maj. | sb Hn Fl Str Bc | 29: 173 44: 132 |
I/39: 151 | after 201/7 (/20); text by Picander
|
00268 |
| 213 | 1. | 1733-09-05 | Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony )
|
F maj. | satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc | 34: 119 | I/36: 1 | text by BWV 248 /36, /19, /39, /41, /4, /29
|
00269 |
| 214 | 1. | 1733-12-08 | Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha )
|
D maj. | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc | 34: 175 | I/36: 89 | text by BWV 248 /1, /15, /8, /24
|
00270 |
| 215 | 1. | 1734-10-05 | Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland)
|
D maj. | stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc | 34: 243 | I/37: 85 | after BWV 248 /47
|
00271 |
| 216.1 | 1. | 1728-02-05 | Secular cantata Vergnügte Pleißenstadt (wedding; incomplete)
|
C maj. | sa &? | I/40: 21 | after BWV 216.2 /1, /3, /5, /7
|
00272 | |
| 216.2 | 1. | 1728–1731 | Apollo et Mercurius (incomplete)
|
at &? | I/39 | after | 00273 | ||
| 2. | Motets (see also: List of motets by Johann Sebastian Bach) | Up ↑ | |||||||
| 225 | 2. | 1726–1727 New Year? |
Motet Singet dem Herrn ein neues Lied
|
B♭ maj. | 2SATB (+ colla parte instr.?)
|
39: 3 | III/1: 1 | after | 00282 |
| 226 | 2. | 1729-10-20 | Motet Der Geist hilft unser Schwachheit auf (funeral of Ernesti, J. H. )
|
B♭ maj. | 2SATB Str Vc 2Ob Tai Bas | 39: 39, 143 | III/1: 37 | after | 00283 |
| 226/2 | chorale setting "Komm, Heiliger Geist, Herre Gott" (s. 3) | B♭ maj. G maj. |
SATB | 39: 57 | III/2.1: 18 III/2.2: 38 |
after Z 7445a; text by Luther
|
11182 | ||
| 227 | 2. | c. 1723–1735 | Motet Jesu, meine Freude
|
E min. | SSATB (+ colla parte instr.?)
|
39: 59 | III/1: 75 | after | 00284 |
| 227/1 227/11 |
chorale setting "Jesu, meine Freude" (ss. 1, 6) | SATB | 39: 61 | III/2.1: 27 III/2.2: 156 |
after Z 8032; text by Franck, J.
|
11200 | |||
| 227/3 | chorale setting "Jesu, meine Freude" (s. 2) | SATB | 39: 66 | III/2.1: 28 | after Z 8032; text by Franck, J.
|
11201 | |||
| 227/7 | chorale setting "Jesu, meine Freude" (s. 4) | SATB | 39: 75 | III/2.1: 22 III/2.2: 168 |
after Z 8032; text by Franck, J.
|
11202 | |||
| 228 | 2. | c. 1715 | Motet Fürchte dich nicht
|
A maj. | 2SATB (+ colla parte instr.?)
|
39: 85 | III/1: 105 | after | 00285 |
| 229 | 2. | before 1731–1732 | Motet Komm, Jesu, komm
|
G min. | 2SATB (+ colla parte instr.)
|
39: 107 | III/1: 125 | text by Thymich[20] | 00286 |
| 230 | 2. | 1723–1739? | Motet Lobet den Herrn, alle Heiden
|
C maj. | SATB Bc (+ colla parte instr.?)
|
39: 127 | III/1: 147 | text after Ps. 117[20] | 00287 |
| 231 |
|
|
|
|
|
|
|
see BWV 28/2a
|
00288 |
| 118.1 | 2. | 1736–1737 | Motet O Jesu Christ, meins Lebens Licht (funeral)
|
B♭ maj. | SATB 2Hn Cnt 3Tbn | 24: 185 | III/1: 163 | text by BWV 118.2[20]
|
00143 |
| 118.2 | 2. | 1746–1747 | Motet O Jesu Christ, meins Lebens Licht (funeral)
|
B♭ maj. | SATB 2Ob Tai Bas 2Hn Str Bc | NBG 171 | III/1: 171 | text by BWV 118.1[20]
|
11121 |
| 3. | Masses, Mass movements, Magnificat (see also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach )
|
Up ↑ | |||||||
| 232 | 3. | Aug. 1748 – Oct. 1749 (compilation, completion) | Mass a.k.a. Hohe Messe, Mass in B minor
|
B min. | ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc | 6 | II/1 rev 1 |
after Ordinarium Missae
|
00289 |
| 232I e. v. | 3. | 1733-07-27 | Kyrie–Gloria Mass for the Dresden court (Mass in B Minor, Part I: Missa; early version)
|
B min. | ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc | II/1a | after 232 I
|
00290 | |
| 233 | 3. | 1738–1739? | Kyrie–Gloria Mass
|
F maj. | sabSATB 2Hn 2Ob Bas Str Bc | 8: 1 | II/2: 197 | after Ordinarium Missae
|
00291 |
| 233a | 3. | 1708-04-06? | Kyrie "Christe, du Lamm Gottes"
|
F maj. | SSATB Bc | 41: 187 | II/2: 285 | text after BWV 233 /1
|
00292 |
| 234 | 3. | c.1738 | Kyrie–Gloria Mass
|
A maj. | sabSATB 2Fl Str Bc | 8: 51 | II/2: 1 | after Ordinarium Missae
|
00293 |
| 235 | 3. | 1738–1739? | Kyrie–Gloria Mass
|
G min. | atbSATB 2Ob Str Bc | 8: 99 | II/2: 127 | after Ordinarium Missae
|
00294 |
| 236 | 3. | 1738–1739? | Kyrie–Gloria Mass
|
G maj. | satbSATB 2Ob Str Bc | 8: 155 | II/2: 61 | after Ordinarium Missae
|
00295 |
| 1081 | 3. | c.1747 – Aug. 1748 | Acroama Missale
|
F maj. | SATB Bc | II/2 | → BNB I/B/48; text from Credo | 01267 | |
| 237 | 3. | 1723-06-24? | Sanctus
|
C maj. | SATB 3Tr Tmp 2Ob Str Bc | 111: 67 | II/2: 311 | text from Sanctus | 00296 |
| 238 | 3. | 1723-12-25 1736–1737 |
Sanctus
|
D maj. | SATB Cnt Str Bc | 111: 79 | II/2: 325 | text from Sanctus | 00297 |
| 240 | 3. | 1742 (JSB) | Sanctus
|
G maj. | SATB 2Ob Str Bc | 111: 93 | II/9: 3 | text from Sanctus | 00299 |
| 241 | 3. | Jul. 1747 – Aug. 1748 (JSB) | Sanctus of Missa superba
|
D maj. | 2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc | 41: 177 | II/9: 45 | after Kerll; text from Sanctus | 00300 |
| 242 | 3. | 1727–1732 (JSB) | Kyrie-Gloria Mass in C minor by F. Durante
|
G min. | SA Bc | 41: 197 | II/2: 295 | text from BWV Anh. 26 /2
|
00301 |
| 243.2 | 3. | 1733-07-02? 1732–1735 |
Magnificat (2nd version: Visitation?)
|
D maj. | ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc | 111: 1 | II/3: 65 | after BWV 243.1 (same text)
|
00302 |
| 243.1 | 3. | 1723-07-02 1723-12-25 |
Magnificat (1st version:Visitation, and with 4 laudes added: Christmas)
|
E♭ maj. | ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc | 111: 103 | II/3: 1 | after BWV 243.2
|
00303 |
| 1082 | 3. | 1740–1742 (JSB) | Suscepit Israel from a Magnificat by A. Caldara
|
E min. | SATB 2Vl Bc | II/9: 59 | after Caldara (BNB I/C/1); text from Magnificat | 01268 | |
| 1083 | 3. | 1745–1747 (JSB) | Cantata Tilge, Höchster, meine Sünden
|
sa 2Vl Str Vne Vc Bc | I/41: 169 | after Pergolesi (Stabat Mater); text after Ps. 51 | 01269 | ||
| 4. | Passions, Oratorios (see also: List of Passions and Oratorios by Johann Sebastian Bach )
|
Up ↑ | |||||||
| 244.2 | 4. | 1736-03-30 1742 1743–1746 |
Passion St Matthew Passion (later versions; Good Friday)
|
E min. | 2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc | 4 44: 58 |
II/5 | after :1 (/30) | 00304 |
| 244a |
|
|
|
|
|
|
|
see BWV 1143
|
00305 |
| 244.1 | 4. | 1727-04-11 | Passion St Matthew Passion (early version; Good Friday)
|
E min. | satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc | II/5a II/5b |
after BWV 244.2
|
00306 | |
| 244/3 | chorale setting "Herzliebster Jesu" (s. 1) | B min. | SATB | 4: 23 | III/2.2: 43 | after Z 983; text by Heermann
|
11349 | ||
| 244/10 | chorale setting "O Welt, sieh hier dein Leben" (s. 5) | A♭ maj. | SATB | 4: 42 | III/2.2: 66 | after Z 2293b; text by Gerhardt
|
11351 | ||
| chorale setting "Nun ruhen alle Wälder" | |||||||||
| 244/15 | chorale setting "O Haupt voll Blut und Wunden" (s. 5) | E maj. D maj. |
SATB | 4: 51 | III/2.2: 55 | after Z 5385a; text by Gerhardt
|
11358 | ||
| 244/17 | chorale setting "O Haupt voll Blut und Wunden" (s. 6; in BWV 244.1: s. 7?) | E♭ maj. D maj. |
4: 53 | ||||||
| 244/25 | chorale setting "Was mein Gott will, das gscheh allzeit" (s. 1) | B min. | SATB | 4: 83 | III/2.2: 64 | after Z 7568; text by Albert of Prussia
|
11353 | ||
| 244/32 | chorale setting "In dich hab ich gehoffet, Herr" (s. 5) | B♭ maj. | SATB | 4: 151 | III/2.2: 66 | after Z 2461c; text by Reusner
|
11354 | ||
| 244/37 | chorale setting "O Welt, sieh hier dein Leben" (s. 3) | F maj. | SATB | 4: 164 | III/2.2: 29 | after Z 2293b; text by Gerhardt
|
11352 | ||
| chorale setting "In allen meinen Taten" | after Z 2293b; text by Fleming
| ||||||||
| 244/40 | chorale setting "Werde munter, mein Gemüte" (s. 6) | A maj. | SATB | 4: 173 | III/2.1: 95 III/2.2: 68 |
after Z 6551; text by Rist
|
11254 | ||
| chorale setting "Jesu, meiner Seelen Wonne" | after Z 6551; text by Janus
| ||||||||
| 244/44 | chorale setting "Befiehl du deine Wege" (s. 1) | D maj. | SATB | 4: 186 | III/2.2: 49 | after Z 5385a; text by Gerhardt
|
11355 | ||
| chorale setting "O Haupt voll Blut und Wunden" | |||||||||
| 244/46 | chorale setting "Herzliebster Jesu" (s. 4) | B min. | SATB | 4: 192 | III/2.2: 59 | after Z 983; text by Heermann
|
11350 | ||
| 244/54 | chorale setting "O Haupt voll Blut und Wunden" (ss. 1–2) | F maj. | SATB | 4: 214 | III/2.2: 41 | after Z 5385a; text by Gerhardt
|
11356 | ||
| 244/62 | chorale setting "O Haupt voll Blut und Wunden" (s. 9) | A min. B min. |
SATB | 4: 248 | III/2.2: 50 | 11357 | |||
| 245.1 | 4. | 1724-04-07 | Passion St John Passion (1st version; Good Friday)
|
G min. | satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc | 121 44: 26 |
II/4: 40 | after BWV 245 .2–5
|
00307 |
| 245.1/3 | chorale setting "Herzliebster Jesu" (s. 7) | G min. | SATB | III/2.1: 93 | after Z 983; text by Heermann
|
11255 | |||
| 245/3 | c. 1740 | 121: 17 | III/2.2: 33 | ||||||
| 245.1/5 | 1724-04-07 | chorale setting "Vater unser im Himmelreich" (s. 4) | D min. | SATB | III/2.1: 94 III/2.2: 27 |
after BWV 416
|
11256 | ||
| 245/5 | c. 1740 | 121: 18 | after | ||||||
| 245/11 | 1724-04-07 | chorale setting "O Welt, sieh hier dein Leben" (ss. 3–4) | A maj. | SATB | 121: 31 | III/2.1: 94 III/2.2: 35 |
after BWV 395
|
11257 | |
| chorale setting "Nun ruhen alle Wälder" | |||||||||
| 245/14 | chorale setting "Jesu Leiden, Pein und Tod" (s. 10) | A maj. | SATB | 121: 39 | III/2.2: 46 | after Z 6288a–b; text by Stockmann
|
11273 | ||
| 245/15 | chorale setting "Christus, der uns selig macht" (s. 1) | A min. | SATB | 121: 43 | III/2.2: 44 | after Patris sapientia "
|
11274 | ||
| 245/17 | chorale setting "Herzliebster Jesu" (ss. 8–9) | A min. | SATB | 121: 52 | III/2.1: 95 III/2.2: 62 |
after Z 983; text by Heermann
|
11258 | ||
| 245/22 | chorale setting "Durch dein Gefängnis Gottes Sohn" | E maj. | SATB | 121: 74 | III/2.2: 181 | after Z 2383; text by Postel
|
11275 | ||
| chorale setting "Machs mit mir, Gott, nach deiner Güt" | after Z 2383; text by Schein
| ||||||||
| 245/26 | chorale setting "Valet will ich dir geben" (s. 3) | E♭ maj. | SATB | 121: 95 | III/2.1: 96 III/2.2: 60 |
after Z 5404a; text by Herberger
|
11259 | ||
| 245/28 | chorale setting "Jesu Leiden, Pein und Tod" (s. 20) | A maj. | SATB | 121: 103 | III/2.2: 59 | after Z 6288a–b; text by Stockmann
|
11276 | ||
| 245/37 | chorale setting "Christus, der uns selig macht" (s. 8) | B♭ min. | SATB | 121: 121 | III/2.2: 63 | after Patris sapientia "
|
11277 | ||
| 245/40 | chorale setting "Herzlich lieb hab ich dich, o Herr" (s. 3) | E♭ maj. | SATB | 121: 131 | III/2.2: 60 | after Schalling
|
11278 | ||
| 245.2 | 4. | 1725-03-30 | Passion St John Passion (2nd version; Good Friday)
|
E♭ maj. | satbSATB 2Fl 2Ob 2Odc Str Vdg Bc | 121 | II/4: 167 | after BWV 244.2 /29,
|
00308 |
| 245.3 | 4. | 1730-04-07 | Passion St John Passion (3rd version; Good Friday)
|
satbSATB 2Fl 2Ob Str Vdg Org Bc | 121 44: 26 |
II/4: 206 | after BWV 245 .4–5
|
00309 | |
| 245.4 | 4. | 1739 | Passion St John Passion (incomplete revision)
|
satbSATB Fl 2Ob Str Bc | 121 44: 26 |
II/4 | after BWV 245 .5
|
11076 | |
| 245.5 | 4. | 1749-04-04 | Passion St John Passion (4th version; Good Friday)
|
satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc | 121 44: 26 |
II/4 | after Schalling (/40)
|
00310 | |
| 246/40a | 4. | 1743–1745 (JSB) | Chorale Aus der Tiefen rufe ich, No. 40 of St Luke Passion
|
t Str Bc (?) | II/9: 65 | after BWV 246 /40
|
00312 | ||
| 247 | 4. | 1731-03-23 1744-04-03 |
Passion St Mark Passion (Good Friday; music lost but in part reconstructable)
|
satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?) | II/5 | text by 7 /2?
|
00313 | ||
| 1088 | 4. | c.1750? | Arioso So heb ich denn mein Auge sehnlich auf, No. 20 in Passion Oratorio Wer ist der, so von Edom kömmt (Good Friday)
|
b 2Bas Bc (?) | I/41: 125 | 01274 | |||
| 248 | 4. | 1734-12-25 – 1735-01-06 | Oratorio Christmas Oratorio (Christmastide) | D maj. | satbSATB 3Tr 2Hn Tmp 2Fl 2Ob 2Oba 2Odc Str Bc | 51 44: 125 |
II/6 | after :1–12 | 00314 |
| 248I | 4. | 1734-12-25 | Cantata Jauchzet, frohlocket, auf, preiset die Tage (Christmas Oratorio , Part I; Christmas)
|
D maj. | satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc | 51: 2 44: 125 |
II/6: 1 | after :1, 3–7 | 11385 |
| 248/5 | chorale setting "Wie soll ich dich empfangen" (s. 1) | A min. | SATB | 51: 36 | III/2.2: 199 | after Z 5385a; text by Gerhardt
|
11279 | ||
| chorale setting "O Haupt voll Blut und Wunden" | |||||||||
| 248/9 | chorale setting "Vom Himmel hoch da komm ich her" (s. 13) | D maj. | SATB | 51: 47 | III/2.2: 26 | after Z 346; text by Luther
|
11280 | ||
| 248II | 4. | 1734-12-26 | Cantata Und es waren Hirten in derselben Gegend (Christmas Oratorio , Part II; Christmas 2)
|
G maj. | satbSATB 2Fl 2Oba 2Odc Str Bc | 51: 50 44: 126 |
II/6: 55 | after : 8–14 | 11386 |
| 248/12 | chorale setting "Ermuntre dich, mein schwacher Geist" (s. 9) | G maj. | SATB | 51: 59 | III/2.1: 83, 92 III/2.2: 7, 207 |
after Z 5741b; text by Rist
|
11260 | ||
| chorale setting "Du Lebensfürst, Herr Jesu Christ" | |||||||||
| 248/17 | chorale setting "Schaut, schaut, was ist für Wunder dar" (s. 8) | C maj. | SATB | 51: 66 | III/2.1: 84 | after Z 346; text by Gerhardt
|
11261 | ||
| chorale setting "Vom Himmel hoch da komm ich her" | after Z 346; text by Luther
| ||||||||
| 248/23 | chorale setting "Wir singen dir, Immanuel" (s. 2) | G maj. | SATB | 51: 90 | III/2.2: 198 | after Z 346; text by Gerhardt
|
11281 | ||
| chorale setting "Vom Himmel hoch da komm ich her" | after Z 346; text by Luther
| ||||||||
| 248III | 4. | 1734-12-27 | Cantata Herrscher des Himmels, erhöre das Lallen (Christmas Oratorio , Part III; Christmas 3)
|
D maj. | satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc | 51: 94 | II/6: 107 | after : 15–20 | 11387 |
| 248/28 | chorale setting "Gelobet seist du, Jesu Christ" (s. 7) | D maj. | SATB | 51: 110 | III/2.1: 85 | after Z 1947; text by Luther
|
11262 | ||
| 248/33 | chorale setting "Fröhlich soll mein Herze springen" (s. 15) | G maj. | SATB | 51: 124 | III/2.1: 86 III/2.2: 81 |
after Z 6462; text by Gerhardt
|
11264 | ||
| chorale setting "Warum sollt ich mich denn grämen" | |||||||||
| 248/35 | chorale setting "Laßt Furcht und Pein" (s. 4) | F♯ min. | SATB | 51: 126 | III/2.1: 86 III/2.2: 206 |
after Z 2072; text by Runge ]
|
11263 | ||
| chorale setting "Wir Christenleut" | after Z 2072; text by Füger
| ||||||||
| 248IV | 4. | 1735-01-01 | Cantata Fallt mit Danken, fallt mit Loben (Christmas Oratorio , Part IV; New Year)
|
F maj. | satbSATB 2Hn 2Ob Str Bc | 51: 128 | II/6: 143 | after : 21 | 11388 |
| 248/42 | chorale setting "Hilf, Herr Jesu, laß gelingen" (s. 15) | SATB | 51: 166 | III/2.1: 99 III/2.2: 211 |
text by Rist | 11266 | |||
| chorale setting "Jesu, meiner Seelen Wonne" | text by Janus | ||||||||
| 248V | 4. | 1735-01-02 | Cantata Ehre sei dir, Gott, gesungen (Christmas Oratorio , Part V; New Year I)
|
A maj. | satbSATB 2Oba Str Bc | 51: 172 | II/6: 199 | after :1–6 | 11389 |
| 248/46 | chorale setting "Nun, liebe Seel, nun ist es Zeit" (s. 5) | SATB | 51: 190 | III/2.1: 87 III/2.2: 43 |
after Z 2461c; text by Weissel
|
11265 | |||
| chorale setting "In dich hab ich gehoffet, Herr" | after Z 2461c; text by Reusner
| ||||||||
| 248/53 | chorale setting "Ihr Gestirn, ihr hohlen Lüfte" (s. 9) | SATB | 51: 208 | III/2.1: 100 III/2.2: 21 |
after Z 3614b; text by Franck, J.
|
11267 | |||
| chorale setting "Gott des Himmels und der Erden" | after Z 3614b; text by Albert
| ||||||||
| 248VI | 4. | 1735-01-06 | Cantata Herr, wenn die stolzen Feinde schnauben (Christmas Oratorio , Part VI; Epiphany)
|
D maj. | satbSATB 3Tr Tmp 2Ob 2Oba Str Bc | 51: 210 | II/6: 243 | after :7–12 | 11390 |
| 248/59 | chorale setting "Ich steh an deiner Krippen hier" (s. 1) | G maj. | SATB | 51: 245 | III/2.1: 84 III/2.2: 208 |
after 4429a; text by Gerhardt
|
11268 | ||
| chorale setting "Es ist gewisslich an der Zeit" | after 4429a; text by Ringwaldt
| ||||||||
| 248/64 | chorale setting "Ihr Christen auserkoren" (s. 4) | D maj. | SATB | 51: 256 | III/2.1: 85 | after 5385a; text by Werner
|
11269 | ||
| chorale setting "Ach Herr, mich armen Sünder" | after 5385a; text by Schneegaß
| ||||||||
| 248VIa | 4. | 1734 or earlier | Cantata model for BWV 248VI | D maj. | satbSATB 3Tr Tmp 2Ob 2Oba Str Bc | II/6 | after 248 /54, /56–/57, /61–/64
|
00315 | |
| 249.5 | 4. | 1743–1746 1749-04-06 1750-03-26 |
Oratorio Kommt, eilet und laufet (Easter Oratorio; Easter) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc | 213 | II/7: 1 | after BWV 249.4; text by Picander ?
|
00316 | |
| 249.4 | 4. | c. 1738 | Oratorio Kommt, eilet und laufet (Easter Oratorio, middle version; Easter) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc | II/7 | after BWV 249 .5
|
11392 | ||
| 249.3 | 4. | 1725-04-01 c.1738 |
Cantata Kommt, fliehet und eilet (Easter Oratorio, early versions: first version as cantata; Easter) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc | II/7: 97 | after BWV 249 .4
|
00317 | ||
| 249.1 | 4. | 1725-02-23 | Shepherd Cantata (birthday of Christian of Saxe-Weissenfels ; music lost but in part reconstructable)
|
satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc | I/35 | text by 249.2
|
00318 | ||
| 249.2 | 4. | 1726-08-25 | Secular cantata Verjaget, zerstreuet, zerrüttet, ihr Sterne a.k.a. Die Feier des Genius (dramma per musica; birthday of Joachim Friedrich von Flemming ]; music lost but in part reconstructable)
|
I/39 | after BWV 249.1/1–/3, /5, /7, /9, /11; text by Picander
|
00319 | |||
| 11 | 4. | 1738-05-15 | Ascension Oratorio ; Ascension)
|
D maj. | satbSATB 3Tr Tmp 2Fl 2Ob Str Bc | 2: 1 | II/8: 1 | after :19 | 00013 |
| 11/6 | chorale setting "Nun lieget alles unter dir" (= "Du Lebensfürst, Herr Jesu Christ", s. 4) | SATB | 2: 32 | III/2.2: 198 | after Z 5741b; text by Rist
|
11299 | |||
| 5. | Four-part chorales (see also: List of chorale harmonisations by Johann Sebastian Bach) | Up ↑ | |||||||
| 250 | 5. | 1734–1738 | chorale setting "Was Gott tut, das ist wohlgetan" (Three wedding chorales No. 1) | SATB 2Hn Ob Oba Str Bc | 131: 147 | III/2.1: 3 | text by Rodigast | 00320 | |
| 251 | 5. | 1734–1738 | chorale setting "Sei Lob und Ehr dem höchsten Gut" (Three wedding chorales No. 2) | SATB 2Hn Ob Oba Str Bc | 131: 148 | III/2.1: 4 | text by Schütz, J. J. | 00321 | |
| 252 | 5. | 1734–1738 | chorale setting "Nun danket alle Gott" (Three wedding chorales No. 3) | SATB 2Hn Ob Oba Str Bc | 131: 149 | III/2.1: 5 | text by Rinkart | 00322 | |
| 253 | 5. | 1750 or earlier | chorale setting "Ach bleib bei uns, Herr Jesu Christ" | A maj. | SATB | 39: 177 | III/2.2: 101 | after BWV 414
|
00323 |
| 254 | 5. | 1750 or earlier | chorale setting "Ach Gott, erhör mein Seufzen" | D Dor. | SATB | 39: 177 | III/2.2: 105 | after Z 1831a; text by Schechs ]
|
00324 |
| 255 | 5. | 1750 or earlier | chorale setting "Ach Gott und Herr" | C maj. | SATB | 39: 178 | III/2.2: 24 | after Z 4441a; text by Rutilius ]
|
00325 |
| 256 | 5. | 1750 or earlier | chorale setting "Ach lieben Christen, seid getrost" | A min. | SATB | 39: 178 | III/2.2: 19 | after Z 4441a; text by Gigas
|
00326 |
| 259 | 5. | 1750 or earlier | chorale setting "Ach, was soll ich Sünder machen" | E min. | SATB | 39: 179 | III/2.2: 23 | after Z 3573b; text by Flittner ]
|
00329 |
| 260 | 5. | c. 1735 or earlier | chorale setting "Allein Gott in der Höh sei Ehr" | G maj. | SATB | 39: 180 | III/2.1: 9 III/2.2: 147 |
after | 00330 |
| 261 | 5. | 1750 or earlier | chorale setting "Allein zu dir, Herr Jesu Christ" | B min. | SATB | 39: 180 | III/2.2: 206 | after Z 7292b; text by Hubert
|
00331 |
| 262 | 5. | 1750 or earlier | chorale setting "Alle Menschen müssen sterben" | D maj. | SATB | 39: 181 | III/2.2: 88 | after Pachelbel; text by Albinus, Rosenmüller | 00332 |
| 263 | 5. | 1750 or earlier | chorale setting "Alles ist an Gottes Segen" | G maj. | SATB | 39: 181 | III/2.2: 72 | after Z 3842f
|
00333 |
| 264 | 5. | 1750 or earlier | chorale setting "Als der gütige Gott" | G maj. | SATB | 39: 182 | III/2.2: 91 | after Z 1646; text by Weiße
|
00334 |
| 265 | 5. | 1750 or earlier | chorale setting "Als Jesus Christus in der Nacht" | D Dor. | SATB | 39: 182 | III/2.2: 102 | after Z 258; text by Heermann
|
00335 |
| 266 | 5. | 1750 or earlier | chorale setting "Als vierzig Tag nach Ostern warn" | E min. | SATB | 39: 182 | III/2.2: 120 | after Z 1743; text by Herman
|
00336 |
| 267 | 5. | c. 1735 or earlier | chorale setting "An Wasserflüssen Babylon" | G maj. | SATB | 39: 183 | III/2.2: 4 | after Z 7663; text by Dachstein
|
00337 |
| A♭ Maj. | III/2.1: 98 | ||||||||
| chorale setting "Ein Lämmlein geht und trägt | G maj. | 39: 183 | after Z 7663; text by Gerhardt
| ||||||
| A♭ Maj. | III/2.2: 180 | ||||||||
| 268 | 5. | 1750 or earlier | chorale setting "Auf, auf, mein Herz" | G maj. | SATB | 39: 184 | III/2.2: 70 | after Z 824; text by Birken
|
00338 |
| 269 | 5. | 1750 or earlier | chorale setting "Aus meines Herzens Grunde" | G maj. | SATB | 39: 184 | III/2.2: 2 | after Z 5269; text by Niege ]
|
00339 |
| 270 | 5. | c. 1735 or earlier | chorale setting "Befiehl du deine Wege" | B min. | SATB | 39: 185 | III/2.1: 47 III/2.2: 170 |
after Z 5385a; text by Gerhardt
|
00340 |
| 271 | 5. | c. 1735 or earlier | chorale setting "Befiehl du deine Wege" | B min. | SATB | 39: 185 | III/2.1: 97 III/2.2: 210 |
after Z 5385a; text by Gerhardt
|
00341 |
| 272 | 5. | 1730–1761 | chorale setting "Befiehl du deine Wege" | D min. | SATB | 39: 186 | III/2.2: 196 | by Z 5393; text by Gerhardt
|
00342 |
| 273 | 5. | 1750 or earlier | chorale setting "Christ, der du bist der helle Tag" | G min. | SATB | 39: 186 | III/2.2: 136 | after Z 384; text by Alberus
|
00343 |
| 274 | 5. | 1750 or earlier | chorale setting "Christe, der du bist Tag und Licht" | G min. | SATB | 39: 187 | III/2.2: 145 | after Z 343; text by Musculus after "Christe qui lux es "
|
00344 |
| 275 | 5. | 1750 or earlier | chorale setting "Christe, du Beistand" | D Dor. | SATB | 39: 187 | III/2.2: 122 | after Z 993; text by Löwenstern
|
00345 |
| 276 | 5. | 1750 or earlier | chorale setting "Christ ist erstanden" | D Dor. | SATB | 39: 188 | III/2.2: 110 | after Z 8584; text: "Christ ist erstanden "
|
00346 |
| 277 | 5. | 1750 or earlier | chorale setting "Christ lag in Todesbanden" | D Dor. | SATB | 39: 189 | III/2.2: 11 | after Z 7012a; text by Luther
|
00347 |
| 278 | 5. | c. 1735 or earlier | chorale setting "Christ lag in Todesbanden" | E min. | SATB | 39: 190 | III/2.1: 92 III/2.2: 212 |
after Z 7012a; text by Luther
|
00348 |
| 279 | 5. | c. 1725–1735 | chorale setting "Christ lag in Todesbanden" | E min. | SATB | 32: 154 | III/2.1: 24 III/2.2: 155 |
after BWV 158 /4
|
00349 |
| 280 | 5. | 1750 or earlier | chorale setting "Christ unser Herr zum Jordan kam" | D Dor. | SATB | 39: 190 | III/2.2: 36 | after Z 7246; text by Luther
|
00350 |
| 281 | 5. | 1750 or earlier | chorale setting "Christus, der ist mein Leben" | F maj. | SATB | 39: 191 | III/2.2: 6 | after Neu Leipziger GB, p 942[21]
|
00351 |
| 282 | 5. | 1750 or earlier | chorale setting "Christus, der ist mein Leben" | G maj. | SATB | 39: 191 | III/2.2: 184 | after BWV 95 /1
|
00352 |
| 283 | 5. | 1750 or earlier | chorale setting "Christus, der uns selig macht" | A min. | SATB | 39: 192 | III/2.2: 112 | after Patris sapientia "
|
00353 |
| 284 | 5. | 1750 or earlier | chorale setting "Christus ist erstanden, hat überwunden" | C maj. | SATB | 39: 192 | III/2.2: 113 | after Z 6240b; text by Weiße
|
00354 |
| 285 | 5. | 1750 or earlier | chorale setting "Da der Herr Christ zu Tische saß" | C min. | SATB | 39: 193 | III/2.2: 110 | after Z 2503; text by Herman
|
00355 |
| 286 | 5. | 1750 or earlier | chorale setting "Danket dem Herrn, denn er ist" | A min. | SATB | 39: 193 | III/2.2: 134 | after Z 12; text by Horn ]
|
00356 |
| 287 | 5. | 1750 or earlier | chorale setting "Dank sei Gott in der Höhe" | F maj. | SATB | 39: 194 | III/2.2: 182 | after Z 5391; text by Mühlmann ]
|
00357 |
| 288 | 5. | c. 1735 or earlier | chorale setting "Das alte Jahr vergangen ist" | D Dor. | SATB | 39: 194 | III/2.1: 11 III/2.2: 93 |
after Z 381; text by Steuerlein ]
|
00358 |
| 289 | 5. | 1750 or earlier | chorale setting "Das alte Jahr vergangen ist" | E min. | SATB | 39: 194 | III/2.2: 183 | after Z 381; text by Steuerlein ]
|
00359 |
| 290 | 5. | 1750 or earlier | chorale setting "Das walt Gott Vater und Gott Sohn" | F maj. | SATB | 39: 195 | III/2.2: 132 | after Z 673; text by Behm
|
00360 |
| 291 | 5. | 1750 or earlier | chorale setting "Das walt mein Gott" | D min. | SATB | 39: 195 | III/2.2: 42 | after Z 4217; text by Förtsch ]?
|
00361 |
| 292 | 5. | 1750 or earlier | chorale setting "Den Vater dort oben" | C maj. | SATB | 39: 196 | III/2.2: 141 | after Z 4795; text by Weiße
|
00362 |
| 293 | 5. | 1750 or earlier | chorale setting "Der du bist drei in Einigkeit" | D Dor. | SATB | 39: 196 | III/2.2: 89 | after O lux beata Trinitas "
|
00363 |
| 294 | 5. | 1750 or earlier | chorale setting "Der Tag, der ist so freudenreich" | G maj. | SATB | 39: 197 | III/2.2: 90 | after Dies est laetitiae "
|
00364 |
| 295 | 5. | 1750 or earlier | chorale setting "Des Heilgen Geistes reiche Gnad" | D min. | SATB | 39: 197 | III/2.2: 120 | after Spiritus Sancti gratia "
|
00365 |
| 296 | 5. | 1750 or earlier | chorale setting "Die Nacht ist kommen" | G Mix. | SATB | 39: 198 | III/2.2: 136 | after Z 5001; text by Herbert ]
|
00366 |
| 297 | 5. | 1750 or earlier | chorale setting "Die Sonn hat sich mit ihrem Glanz gewendet" | D Dor. | SATB | 39: 198 | III/2.2: 137 | after BWV 447
|
00367 |
| 298 | 5. | 1750 or earlier | chorale setting "Dies sind die heilgen zehn Gebot" | C maj. | SATB | 39: 198 | III/2.2: 72 | after Z 1951; text by Luther
|
00368 |
| 299 [2] | 5. | 1725–1735 | chorale setting "Dir, dir, Jehova, will ich singen" | B♭ maj. | SATB | 39: 199 | III/2.1: 11 III/2.2: 121 |
↔ BWV 452
|
00369 |
| 299 [1] | Notebook A. M. Bach (1725) No. 39: chorale setting "Dir, dir, Jehova, will ich singen" | S(AT)B (V Bc) | 432: 50 | V/4: 126 | 11543 | ||||
| 300 | 5. | 1750 or earlier | chorale setting "Du großer Schmerzensmann" | E min. | SATB | 39: 199 | III/2.2: 94 | after Z 5159a; text by Thebesius ]
|
00370 |
| 301 | 5. | 1750 or earlier | chorale setting "Du, o schönes Weltgebäude" | D min. | SATB | 39: 200 | III/2.2: 80 | after Z 6773; text by Franck, J.
|
00371 |
| 302 | 5. | c. 1735 or earlier | chorale setting "Ein feste Burg ist unser Gott" | D maj. | SATB | 39: 200 | III/2.1: 48 III/2.2: 14 |
after | 00372 |
| 303 | 5. | c. 1735 or earlier | chorale setting "Ein feste Burg ist unser Gott" | D maj. | SATB | 39: 201 | III/2.1: 10 III/2.2: 148 |
after | 00373 |
| 304 | 5. | c. 1735 or earlier | chorale setting "Eins ist not, ach Herr, dies Eine" | D maj. | SATB | 39: 201 | III/2.1: 36 III/2.2: 166 |
after Z 7127; text by Schröder
|
00374 |
| 305 | 5. | 1750 or earlier | chorale setting "Erbarm dich mein, o Herre Gott" | A min. | SATB | 39: 202 | III/2.2: 20 | after | 00375 |
| 306 | 5. | 1750 or earlier | chorale setting "Erstanden ist der heilig Christ" | F maj. | SATB | 39: 202 | III/2.2: 100 | after Surrexit Christus hodie "
|
00376 |
| 307 | 5. | c. 1735 or earlier | chorale setting "Es ist gewisslich an der Zeit" | B♭ maj. | SATB | 39: 203 | III/2.1: 22 III/2.2: 155 |
after Z 4429a; text by Ringwaldt
|
00377 |
| 308 | 5. | 1750 or earlier | chorale setting "Es spricht der Unweisen Mund wohl" | B♭ maj. | SATB | 39: 204 | III/2.2: 17 | after | 00378 |
| 309 | 5. | 1750 or earlier | chorale setting "Es stehn vor Gottes Throne" | G Dor. | SATB | 39: 204 | III/2.2: 95 | after Z 4298; text by Helmbold
|
00379 |
| 310 | 5. | 1750 or earlier | chorale setting "Es wird schier der letzte Tag herkommen" | E min. | SATB | 39: 205 | III/2.2: 140 | after Z 1423; text by Weiße
|
00380 |
| 311 | 5. | 1750 or earlier | chorale setting "Es woll uns Gott gnädig sein" | B min. | SATB | 39: 205 | III/2.2: 12 | after | 00381 |
| 312 | 5. | c. 1735 or earlier | chorale setting "Es woll uns Gott gnädig sein" | A min. | SATB | 39: 206 | III/2.1: 70 III/2.2: 202 |
after | 00382 |
| 327 | 5. | 1750 or earlier | chorale setting "Vor deinen Thron tret ich hiermit" | D maj. | SATB | 39: 213 | III/2.2: 193 | after Z 368; text by Hodenberg ?
|
00397 |
| 313 | 5. | 1750 or earlier | chorale setting "Für Freuden lasst uns springen" | G min. | SATB | 39: 206 | III/2.2: 93 | after Z 2339; text by Peltsch ]
|
00383 |
| 314 | 5. | c. 1735 or earlier | chorale setting "Gelobt seist du, Jesu Christ"
|
D maj. | SATB | 39: 207 | III/2.1: 48 III/2.2: 171 |
after Z 1947; text by Luther
|
00384 |
| 315 | 5. | c. 1735 or earlier | chorale setting "Gib dich zufrieden und sei stille" | E min. | SATB | 39: 207 | III/2.1: 38 III/2.2: 161 |
after Z 7417a
|
00385 |
| 316 | 5. | 1750 or earlier | chorale setting "Gott, der du selber bist das Licht" | G min. | SATB | 39: 208 | III/2.2: 133 | after Z 5814; text by Rist
|
00386 |
| 317 | 5. | 1750 or earlier | chorale setting "Gott der Vater wohn uns bei" | D maj. | SATB | 39: 208 | III/2.2: 78 | after Z 8507; text by Luther
|
00387 |
| 318 | 5. | 1750 or earlier | chorale setting "Gottes Sohn ist kommen" | G maj. | SATB | 39: 209 | III/2.2: 13 | after Z 3294; text by Horn ]
|
00388 |
| F maj. | III/2.2: 214 | ||||||||
| 319 | 5. | 1750 or earlier | chorale setting "Gott hat das Evangelium" | E min. | SATB | 39: 209 | III/2.2: 102 | after Z 1788; text by Alberus
|
00389 |
| 320 | 5. | 1750 or earlier | chorale setting "Gott lebet noch" | F maj. | SATB | 39: 210 | III/2.2: 138 | after BWV 461
|
00390 |
| 321 | 5. | 1750 or earlier | chorale setting "Gottlob, es geht nunmehr zum Ende" | B♭ maj. | SATB | 39: 210 | III/2.2: 108 | after Z 2853; → Z 2855; text by Luther
|
00391 |
| 322 | 5. | 1750 or earlier | chorale setting "Gott sei gelobet und gebenedeiet" | C maj. | SATB | 39: 211 | III/2.2: 39 | after Z 8078; text by Luther
|
00392 |
| 323 | 5. | 1750 or earlier | chorale setting "Gott sei uns gnädig und barmherzig" | F♯ min. | SATB | 39: 212 | III/2.2: 186 | after German Magnificat; text after Ps. 67
|
00393 |
| 325 | 5. | 1750 or earlier | chorale setting "Heilig, heilig, heilig"
|
F maj. | SATB | 39: 212 | III/2.2: 138 | after Z 8634
|
00395 |
chorale setting "Sanctus, Sanctus Dominus Deus"
|
after Z 8634
| ||||||||
| 326 | 5. | 1750 or earlier | chorale setting "Herr Gott, dich loben alle wir" | B♭ maj. | SATB | 39: 213 | III/2.2: 96 | after Z 368; text by Eber
|
00396 |
| 328 | 5. | 1750 or earlier | chorale setting "Herr Gott, dich loben wir" | A min. | SATB | 39: 214 | III/2.2: 117 | after | 00398 |
| 329 | 5. | 1750 or earlier | chorale setting "Herr, ich denk an jene Zeit" | B♭ maj. | SATB | 39: 216 | III/2.2: 123 | after Z 4840; text by Mylius ]
|
00399 |
| 330 | 5. | 1750 or earlier | chorale setting "Herr, ich habe missgehandelt" | A min. | SATB | 39: 216 | III/2.2: 21 | after Z 3695; text by Franck, J.
|
00400 |
| 331 | 5. | c. 1735 or earlier | chorale setting "Herr, ich habe missgehandelt" | A min. | SATB | 39: 217 | III/2.1: 47 III/2.2: 171 |
after Z 3695; text by Franck, J.
|
00401 |
| 332 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, dich zu uns wend" | G maj. | SATB | 39: 217 | III/2.2: 79 | after Z 624; text by William of Saxe-Weimar
|
00402 |
| 333 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, du hast bereit'" | G min. | SATB | 39: 218 | III/2.2: 133 | after Z 4711; text by Kinner ]
|
00403 |
| 334 | 5. | c. 1735 or earlier | chorale setting "Herr Jesu Christ, ich schrei zu dir" | G min. | SATB | III/2.1: 43 | after Z 4486
|
00404 | |
| chorale setting "Herr Jesu Christ, du höchstes Gut" | 39: 218 | III/2.2: 41 | after Z 4486; text by Ringwaldt
| ||||||
| 335 | 5. | c. 1735 or earlier | chorale setting "Herr Jesu Christ, meins Lebens Licht" | E min. | SATB | 39: 218 | III/2.1: 60 III/2.2: 175 |
after Z 423; text by Behm
|
00405 |
| chorale setting "O Jesu, du mein Bräutigam" | III/2.2: 139 | after Z 423; text by Hermann
| |||||||
| 336 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" | A maj. | SATB | 39: 219 | III/2.2: 106 | after Z 423; text by Eber
|
00406 |
| 337 | 5. | 1750 or earlier | chorale setting "Herr, nun lass in Friede" | A min. | SATB | 39: 219 | III/2.2: 107 | after Z 3302; text by Behme ]
|
00407 |
| 338 | 5. | 1750 or earlier | chorale setting "Herr, straf mich nicht in deinem Zorn, das bitt" | A min. | SATB | 39: 220 | III/2.2: 131 | after | 00408 |
| 339 | 5. | 1750 or earlier | chorale setting "Wer in dem Schutz des Höchsten ist" | A maj. | SATB | 39: 220 | III/2.2: 84 | after Z 4438; text by Heyden
|
00409 |
| chorale setting "Herr, wie du willt, so schicks mit mir" | after Z 4438; text by Bienemann ]
| ||||||||
| 340 | 5. | c. 1735 or earlier | chorale setting "Herzlich lieb hab ich dich, o Herr" | C maj. | SATB | 39: 221 | III/2.1: 42 III/2.2: 164 |
after Z 8326; text by Schalling
|
00410 |
| 341 | 5. | 1750 or earlier | chorale setting "Heut ist, o Mensch, ein großer Trauertag" | G Dor. | SATB | 39: 221 | III/2.2: 96 | after Z 8569/A; text by Löwenstern
|
00411 |
| 342 | 5. | 1750 or earlier | chorale setting "Heut triumphieret Gottes Sohn" | A min. | SATB | 39: 222 | III/2.2: 44 | after Z 2585; text by Stolzhagen ]
|
00412 |
| 343 | 5. | 1750 or earlier | chorale setting "Hilf, Gott, dass mirs gelinge" | G Dor. | SATB | 39: 222 | III/2.2: 112 | after Z 4329f; text by Müller, H.[23]
|
00413 |
| 344 | 5. | 1750 or earlier | chorale setting "Hilf, Herr Jesu, lass gelingen" | G Dor. | SATB | 39: 223 | III/2.2: 89 | after Z 3687a; text by Rist
|
00414 |
| 345 | 5. | c. 1735 or earlier | chorale setting "Ich bin ja, Herr, in deiner Macht" | G min. | SATB | 39: 223 | III/2.1: 13 III/2.2: 148 |
↔ Z 5878a; text by Dach
|
00415 |
| 346 | 5. | 1750 or earlier | chorale setting "Ich dank dir, Gott, für deine Wohltat" | C maj. | SATB | 39: 224 | III/2.2: 132 | after Z 8090; text by Freder ]
|
00416 |
| 347 | 5. | 1750 or earlier | chorale setting "Ich dank dir, lieber Herre" | A maj. | SATB | 39: 224 | III/2.2: 2 | after Z 5354a–b; text by Kolross
|
00417 |
| 348 | 5. | c. 1735 or earlier | chorale setting "Ich dank dir, lieber Herre" | B♭ maj. | SATB | 39: 225 | III/2.1: 39 III/2.2: 162 |
after Z 5354a–b; text by Kolross
|
00418 |
| 349 | 5. | 1750 or earlier | chorale setting "Ich dank dir schon durch deinen Sohn" | F maj. | SATB | 39: 225 | III/2.2: 106 | after Z 247b; text by Burchart ]
|
00419 |
| 350 | 5. | 1750 or earlier | chorale setting "Ich danke dir, Herr Gott, in deinem Throne" | G min. | SATB | 39: 226 | III/2.2: 135 | after Z 3199; text by Fabricius ]
|
00420 |
| 351 | 5. | 1750 or earlier | chorale setting "Ich hab mein Sach Gott heimgestellt" | G Dor. | SATB | 39: 226 | III/2.2: 13 | after Z 1679; text by Leon ]
|
00421 |
| 366 | 5. | 1750 or earlier | chorale setting "Ihr Gestirn, ihr hohlen Lüfte" | D min. | SATB | 39: 236 | III/2.2: 92 | after Z 3703; text by Franck, J.
|
00436 |
| 367 | 5. | 1750 or earlier | chorale setting "In allen meinen Taten" | C maj. | SATB | 39: 236 | III/2.2: 81 | after | 00437 |
| 368 | 5. | 1750 or earlier | chorale setting "In dulci jubilo" | F maj. | SATB | 39: 236 | III/2.2: 83 | after Z 4947
|
00438 |
| 352 | 5. | 1750 or earlier | chorale setting "Jesu, der du meine Seele" | A min. | SATB | 39: 227 | III/2.2: 22 | after Z 6804; text by Rist
|
00422 |
| 353 | 5. | c. 1735 or earlier | chorale setting "Jesu, der du meine Seele" | G min. | SATB | 39: 228 | III/2.1: 26 III/2.2: 160 |
after Z 6804; text by Rist
|
00423 |
| 354 | 5. | c. 1735 or earlier | chorale setting "Jesu, der du meine Seele" | B♭ Dor. | SATB | 39: 228 | III/2.1: 99 III/2.2: 211 |
after Z 6804; text by Rist
|
00424 |
| 355 | 5. | 1750 or earlier | chorale setting "Jesu, der du selbsten wohl" | A maj. | SATB | 39: 229 | III/2.2: 97 | after Z 6335; text by Bapzien ]
|
00425 |
| 356 | 5. | 1750 or earlier | chorale setting "Jesu, du mein liebstes Leben" | G min. | SATB | 39: 230 | III/2.2: 144 | after Z 7891; text by Rist
|
00426 |
| 357 | 5. | 1750 or earlier | chorale setting "Jesu, Jesu, du bist mein" | C Dor. | SATB | 39: 230 | III/2.2: 144 | ↔ Z 6446
|
00427 |
| 358 | 5. | c. 1735 or earlier | chorale setting "Jesu, meine Freude" | D min. | SATB | 39: 231 | III/2.1: 80 III/2.2: 204 |
after Z 8032; text by Franck, J.
|
00428 |
| 360 | 5. | c. 1735 or earlier | chorale setting "Jesu, meiner Seelen Wonne" | B♭ maj. | SATB | 39: 232 | III/2.1: 73 III/2.2: 201 |
after Z 6551a; text by Janus
|
00430 |
| 359 | 5. | 1750 or earlier | chorale setting "Jesu, meiner Seelen Wonne" | A maj. | SATB | 39: 232 | III/2.2: 209 | after BWV 154/3; text by Janus
|
00429 |
| 361 | 5. | c. 1735 or earlier | chorale setting "Jesu, meines Herzens Freud" | B♭ maj. | SATB | 39: 233 | III/2.1: 34 III/2.2: 157 |
after Z 4797–4798; text by Flittner ]
|
00431 |
| 362 | 5. | c. 1735 or earlier | chorale setting "Jesu, nun sei gepreiset" | B♭ maj. | SATB | 39: 234 | III/2.1: 12 III/2.2: 149 |
after Z 8477a; text by Hermann
|
00432 |
| 364 | 5. | 1750 or earlier | chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" | G Dor. | SATB | 39: 235 | III/2.2: 99 | after Z 1978; text by Luther
|
00434 |
| 363 | 5. | 1750 or earlier | chorale setting "Jesus Christus, unser Heiland, der von uns den Gottes Zorn wandt" | E min. | SATB | 39: 234 | III/2.2: 19 | after Z 1576; text by Luther
|
00433 |
| 365 | 5. | 1750 or earlier | chorale setting "Jesus, meine Zuversicht" | C maj. | SATB | 39: 235 | III/2.2: 100 | after Z 3432b; text by Louise Henriette of N
|
00435 |
| 369 | 5. | 1750 or earlier | chorale setting "Keinen hat Gott verlassen" | E min. | SATB | 39: 237 | III/2.2: 73 | after Z 5395
|
00439 |
| 370 | 5. | 1750 or earlier | chorale setting "Komm, Gott Schöpfer, Heiliger Geist" | C maj. | SATB | 39: 238 | III/2.2: 105 | after Z 295; text by Luther
|
00440 |
| 371 | 5. | 1750 or earlier | chorale setting "Kyrie, Gott Vater in Ewigkeit" | A min. | SATB | 39: 238 | III/2.2: 74 | after Z 8600c
|
00441 |
| 372 | 5. | 1750 or earlier | chorale setting "Lass, o Herr, dein Ohr sich neigen" | G Dor. | SATB | 39: 240 | III/2.2: 128 | after Z 6863; text by Opitz
|
00442 |
| 373 | 5. | 1750 or earlier | chorale setting "Liebster Jesu, wir sind hier" | G maj. | SATB | 39: 240 | III/2.2: 74, 190 | after Z 3498b; text by Clausnitzer
|
00443 |
| 374 | 5. | 1750 or earlier | chorale setting "Lobet den Herren, denn er ist sehr" | G Dor. | SATB | 39: 241 | III/2.2: 134 | after Z 975; text after Ps. 147
|
00444 |
| 375 | 5. | c. 1735 or earlier | chorale setting "Lobt Gott, ihr Christen, allzugleich" | G maj. | SATB | 39: 241 | III/2.1: 45 III/2.2: 164 |
after Z 198; text by Herman
|
00445 |
| 376 | 5. | 1750 or earlier | chorale setting "Lobt Gott, ihr Christen allzugleich" | A maj. | SATB | 39: 242 | III/2.2: 197 | after Z 198; text by Herman
|
00446 |
| 377 | 5. | 1750 or earlier | chorale setting "Machs mit mir, Gott, nach deiner Güt" | D maj. | SATB | 39: 242 | III/2.2: 26 | after Z 2383; text by Schein
|
00447 |
| 378 | 5. | 1750 or earlier | chorale setting "Mein Augen schließ ich jetzt" | G maj. | SATB | 39: 243 | III/2.2: 153 | after Z 1067; text by Löwenstern
|
00448 |
| 379 | 5. | 1750 or earlier | chorale setting "Meinen Jesum lass ich nicht, Jesus" | G maj. | SATB | 39: 243 | III/2.2: 87 | after Z 3448a
|
00449 |
| 380 | 5. | c. 1735 or earlier | chorale setting "Meinen Jesum lass ich nicht, weil" | E♭ maj. | SATB | 39: 244 | III/2.1: 62 III/2.2: 178 |
after Z 3449; text by Keymann
|
00450 |
| 324 | 5. | 1750 or earlier | chorale setting "Meine Seele erhebet den Herren" | E min. | SATB | 39: 212 | III/2.2: 73 | after German Magnificat; text by Luther after Lk. 1:46–55
|
00394 |
| 381 | 5. | 1750 or earlier | chorale setting "Meines Lebens letzte Zeit" | E min. | SATB | 39: 244 | III/2.2: 199 | after BWV 488
|
00451 |
| 382 | 5. | c. 1735 or earlier | chorale setting "Mit Fried und Freud ich fahr dahin" | G Dor. | SATB | 39: 245 | III/2.1: 40 III/2.2: 28 |
after Z 3986; text by Luther
|
00452 |
| 383 | 5. | 1750 or earlier | chorale setting "Mitten wir im Leben sind" | A min. | SATB | 39: 246 | III/2.2: 124 | after Media vita
|
00453 |
| 384 | 5. | 1750 or earlier | chorale setting "Nicht so traurig, nicht so sehr" | C min. | SATB | 39: 247 | III/2.2: 86 | ↔ Z 3355; text by Gerhardt
|
00454 |
| 385 | 5. | c. 1735 or earlier | chorale setting "Nun bitten wir den Heiligen Geist" | A maj. | SATB | 39: 247 | III/2.1: 76 III/2.2: 22 |
after Z 2029a; text by Luther
|
00455 |
| 386 | 5. | c. 1735 or earlier | chorale setting "Nun danket alle Gott" | A maj. | SATB | 39: 248 | III/2.1: 101 III/2.2: 20 |
after Z 5142; text by Rinkart
|
00456 |
| 387 | 5. | 1750 or earlier | chorale setting "Nun freut euch, Gottes Kinder all" | D Dor. | SATB | 39: 248 | III/2.2: 104 | after Z 364; text by Alberus
|
00457 |
| 388 | 5. | 1750 or earlier | chorale setting "Nun freut euch, lieben Christen gmein" | G maj. | SATB | 39: 248 | III/2.2: 103 | after Z 4427; text by Luther
|
00458 |
| 389 | 5. | c. 1735 or earlier | chorale setting "Nun lob, mein Seel, den Herren" | C maj. | SATB | 39: 249 | III/2.1: 32 III/2.2: 159 |
after | 00459 |
| 390 | 5. | c. 1735 or earlier | chorale setting "Nun lob, mein Seel, den Herren" | C maj. | SATB | 39: 250 | III/2.1: 58 III/2.2: 176 |
after | 00460 |
| 391 | 5. | 1750 or earlier | chorale setting "Nun preiset alle Gottes Barmherzigkeit" | G maj. | SATB | 39: 250 | III/2.2: 131 | after Z 4089a; text by Löwenstern
|
00461 |
| 392 | 5. | 1734–1750 | chorale setting "Nun ruhen alle Wälder" | B♭ maj. | SATB | 39: 251 | III/2.2: 172 | after BWV 97/9; text by Gerhardt
|
00462 |
| 396 | 5. | 1750 or earlier | chorale setting "Nun sich der Tag geendet hat" | A min. | SATB | 39: 252 | III/2.2: 142 | after Z 212b; text by Krieger
|
00466 |
| 397 | 5. | c. 1735 or earlier | chorale setting "O Ewigkeit, du Donnerwort" | F maj. | SATB | 39: 253 | III/2.1: 23 III/2.2: 163 |
after BWV 513
|
00467 |
| 398 | 5. | c. 1728–1729 | chorale setting "O Gott, du frommer Gott" | D maj. | SATB | 39: 254 | III/2.2: 182 | after BWV 197a /7
|
00468 |
| 399 | 5. | 1750 or earlier | chorale setting "O Gott, du frommer Gott" | G maj. | SATB | 39: 254 | III/2.2: 184 | after Z 5148; text by Heermann
|
00469 |
| 400 | 5. | 1750 or earlier | chorale setting "O Herzensangst" | E♭ maj. | SATB | 39: 255 | III/2.2: 99 | ↔ Z 1003; text by Müller von Königsberg
|
00470 |
| 401 | 5. | 1750 or earlier | chorale setting "O Lamm Gottes, unschuldig" | F maj. | SATB | 39: 255 | III/2.2: 94 | after | 00471 |
| 402 | 5. | 1750 or earlier | chorale setting "O Mensch, bewein dein Sünde groß" | E♭ maj. | SATB | 39: 256 | III/2.2: 114 | after Z 8303; text by Heyden
|
00472 |
| 403 | 5. | 1750 or earlier | chorale setting "O Mensch, schau Jesum Christum an" | G Dor. | SATB | 39: 257 | III/2.2: 116 | after Z 3994a–b; text by Specht ; ↔ Z 3994c
|
00473 |
| 404 | 5. | 1750 or earlier | chorale setting "O Traurigkeit, o Herzeleid" | A min. | SATB | 39: 257 | III/2.2: 34 | after Z 1915; text by Rist
|
00474 |
| F min. | III/2.2: 215 | ||||||||
| 393 | 5. | c. 1735 or earlier | chorale setting "O Welt, sieh hier dein Leben" | A maj. | SATB | 39: 251 | III/2.1: 44 III/2.2: 163 |
after Z 2293b; text by Gerhardt
|
00463 |
| 394 | 5. | c. 1735 or earlier | chorale setting "O Welt, sieh hier dein Leben" | A maj. | SATB | 39: 252 | III/2.1: 96 III/2.2: 210 |
after Z 2293b; text by Gerhardt
|
00464 |
| 395 | 5. | 1724–1750 | chorale setting "O Welt, sieh hier dein Leben" | A maj. | SATB | 39: 252 | III/2.2: 208 | after BWV 245/11; text by Gerhardt
|
00465 |
| 405 | 5. | 1750 or earlier | chorale setting "O wie selig seid ihr doch, ihr Frommen" | D min. | SATB | 39: 258 | III/2.2: 124 | after BWV 495
|
00475 |
| 406 | 5. | 1750 or earlier | chorale setting "O wie selig seid ihr doch, ihr Frommen" | D min. | SATB | 39: 258 | III/2.2: 129 | after Z 1581; text by Dach
|
00476 |
| 407 | 5. | 1750 or earlier | chorale setting "O wir armen Sünder" | D maj. | SATB | 39: 258 | III/2.2: 114 | after Z 8187c; text by Bonnus ]
|
00477 |
| 408 | 5. | 1750 or earlier | chorale setting "Schaut, ihr Sünder" | G Dor. | SATB | 39: 259 | III/2.2: 98 | after Z 8569/B; text by Löwenstern
|
00478 |
| 409 | 5. | 1750 or earlier | chorale setting "Seelenbräutigam" | A maj. | SATB | 39: 260 | III/2.2: 82, 216 | after BWV 496
|
00479 |
| 410 | 5. | 1750 or earlier | chorale setting "Sei gegrüßet, Jesu gütig" | G min. | SATB | 39: 260 | III/2.2: 98 | after BWV 499
|
00480 |
| 411 | 5. | 1750 or earlier | chorale setting "Singt dem Herrn ein neues Lied" | G maj. | SATB | 39: 260 | III/2.2: 146 | after Z 6424; text by Löwenstern
|
00481 |
| 412 | 5. | 1750 or earlier | chorale setting "So gibst du nun, mein Jesu, gute Nacht" | G Dor. | SATB | 39: 261 | III/2.2: 119 | after BWV 501
|
00482 |
| 413 | 5. | 1750 or earlier | chorale setting "Sollt ich meinem Gott nicht singen" | D min. | SATB | 39: 262 | III/2.2: 130 | after BWV 481
|
00483 |
| 414 | 5. | 1750 or earlier | chorale setting "Uns ist ein Kindlein heut geborn" | G maj. | SATB | 39: 262 | III/2.2: 86 | after BWV 253
|
00484 |
| 415 | 5. | 1750 or earlier | chorale setting "Valet will ich dir geben" | D maj. | SATB | 39: 263 | III/2.2: 16 | after Z 5404a; text by Herberger
|
00485 |
| 416 | 5. | 1724-04-07 | chorale setting "Vater unser im Himmelreich" | D min. | SATB | 39: 263 | III/2.1: 94 III/2.2: 27 |
after BWV 245 .1/5
|
00486 |
| 417 | 5. | c. 1735 or earlier | chorale setting "Von Gott will ich nicht lassen" | B min. | SATB | 39: 264 | III/2.1: 92 III/2.2: 209 |
after Z 5264b; text by Helmbold
|
00487 |
| 418 | 5. | 1750 or earlier | chorale setting "Von Gott will ich nicht lassen" | A min. | SATB | 39: 264 | III/2.2: 192 | after Z 5264b; text by Helmbold
|
00488 |
| 419 | 5. | 1726–1761 (CPE) | chorale setting "Helft mir Gotts Güte preisen" | A min. | SATB | 39: 265 | III/2.2: 64 | by BWV 16/6; text by Eber
|
00489 |
| chorale setting "Von Gott will ich nicht lassen" | by BWV 16/6; text by Helmbold
| ||||||||
| 257 | 5. | c. 1735 or earlier | chorale setting "Wär Gott nicht mit uns diese Zeit" | A min. | SATB | 39: 178 | III/2.1: 46 III/2.2: 170 |
after | 00327 |
| 420 | 5. | 1750 or earlier | chorale setting "Warum betrübst du dich, mein Herz" | A min. | SATB | 39: 265 | III/2.2: 84 | after Z 1689a
|
00490 |
| 421 | 5. | c. 1735 or earlier | chorale setting "Warum betrübst du dich, mein Herz" | A min. | SATB | 39: 266 | III/2.1: 65 III/2.2: 178 |
after BWV 1164 /2
|
00491 |
| 422 | 5. | c. 1735 or earlier | chorale setting "Warum sollt ich mich denn grämen" | G Mix. | SATB | 39: 266 | III/2.1: 82 III/2.2: 204 |
after Z 6461; → Z 6462; text by Gerhardt
|
00492 |
| 423 | 5. | 1750 or earlier | chorale setting "Was betrübst du dich, mein Herze" | G Dor. | SATB | 39: 267 | III/2.2: 140 | ↔ Z 6830; text by Herrmann ]
|
00493 |
| 424 | 5. | 1750 or earlier | chorale setting "Was bist du doch, o Seele, so betrübet" | A min. | SATB | 39: 267 | III/2.2: 108 | after BWV 506
|
00494 |
| 425 | 5. | 1750 or earlier | chorale setting "Was willst du dich, o meine Seele, kränken" | A min. | SATB | 39: 268 | III/2.2: 142 | after Z 7844; text by Werder ]
|
00495 |
| 426 | 5. | 1750 or earlier | chorale setting "Weltlich Ehr und zeitlich Gut" | C maj. | SATB | 39: 269 | III/2.2: 122 | after Z 4972; text by Weiße
|
00496 |
| 427 | 5. | 1750 or earlier | chorale setting "Wenn ich in Angst und Not" | E♭ maj. | SATB | 39: 269 | III/2.2: 85 | after Z 4233; text by Löwenstern
|
00497 |
| 428 | 5. | 1750 or earlier | chorale setting "Wenn mein Stündlein verhanden ist" | G maj. | SATB | 39: 270 | III/2.2: 187 | after Z 4482a; text by Herman
|
00498 |
| 429 | 5. | c. 1735 or earlier | chorale setting "Wenn mein Stündlein verhanden ist" | A maj. | SATB | 39: 270 | III/2.1: 91 III/2.2: 29 |
after Z 4482a; text by Herman
|
00499 |
| 430 | 5. | c. 1735 or earlier | chorale setting "Wenn mein Stündlein verhanden ist" | A maj. | SATB | 39: 271 | III/2.1: 68 III/2.2: 201 |
after Z 4482a; text by Herman
|
00500 |
| 431 | 5. | 1750 or earlier | chorale setting "Wenn wir in höchsten Nöten sein" | F maj. | SATB | 39: 272 | III/2.2: 38 | after Z 394; text by Eber
|
00501 |
| 432 | 5. | 1750 or earlier | chorale setting "Wenn wir in höchsten Nöten sein" | G maj. | SATB | 39: 272 | III/2.2: 146 | after Z 394; text by Eber
|
00502 |
| 433 | 5. | 1750 or earlier | chorale setting "Wer Gott vertraut, hat wohl gebaut" | G maj. | SATB | 39: 273 | III/2.2: 78 | after | 00503 |
| 434 | 5. | c. 1735 or earlier | chorale setting "Wer weiß, wie nahe mir mein Ende" | A min. | SATB | 39: 273 | III/2.1: 38 | after Emilie Juliane of B-M
|
00504 |
| chorale setting "Wer nur den lieben Gott lässt walten" | III/2.2: 85 | after Z 2778; text by Neumark
| |||||||
| 435 | 5. | 1750 or earlier | chorale setting "Wie bist du, Seele, in mir so gar betrübt" | E min. | SATB | 39: 274 | III/2.2: 143 | after Z 4092; text by Zeutschner ]
|
00505 |
| 436 | 5. | c. 1735 or earlier | chorale setting "Wie schön leuchtet der Morgenstern" | E maj. | SATB | 39: 274 | III/2.1: 45 III/2.2: 165 |
after Z 8359; text by Nicolai
|
00506 |
| 437 | 5. | 1750 or earlier | chorale setting "Wir glauben all an einen Gott" | D Dor. | SATB | 39: 275 | III/2.2: 76 | after | 00507 |
| 258 | 5. | 1750 or earlier | chorale setting "Wo Gott der Herr nicht bei uns hält" | B min. | SATB | 39: 179 | III/2.2: 194 | after Z 4441a; text by Jonas
|
00328 |
| 438 | 5. | 1750 or earlier | chorale setting "Wo Gott zum Haus nicht gibt sein Gunst" | F maj. | SATB | 39: 276 | III/2.2: 90 | after Z 305; text by Kolross
|
00508 |
| 500a | 5. | 1726-04-19 | chorale setting "So gehst du nun, mein Jesu, hin" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) | SATB Str Bc | II/9: 75 | text by BWV 500
|
00571 | ||
| 1084 | 5. | 1726-04-19 | chorale setting "O hilf Christe, Gottes Sohn" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) | SATB Str Bc | II/9: 76 | text by BC D 5a /14
|
01270 | ||
| 1089 | 5. | chorale setting "Da Jesus an dem Kreuze stund" | SATB | III/2.2: 216 | text by Lilius | 01275 | |||
| 1122 | 5. | c. 1735 or earlier | chorale setting "Denket doch, ihr Menschenkinder" | F maj. | SATB | III/2.1: 31 III/2.2: 217 |
text by Hübner?[25] | 01720 | |
| 1123 | 5. | c. 1735 or earlier | chorale setting "Wo Gott zum Haus gibt nicht sein Gunst" | G maj. | SATB | III/2.1: 40 | after | 01721 | |
| 1124 | 5. | c. 1735 or earlier | chorale setting "Ich ruf zu dir, Herr Jesu Christ" | E min. | SATB | III/2.1: 51 | after Z 7400; text by Agricola, J.[25]
|
01722 | |
| 1125 | 5. | c. 1735 or earlier | chorale setting "O Gott, du frommer Gott" | D maj. | SATB | III/2.1: 79 | after | 01723 | |
| 1126 | 5. | chorale setting "Lobet Gott, unsern Herren" | SATB | III/2.2: 218 | 01724 | ||||
| 6. | Songs, Arias and Quodlibet (see also: List of songs and arias of Johann Sebastian Bach )
|
Up ↑ | |||||||
| 439 | 6. | 1735–1736 or earlier | song "Ach, dass nicht die letzte Stunde" (Schemelli #831; tune #56) | V Bc | 39: 279 | III/2.1: 210 | ↔ Z 6721; text by Neumeister
|
00509 | |
| 440 | 6. | 1735–1736 or earlier | song "Auf, auf! die rechte Zeit ist hier" (Schemelli #171; tune #11) | V Bc | 39: 279 | III/2.1: 123 | ↔ Z 705; text by Opitz
|
00510 | |
| 441 | 6. | c. 1735 or earlier | chorale setting "Auf, auf, mein Herz, mit Freuden" | F maj. | SATB | III/2.1: 67 | after Z 5243; text by Gerhardt
|
00511 | |
| 1735–1736 or earlier | song "Auf, auf, mein Herz, mit Freuden" (Schemelli #320; tune #27) | V Bc | 39: 279 | III/2.1: 152 | |||||
| 442 | 6. | 1735–1736 or earlier | song "Beglückter Stand getreuer Seelen" (Schemelli #570; tune #39) | V Bc | 39: 280 | III/2.1: 176 | after Z 5970; text by Bonin ]
|
00512 | |
| 443 | 6. | 1735–1736 or earlier | song "Beschränkt, ihr Weisen dieser Welt" (Schemelli #689; tune #47) | V Bc | 39: 280 | III/2.1: 192 | ↔ Z 7765; text by Wegleiter ]
|
00513 | |
| 444 | 6. | 1735–1736 or earlier | song "Brich entzwei, mein armes Herze" (Schemelli #303; tune #24) | V Bc | 39: 280 | III/2.1: 146 | after Z 7110–7111a; → Z 7111b; text by Trommer ]
|
00514 | |
| 445 | 6. | 1735–1736 or earlier | song "Brunnquell aller Güter" (Schemelli #335; tune #29) | V Bc | 39: 281 | III/2.1: 156 | after Z 6252b; text by Franck, J.
|
00515 | |
| 446 | 6. | 1735–1736 or earlier | song "Der lieben Sonnen Licht und Pracht" (Schemelli #39; tune #2) | V Bc | 39: 281 | III/2.1: 106 | after Z 5659; text by Scriver
|
00516 | |
| 447 | 6. | 1735–1736 or earlier | song "Der Tag ist hin, die Sonne gehet nieder" (Schemelli #40; tune #3) | V Bc | 39: 281 | III/2.1: 108 | after BWV 297; text by Rube ]
|
00517 | |
| 448 | 6. | 1735–1736 or earlier | song "Der Tag mit seinem Lichte" (Schemelli #43; tune #4) | V Bc | 39: 282 | III/2.1: 110 | after Z 7512b; text by Gerhardt
|
00518 | |
| 449 | 6. | 1735–1736 or earlier | song "Dich bet ich an, mein höchster Gott" (Schemelli #396; tune #31) | V Bc | 39: 282 | III/2.1: 160 | ↔ Z 2437; text by Olearius, J. G.[26]
|
00519 | |
| 450 | 6. | 1735–1736 or earlier | song "Die bittre Leidenszeit beginnet abermal" (Schemelli #258; tune #17) | V Bc | 39: 282 | III/2.1: 134 | after Z 7429; text by Elmenhorst ]
|
00520 | |
| 451 | 6. | 1735–1736 or earlier | song "Die güldne Sonne" (Schemelli #13; tune #1)
|
V Bc | 39: 283 | III/2.1: 104 | after Z 8015; text by Gerhardt
|
00521 | |
| 452 | 6. | 1735–1736 or earlier | song "Dir, dir, Jehova, will ich singen" (Schemelli #397; tune #32) | V Bc | 39: 284 | III/2.1: 162 | after Z 3068; text by Crasselius
|
00522 | |
| 453 | 6. | 1735–1736 or earlier | song "Eins ist not! ach Herr, dies Eine" (Schemelli #112; tune #7) | V Bc | 39: 284 | III/2.1: 116 | ↔ Z 7129; text by Schröder ]
|
00523 | |
| 454 | 6. | 1735–1736 or earlier | song "Ermuntre dich, mein schwacher Geist" (Schemelli #187; tune #12) | V Bc | 39: 284 | III/2.1: 124 | after Rist
|
00524 | |
| 455 | 6. | 1735–1736 or earlier | song "Erwürgtes Lamm, das die verwahrten Siegel" (Schemelli #580; tune #43) | V Bc | 39: 285 | III/2.1: 184 | after Z 3138; text by Bonin ]
|
00525 | |
| 456 | 6. | 1735–1736 or earlier | song "Es glänzet der Christen inwendiges Leben" (Schemelli #572; tune #40) | V Bc | 39: 285 | III/2.1: 178 | after Z 6969; text by Richter
|
00526 | |
| 457 | 6. | 1735–1736 or earlier | song "Es ist nun aus mit meinem Leben" (Schemelli #847; tune #57) | V Bc | 39: 286 | III/2.1: 212 | after Z 6969; text by Omeis ]
|
00527 | |
| 458 | 6. | 1735–1736 or earlier | song "Es ist vollbracht! Vergiss ja nicht dies Wort" (Schemelli #306; tune #25) | V Bc | 39: 286 | III/2.1: 148 | after Z 2692; text by Schmidt ]
|
00528 | |
| 459 | 6. | 1735–1736 or earlier | song "Es kostet viel, ein Christ zu sein" (Schemelli #522; tune #38) | V Bc | 39: 286 | III/2.1: 174 | after Z 2727; text by Richter
|
00529 | |
| 460 | 6. | 1735–1736 or earlier | song "Gib dich zufrieden und sei stille" (Schemelli #647; tune #45) | V Bc | 39: 288 | III/2.1: 188 | after Z 7415; text by Gerhardt
|
00530 | |
| 461 | 6. | 1735–1736 or earlier | song "Gott lebet noch" (Schemelli #488; tune #37) | V Bc | 39: 288 | III/2.1: 172 | after BWV 320; text by Zihn ]
|
00531 | |
| 462 | 6. | 1735–1736 or earlier | song "Gott wie groß ist deine Güte" (Schemelli #360; tune #30) | V Bc | 39: 289 | III/2.1: 158 | text by Z 7937
|
00532 | |
| 463 | 6. | 1735–1736 or earlier | song "Herr, nicht schicke deine Rache" (Schemelli #78; tune #5) | V Bc | 39: 289 | III/2.1: 112 | after Z 6863; text by Opitz
|
00533 | |
| 464 | 6. | 1735–1736 or earlier | song "Ich bin ja, Herr, in deiner Macht" (Schemelli #861; tune #58) | V Bc | 39: 290 | III/2.1: 214 | after Z 5869a; text by Dach
|
00534 | |
| 465 | 6. | 1735–1736 or earlier | song "Ich freue mich in dir" (Schemelli #194; tune #13) | V Bc | 39: 290 | III/2.1: 126 | after Z 5138; text by Ziegler, C.
|
00535 | |
| 466 | 6. | 1735–1736 or earlier | song "Ich halte treulich still" (Schemelli #657; tune #46) | V Bc | 39: 290 | III/2.1: 190 | text by Z 5082
|
00536 | |
| 467 | 6. | 1735–1736 or earlier | song "Ich lass dich nicht" (Schemelli #734; tune #51) | V Bc | 39: 291 | III/2.1: 200 | after Z 7455; text by Deßler ]
|
00537 | |
| 468 | 6. | 1735–1736 or earlier | song "Ich liebe Jesum alle Stund" (Schemelli #737; tune #52) | V Bc | 39: 291 | III/2.1: 202 | after Z 4731 ; → Z 4732
|
00538 | |
| 469 | 6. | 1735–1736 or earlier | song "Ich steh an deiner Krippen hier" (Schemelli #195; tune #14)
|
V Bc | 39: 292 | III/2.1: 128 | ↔ Z 4663; text by Gerhardt
|
00539 | |
| 476 | 6. | 1735–1736 or earlier | song "Ihr Gestirn, ihr hohlen Lüfte" (Schemelli #197; tune #15) | V Bc | 39: 294 | III/2.1: 130 | after Z 3703; text by Franck, J.
|
00546 | |
| 471 | 6. | 1735–1736 or earlier | song "Jesu, deine Liebeswunden" (Schemelli #139; tune #10) | V Bc | 39: 292 | III/2.1: 122 | text by Z 1302
|
00541 | |
| 470 | 6. | 1735–1736 or earlier | song "Jesu, Jesu, du bist mein" (Schemelli #741; tune #53) | V Bc | 39: 292 | III/2.1: 204 | ↔ Z 6446
|
00540 | |
| 472 | 6. | 1735–1736 or earlier | song "Jesu, meines Glaubens Zier" (Schemelli #119; tune #8)
|
V Bc | 39: 293 | III/2.1: 118 | after Z 6453; text by Sacer
|
00542 | |
| 473 | 6. | 1735–1736 or earlier | song "Jesu, meines Herzens Freud" (Schemelli #696; tune #48) | V Bc | 39: 293 | III/2.1: 194 | after Z 4797–4798; text by Flittner ]
|
00543 | |
| 474 | 6. | 1735–1736 or earlier | song "Jesus ist das schönste Licht" (Schemelli #463; tune #33) | V Bc | 39: 293 | III/2.1: 164 | after Z 6412; text by Richter
|
00544 | |
| 475 | 6. | 1735–1736 or earlier | song "Jesus, unser Trost und Leben" (Schemelli #333; tune #28) | V Bc | 39: 294 | III/2.1: 154 | after Z 4918; text by Homburg ]
|
00545 | |
| 477 | 6. | 1735–1736 or earlier | song "Kein Stündlein geht dahin" (Schemelli #869; tune #60) | V Bc | 39: 294 | III/2.1: 218 | after 4243b; text by Franck, M. ?
|
00547 | |
| 478 | 6. | 1735–1736 or earlier | song "Komm, süßer Tod" (Schemelli #868; tune #59)
|
V Bc | 39: 295 | III/2.1: 216 | → Z 4400
|
00548 | |
| 479 | 6. | 1735–1736 or earlier | song "Kommt, Seelen, dieser Tag" (Schemelli #936; tune #67) | V Bc | 39: 295 | III/2.1: 232 | → Z 5185; text by Löscher
|
00549 | |
| 480 | 6. | 1735–1736 or earlier | song "Kommt wieder aus der finstern Gruft" (Schemelli #938; tune #68) | V Bc | 39: 296 | III/2.1: 234 | → Z 4709; text by Löscher
|
00550 | |
| 481 | 6. | 1735–1736 or earlier | song "Lasset uns mit Jesu ziehen" (Schemelli #281; tune #18) | V Bc | 39: 296 | III/2.1: 136 | after BWV 413; text by Birken
|
00551 | |
| 482 | 6. | 1735–1736 or earlier | song "Liebes Herz, bedenke doch" (Schemelli #467; tune #34) | V Bc | 39: 297 | III/2.1: 166 | after Z 6434; text by Koitsch ]
|
00552 | |
| 483 | 6. | 1735–1736 or earlier | song "Liebster Gott, wann werd ich sterben" (Schemelli #873; tune #61) | E♭ maj. | V Bc | 39: 297 | III/2.1: 220 | after Z 6634; text by Neumann
|
00553 |
| 484 | 6. | 1735–1736 or earlier | song "Liebster Herr Jesu, wo bleibst du so lange" (Schemelli #874; tune #62) | V Bc | 39: 298 | III/2.1: 222 | ↔ Z 3969; text by Weselowius ]
|
00554 | |
| 485 | 6. | 1735–1736 or earlier | song "Liebster Immanuel, Herzog der Frommen" (Schemelli #761; tune #54) | V Bc | 39: 298 | III/2.1: 206 | after Z 4932c; text by Fritsch
|
00555 | |
| 488 | 6. | 1735–1736 or earlier | song "Meines Lebens letzte Zeit" (Schemelli #881; tune #63) | V Bc | 39: 299 | III/2.1: 224 | after BWV 381
|
00558 | |
| 486 | 6. | 1735–1736 or earlier | song "Mein Jesu, dem die Seraphinen" (Schemelli #121; tune #9) | V Bc | 39: 298 | III/2.1: 120 | after Z 5988; text by Deßler ]
|
00556 | |
| 487 | 6. | 1735–1736 or earlier | song "Mein Jesu! was vor Seelenweh" (Schemelli #283; tune #19) | V Bc | 39: 299 | III/2.1: 138 | text by Z 8383
|
00557 | |
| 489 | 6. | 1735–1736 or earlier | song "Nicht so traurig, nicht so sehr" (Schemelli #574; tune #41) | V Bc | 39: 300 | III/2.1: 180 | after Z 3342; text by Gerhardt ?
|
00559 | |
| 490 | 6. | 1735–1736 or earlier | song "Nur mein Jesus ist mein Leben" (Schemelli #700; tune #49) | V Bc | 39: 300 | III/2.1: 196 | after Z 8404c
|
00560 | |
| 491 | 6. | 1735–1736 or earlier | song "O du Liebe meiner Liebe" (Schemelli #284; tune #20) | V Bc | 39: 300 | III/2.1: 140 | after | 00561 | |
| 492 | 6. | 1735–1736 or earlier | song "O finstre Nacht, wenn wirst du doch vergehen" (Schemelli #891; tune #64) | V Bc | 39: 301 | III/2.1: 226 | ↔ Z 6171; text by Breithaupt ]
|
00562 | |
| 493 | 6. | 1735–1736 or earlier | song "O Jesulein süß, o Jesulein mild" (Schemelli #203; tune #16) | V Bc | 39: 302 | III/2.1: 132 | after Z 2016a; text by Thilo ]
|
00563 | |
| 494 | 6. | 1735–1736 or earlier | song "O liebe Seele, zieh die Sinnen" (Schemelli #575; tune #42) | V Bc | 39: 302 | III/2.1: 182 | → Z 7787
|
00564 | |
| 495 | 6. | 1735–1736 or earlier | song "O wie selig seid ihr doch, ihr Frommen" (Schemelli #894; tune #65) | V Bc | 39: 302 | III/2.1: 228 | after BWV 405; text by Dach
|
00565 | |
| 496 | 6. | 1735–1736 or earlier | song "Seelenbräutigam" (Schemelli #472; tune #35) | V Bc | 39: 303 | III/2.1: 168 | after BWV 409; text by Drese
|
00566 | |
| 497 | 6. | 1735–1736 or earlier | song "Seelenweide" (Schemelli #710; tune #50) | V Bc | 39: 303 | III/2.1: 198 | after Z 1286; text by Drese
|
00567 | |
| 499 | 6. | 1735–1736 or earlier | song "Sei gegrüßet, Jesu gütig" (Schemelli #293; tune #22) | V Bc | 39: 304 | III/2.1: 143 | after BWV 410; text by Keymann
|
00569 | |
| 498 | 6. | 1735–1736 or earlier | song "Selig, wer an Jesum denkt" (Schemelli #292; tune #21) | V Bc | 39: 304 | III/2.1: 142 | → Z 4846
|
00568 | |
| 500 | 6. | 1735–1736 or earlier | song "So gehst du nun, mein Jesu hin" (Schemelli #296; tune #23) | V Bc | 39: 304 | III/2.1: 144 | after BWV 500a; text by Nachtenhöfer ]
|
00570 | |
| 501 | 6. | 1735–1736 or earlier | song "So gibst du nun, mein Jesu, gute Nacht" (Schemelli #315; tune #26) | V Bc | 39: 304 | III/2.1: 150 | after BWV 412; text by Pfeiffer ]
|
00572 | |
| 502 | 6. | 1735–1736 or earlier | song "So wünsch ich mir zu guter Letzt" (Schemelli #901; tune #66) | V Bc | 39: 305 | III/2.1: 230 | ↔ Rist
|
00573 | |
| 503 | 6. | 1735–1736 or earlier | song "Steh ich bei meinem Gott" (Schemelli #945; tune #69) | V Bc | 39: 305 | III/2.1: 236 | after Z 5207; text by Herrnschmidt ]
|
00574 | |
| 504 | 6. | 1735–1736 or earlier | song "Vergiss mein nicht, dass ich dein nicht vergesse" (Schemelli #475; tune #36) | V Bc | 39: 306 | III/2.1: 170 | after Z 4779; text by Arnold
|
00575 | |
| 505 | 6. | 1735–1736 or earlier | song "Vergiss mein nicht, ..., Mein allerliebster Gott" (Schemelli #627; tune #44) | V Bc | 39: 306 | III/2.1: 186 | text by Z 4233
|
00576 | |
| 506 | 6. | 1735–1736 or earlier | song "Was bist du doch, o Seele, so betrübt" (Schemelli #779; tune #55) | A min. | V Bc | 39: 307 | III/2.1: 208 | after BWV 424; text by Schultt, R. F. ]
|
00577 |
| 507 | 6. | 1735–1736 or earlier | song "Wo ist mein Schäflein, das ich liebe" (Schemelli #108; tune #6) | V Bc | 39: 308 | III/2.1: 114 | after Z 5958a; text by Schultt, J. P. ]
|
00578 | |
| 508 | 6. | 1718-11-16 (GHS) after 1733–1734 (AMB) |
Bist du bei mir "
|
E♭ maj. | V Bc | 432: 36 39: 309 |
V/4: 102 | after Stölzel (Diomedes) | 00579 |
| 509 | 6. | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke" | V Bc | 432: 52 39: 310 |
V/4: 128 | 00580 | ||
| 510 | 6. | 1725–1733 | Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille" | F maj. | V Bc | 432: 30 39: 311 |
V/4: 91 | 00581 | |
| 511 | 6. | 1725–1733 | Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille" | G min. | V Bc | 432: 31 39: 287 |
V/4: 91 | text by BWV 512
|
00582 |
| 512 | 6. | 1725–1733 | Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille" | E min. | V Bc | 432: 31 39: 287 |
V/4: 91 | after Z 7417a; text by Gerhardt
|
00583 |
| 513 | 6. | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort" | V Bc | 432: 52 39: 301 |
V/4: 129 | ↔ Rist
|
00584 | |
| 514 | 6. | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott" | V Bc | 432: 48 39: 303 |
V/4: 125 | text by Schmolck | 00585 | |
| 515 | 6. | after 1733–1734 | Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife" | D min. | V Bc | 432: 34 | V/4: 98 | by BWV 515a
|
00586 |
| 515a | 6. | after 1733–1734 | Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife" | G min. | V Bc | 432: 34 39: 309 |
V/4: 98 | after BWV 515
|
00587 |
| 516 | 6. | after 1733–1734 (AMB) | Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich" | V Bc | 432: 46 39: 307 |
V/4: 121 | 00588 | ||
| 517 | 6. | after 1733–1734 (AMB) | Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen" | V Bc | 432: 51 39: 307 |
V/4: 128 | text by Deßler | 00589 | |
| 518 | 6. | after 1725 | Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini" | V Bc | 432: 49 39: 311 |
V/4: 126 | 00590 | ||
| 519 | 6. | c.1736? | Five Hymns from SBB Bach P 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden" | V Bc | by Krebs, J. L.?; in Spitta III, pp. 401–403 | 00591 | |||
| 520 | 6. | c.1736? | Five Hymns from SBB Bach P 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist" | V Bc | by Krebs, J. L.?; in Spitta III, pp. 401–403 | 00592 | |||
| 521 | 6. | c.1736? | Five Hymns from SBB Bach P 802 No. 3: "Gott, mein Herz dir Dank zusendet" | V | III/3 | by Krebs, J. L.?; in Spitta III, pp. 401–403 | 00593 | ||
| 522 | 6. | c.1736? | Five Hymns from SBB Bach P 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht" | V | by Krebs, J. L.?; in Spitta III, pp. 401–403 | 00594 | |||
| 523 | 6. | c.1736? | Five Hymns from SBB Bach P 802 No. 5: "Ich gnüge mich an meinem Stande" | V | by Krebs, J. L.?; in Spitta III, pp. 401–403 | 00595 | |||
| 524 | 6. | 1707 – July 1708 | Quodlibet (incomplete; wedding?)
|
SATB (SBBB) Bc | NBG 322 | I/41: 69 | 00596 | ||
| 7. | Works for organ (see also: List of organ compositions by Johann Sebastian Bach) | Up ↑ | |||||||
| 525 | 7. | 1727–1731 | Trio Sonata No. 1/6
|
E♭ maj. | Organ | 15: 3 | IV/7: 1 | → BWV 525a
|
00597 |
| 526 | 7. | 1727–1731 | Trio Sonata No. 2/6
|
C min. | Organ | 15: 13 | IV/7: 14 | 00598 | |
| 527 | 7. | 1727–1731 | Trio Sonata No. 3/6 (+e. v. for /1)
|
D min. | Organ | 15: 26 | IV/7: 28 | → BWV 1044 /2
|
00599 |
| 528 | 7. | 1727–1731 | Trio Sonata No. 4/6 (+e. v. for /2, /3)
|
E min. | Organ | 15: 40 | IV/7: 44 | after BWV 76 /8
|
00600 |
| 529 | 7. | 1727–1731 | Trio Sonata No. 5/6 (+e. v. for /2)
|
C maj. | Organ | 15: 50 | IV/7: 56 | 00601 | |
| 530 | 7. | 1727–1731 | Trio Sonata No. 6/6
|
G maj. | Organ | 15: 66 | IV/7: 76 | 00602 | |
| 531 | 7. | c. 1703–1706 | Prelude and Fugue
|
C maj. | Organ | 15: 81 | IV/5: 3 | in Möllersche Handschrift | 00603 |
| 532.2 | 7. | c. 1708–1712 | Prelude and Fugue
|
D maj. | Organ | 15: 88 | IV/5: 58 | after 532.1
|
00604 |
| 532.1 | 7. | Fugue (early version)
|
D maj. | Organ | IV/6: 95 | → BWV 532.2 /2
|
00605 | ||
| 533 | 7. | c.1704 | Prelude and Fugue ("Cathedral") | E min. | Organ | 15: 100 | IV/5: 90 | ↔ BWV 533a | 00606 |
| 533a | 7. | Prelude and Fugue | E min. | Keyboard | IV/6: 106 | ↔ BWV 533
|
00607 | ||
| 535 | 7. | after 1717 | Prelude and Fugue | G min. | Organ | 15: 112 | IV/5: 157 | after BWV 535a | 00609 |
| 535a | 7. | c.1702–1704 | Prelude and Fugue (incomplete) | G min. | Organ | IV/6: 109 | → BWV 535; in Möllersche Handschrift | 00610 | |
| 536 | 7. | 1708–1717 | Prelude and Fugue | A maj. | Organ | 15: 120 | IV/5: 180 | ↔ BWV 152/1; → 536a
|
00611 |
| 537 | 7. | 1729–1750 | Fantasia and Fugue
|
C min. | Organ | 15: 129 | IV/5: 47 | 00613 | |
| 538 | 7. | 1712–1717 | Toccata and Fugue ("Dorian")
|
D min. | Organ | 15: 136 | IV/5: 76 | 00614 | |
| 539 | 7. | 1724–1750? | Prelude and Fugue | D min. | Organ | 15: 148 | IV/5: 70 | after 1000
|
00615 |
| 540 | 7. | c.1712–1717? | Toccata and Fugue
|
F maj. | Organ | 15: 154 | IV/5: 112 | 00616 | |
| 541 528/3 |
7. | c.1712–1717? | Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement) | G maj. | Organ | 15: 169 | IV/5: 146 | → BWV 528 /3
|
00617 |
| 542 | 7. | c.1714–1720? | Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor)
|
G min. | Organ | 15: 177 | IV/5: 167 | 00618 | |
| 543 | 7. | after c.1730 | Prelude and Fugue
|
A min. | Organ | 15: 189 | IV/5: 186 | after BWV 543/1a | 00619 |
| 543/1a | 7. | bef. c.1725 | Prelude | A min. | Organ | IV/6: 121 | → BWV 543 /1
|
00620 | |
| 544 | 7. | 1727–1731 (JSB) | Prelude and Fugue | B min. | Organ | 15: 199 | IV/5: 198 | 00621 | |
| 545 529/2 |
7. | 1708–1717 after 1722 |
Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722) | C maj. | Organ | 15: 212 | IV/5: 10 | after 529 /2
|
00622 |
| 545a | 7. | 1708–1717 | Prelude and Fugue (early version) | C maj. | Organ | IV/6: 77 | → BWV 545b, 545 | 00623 | |
| 546 | 7. | 1708–1750 | Prelude and Fugue | C min. | Organ | 15: 218 | IV/5: 35 | 00625 | |
| 547 | 7. | 1719–1750 | Prelude and Fugue | C maj. | Organ | 15: 228 | IV/5: 20 | 00626 | |
| 548 | 7. | 1727–1731 (JSB) | Prelude and Fugue ("Wedge")
|
E min. | Organ | 15: 236 | IV/5: 94 | 00627 | |
| 549 | 7. | 1705–1750 | Prelude and Fugue | C min. | Organ | 38: 3 | IV/5: 30 | after BWV 549a | 00628 |
| 549a | 7. | bef. c.1703 | Prelude (or: Fantasia) and Fugue | D min. | Organ | IV/6: 101 | → BWV 549; in Möllersche Handschrift | 00629 | |
| 550 | 7. | c.1708–1712 | Prelude and Fugue | G maj. | Organ | 38: 9 | IV/5: 138 | 00630 | |
| 551 | 7. | c.1699 | Prelude and Fugue | A min. | Organ | 38: 17 | IV/6: 63 | 00631 | |
| 552 | 7. | 1739 | Prelude and Fugue ("St Anne") from Clavier-Übung III
|
E♭ maj. | Organ | 3: 173, 254 | IV/4: 2, 105 | 00632 | |
| 562 | 7. | 1720–c.1748 | Fantasia and Fugue (unfinished fugue added c.1747–1748)
|
C min. | Organ | 38: 64, 209 44: 4 |
IV/5: 54 | 00642 | |
| 563 | 7. | c.1704 | Fantasia and Imitatio | C maj. | Organ | 38: 59 | IV/6: 68 | in Andreas-Bach-Buch | 00643 |
| 564 | 7. | 1708–1717 | Toccata, Adagio and Fugue
|
C maj. | Organ | 15: 253 | IV/6: 3 | 00644 | |
| 565 | 7. | c.1704? | Toccata and Fugue
|
D min. | Organ | 15: 267 | IV/6: 31 | 00645 | |
| 566 | 7. | 1703–1707 | Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA)
|
E maj. C maj. |
Organ | 15: 276 | IV/6: 40 | 00646 | |
| 569 | 7. | 1703–c.1704 | Prelude | A min. | Organ | 38: 89 | IV/6: 59 | 00649 | |
| 1121 | 7. | c.1708–1709 | Fantasia | C min. | Organ | IV/11: 54 | in Andreas-Bach-Buch; was Anh. 205 | 01516 | |
| 570 | 7. | c.1698–1704 | Fantasia | C maj. | Organ | 38: 62 | IV/6: 16 | in Andreas-Bach-Buch | 00650 |
| 572 | 7. | 1708–c.1712 | Fantasia, a.k.a. Pièce d'Orgue (+reworked version) | G maj. | Organ | 38: 75 | IV/7: 130, 144 | 00652 | |
| 573 | 7. | c.1723–1724 | Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?) | C maj. | Keyboard | 38: 209 432: 3 |
V/4: 39 IV/6: 18 |
00653 | |
| 574 | 7. | after c.1708? | Fugue on a theme by Legrenzi | C min. | Organ | 38: 94 | IV/6: 19 | after BWV 574b; ↔ 574a | 00654 |
| 574a | 7. | after c.1708? | Fugue on a theme by Legrenzi (variant) | C min. | Organ | 38: 205 | IV/6: 82 | after BWV 574b; ↔ 574 | 00655 |
| 574b | 7. | c.1707–1713 or earlier | Fugue on a theme by Legrenzi (early version) | C min. | Organ | IV/6: 88 | after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch | 00656 | |
| 575 | 7. | 1708–1717? | Fugue | C min. | Organ | 38: 101 | IV/6: 26 | 00657 | |
| 578 | 7. | c.1713 or earlier | Fugue ("Little")
|
G min. | Organ | 38: 116 | IV/6: 55 | in Andreas-Bach-Buch | 00660 |
| 579 | 7. | c.1703–1707 | Fugue on a theme by Corelli | B min. | Organ | 38: 121 | IV/6: 71 | after Corelli (theme) | 00661 |
| 582 | 7. | c.1709–1710 | Passacaglia (and Fugue)
|
C min. | Organ | 15: 289 | IV/7: 98 | in Andreas-Bach-Buch | 00664 |
| 583 | 7. | c.1708–1717 | Trio | D min. | Organ | 38: 143 | IV/7: 94 | 00665 | |
| 585 | 7. | c.1726–1727 (JSB) | Trio | C min. | Organ | 38: 219 | IV/8: 73 | after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach | 00667 |
| 586 | 7. | bef. c.1740 | Trio | G maj. | Organ | IV/8: 78 | after Telemann? | 00668 | |
| 587 | 7. | c.1714? | Aria | F maj. | Organ | 38: 222 | IV/8: 82 | after Couperin, Les NationsIII/4 | 00669 |
| 588 | 7. | c.1703–1707 | Canzona | D min. | Organ | 38: 126 | IV/7: 118 | in Möllersche Handschrift | 00670 |
| 589 | 7. | bef. c.1742 | Alla breve | D maj. | Organ | 38: 131 | IV/7: 114 | 00671 | |
| 590 | 7. | c.1723–1727 or later | Pastorella (/1 incomplete?) | F maj. | Organ | 38: 135 | IV/7: 122 | 00672 | |
| 592 | 7. | c.1714–1717 | Concerto for solo organ | G maj. | Organ | 38: 149 | IV/8: 56 | after BWV 592a
|
00674 |
| 592a | 7. | c.1714–1717 | Concerto for solo harpsichord
|
G maj. | Keyboard | 42: 282 | V/11: 150 | after BWV 592
|
00675 |
| 593 | 7. | c.1714–1717 | Concerto for solo organ | A min. | Organ | 38: 158 | IV/8: 16 | after Op. 3 No. 8 (RV 522)
|
00676 |
| 594 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 171 | IV/8: 30 | after Vivaldi, RV 208, Grosso Mogul | 00677 |
| 595 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 196 | IV/8: 65 | after BWV 984 /1
|
00678 |
| 596 | 7. | c.1714–1717 | W. F. Bach )
|
D min. | Organ | IV/8: 3 | after Op. 3 No. 11 (RV 565)
|
00679 | |
| 599 | 7. | c.1711–1713 | chorale setting "Nun komm, der Heiden Heiland" (Orgelbüchlein No. 1) | A min. | Organ | 252: 3 | IV/1: 3 | after Z 1174
|
00682 |
| 600 | 7. | c.1711–1713 | chorale setting "Gott durch deine Güte" (Orgelbüchlein No. 2) | F maj. | Organ | 252: 4 | IV/1: 4 | after Z 3294
|
00683 |
| chorale setting "Gottes Sohn ist kommen" (Orgelbüchlein No. 2) | |||||||||
| 601 | 7. | c.1708–1711 or earlier | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Orgelbüchlein No. 3; also in Neumeister Collection) | A maj. | Organ | 252: 5 | IV/1: 6 | after Z 4297a
|
00684 |
| chorale setting "Herr Gott, nun sei gepreiset" (Orgelbüchlein No. 3; also in Neumeister Collection) | |||||||||
| 602 | 7. | c.1711–1713 | chorale setting "Lob sei dem allmächtigen Gott" (Orgelbüchlein No. 4) | D min. | Organ | 252: 6 | IV/1: 7 | after Z 339
|
00685 |
| 603 | 7. | c.1711–1713 | chorale setting "Puer natus in Bethlehem" (Orgelbüchlein No. 5) | G min. | Organ | 252: 6 | IV/1: 8 | after Z 192b
|
00686 |
| 604 | 7. | c.1711–1713 | chorale setting "Gelobet seist du, Jesu Christ" (Orgelbüchlein No. 6) | G maj. | Organ | 252: 7 | IV/1: 11 | after Z 1947
|
00687 |
| 605 | 7. | c.1711–1713 | chorale setting "Der Tag, der ist so freudenreich" (Orgelbüchlein No. 7) | G maj. | Organ | 252: 8 | IV/1: 11 | after Z 7870
|
00688 |
| 606 | 7. | c.1708–1711 or earlier | chorale setting "Vom Himmel hoch, da komm ich her" (Orgelbüchlein No. 8) | D maj. | Organ | 252: 9 | IV/1: 13 | after Z 346
|
00689 |
| 607 | 7. | c.1711–1713 | chorale setting "Vom Himmel kam der Engel Schar" (Orgelbüchlein No. 9) | G min. | Organ | 252: 10 | IV/1: 14 | after Z 192a
|
00690 |
| 608 | 7. | c.1711–1713 | chorale setting "In dulci jubilo" (Orgelbüchlein No. 10) | A maj. | Organ | 252: 12 | IV/1: 16 | after Z 4947
|
00691 |
| 609 | 7. | c.1711–1713 | chorale setting "Lobt Gott, ihr Christen allzugleich" (Orgelbüchlein No. 11) | G maj. | Organ | 252: 13 | IV/1: 18 | after Z 198
|
00692 |
| 610 | 7. | c.1711–1713 | chorale setting "Jesu, meine Freude" (Orgelbüchlein No. 12) | C min. | Organ | 252: 14 | IV/1: 19 | after Z 8032
|
00693 |
| 611 | 7. | c.1714–1716 | chorale setting "Christum wir sollen loben schon" (Orgelbüchlein No. 13) | E min. | Organ | 252: 15 | IV/1: 20 | after Z 297c
|
00694 |
| 612 | 7. | c.1711–1713 | chorale setting "Wir Christenleut" (Orgelbüchlein No. 14) | G min. | Organ | 252: 16 | IV/1: 22 | after Z 2072
|
00695 |
| 613 | 7. | c.1740 | chorale setting "Helft mir Gotts Güte preisen" (Orgelbüchlein No. 15) | B min. | Organ | 252: 18 | IV/1: 24 | after Z 5267
|
00696 |
| 614 | 7. | c.1711–1713 | chorale setting "Das alte Jahr vergangen ist" (Orgelbüchlein No. 16) | A min. | Organ | 252: 19 | IV/1: 25 | after Z 381c
|
00697 |
| 615 | 7. | c.1708–1711 | chorale setting "In dir ist Freude" (Orgelbüchlein No. 17) | G maj. | Organ | 252: 20 | IV/1: 27 | after Z 8537
|
00698 |
| 616 | 7. | c.1714–1716 | chorale setting "Mit Fried und Freud ich fahr dahin" (Orgelbüchlein No. 18) | D min. | Organ | 252: 24 | IV/1: 30 | after Z 3986
|
00699 |
| 617 | 7. | c.1714–1716 | chorale setting "Herr Gott, nun schleuß den Himmel auf" (Orgelbüchlein No. 19) | A min. | Organ | 252: 26 | IV/1: 32 | after Z 7641b
|
00700 |
| 618 | 7. | c.1714–1716 | chorale setting "O Lamm Gottes, unschuldig" (Orgelbüchlein No. 20) | F maj. | Organ | 252: 28 | IV/1: 34 | after Z 4361a
|
00701 |
| 619 | 7. | c.1714–1716 | chorale setting "Christe, du Lamm Gottes" (Orgelbüchlein No. 21) | F maj. | Organ | 252: 30 | IV/1: 36 | after Z 58
|
00702 |
| 620 | 7. | c.1726 | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22) | A min. | Organ | 252: 30 | IV/1: 37 | after BWV 620a | 00703 |
| 620a | 7. | c.1714–1716 | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22, e. v.) | A min. | Organ | 252: 149 | IV/1: 78 | after BWV 620
|
00704 |
| 621 | 7. | c.1711–1713 | chorale setting "Da Jesus an dem Kreuze stund" (Orgelbüchlein No. 23) | A min. | Organ | 252: 32 | IV/1: 39 | after Z 1706
|
00705 |
| 622 | 7. | c.1711–1713 | chorale setting "O Mensch, bewein dein Sünde groß" (Orgelbüchlein No. 24) | E♭ maj. | Organ | 252: 33 | IV/1: 40 | after Z 8303; → BWV 622 (var.)
|
00706 |
| 622 (var.) | 7. | 1716–1789 | chorale setting "O Mensch, bewein dein Sünde groß" (variant) | Organ | after BWV 622
|
00707 | |||
| 623 | 7. | c.1714–1716 | chorale setting "Wir danken dir, Herr Jesu Christ" (Orgelbüchlein No. 25) | G maj. | Organ | 252: 35 | IV/1: 42 | after Z 423
|
00708 |
| 624 | 7. | c.1714–1716 | chorale setting "Hilf Gott, dass mir's gelinge" (Orgelbüchlein No. 26) | G min. | Organ | 252: 36 | IV/1: 44 | after Z 4329
|
00709 |
| 625 | 7. | c.1708–1711 or earlier | chorale setting "Christ lag in Todesbanden" (Orgelbüchlein No. 27) | D min. | Organ | 252: 38 | IV/1: 46 | after Z 7012a
|
00710 |
| 626 | 7. | c.1711–1713 | chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" (Orgelbüchlein No. 28) | A min. | Organ | 252: 39 | IV/1: 48 | after Z 1978
|
00711 |
| 627 | 7. | c.1711–1713 | chorale setting "Christ ist erstanden" (Orgelbüchlein No. 29) | D min. | Organ | 252: 40 | IV/1: 49 | after Z 8584
|
00712 |
| 628 | 7. | c.1711–1713 | chorale setting "Erstanden ist der heilge Christ" (Orgelbüchlein No. 30) | D maj. | Organ | 252: 44 | IV/1: 54 | after Z 1747a
|
00713 |
| 629 | 7. | c.1711–1713 | chorale setting "Erschienen ist der herrliche Tag" (Orgelbüchlein No. 31) | D min. | Organ | 252: 45 | IV/1: 55 | after Z 1743
|
00714 |
| 630 | 7. | c.1708–1711 or earlier | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32) | D min. | Organ | 252: 46 | IV/1: 56 | after BWV 630a | 00715 |
| 630a | 7. | c.1708–1711 or earlier | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32, e. v.) | Organ | IV/1: 80 | after BWV 630
|
00716 | ||
| 631 | 7. | c.1726 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33) | D min. | Organ | 252: 47 | IV/1: 58 | after BWV 631a | 00717 |
| 631a | 7. | c.1711–1713 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33, e. v.) | G maj. | Organ | 252: 150 | IV/1: 82 | after BWV 631
|
00718 |
| 632 | 7. | c.1711–1713 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Orgelbüchlein No. 34) | F maj. | Organ | 252: 48 | IV/1: 59 | after Z 624
|
00719 |
| 633 | 7. | c.1711–1713 | chorale setting "Liebster Jesu, wir sind hier" distinctus (Orgelbüchlein No. 36) | A maj. | Organ | 252: 49 | IV/1: 61 | after BWV 634
|
00720 |
| 634 | 7. | c.1711–1713 | chorale setting "Liebster Jesu, wir sind hier" (Orgelbüchlein No. 35) | A maj. | Organ | 252: 50 | IV/1: 60 | after BWV 633
|
00721 |
| 635 | 7. | c.1711–1713 | chorale setting "Dies sind die heilgen zehn Gebot" (Orgelbüchlein No. 37) | C maj. | Organ | 252: 50 | IV/1: 62 | after Z 1951
|
00722 |
| 636 | 7. | c.1711–1713 | chorale setting "Vater unser im Himmelreich" (Orgelbüchlein No. 38) | D min. | Organ | 252: 52 | IV/1: 64 | after Z 2561
|
00723 |
| 637 | 7. | c.1711–1713 | chorale setting "Durch Adams Fall ist ganz verderbt" (Orgelbüchlein No. 39) | A min. | Organ | 252: 53 | IV/1: 65 | after Z 7549
|
00724 |
| 638 | 7. | c.1708–1711 or earlier | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40) | D maj. | Organ | 252: 54 | IV/1: 66 | after BWV 638a | 00725 |
| 638a | 7. | c.1708–1711 or earlier | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40, e. v.) | Organ | IV/1: 83 | after BWV 638
|
00726 | ||
| 639 | 7. | c.1708–1711 or earlier | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (Orgelbüchlein No. 41; also in Neumeister Collection) | F min. | Organ | 252: 55 | IV/1: 68 | after Z 7400; → BWV Anh. 73
|
00727 |
| 640 | 7. | c.1711–1713 | chorale setting "In dich hab ich gehoffet, Herr" (Orgelbüchlein No. 42) | E min. | Organ | 252: 56 | IV/1: 70 | after Z 2459
|
00728 |
| 641 | 7. | c.1711–1713 | chorale setting "Wenn wir in höchsten Nöten sein" (Orgelbüchlein No. 43) | G maj. | Organ | 252: 57 | IV/1: 71 | after Z 394
|
00729 |
| 642 | 7. | c.1711–1713 | chorale setting "Wer nur den lieben Gott lässt walten" (Orgelbüchlein No. 44) | A min. | Organ | 252: 58 | IV/1: 72 | after Z 2778
|
00730 |
| 643 | 7. | c.1711–1713 | chorale setting "Alle Menschen müssen sterben" (Orgelbüchlein No. 45) | G maj. | Organ | 252: 59 | IV/1: 74 | after Z 6779a
|
00731 |
| 644 | 7. | c.1711–1713 | chorale setting "Ach wie nichtig, ach wie flüchtig" (Orgelbüchlein No. 46) | G min. | Organ | 252: 60 | IV/1: 75 | after Z 1887b
|
00732 |
| 645 | 7. | 1747–1748 | chorale setting "Wachet auf, ruft uns die Stimme" (Schübler Chorales No. 1) | E♭ maj. | Organ | 252: 63 | IV/1: 86 | after BWV 140 /4
|
00733 |
| 646 | 7. | 1747–1748 | chorale setting "Wo soll ich fliehen hin" (Schübler Chorales No. 2) | E min. | Organ | 252: 66 | IV/1: 90 | after Z 2164
|
00734 |
| chorale setting "Auf meinen lieben Gott" (Schübler Chorales No. 2) | |||||||||
| 647 | 7. | 1747–1748 | chorale setting "Wer nur den lieben Gott lässt walten" (Schübler Chorales No. 3) | C min. | Organ | 252: 68 | IV/1: 92 | after BWV 93 /4
|
00735 |
| 648 | 7. | 1747–1748 | chorale setting "Meine Seele erhebt den Herren" (Schübler Chorales No. 4) | D min. | Organ | 252: 70 | IV/1: 94 | after BWV 10 /5
|
00736 |
| 649 | 7. | 1747–1748 | chorale setting "Ach bleib bei uns, Herr Jesu Christ" (Schübler Chorales No. 5) | B♭ maj. | Organ | 252: 71 | IV/1: 95 | after BWV 6 /3
|
00737 |
| 650 | 7. | 1747–1748 | chorale setting "Kommst du nun, Jesu, vom Himmel herunter" (Schübler Chorales No. 6) | G maj. | Organ | 252: 74 | IV/1: 98 | after BWV 137 /2
|
00738 |
| 651 | 7. | c.1740 | chorale setting "Komm, heiliger Geist" (Fantasia; Leipzig Chorales 1/18)
|
F maj. | Organ | 252: 79 | IV/2: 3 | after BWV 651a | 00739 |
| 651a | 7. | 1708–1714 | chorale setting "Komm, heiliger Geist, Herre Gott" (Fantasia; e. v.: Weimar) | Organ | 252: 151 | IV/2: 117 | after BWV 651
|
00740 | |
| 652 | 7. | c.1740 | chorale setting "Komm, heiliger Geist, Herre Gott" (alio modo; Leipzig Chorales 2/18)
|
G maj. | Organ | 252: 86 | IV/2: 13 | after BWV 652a | 00741 |
| 652a | 7. | 1708–1714 | chorale setting "Komm, heiliger Geist, Herre Gott" (e. v.: Weimar) | Organ | IV/2: 121 | after BWV 652
|
00742 | ||
| 653 | 7. | c.1740 | chorale setting "An Wasserflüssen Babylon" ( Leipzig Chorales 3/18)
|
G maj. | Organ | 252: 92 | IV/2: 22 | after BWV 653a | 00743 |
| 653a | 7. | 1708–1717 | chorale setting "An Wasserflüssen Babylon" (alio modo; 2nd v.: Weimar) | Organ | 252: 157 | IV/2: 133 | after BWV 653
|
00744 | |
| 653b | 7. | 1708–1714 | chorale setting "An Wasserflüssen Babylon" (à 5; 1st v.: Weimar) | Organ | 40: 49 | IV/2: 130 | after Z 7663; → BWV 653a
|
00745 | |
| 654 | 7. | c.1740 | chorale setting "Schmücke dich, o liebe Seele" ( Leipzig Chorales 4/18)
|
E♭ maj. | Organ | 252: 95 | IV/2: 26 | after BWV 654a | 00746 |
| 654a | 7. | 1708–1714 | chorale setting "Schmücke dich, o liebe Seele" (e. v.: Weimar) | Organ | IV/2: 136 | after BWV 654
|
00747 | ||
| 655 | 7. | c.1740 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; Leipzig Chorales 5/18)
|
G maj. | Organ | 252: 98 | IV/2: 31 | after | 00748 |
| 655 var. 1 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 1) | Organ | after BWV 655(a ), var. 2–4
|
00749 | |||
| 655 var. 2 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 2) | F maj. | Organ | after BWV 655(a ), var. 1, 3–4
|
00750 | ||
| 655 var. 3 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 3) | F maj. | Organ | after BWV 655(a ), var. 1–2, 4
|
00751 | ||
| 655 var. 4 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 4) | F maj. | Organ | after BWV 655(a ), var. 1–3
|
00752 | ||
| 655a | 7. | 1708–1714 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; e. v.: Weimar) | Organ | 252: 162 | IV/2: 140 | after 655
|
00753 | |
| 656 | 7. | c.1740 | chorale setting "O Lamm Gottes, unschuldig" ( Leipzig Chorales 6/18)
|
A maj. | Organ | 252: 102 | IV/2: 38 | after BWV 656a | 00756 |
| 656a | 7. | 1708–1714 | chorale setting "O Lamm Gottes, unschuldig" (e. v.: Weimar) | Organ | 252: 166 | IV/2: 146 | after BWV 656
|
00757 | |
| 657 | 7. | 1708–1714 | Chorale prelude Nun danket alle Gott ( Leipzig Chorales 7/18)
|
G maj. | Organ | 252: 108 | IV/2: 46 | after Z 5142
|
00758 |
| 658 | 7. | c.1740 | chorale setting "Von Gott will ich nicht lassen" ( Leipzig Chorales 8/18)
|
F min. | Organ | 252: 112 | IV/2: 51 | after BWV 658a | 00759 |
| 658a | 7. | 1708–1714 | chorale setting "Von Gott will ich nicht lassen" (Fantasia; e. v.: Weimar) | Organ | 252: 170 | IV/2: 154 | after BWV 658
|
00760 | |
| 659 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" ( Leipzig Chorales 9/18)
|
G min. | Organ | 252: 114 | IV/2: 55 | after BWV 659a | 00761 |
| 659a | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (Fantasia; e. v.: Weimar) | Organ | 252: 172 | IV/2: 157 | after BWV 659
|
00762 | |
| 660 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" (Trio; Leipzig Chorales 10/18)
|
G min. | Organ | 252: 116 | IV/2: 59 | after BWV 660a | 00763 |
| 660a | 7. | 1714–1717 | chorale setting "Nun komm, der Heiden Heiland" (Trio; e. v.: Weimar) | Organ | 252: 174 | IV/2: 160 | after BWV 660, 660b
|
00764 | |
| 660b | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (arrangement) | Organ | 252: 176 | by Krebs, J. T. (arr.)?; after BWV 660a | 00765 | ||
| 661 | 7. | c.1740 | chorale setting "Nun komm, der Heiden Heiland" ( Leipzig Chorales 11/18)
|
G min. | Organ | 252: 118 | IV/2: 62 | after BWV 661a | 00766 |
| 661a | 7. | 1708–1714 | chorale setting "Nun komm, der Heiden Heiland" (e. v.: Weimar) | Organ | 252: 178 | IV/2: 164 | after BWV 661
|
00767 | |
| 662 | 7. | c.1740 | chorale setting "Allein Gott in der Höh sei Ehr" ( Leipzig Chorales 12/18)
|
A maj. | Organ | 252: 122 | IV/2: 67 | after BWV 662a | 00768 |
| 662a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | IV/2: 168 | after BWV 662
|
00769 | ||
| 663 | 7. | c.1740 | chorale setting "Allein Gott in der Höh sei Ehr" ( Leipzig Chorales 13/18)
|
G maj. | Organ | 252: 125 | IV/2: 72 | after BWV 663a | 00770 |
| 663a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | 252: 180 | IV/2: 172 | after BWV 663
|
00771 | |
| 664 | 7. | 1746–1747 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; Leipzig Chorales 14/18)
|
A maj. | Organ | 252: 130 | IV/2: 79 | after BWV 664a–b | 00772 |
| 664a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; fair copy) | Organ | 252: 183 | IV/2 | after BWV 664
|
00773 | |
| 664b | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; sketch) | Organ | IV/2: 179 | after BWV 664(a )
|
00774 | ||
| 665 | 7. | 1746–1747 | chorale setting "Jesus Christus, unser Heiland" ( Leipzig Chorales 15/18)
|
E min. | Organ | 252: 136 | IV/2: 87 | after BWV 665a | 00775 |
| 665a | 7. | 1708–1714 | chorale setting "Jesus Christus, unser Heiland" (e. v.: Weimar) | Organ | 252: 188 | IV/2: 187 | after BWV 665
|
00776 | |
| 666 | 7. | 1708–1748 | chorale setting "Jesus Christus, unser Heiland" (alio modo; Leipzig Chorales 16/18)
|
E min. | Organ | 252: 140 | IV/2: 91 | after BWV 666a | 00777 |
| 666a | 7. | 1708–1714 | chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar) | Organ | IV/2: 191 | after BWV 666
|
00778 | ||
| 667 | 7. | 1747–1748 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" ( Leipzig Chorales 17/18)
|
C maj. | Organ | 252: 142 | IV/2: 94 | after BWV 667a | 00779 |
| 667a | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar) | Organ | IV/2 | after BWV 667
|
00780 | ||
| 667b | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch) | Organ | IV/2: 194 | after BWV 667(a )
|
00781 | ||
| 668 | 7. | 1747–1748 | chorale setting "Vor deinen Thron tret ich hiermit" (fragment; Leipzig Chorales 18/18)
|
G maj. | Organ | 252: 145 | IV/2: 113 | after BWV 668a | 00782 |
| 668a | 7. | 1708–1748 | chorale setting "Wenn wir in höchsten Nöten" (e. v.) | Organ | IV/2: 212 | after BWV 668
|
00783 | ||
| 669 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III | Organ | 3: 184 | IV/4: 16 | after Z 8600
|
00784 | |
| 670 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" from Clavier-Übung III | Organ | 3: 186 | IV/4: 18 | after Z 8600
|
00785 | |
| 671 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III | Organ | 3: 190 | IV/4: 20 | after Z 8600
|
00786 | |
| 672 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III | Org/man. | 3: 194 | IV/4: 27 | after Z 8600
|
00787 | |
| 673 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" from Clavier-Übung III | Org/man. | 3: 194 | IV/4: 28 | after Z 8600
|
00788 | |
| 674 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III | Org/man. | 3: 196 | IV/4: 29 | after Z 8600
|
00789 | |
| 675 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III | Organ | 3: 197 | IV/4: 30 | after Z 4457
|
00790 | |
| 676 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III | Organ | 3: 199 | IV/4: 33 | after Z 4457; → BWV 676a
|
00791 | |
| 677 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" (Fughetta) from Clavier-Übung III | Org/man. | 3: 205 | IV/4: 41 | after Z 4457
|
00793 | |
| 678 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" from Clavier-Übung III | Organ | 3: 206 | IV/4: 42 | after Z 1951
|
00794 | |
| 679 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" (Fughetta) from Clavier-Übung III | Org/man. | 3: 210 | IV/4: 49 | after Z 1951
|
00795 | |
| 680 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" from Clavier-Übung III | Organ | 3: 212 | IV/4: 52 | after Z 7971
|
00796 | |
| 681 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" (Fughetta) from Clavier-Übung III | Org/man. | 3: 216 | IV/4: 57 | after Z 7971
|
00797 | |
| 682 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" from Clavier-Übung III | Organ | 3: 217 | IV/4: 58 | after Z 2561
|
00798 | |
| 683 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" from Clavier-Übung III | Org/man. | 3: 223 | IV/4: 66 | after Z 2561; → BWV 683a
|
00799 | |
| 684 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III | Organ | 3: 224 | IV/4: 68 | after Z 7246
|
00801 | |
| 685 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III | Org/man. | 3: 228 | IV/4: 73 | after Z 7246
|
00802 | |
| 686 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III | Organ | 3: 229 | IV/4: 74 | after Z 4437
|
00803 | |
| 687 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III | Org/man. | 3: 232 | IV/4: 78 | after Z 4437
|
00804 | |
| 688 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" from Clavier-Übung III | Organ | 3: 234 | IV/4: 81 | after Z 1576
|
00805 | |
| 689 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Fugue) from Clavier-Übung III | Org/man. | 3: 239 | IV/4: 89 | after Z 1576
|
00806 | |
| 690 | 7. | c.1700–1717 | chorale setting "Wer nur den lieben Gott lässt walten" (Kirnberger collection No. 1) | Organ | 40: 3 | IV/3: 98 | after Z 2778
|
00807 | |
| 691 | 7. | c.1720 or earlier | Notebook A. M. Bach (1725) No. 11 chorale setting "Wer nur den lieben Gott lässt walten" (WFB No. 3; Kirnb. coll. No. 2) | Organ | 40: 4 432: 30 451: 214 |
V/5: 6 V/4: 90 IV/3: 98 |
after Z 2778; → BWV 691a
|
00808 | |
| 694 | 7. | c.1700–1717 | chorale setting "Wo soll ich fliehen hin" (Kirnb. coll. No. 5) | Organ | 40: 6 | IV/3: 103 | after Z 2164
|
00813 | |
| 695 | 7. | c.1700–1717 | chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. coll. No. 6) | Organ | 40: 10 | IV/3: 20 | after Z 7012a; → BWV 695a
|
00814 | |
| 695a | 7. | 1700–1789 | chorale setting "Christ lag in Todesbanden" (variant) | Organ | 40: 153 | after BWV 695 | 00815 | ||
| 696 | 7. | c.1700–1717 | chorale setting "Christum wir sollen loben schon" (Fughetta; Kirnb. coll. No. 7) | Organ | 40: 13 | IV/3: 23 | after Z 297c
|
00816 | |
| chorale setting "Was fürchtest du Feind, Herodes, sehr" (Fughetta; Kirnb. coll. No. 7) | |||||||||
| 697 | 7. | c.1700–1717 | chorale setting "Gelobet seist du, Jesu Christ" (Fughetta; Kirnb. coll. No. 8) | Organ | 40: 14 | IV/3: 32 | after Z 1947
|
00817 | |
| 698 | 7. | c.1700–1717 | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Fughetta; Kirnb. coll. No. 9) | Organ | 40: 15 | IV/3: 35 | after Z 4297a
|
00818 | |
| 699 | 7. | c.1700–1717 | chorale setting "Nun komm, der Heiden Heiland" (Fughetta; Kirnb. coll. No. 10) | Organ | 40: 16 | IV/3: 73 | after Z 1174
|
00819 | |
| 700 | 7. | c.1699 | chorale setting "Vom Himmel hoch da komm ich her" (Kirnb. coll. No. 11) | Organ | 40: 17 | IV/3: 92 | after Z 346
|
00820 | |
| 701 | 7. | c.1700–1717 | chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. coll. No. 12) | Organ | 40: 19 | IV/3: 96 | after Z 346
|
00821 | |
| 702 | 7. | c.1700–1717 | chorale setting "Das Jesulein soll doch mein Trost" (Fughetta; Kirnb. coll. No. 13) | Organ | 40: 20 | IV/3: 45 | after Z 7597
|
00822 | |
| 703 | 7. | c.1700–1717 | chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. coll. No. 14) | Organ | 40: 21 | IV/3: 34 | after Z 3294
|
00823 | |
| 704 | 7. | c.1700–1717 | chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. coll. No. 15) | Organ | 40: 22 | IV/3: 62 | after Z 339
|
00824 | |
| 706/1 706/2 |
7. | c.1700–1717 | chorale setting "Liebster Jesu, wir sind hier" (/2 = alio modo; Kirnb. coll. No. 17) | Organ | 40: 25 | IV/3: 59 | after Z 3498b
|
00826 | |
| 707 | 7. | c.1700–1717 | chorale setting "Ich hab mein Sach Gott heimgestellt" (Kirnb. coll. No. 18) | Organ | 40: 26 | IV/10: 87 | after Z 1679
|
00827 | |
| 709 | 7. | c.1700–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. coll. No. 20) | Organ | 40: 30 | IV/3: 43 | after Z 624
|
00830 | |
| 710 | 7. | c.1700–1717 | chorale setting "Wir Christenleut habn jetzund Freud" (Kirnb. coll. No. 21) | Organ | 40: 32 | IV/3: 100 | after Z 2072
|
00831 | |
| 711 | 7. | c.1700–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (bicinium; Kirnb. coll. No. 22) | Organ | 40: 34 | IV/3: 11 | after Z 4457
|
00832 | |
| 712 | 7. | c.1708 | chorale setting "In dich hab ich gehoffet, Herr" (Kirnb. coll. No. 23) | Organ | 40: 36 | IV/3: 48 | after Z 2461
|
00833 | |
| 713 | 7. | c.1700–1717 | chorale setting "Jesu, meine Freude" (Kirnb. coll. No. 24) | Org/man. | 40: 38 | IV/3: 54 | after Z 8032; → BWV 713a
|
00834 | |
| 713a | 7. | 1700–1789 | chorale setting "Jesu, meine Freude" (Fantasia; variant) | Organ | 40: 155 | IV/10: 93 | after BWV 713 | 00835 | |
| 714 | 7. | 1708–1717 | chorale setting "Ach Gott und Herr" ( Neumeister Chorales No. 13)
|
Organ | 40: 43 | IV/9: 26 IV/3: 3 |
after Z 2050, 2052
|
00836 | |
| 715 | 7. | 1703–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 44 | IV/3: 14 | after Z 4457
|
00837 | |
| 717 | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 46 | IV/3: 8 | after Z 4457
|
00839 | |
| 718 | 7. | 1703–1708 | chorale setting "Christ lag in Todesbanden" | Organ | 40: 52 | IV/3: 16 | after Z 7012a
|
00840 | |
| 719 | 7. | c.1704 | chorale setting "Der Tag, der ist so freudenreich" ( Neumeister Chorales No. 1)
|
Organ | 40: 55 | IV/9: 2, 72 | after Z 7870
|
00841 | |
| 720 | 7. | 1709? | chorale setting "Ein feste Burg ist unser Gott" | Organ | 40: 57 | IV/3: 24 | after Z 7377; by Bach, J. Michael ?
|
00842 | |
| 721 | 7. | c.1703–1707 | chorale setting "Erbarm dich mein, o Herre Gott" | Organ | 40: 60 | IV/3: 28 | after Z 5851
|
00843 | |
| 722 | 7. | 1708–1717 | chorale setting "Gelobet seist du, Jesu Christ" | Organ | 40: 62 | IV/3: 31 | after BWV 722a | 00844 | |
| 722a | 7. | 1709? | chorale setting "Gelobet seist du, Jesu Christ" (sketch) | Organ | 40: 158 | IV/3: 30 | after Z 1947; → BWV 722
|
00845 | |
| 724 | 7. | c. 1699 | chorale setting "Gott durch deine Güte" | Organ | 40: 65 | IV/3: 33 | after Z 3294 ; in Andreas-Bach-Buch
|
00847 | |
| chorale setting "Gottes Sohn ist kommen" | |||||||||
| 725 | 7. | c.1700–1717 | chorale setting "Herr Gott, dich loben wir" | Organ | 40: 66 | IV/3: 36 | after Z 8652
|
00848 | |
| 727 | 7. | 1708–1717 | chorale setting "Herzlich tut mich verlangen" | Organ | 40: 73 | IV/3: 46 | after Z 5385a
|
00850 | |
| 728 | 7. | 1722–1723 or earlier | Notebook A. M. Bach (1722) No. 8 chorale setting "Jesus, meine Zuversicht" | Organ | 432: 5 40: 74 |
V/4: 41 IV/3: 58 |
after Z 3432b
|
00851 | |
| 729 | 7. | 1708–1717 | chorale setting "In dulci jubilo" | Organ | 40: 74 | IV/3: 52 | after BWV 729a | 00852 | |
| 729a | 7. | 1708–1717 | chorale setting "In dulci jubilo" (sketch) | Organ | 40: 158 | IV/3: 50 | after Z 4947; → BWV 729
|
00853 | |
| 730 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 76 | IV/3: 60 | after Z 3498b
|
00854 | |
| 731 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 77 | IV/3: 61 | after Z 3498b
|
00855 | |
| 732 | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" | Organ | 40: 78 | IV/3: 64 | after BWV 732a | 00856 | |
| 732a | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" (draft) | Organ | 40: 159 | IV/3: 63 | after Z 198; → BWV 732
|
00857 | |
| 733 | 7. | 1708–1717 | chorale setting "Meine Seele erhebt den Herren" (fugue) | Organ | 40: 79 | IV/3: 65 | after Magnificat peregrini toni; by Krebs, J. L. ?
|
00858 | |
| 734 | 7. | 1708–1717 | chorale setting "Nun freut euch, lieben Christen g'mein" | Organ | 40: 160 | IV/3: 70 | after Z 4429a; → BWV 734a
|
00859 | |
| 734a | 7. | 1708–1789 | chorale setting "Es ist gewisslich an der Zeit" | Organ | 40: 84 | IV/10 | after BWV 734; arr. by Scholz ?
|
00860 | |
| 735 | 7. | c.1700–1717 | chorale setting "Valet will ich dir geben" (Fantasia) | Organ | 40: 86 | IV/3: 77 | after BWV 735a | 00861 | |
| 735a | 7. | c.1706 | chorale setting "Valet will ich dir geben" (early version) | Organ | 40: 161 | IV/3: 81 | after Z 5404a; → BWV 735
|
00862 | |
| 736 | 7. | 1708–1717 or later | chorale setting "Valet will ich dir geben" | Org (V Bc) | 40: 90 | IV/3: 84 | after Z 5404a
|
00863 | |
| 737 | 7. | 1703–1707 | chorale setting "Vater unser im Himmelreich" ( Neumeister Chorales No. 18)
|
Organ | 40: 96 | IV/9: 36 IV/3: 90 |
after Z 2561
|
00864 | |
| 738 | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" | Organ | 40: 97 | IV/3: 94 | after BWV 738a | 00865 | |
| 738a | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" (sketch) | Organ | 40: 159 | IV/3: 94 | after Z 346; → BWV 738
|
00866 | |
| 739 | 7. | c.1704 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 99 | IV/10: 2 | after Z 8359
|
00867 | |
| 741 | 7. | c.1701 | chorale setting "Ach Gott, vom Himmel sieh darein" | Organ | 40: 167 | IV/3: 4 | after Z 4431
|
00869 | |
| 742 | 7. | c.1704 | Neumeister Chorales No. 14)
|
Organ | IV/9: 28 | after Z 5385a
|
00870 | ||
| 747 | 7. | 1703–1707 or earlier | chorale setting "Christus, der uns selig macht" | Organ | IV/10: 38 | after Z 6283b
|
00875 | ||
| 753 | 7. | c.1720 | chorale setting "Jesu, meine Freude" (unfinished; WFB No. 5) | Organ | 40: 163 451: 214 |
V/5: 8 | after Z 8032
|
00882 | |
| 764 | 7. | c.1704–1705 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 164 | IV/10: 6 | after Z 8359
|
00893 | |
| 1085 | 7. | c.1700–1717 | chorale setting "O Lamm Gottes unschuldig" | Organ | IV/3: 76 | after Z 4361
|
01683 | ||
| 1090 | 7. | c.1704 | chorale setting "Wir Christenleut" ( Neumeister Chorales No. 2)
|
Organ | IV/9: 4 | after Z 2072
|
01276 | ||
| 1091 | 7. | c.1699 | chorale setting "Das alte Jahr vergangen ist" ( Neumeister Chorales No. 3)
|
Organ | IV/9: 6 | after Z 381c
|
01277 | ||
| 1092 | 7. | c.1701 | chorale setting "Herr Gott, nun schleuß den Himmel auf" ( Neumeister Chorales No. 4)
|
Organ | IV/9: 8 | after Z 7641b
|
01278 | ||
| 1093 | 7. | c.1704 | chorale setting "Herzliebster Jesu, was hast du verbrochen" ( Neumeister Chorales No. 5)
|
Organ | IV/9: 10 | after Z 983
|
01279 | ||
| 1094 | 7. | c.1699 | chorale setting "O Jesu, wie ist dein Gestalt" ( Neumeister Chorales No. 6)
|
Organ | IV/9: 12 | after Z 8360
|
01280 | ||
| 1095 | 7. | c.1704 | chorale setting "O Lamm Gottes unschuldig" ( Neumeister Chorales No. 7)
|
Organ | IV/9: 14 | after Z 4361a
|
01281 | ||
| 1097 | 7. | c.1699 | chorale setting "Ehre sei dir Christe, der du leidest Not" ( Neumeister Chorales No. 9)
|
Organ | IV/9: 18 | after Z 8187h
|
01283 | ||
| 1098 | 7. | c.1704 | chorale setting "Wir glauben all an einen Gott" ( Neumeister Chorales No. 10)
|
Organ | IV/9: 20 | after Z 7971
|
01284 | ||
| 1099 | 7. | c.1701 | chorale setting "Aus tiefer Not schrei ich zu dir" ( Neumeister Chorales No. 11)
|
Organ | IV/9: 22 | after Z 4438
|
01285 | ||
| 1100 | 7. | c.1704 | chorale setting "Allein zu dir, Herr Jesu Christ" ( Neumeister Chorales No. 12)
|
Organ | IV/9: 24 | after Z 7292b
|
01286 | ||
| 1101 | 7. | c.1704 | chorale setting "Durch Adams Fall ist ganz verderbt" ( Neumeister Chorales No. 15)
|
Organ | IV/9: 30 | after Z 7549
|
01287 | ||
| 1102 | 7. | c.1706 | chorale setting "Du Friedefürst, Herr Jesu Christ" ( Neumeister Chorales No. 16)
|
Organ | IV/9: 33 | after Z 4373
|
01288 | ||
| 1103 | 7. | 1699–1709 | chorale setting "Erhalt uns Herr, bei deinem Wort" ( Neumeister Chorales No. 17)
|
Organ | IV/9: 35 | after Z 350
|
01289 | ||
| 1104 | 7. | 1699–1709 | chorale setting "Wenn dich Unglück tut greifen an" ( Neumeister Chorales No. 19)
|
Organ | IV/9: 38 | after Z 499
|
01290 | ||
| 1105 | 7. | c.1701 | chorale setting "Jesu, meine Freude" ( Neumeister Chorales No. 20)
|
Organ | IV/9: 39 | after Z 8032
|
01291 | ||
| 1106 | 7. | c.1704 | chorale setting "Gott ist mein Heil, mein Hilf und Trost" ( Neumeister Chorales No. 21)
|
Organ | IV/9: 40 | after Z 4421
|
01292 | ||
| 1107 | 7. | c.1704 | chorale setting "Jesu, meines Lebens Leben" ( Neumeister Chorales No. 22)
|
Organ | IV/9: 42 | after Z 6794
|
01293 | ||
| 1108 | 7. | c.1704 | chorale setting "Als Jesus Christus in der Nacht" ( Neumeister Chorales No. 23)
|
Organ | IV/9: 44 | after Z 258
|
01294 | ||
| 1109 | 7. | 1699–1709 | chorale setting "Ach Gott, tu dich erbarmen" ( Neumeister Chorales No. 24)
|
Organ | IV/9: 46 | after Z 7228c
|
01295 | ||
| 1110 | 7. | c.1704 | chorale setting "O Herre Gott, dein göttlich Wort" ( Neumeister Chorales No. 25)
|
Organ | IV/9: 48 | after Z 5690
|
01296 | ||
| 1111 | 7. | c.1701 | chorale setting "Nun lasset uns den Leib begraben" ( Neumeister Chorales No. 26)
|
Organ | IV/9: 50 | after Z 352
|
01297 | ||
| 1112 | 7. | c.1699 | chorale setting "Christus, der ist mein Leben" ( Neumeister Chorales No. 27)
|
Organ | IV/9: 52 | after Z 132
|
01298 | ||
| 1113 | 7. | c.1699 | chorale setting "Ich hab mein Sach Gott heimgestellt" ( Neumeister Chorales No. 28)
|
Organ | IV/9: 54 | after Z 1679
|
01299 | ||
| 1114 | 7. | c.1701 | chorale setting "Herr Jesu Christ, du höchstes Gut" ( Neumeister Chorales No. 29)
|
Organ | IV/9: 56 | after Z 4486
|
01300 | ||
| 1115 | 7. | c.1701 | chorale setting "Herzlich lieb hab ich dich, o Herr" ( Neumeister Chorales No. 30)
|
Organ | IV/9: 58 | after Z 8326
|
01301 | ||
| 1116 | 7. | c.1701 | chorale setting "Was Gott tut, das ist wohlgetan" ( Neumeister Chorales No. 31)
|
Organ | IV/9: 60 | after Z 5629
|
01302 | ||
| 1117 | 7. | c.1701 | chorale setting "Alle Menschen müssen sterben" ( Neumeister Chorales No. 32)
|
Organ | IV/9: 62 | after Z 6779a
|
01303 | ||
| 1118 | 7. | c.1701 | chorale setting "Werde munter, mein Gemüte" ( Neumeister Chorales No. 34)
|
Organ | IV/9: 66 | after Z 6551
|
01304 | ||
| 1119 | 7. | c.1699 | chorale setting "Wie nach einer Wasserquelle" ( Neumeister Chorales No. 35)
|
Organ | IV/9: 68 | after Z 1294
|
01305 | ||
| 1120 | 7. | c.1704 | chorale setting "Christ, der du bist der helle Tag" ( Neumeister Chorales No. 36)
|
Organ | IV/9: 70 | after Z 384
|
01306 | ||
| 957 | 7. | c.1701 | chorale setting "Machs mit mir, Gott, nach deiner Güt" ( Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.)
|
G maj. | Organ | 42: 203 | IV/9: 64, 74 | after Z 2383
|
01134 |
| 766 | 7. | c.1706 | chorale setting "Christ, der du bist der helle Tag" | Organ | 40: 107 | IV/1: 114 | after Z 384
|
00895 | |
| 767 | 7. | c.1708 | chorale setting "O Gott, du frommer Gott" | Organ | 40: 114 | IV/1: 122 | after Z 5138
|
00896 | |
| 768 | 7. | 1708–1717 or earlier | chorale setting "Sei gegrüßet, Jesu gütig"
|
Organ | 40: 122 | IV/1: 132, 152 | after Z 3889b
|
00897 | |
| 769 | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her'" (canonic variations; print version)
|
Organ | 40: 137 | IV/2: 197 | after BWV 769a
|
00898 | |
| 769a | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her" (canonic variations; autograph)
|
Organ | IV/2: 98 | after BWV 769
|
00899 | ||
| 770 | 7. | c.1704 | chorale setting "Ach, was soll ich Sünder machen" | Organ | 40: 189 | IV/1: 104 | after Z 3574
|
00900 | |
| 8. | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach )
|
Up ↑ | |||||||
| 772 | 8. | 1720-01-22 1725-01-22 |
Invention No. 1 = WFB No. 32: Preamb. 1
|
C maj. | Keyboard | 3: 1 451: 221 |
V/5: 48 V/3: 2 |
→ BWV 772a[28] | 00902 |
| 772a | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 1a – Invention No. 1a
|
C maj. | Keyboard | 3: 342 | V/3: 4 | after BWV 772[29]
|
00903 |
| 773 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15
|
C min. | Keyboard | 3: 2 451: 223 |
V/5: 76 V/3: 6 |
[28] | 00904 |
| 774 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14
|
D maj. | Keyboard | 3: 3 451: 223 |
V/5: 74 V/3: 8 |
[28] | 00905 |
| 775 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2
|
D min. | Keyboard | 3: 4 451: 221 |
V/5: 50 V/3: 10 |
[28] | 00906 |
| 776 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13
|
E♭ maj. | Keyboard | 3: 6 451: 222 |
V/5: 72 V/3: 12 |
[28] | 00907 |
| 777 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12
|
E maj. | Keyboard | 3: 7 451: 222 |
V/5: 70 V/3: 14 |
[28] | 00908 |
| 778 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3
|
E min. | Keyboard | 3: 9 451: 221 |
V/5: 52 V/3: 16 |
[28] | 00909 |
| 779 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4
|
F maj. | Keyboard | 3: 10 451: 221 |
V/5: 54 V/3: 18 |
[28] | 00910 |
| 780 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11
|
F min. | Keyboard | 3: 11 451: 222 |
V/5: 68 V/3: 20 |
[28] | 00911 |
| 781 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5
|
G maj. | Keyboard | 3: 12 451: 221 |
V/5: 56 V/3: 22 |
[28] | 00912 |
| 782 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10
|
G min. | Keyboard | 3: 13 451: 222 |
V/5: 66 V/3: 24 |
[28] | 00913 |
| 783 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9
|
A maj. | Keyboard | 3: 14 451: 222 |
V/5: 64 V/3: 26 |
[28] | 00914 |
| 784 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6
|
A min. | Keyboard | 3: 15 451: 221 |
V/5: 58 V/3: 28 |
[28] | 00915 |
| 785 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8
|
B♭ maj. | Keyboard | 3: 16 451: 222 |
V/5: 62 V/3: 30 |
[28] | 00916 |
| 786 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7
|
B min. | Keyboard | 3: 18 451: 222 |
V/5: 60 V/3: 32 |
[28] | 00917 |
| 787 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1
|
C maj. | Keyboard | 3: 19 451: 227 |
V/5: 90 V/3: 34 |
[28] | 00918 |
| 788 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantasia 15
|
C min. | Keyboard | 3: 20 451: 231 |
V/5: 118 V/3: 36 |
[28] | 00919 |
| 789 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantasia 14
|
D maj. | Keyboard | 3: 22 451: 230 |
V/5: 116 V/3: 38 |
[28] | 00920 |
| 790 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2
|
D min. | Keyboard | 3: 23 451: 227 |
V/5: 92 V/3: 40 |
[28] | 00921 |
| 791 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantasia 13
|
E♭ maj. | Keyboard | 3: 24 451: 230 |
V/5: 114 V/3: 42 |
→ BWV 791a[28] | 00922 |
| 791a | 8. | 1723 | Sinfonias and Inventions No. 20a – Sinfonia No. 5a
|
E♭ maj. | Keyboard | V/3: 44, 80 | after BWV 791[30] | 00923 | |
| 792 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantasia 12
|
E maj. | Keyboard | 3: 26 451: 229 |
V/5: 112 V/3: 46 |
[28] | 00924 |
| 793 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3
|
E min. | Keyboard | 3: 28 451: 227 |
V/5: 94 V/3: 48 |
[28] | 00925 |
| 794 | 8. | 1720-01-22 1725-01-22 |
Sinfonia No. 8 = WFB No. 52: Fantasia 4
|
F maj. | Keyboard | 3: 29 451: 227 |
V/5: 96 V/3: 50 |
[28] | 00926 |
| 795 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantasia 11
|
F min. | Keyboard | 3: 30 451: 229 |
V/5: 110 V/3: 52 |
[28] | 00927 |
| 796 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5
|
G maj. | Keyboard | 3: 32 451: 228 |
V/5: 98 V/3: 54 |
[28] | 00928 |
| 797 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantasia 10
|
G min. | Keyboard | 3: 34 451: 229 |
V/5: 108 V/3: 56 |
[28] | 00929 |
| 798 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9
|
A maj. | Keyboard | 3: 36 451: 229 |
V/5: 106 V/3: 58 |
[28] | 00930 |
| 799 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6
|
A min. | Keyboard | 3: 38 451: 228 |
V/5: 100 V/3: 60 |
[28] | 00931 |
| 800 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8
|
B♭ maj. | Keyboard | 3: 40 451: 228 |
V/5: 104 V/3: 62 |
[28] | 00932 |
| 801 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7
|
B min. | Keyboard | 3: 41 451: 228 |
V/5: 102 V/3: 64 |
[28] | 00933 |
| 802 | 8. | 1739 | Duet No. 1 from Clavier-Übung III
|
E min. | Organ | 3: 242 | IV/4: 92 | 00934 | |
| 803 | 8. | 1739 | Duet No. 2 from Clavier-Übung III
|
F maj. | Organ | 3: 245 | IV/4: 96 | 00935 | |
| 804 | 8. | 1739 | Duet No. 3 from Clavier-Übung III
|
G maj. | Organ | 3: 248 | IV/4: 99 | 00936 | |
| 805 | 8. | 1739 | Duet No. 4 from Clavier-Übung III
|
A min. | Organ | 3: 251 | IV/4: 102 | 00937 | |
| 806 | 8. | 1714–1723 | English Suites, No. 1 | A maj. | Keyboard | 451: 3 132: 3 |
V/7: 2 | 00938 | |
| 806a | 8. | 1714–1717 | English Suites, No. 1a | A maj. | Keyboard | V/7: 116 | 00939 | ||
| 807 | 8. | 1725 or earlier | English Suites, No. 2 | A min. | Keyboard | 451: 16 132: 16 |
V/7: 20 | 00940 | |
| 808 | 8. | 1725 or earlier | English Suites, No. 3 | G min. | Keyboard | 451: 30 132: 30 |
V/7: 38 | 00941 | |
| 809 | 8. | 1725 or earlier | English Suites, No. 4 | F maj. | Keyboard | 451: 41 132: 41 |
V/7: 54 | 00942 | |
| 810 | 8. | 1725 or earlier | English Suites, No. 5 | E min. | Keyboard | 451: 53 132: 53 |
V/7: 70 | 00943 | |
| 811 | 8. | 1725 or earlier | English Suites, No. 6 | D min. | Keyboard | 451: 68 132: 68 |
V/7: 90 | 00944 | |
| 812 | 8. | 1722 or earlier | Notebook A. M. Bach (1722) No. 1 – French Suites, No. 1 | D min. | Keyboard | 432: VI | V/4: 3 | 00945 | |
| Notebook A. M. Bach (1725) No. 30 – French Suites, No. 1 | 432: 40 | V/4: 109 | |||||||
| French Suites, No. 1 – Version A (Altnickol) | 451: 89 132: 89 |
V/8: 2 | |||||||
| French Suites, No. 1 – Version B (early version) | V/8: 64 | ||||||||
| 813 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 2 – French Suites, No. 2 | C min. | Keyboard | 432: VI | V/4: 10, 42 | 00946 | |
| Notebook A. M. Bach (1725) No. 31 – French Suites, No. 2 | 432: 44 | V/4: 116 | |||||||
| French Suites, No. 2 – Version A (Altnickol) | 451: 94 132: 94 |
V/8: 10 | |||||||
| French Suites, No. 2 – Version B (early version) | V/8: 72 | ||||||||
| 36: 236 | |||||||||
| 814 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 3 – French Suites, No. 3 | B min. | Keyboard | 432: VII | V/4: 16, 43 | → BWV 814a | 00948 |
| French Suites, No. 3 – Version A (Altnickol) | 451: 100 132: 100 |
V/8: 20 | |||||||
| French Suites, No. 3 – Version B (early version) | V/8: 82 | ||||||||
| 814a | 8. | c. 1720–1739 | French Suites, No. 3 – Variant | B min. | Keyboard | 451: 100 36: 237 132: 100 |
V/8: 166 | after BWV 814/1–/5, 929, 814/7 | 00949 |
| 815 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 4 French Suites, No. 4 | E♭ maj. | Keyboard | 432: VII | V/4: 23 | → BWV 815a | 00950 |
| French Suites, No. 4 – Version A (Altnickol) | 451: 106 132: 106 |
V/8: 30 | |||||||
| French Suites, No. 4 – Version B (early version) | V/8: 92 | ||||||||
| 36: 236 | |||||||||
| 815a | 8. | c. 1722–1725 or later | French Suites, No. 4 – Variant | E♭ maj. | Keyboard | 36: 234 451: 106 132: 108 |
V/8: 176 | after BWV 815/1–/5 | 00951 |
| 816 | 8. | c. 1724–1725 | Notebook A. M. Bach (1722) No. 5 French Suites, No. 5 | G maj. | Keyboard | 432: VII | V/4: 30 | 00952 | |
| French Suites, No. 5 – Version A (Altnickol) | 451: 112 132: 112 |
V/8: 40 | |||||||
| French Suites, No. 5 – Version B (early version) | V/8: 102 | ||||||||
| 817 | 8. | c.1725 or later | French Suites, No. 6 – Version A (Altnickol) | E maj. | Keyboard | 451: 120 132: 120 |
V/8: 52 | 00953 | |
| French Suites, No. 6 – Version B (early version) | V/8: 114 | ||||||||
| 818 | 8. | 1720–1722 | Suite for keyboard (early version)
|
A min. | Keyboard | 36: 3 | V/8: 129 | 00954 | |
| 818a | 8. | after 1721 | Suite for keyboard (later version) | A min. | Keyboard | 36: 213 | V/8: 146 | 00955 | |
| 819 | 8. | before 1726 | Suite for keyboard (early version)
|
E♭ maj. | Keyboard | 36: 8 | V/8: 136 | 00956 | |
| 819a | 8. | 1725–1728 | Suite for keyboard (later version) | E♭ maj. | Keyboard | 36: 217 | V/8: 156 | 00957 | |
| 820 | 8. | 1705–1713 | Suite (Ouverture) for keyboard | F maj. | Keyboard | 36: 14 | V/10: 43 | 00958 | |
| 822 | 8. | Suite for keyboard | G min. | Keyboard | V/10: 68 | after unknown model? | 00960 | ||
| 823 | 8. | before 1727 | Suite for keyboard | F min. | Keyboard | 36: 229 | V/10: 50 | 00961 | |
| 825 | 8. | 1725–1726 | Clavier-Übung I
|
B♭ maj. | Keyboard | 3: 46 | V/1: 2 | 00963 | |
| 826 | 8. | 1725–1727 | Clavier-Übung I
|
C min. | Keyboard | 3: 56 | V/1: 15 | 00964 | |
| 827 | 8. | 1725–1727 | Clavier-Übung I
|
A min. | Keyboard | 3: 70 | V/1: 35 V/4: 47 |
00964 | |
| 828 | 8. | 1725–1728 | Clavier-Übung I
|
D maj. | Keyboard | 3: 82 | V/1: 50 | 00966 | |
| 829 | 8. | 1725–1730 | Clavier-Übung I
|
G maj. | Keyboard | 3: 102 | V/1: 72 | 00967 | |
| 830 | 8. | 1725–1730 | Clavier-Übung I
|
E min. | Keyboard | 3: 116 | V/1: 90 V/4: 60 |
after BWV 1019a /3 /5
|
00968 |
| 831 | 8. | 1733–1735 | Overture in the French style (Clavier-Übung II No. 2)
|
B min. | Harpsichord | 3: 154 | V/2: 20 | after BWV 831a
|
00969 |
| 831a | 8. | 1727–1733 | Overture in the French style (early version)
|
C min. | Keyboard | V/2: 43 | → BWV 831
|
00970 | |
| 832 | 8. | before 1707 | Suite for keyboard | A maj. | Keyboard | 42: 255 | V/10: 54 | in Möllersche Handschrift | 00971 |
| 833 | 8. | before 1707 | Prelude and partita for keyboard | F maj. | Keyboard | V/10: 60 | in Möllersche Handschrift | 00972 | |
| 836 | 8. | 1720–1721 | Allemande, Klavierbüchlein WFB No. 6 | G min. | Keyboard | 451: 214 | V/5: 8 | by Bach, W. F. & J. S.? | 00975 |
| 837 | 8. | 1720–1721 | Allemande, Klavierbüchlein WFB No. 7 (incomplete) | G min. | Keyboard | 451: 215 | V/5: 10 | by Bach, W. F. & J. S.? | 00976 |
| 841 | 8. | 1720–1721 | Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1 | G maj. | Keyboard | 36: 209 451: 215 |
V/5: 16 V/4: 44 | by Bach, W. F. & J. S.? | 00980 |
| 842 | 8. | 1720–1721 | Klavierbüchlein WFB No. 12: Menuet 2 | G min. | Keyboard | 36: 209 451: 216 |
V/5: 17 | by Bach, W. F. (BR A43) & J. S.? | 00981 |
| 843 | 8. | 1720–1721 | Klavierbüchlein WFB No. 13: Menuet 3 | G maj. | Keyboard | 36: 210 451: 216 |
V/5: 18 | 00982 | |
| 846 | 8. | 1722 | I, P. & F. No. 1
|
C maj. | Keyboard | 14: 3 | V/6.1: 2 | after BWV 846a | 00986 |
| 846/1 | 8. | 1725 (AMB) | Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1) | C maj. | Keyboard | V/4: 107 | 00986 | ||
| 846a | 8. | 1720 | Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1) | C maj. | Keyboard | 451: 216 | V/5: 19 V/6.1: 127 |
→ BWV 846 /1
|
00987 |
| 847 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2) | C min. | Keyboard | 14: 6 451: 216 |
V/5: 20 V/6.1: 2 |
after BWV 847a | 00988 |
| 847a | 8. | Prelude and Fughetta (early WTC I No. 2) | C min. | Keyboard | V/6.1: 130 | → BWV 847
|
00989 | ||
| 848 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8]) | C♯ maj. | Keyboard | 14: 10 451: 218 |
V/5: 30 V/6.1: 2 |
after BWV 848a | 00990 |
| 848a | 8. | Prelude and Fughetta (early WTC I No. 3) | C♯ maj. | Keyboard | V/6.1: 134 | → BWV 848
|
00991 | ||
| 849 | 8. | 1722 | I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9])
|
C♯ min. | Keyboard | 14: 14 451: 218 |
V/5: 32 V/6.1: 2 |
after BWV 849a | 00992 |
| 849a | 8. | Prelude and Fughetta (early WTC I No. 4) | C♯ min. | Keyboard | V/6.1: 140 | → BWV 849
|
00993 | ||
| 850 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4) | D maj. | Keyboard | 14: 18 451: 217 |
V/5: 23 V/6.1: 2 |
after BWV 850a | 00994 |
| 850a | 8. | Prelude and Fughetta (early WTC I No. 5) | D maj. | Keyboard | V/6.1: 146 | → BWV 850 | 00995 | ||
| 851 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3) | D min. | Keyboard | 14: 22 451: 217 |
V/5: 22 V/6.1: 2 |
after BWV 851a | 00996 |
| 851a | 8. | Prelude and Fughetta (early WTC I No. 6) | D min. | Keyboard | V/6.1: 150 | → BWV 851 | 00997 | ||
| 852 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 7 | E♭ maj. | Keyboard | 14: 26 | V/6.1: 32 | after BWV 852a | 00998 |
| 852a | 8. | Prelude and Fughetta (early WTC I No. 7) | E♭ maj. | Keyboard | V/6.1: 154 | → BWV 852 | 00999 | ||
| 853 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10]) | E♭ min. D♯ min. |
Keyboard | 14: 32 451: 218 |
V/5: 34 V/6.1: 38 |
after BWV 853a; → K. 404a/1 | 01000 |
| 853a | 8. | Prelude and Fughetta (early WTC I No. 8) | E♭ min. D♯ min. |
Keyboard | V/6.1: 160 | → BWV 853 | 01001 | ||
| 854 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6) | E maj. | Keyboard | 14: 36 451: 218 |
V/5: 26 V/6.1: 44 |
after BWV 854a | 01002 |
| 854a | 8. | Prelude and Fughetta (early WTC I No. 9) | E maj. | Keyboard | V/6.1: 166 | → BWV 854 | 01003 | ||
| 855 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 10 | E min. | Keyboard | 14: 38 | V/6.1: 48 | after BWV 855a
|
01004 |
| 855a | 8. | c.1720 | Prelude and Fughetta (early Praeludium 5 )
|
E min. | Keyboard | 451: 217 | V/5: 24 V/6.1: 170 |
→ BWV 855
|
01005 |
| 856 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7) | F maj. | Keyboard | 14: 42 451: 218 |
V/5: 28 V/6.1: 54 |
after BWV 856a | 01006 |
| 856a | 8. | Prelude and Fughetta (early WTC I No. 11) | F maj. | Keyboard | V/6.1: 174 | → BWV 856 | 01007 | ||
| 857 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11]) | F min. | Keyboard | 14: 44 451: 218 |
V/5: 36 V/6.1: 58 |
after BWV 857a | 01008 |
| 857a | 8. | Prelude and Fughetta (early WTC I No. 12) | F min. | Keyboard | V/6.1: 178 | → BWV 857 | 01009 | ||
| 858 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 13 | F♯ maj. | Keyboard | 14: 48 | V/6.1: 64 | after BWV 858a | 01010 |
| 858a | 8. | Prelude and Fughetta (early WTC I No. 13) | F♯ maj. | Keyboard | V/6.1: 184 | → BWV 858 | 01011 | ||
| 859 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 14 | F♯ min. | Keyboard | 14: 50 | V/6.1: 64 | after BWV 859a | 01012 |
| 859a | 8. | Prelude and Fughetta (early WTC I No. 14) | F♯ min. | Keyboard | V/6.1: 188 | → BWV 859 | 01013 | ||
| 860 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 15 | G maj. | Keyboard | 14: 52 | V/6.1: 72 | after BWV 860a | 01014 |
| 860a | 8. | Prelude and Fughetta (early WTC I No. 15) | G maj. | Keyboard | V/6.1: 192 | → BWV 860 | 01015 | ||
| 861 | 8. | 1722 | I, P. & F. No. 16
|
G min. | Keyboard | 14: 57 | V/6.1: 78 | after BWV 861a | 01016 |
| 861a | 8. | Prelude and Fughetta (early WTC I No. 16) | G min. | Keyboard | V/6.1: 198 | → BWV 861
|
01017 | ||
| 862 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 17 | A♭ maj. | Keyboard | 14: 60 | V/6.1: 82 | after BWV 862a | 01018 |
| 862a | 8. | Prelude and Fughetta (early WTC I No. 17) | A♭ maj. | Keyboard | V/6.1: 202 | → BWV 862 | 01019 | ||
| 863 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 18 | G♯ min. | Keyboard | 14: 64 | V/6.1: 86 | after BWV 863a | 01020 |
| 863a | 8. | Prelude and Fughetta (early WTC I No. 18) | G♯ min. | Keyboard | V/6.1: 206 | → BWV 863 | 01021 | ||
| 864 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 19 | A maj. | Keyboard | 14: 66 | V/6.1: 90 | after BWV 864a | 01022 |
| 864a | 8. | Prelude and Fughetta (early WTC I No. 19) | A maj. | Keyboard | V/6.1: 210 | → BWV 864 | 01023 | ||
| 865 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 20 | A min. | Keyboard | 14: 70 | V/6.1: 96 | after BWV 865a | 01024 |
| 865a | 8. | Prelude and Fughetta (early WTC I No. 20) | A min. | Keyboard | V/6.1: 216 | → BWV 865 | 01025 | ||
| 866 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 21 | B♭ maj. | Keyboard | 14: 74 | V/6.1: 104 | after BWV 866a | 01026 |
| 866a | 8. | Prelude and Fughetta (early WTC I No. 21) | B♭ maj. | Keyboard | V/6.1: 224 | → BWV 866 | 01027 | ||
| 867 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 22 | B♭ min. | Keyboard | 14: 78 | V/6.1: 108 | after BWV 867a; → Hess 38 | 01028 |
| 867a | 8. | Prelude and Fughetta (early WTC I No. 22) | B♭ min. | Keyboard | V/6.1: 228 | → BWV 867
|
01029 | ||
| 868 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 23 | B maj. | Keyboard | 14: 82 | V/6.1: 112 | after BWV 868a | 01030 |
| 868a | 8. | Prelude and Fughetta (early WTC I No. 23) | B maj. | Keyboard | V/6.1: 232 | → BWV 868 | 01031 | ||
| 869 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 24 | B min. | Keyboard | 14: 84 | V/6.1: 116 | after BWV 869a | 01032 |
| 869a | 8. | Prelude and Fughetta (early WTC I No. 24) | B min. | Keyboard | V/6.1: 236 | → BWV 869 | 01033 | ||
| 870b 870/2 |
8. | 1739–1742 | Well-Tempered Clavier II, P. & F. No. 1 (version A) | C maj. | Keyboard | 451: 243 14: 94 |
V/6.2: 2, 6, 342 |
01036 | |
| 871 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 2 | C min. | Keyboard | 14: 96 | V/6.2: 8, 160 |
→ K. 405/1 | 01037 |
| 872 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 3 | C♯ maj. | Keyboard | 14: 100 | V/6.2: 12, 164, 352 |
after BWV 872a | 01038 |
| 872a/1 | 8. | 1739–1740 | Prelude (early WTC II, P. & F. No. 3/1) | C maj. | Keyboard | 14: 243 | V/6.2: 344 | → BWV 872/1 | 01039 |
| 872a/2 | 8. | 1738 | Fughetta (early WTC II, P. & F. No. 3/2) | C maj. | Keyboard | 36: 224 | V/6.2: 358 | → BWV 872/2 | 01039 |
| 873 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 4 | C♯ maj. | Keyboard | 14: 104 | V/6.2: 16, 168 |
01040 | |
| 874 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 5 | D maj. | Keyboard | 14: 108 | V/6.2: 24, 176 |
→ K. 405/5 | 01041 |
| 875 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 6 | D min. | Keyboard | 14: 112 | V/6.2: 30 182, 348, 356 |
after BWV 875a | 01042 |
| 875a | 8. | 1739–1740 | Preambulum (early WTC II, P. & F. No. 6/1) | D min. | Keyboard | 36: 224 | V/6.2: 346 | → BWV 875 /1
|
01043 |
| 876 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 7 | E♭ maj. | Keyboard | 14: 116 | V/6.2: 36, 188, 354 |
→ K. 405/2 | 01044 |
| 877 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 8 | D♯ min. | Keyboard | 14: 120 | V/6.2: 42, 194 |
→ K. 405/4 | 01045 |
| 878 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 9 | E maj. | Keyboard | 14: 124 | V/6.2: 48, 200 |
→ K. 405/3 | 01046 |
| 879 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 10 | E min. | Keyboard | 14: 128 | V/6.2: 54, 206 |
01047 | |
| 880 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 11 | F maj. | Keyboard | 14: 134 | V/6.2: 62, 215 |
01048 | |
| 881 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 12 | F min. | Keyboard | 14: 138 | V/6.2: 69, 221 |
01049 | |
| 882 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 13 | F♯ maj. | Keyboard | 14: 142 | V/6.2: 76, 228 |
→ K. 404a/3 | 01050 |
| 883 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 14 | F♯ min. | Keyboard | 14: 146 | V/6.2: 84, 236 |
→ K. 404a/2 | 01051 |
| 884 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 15 | G maj. | Keyboard | 14: 150 | V/6.2: 90, 242, 350 |
after BWV 902/2 | 01052 |
| 885 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 16 | G min. | Keyboard | 14: 154 | V/6.2: 94, 246 |
01053 | |
| 886 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 17 | A♭ maj. | Keyboard | 14: 160 | V/6.2: 100, 108, 252 |
after BWV 901/2 | 01054 |
| 887 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 18 | G♯ min. | Keyboard | 14: 166 | V/6.2: 112, 260 |
01055 | |
| 888 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 19 | A maj. | Keyboard | 14: 172 | V/6.2: 120, 268 |
01056 | |
| 889 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 20 | A min. | Keyboard | 14: 176 | V/6.2: 124, 272 |
01057 | |
| 890 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 21 | B♭ maj. | Keyboard | 14: 180 | V/6.2: 128, 276 |
01058 | |
| 891 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 22 | B♭ min. | Keyboard | 14: 186 | V/6.2: 134, 282 |
01059 | |
| 892 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 23 | B maj. | Keyboard | 14: 192 | V/6.2: 142, 290 |
01060 | |
| 893 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 24 | B min. | Keyboard | 14: 198 | V/6.2: 150, 298 |
01061 | |
| 870 | 8. | 1744 | Well-Tempered Clavier II, P. & F. No. 1 (version B) | C maj. | Keyboard | 14: 91 | V/6.2: 156 | after BWV 870a | 01034 |
| 894 | 8. | 1710–1717 (JTK) | Prelude and Fugue | A min. | Keyboard | 36: 91 | V/9.2: 40 | → BWV 1044 /1, /3; in SBB P 801, P 804
|
01062 |
| 895 | 8. | 1709 (JCB) | Prelude and Fugue | A min. | Keyboard | 36: 104 | V/9.2: 69 | in Yale LM 4982 | 01063 |
| 896 | 8. | 1704–1707 | Prelude and Fugue | A maj. | Keyboard | 36: 157 | V/9.2: 72 | in Möllersche Handschrift | 01064 |
| 870a | 8. | before 1727 | Prelude and Fughetta | C maj. | Keyboard | 36: 224 | V/6.2: 307, 310 |
→ BWV 870 ; in SBB P 804, P 1089
|
01035 |
| 899 | 8. | before 1727 | Prelude and Fughetta | D min. | Keyboard | 36: 106 | V/6.2: 314 V/12: 24 |
in SBB P 804, P 1089 | 01068 |
| 900 | 8. | before 1727 | Prelude and Fughetta | E min. | Keyboard | 36: 108 | V/6.2 V/12 |
in SBB P 804, P 1089 | 01069 |
| 901 | 8. | before 1727 | Prelude and Fughetta | F maj. | Keyboard | 36: 112 | V/6.2: 324 | → BWV 886/2; in SBB P 1089 | 01070 |
| 902 | 8. | c.1729 | Prelude and Fughetta | G maj. | Keyboard | 36: 114 | V/6.2: 328 | → BWV 884/2; in SBB P 804, P 1089 | 01071 |
| 902/1a | 8. | before 1727 | Prelude (previous Prelude to BWV 902/2) | G maj. | Keyboard | 36: 220 | V/6.2: 334, 338 |
→ BWV 884/2; in SBB P 804 | 01072 |
| 903 | 8. | Chromatic Fantasia and Fugue | D min. | Keyboard | 36: 71 | V/9.2: 76 | after BWV 903a; in SBB P 803, P 651 | 01073 | |
| 903a | 8. | BWV 903 /1)
|
D min. | Keyboard | 36: 219 | V/9.2: 90 | → BWV 903 /1; in D-DS Mus. ms. 69
|
01074 | |
| 904 | 8. | before 1727 | Fantasia and Fugue | A min. | Keyboard | 36: 81 | V/9.2 | in SBB P 804 | 01075 |
| 906 | 8. | before 1729 c.1738 |
Fantasia and Fugue (Fugue incomplete) | C min. | Keyboard | 36: 145, 238 | V/9.2: 110 | in US-BETbc, D-Dl Mus.2405-T-52 | 01077 |
| 910 | 8. | 1707–1713 | Toccata | F♯ min. | Kb (or) Org | 3: 311 | V/9.1: 1 | in Andreas-Bach-Buch | 01081 |
| 911 | 8. | 1707–1713 | Toccata | C min. | Kb (or) Org | 3: 322 | V/9.1: 13 | in Andreas-Bach-Buch | 01082 |
| 912 | 8. | 1707–1713 | Toccata | D maj. | Kb (or) Org | 36: 26 | V/9.1: 38 | after BWV 532 /1
|
01083 |
| 912a | 8. | 1704–1707 | Toccata | D maj. | Kb (or) Org | 36: 218 | V/9.1: 26 | → BWV 912 ; in Möllersche Handschrift
|
01084 |
| 913 | 8. | 1707–1709 | Toccata | D min. | Kb (or) Org | 36: 36 | V/9.1: 50, 63 | after BWV 913a | 01085 |
| 913a | 8. | Toccata | D min. | Kb (or) Org | V/9.1: 52 | → BWV 913 ; publ. 1801
|
01086 | ||
| 914 | 8. | 1707–1709 | Toccata | E min. | Kb (or) Org | 36: 47 | V/9.1: 78 | 01087 | |
| 915 | 8. | 1707–1709 | Toccata | G min. | Kb (or) Org | 36: 54 | V/9.1: 87 | 01088 | |
| 916 | 8. | 1707–1713 | Toccata | G maj. | Kb (or) Org | 36: 63 | V/9.1: 100 | in Andreas-Bach-Buch | 01089 |
| 917 | 8. | 1704–1707 | Fantasia | G min. | Keyboard | 36: 143 | V/9.1: 14, 16 | in Möllersche Handschrift | 01090 |
| 918 | 8. | Fantasia on a Rondo | C min. | Keyboard | 36: 148 | V/9.1: 14, 18 | 01091 | ||
| 921 | 8. | 1707–1713 | Prelude | C min. | Keyboard | 36: 136 | V/9.1: 24 | in Andreas-Bach-Buch | 01094 |
| 922 | 8. | 1710–1714 (JTK) | Prelude (Fantasia) | A min. | Keyboard | 36: 138 | V/9.2: 27, 34 | in SBB P 803 | 01095 |
| 923 | 8. | c.1723? | Prelude | B min. | Keyboard | 42: 211 | V/9.2: 116 | by Pachelbel, W. H.?; → BWV 923a; in SBB P 401 | 01096 |
| 924 | 8. | c.1720 | Twelve Little Preludes No. 1: Preambulum (WFB No. 2) | C maj. | Keyboard | 36: 118 451: 214 |
V/5: 4 | → BWV 924a | 01098 |
| 924a | 8. | 1720–1726 | Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26) | C maj. | Keyboard | 36: 221 451: 220 |
V/5: 41 | after BWV 924; BR A44 F(add) 206 | 01099 |
| 925 | 8. | 1720–1726 | Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27) | D maj. | Keyboard | 36: 121 451: 220 |
V/5: 42 | BR A45 F(add) 206 | 01100 |
| 926 | 8. | c.1720 | Twelve Little Preludes No. 5: Preludium (WFB No. 4) | D min. | Keyboard | 36: 122 451: 214 |
V/5: 6 | 01101 | |
| 927 | 8. | 1720–1726 | Twelve Little Preludes No. 8: Preambulum (WFB No. 8) | F maj. | Keyboard | 36: 124 451: 215 |
V/5: 10 | 01102 | |
| 928 | 8. | 1720–1726 | Twelve Little Preludes No. 9: Preludium (WFB No. 10) | F maj. | Keyboard | 36: 124 451: 215 |
V/5: 14 | 01103 | |
| 929 | 8. | 1720–1726 | Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48e) | G min. | Keyboard | 36: 126 451: 226 |
V/5: 89 | → BWV 814a | 01104 |
| 930 | 8. | 1720–1726 | Twelve Little Preludes No. 11: Preambulum (WFB No. 9) | G min. | Keyboard | 36: 126 451: 215 |
V/5: 12 | 01105 | |
| 931 | 8. | 1720–1726 | Preludium, Klavierbüchlein WFB No. 29 | A min. | Keyboard | 36: 237 451: 220 |
V/5: 45 | BR A47 F(add) 206 | 01106 |
| 932 | 8. | 1720–1726 | Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete) | E min. | Keyboard | 36: 237 451: 220 |
V/5: 44 | BR A46 F(add) 206 | 01107 |
| 933 | 8. | 1717–1723? | Six Little Preludes No. 1 | C maj. | Keyboard | 36: 128 | V/9.2: 3 | in SBB P 542, P 885 | 01108 |
| 934 | 8. | 1717–1723? | Six Little Preludes No. 2 | C min. | Keyboard | 36: 128 | V/9.2: 4 | in SBB P 542, P 885 | 01109 |
| 935 | 8. | 1717–1723? | Six Little Preludes No. 3 | D min. | Keyboard | 36: 130 | V/9.2: 5 | in SBB P 542, P 885 | 01110 |
| 936 | 8. | 1717–1723? | Six Little Preludes No. 4 | D maj. | Keyboard | 36: 131 | V/9.2: 6 | in SBB P 542, P 885 | 01111 |
| 937 | 8. | 1717–1723? | Six Little Preludes No. 5 | E maj. | Keyboard | 36: 132 | V/9.2: 8 | in SBB P 542, P 885 | 01112 |
| 938 | 8. | 1717–1723? | Six Little Preludes No. 6 | E min. | Keyboard | 36: 133 | V/9.2: 10 | in SBB P 542, P 885 | 01113 |
| 939 | 8. | 1726–1727 | Five Little Preludes No. 1 (=12 L. P. No. 2)
|
C maj. | Keyboard | 36: 119 | V/12: 50 | by Bach?; in SBB P 804 | 01114 |
| 940 | 8. | 1726–1727 | Five Little Preludes No. 2 (=12 L. P. No. 6)
|
D min. | Keyboard | 36: 123 | V/12: 50 | by Bach?; in SBB P 804 | 01115 |
| 941 | 8. | 1726–1727 | Five Little Preludes No. 3 (=12 L. P. No. 7)
|
E min. | Keyboard | 36: 123 | V/12: 51 | by Bach?; in SBB P 804 | 01116 |
| 942 | 8. | 1726–1727 | Five Little Preludes No. 4 (=12 L. P. No. 12)
|
A min. | Keyboard | 36: 127 | V/12: 52 | by Bach?; in SBB P 804 | 01117 |
| 943 | 8. | 1725–1727 | Five Little Preludes No. 5
|
C maj. | Org (Kb?) | 36: 134 | V/12: 53 | in SBB P 804 | 01118 |
| 944 | 8. | 1707–1713 | Fantasia and Fugue | A min. | Keyboard | 3: 334 | V/9.2: 133 | in Andreas-Bach-Buch | 01119 |
| 946 | 8. | early work? | Fugue on a theme by Albinoni | C maj. | Keyboard | 36: 159 | V/9.2: 153 | after Albinoni, Op. 1, No. 12/4 (theme) | 01121 |
| 947 | 8. | early work? | Fugue | A min. | Keyboard | 36: 161 | V/12: 55 | by Bach? | 01122 |
| 948 | 8. | early work? | Fugue | D min. | Keyboard | 36: 164 | V/9.2: 156 | in D-B N. Mus. ms. 10580 | 01123 |
| 949 | 8. | 1707–1713 | Fugue | A maj. | Keyboard | 36: 169 | V/9.2: 163 | after Albinoni (theme)?; in Andreas-Bach-Buch | 01124 |
| 950 | 8. | before 1725 | Fugue on a theme by Albinoni | A maj. G maj. |
Keyboard | 36: 173 | V/9.2: 168 | after Albinoni (theme); in SBB P 804 | 01125 |
| 951 | 8. | 1714–1717 | Fugue on a theme by Albinoni | B min. | Keyboard | 36: 178 | V/9.2: 118 | after BWV 951a; in SBB P 801 | 01126 |
| 951a | 8. | 1714–1717 | Fugue on a theme by Albinoni (early version) | B min. | Keyboard | 36: 221 | V/9.2: 127 | after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9 | 01127 |
| 952 | 8. | Fugue | C maj. | Keyboard | 36: 184 | V/9.2: 176 | 01128 | ||
| 953 | 8. | 1720–1726 | Fugue a 3, Klavierbüchlein WFB No. 31 | C maj. | Keyboard | 36: 186 451: 220 |
V/5: 46 | 01129 | |
| 954 | 8. | early work? | Fugue on a theme by Reincken | B♭ maj. | Keyboard | 42: 50 | V/11: 200 | after Reincken, Hortus Musicus No. 2/2 (theme)[31] | 01130 |
| 955 | 8. | early work | Fugue | B♭ maj. | Keyboard | 42: 55 | V/12: 60 | after BWV 955a; in SBB P 425, P 804 | 01131 |
| 955a | 8. | early work | Fugue | B♭ maj. | Organ | 42: 298 | V/12: 65 | by Erselius?; → BWV 955; in SBB P 247, P 595 | 01132 |
| 959 | 8. | Fugue | A min. | Keyboard | 42: 208 | V/9.2: 178 | by Bach? | 01136 | |
| 961 | 8. | ? | Fughetta | C min. | Keyboard | 36: 154 | V/9.2: 182 | in SBB P 823 | 01138 |
| 963 | 8. | early work | Sonata for keyboard | D maj. | Keyboard | 36: 19 | V/10: 32 | in SBB P 804 | 01140 |
| 965 | 8. | c.1714–1717 or earlier |
Sonata for keyboard after Reincken | A min. | Keyboard | 42: 29 | V/11: 173 | after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803 | 01142 |
| 966 | 8. | c.1714–1717 or earlier |
Sonata for keyboard after Reincken | A min. | Keyboard | 42: 42 | V/11: 188 | after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803 | 01143 |
| 967 | 8. | 1704–1707 | Sonata transcription, 1st movement | A min. | Keyboard | 451: 168 | V/9.2: 184 | in SBB P 804 | 01144 |
| 971 | 8. | 1733–1735 | Italian Concerto (Clavier-Übung II No. 1)
|
F maj. | Harpsichord | 3: 139 | V/2: 2 | 01148 | |
| 972 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (1/16)
|
D maj. | Keyboard | 42: 59 | V/11: 3 | after Op. 3 No. 9
|
01149 |
| 972a | 8. | July 1713– July 1714 |
Concerto for solo keyboard (1/16), early version
|
D maj. | Keyboard | V/11: 161 | after Op. 3 No. 9
|
01150 | |
| 973 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (2/16)
|
G maj. | Keyboard | 42: 59 | V/11: 12 | after Vivaldi, Op. 7 No. 8 | 01151 |
| 974 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (3/16)
|
D min. | Keyboard | 42: 59 | V/11: 20 | after Marcello, A., Oboe Concerto | 01152 |
| 975 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (4/16)
|
G min. | Keyboard | 42: 59 | V/11: 30 | after Vivaldi, Op. 4 No. 6 | 01153 |
| 976 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (5/16)
|
C maj. | Keyboard | 42: 59 | V/11: 39 | after Op. 3 No. 12
|
01154 |
| 977 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (6/16)
|
C maj. | Keyboard | 42: 59 | V/11: 50 | after unknown model | 01155 |
| 978 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (7/16)
|
F maj. | Keyboard | 42: 59 | V/11: 56 | after Op. 3 No. 3 (RV 310)
|
01156 |
| 979 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (8/16)
|
B min. | Keyboard | 42: 59 | V/11: 64 | after Vivaldi, RV 813 (previously: Torelli)[32] | 01157 |
| 980 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (9/16)
|
G maj. | Keyboard | 42: 59 | V/11: 79 | after Vivaldi, Op. 4 No. 1 (RV 381) | 01158 |
| 981 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (10/16)
|
C min. | Keyboard | 42: 59 | V/11: 90 | after Marcello, B., Op. 1 No. 2 | 01159 |
| 982 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (11/16)
|
B♭ maj. | Keyboard | 42: 59 | V/11: 100 | after J. E. of Saxe-Weimar, Op. 1 No. 1 | 01160 |
| 983 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (12/16)
|
G min. | Keyboard | 42: 59 | V/11: 110 | after unknown model | 01161 |
| 984 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (13/16)
|
C maj. | Keyboard | 42: 59 | V/11: 118 | after BWV 595
|
01162 |
| 985 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (14/16)
|
G min. | Keyboard | 42: 59 | V/11: 128 | after TWV 51:g1[33]
|
01163 |
| 986 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (15/16)
|
G min. | Keyboard | 42: 59 | V/11: 137 | after unknown model | 01164 |
| 987 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (16/16)
|
D min. | Keyboard | 42: 59 | V/11: 142 | after J. E. of Saxe-Weimar, Op. 1 No. 4 | 01165 |
| 988 | 8. | 1741–1742 | Clavier-Übung IV )
|
G maj. | Harpsichord | 3: 263 | V/2: 69 | → BWV 1087
|
01166 |
| 988/1 | 8. | c.1740? (AMB) | Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations | G maj. | Harpsichord | 3: 263 | V/4: 103 | → BWV 1087
|
01166 |
| 989 | 8. | 1707–1713 | Aria variata | A min. | Keyboard | 36: 203 | V/10: 21 | in Andreas-Bach-Buch | 01167 |
| 991 | 8. | 1722 | Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete) | C min. | Keyboard | 432: 4 | V/4: 40 | 01169 | |
| 992 | 8. | 1704–1707 | Capriccio on the departure of a beloved brother | B♭ maj. | Keyboard | 36: 190 | V/10: 3 | in Möllersche Handschrift | 01170 |
| 993 | 8. | c.1705 | Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis | E maj. | Keyboard | 36: 197 | V/10: 12 | in SBB P 804 | 01171 |
| 994 | 8. | 1720 | Klavierbüchlein WFB No. 1: Applicatio | C maj. | Keyboard | 36: 237 451:214 |
V/5: 4 | 01172 | |
| 9. | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach )
|
Up ↑ | |||||||
| 995 | 9. | Fall 1727 – Winter 1731 | Suite for lute | G min. | Lu | V/10: 81 | after | 01173 | |
| 996 | 9. | 1710–1717 (JGW) | Suite for lute | E min. | Lu (Lw?) | 451: 149 | V/10: 94 | in SBB P 801, pp. 385–395[49][50] [40][42][43][51][52][53] |
01174 |
| 997.1 | 9. | 1720–1739 | Suite (1st version)
|
C min. | Lw | 451: 156 | V/10: 102 | in SBB P 650; → | 01175 |
| 997.2 | 9. | 1720–1739 | Suite (2nd version)
|
C min. | Lu | 451: 156 | V/10: 102 | in D LEm III 11.5; after | 11576 |
| 998 | 9. | 1735–1745 | Prelude, Fugue and Allegro | E♭ maj. | Lu (or) Hc | 451: 141 | V/10: 114 | [40][55][56] [41][42][43][48][52][57] |
01176 |
| 999 | 9. | 1717–1723 | Prelude for lute (Twelve Little Preludes No. 3) | C min. | Lu | 36: 119 | V/10: 122 | in SBB P 804, pp. 101–103[58][40][42][59][60] | 01177 |
| 1000 | 9. | after 1720 | Fugue | G min. | Lu | V/10: 124 | after | 01178 | |
| 1006.2 | 9. | c.1736–1737 | Suite
|
E maj. | Lu? | 42: 16 | V/10: 134 | after | 01185 |
| 10. | Chamber music (see also: List of chamber music works by Johann Sebastian Bach) | Up ↑ | |||||||
| 1001 | 10. | 1720 | Sonata No. 1
|
G min. | Vl | 271: 3 | VI/1: 3 rev 3: 3 |
→ BWV 1000, 539 /2
|
01179 |
| 1002 | 10. | 1720 | Partita No. 1
|
B min. | Vl | 271: 3 | VI/1: 10 rev 3: 10 |
01180 | |
| 1003 | 10. | 1720 | Sonata No. 2
|
A min. | Vl | 271: 3 | VI/1: 20 rev 3: 20 |
→ BWV 964 | 01181 |
| 1004 | 10. | 1720 | Partita No. 2
|
D min. | Vl | 271: 3 | VI/1: 30 rev 3: 30 |
01182 | |
| 1005 | 10. | 1720 | Sonata No. 3
|
C maj. | Vl | 271: 3 | VI/1: 42 rev 3: 42 |
after " BWV 968
|
01183 |
| 1006.1 | 10. | 1720 | Partita No. 3
|
E maj. | Vl | 271: 3 | VI/1: 54 rev 3: 54 |
→ 120a /4
|
01184 |
| 1007 | 10. | 1720 (AMB) | Suite for cello No. 1
|
G maj. | Vc | 271: 59 | VI/2: 2 | 01186 | |
| 1008 | 10. | 1720 (AMB) | Suite for cello No. 2
|
D min. | Vc | 271: 59 | VI/2: 8 | 01187 | |
| 1009 | 10. | 1720 (AMB) | Suite for cello No. 3
|
C maj. | Vc | 271: 59 | VI/2:14 | 01188 | |
| 1010 | 10. | 1720 (AMB) | Suite for cello No. 4
|
E♭ maj. | Vc | 271: 59 | VI/2: 22 | 01189 | |
| 1011 | 10. | 1720 (AMB) | Suite for cello No. 5
|
C min. | Vc | 271: 59 | VI/2: 32 | → BWV 995
|
01190 |
| 1012 | 10. | 1720 (AMB) | Suite for cello No. 6
|
D maj. | Vc | 271: 59 | VI/2:40 | 01191 | |
| 1013 | 10. | 1717–1723? | Partita for flute | A min. | Fl | VI/3: 3 | 01192 | ||
| 1014 | 10. | 1717–1723? | No. 1
|
B min. | Vl Hc | 9: 69 | VI/1: 83 rev 3: 83 |
01193 | |
| 1015 | 10. | 1717–1723? | No. 2
|
A maj. | Vl Hc | 9: 84 | VI/1: 99 rev 3: 99 |
01194 | |
| 1016 | 10. | 1717–1723? | No. 3
|
E maj. | Vl Hc | 9: 98 | VI/1: 115 rev 3: 115 |
01195 | |
| 1017 | 10. | 1717–1723? | No. 4
|
C min. | Vl Hc | 9: 120 | VI/1: 136 rev 3: 136 |
01196 | |
| 1018.2 | 10. | 1717–1723? | 5
|
F min. | Vl Hc | 9: 136 | VI/1: 153 rev 3: 153 |
after BWV 1018.1
|
01197 |
| 1018.1 | 10. | 1717–1723? | Adagio, early version of BWV 1018/3
|
F min. | Vl Hc | 9: 250 | VI/1: 195 rev 3: 194 |
→ BWV 1018.2 /3
|
01198 |
| 1019.3 | 10. | after 1729? | 6
|
G maj. | Vl Hc | 9: 154 | VI/1: 172 rev 3: 172 |
after BWV 1019.2
|
01200 |
| 1019.1 | 10. | 1725 | 6, early version 1 (partially lost)
|
9: 252 | VI/1: 197 rev 3: 196 |
→ 1019.2
|
01199 | ||
| 1019.2 | c. 1730–1731 | 6, early version 2
|
VI/1: 197 rev 3: 218 |
after BWV 1019.3
|
11577 | ||||
| 1021 | 10. | 1732–1733 | Sonata for violin and continuo | G maj. | Vl Bc | VI/1: 65 rev 3: 65 |
→ BWV 1022, 1038 | 01202 | |
| 1023 | 10. | c.1714–1717? | Sonata for violin and continuo | E min. | Vl Bc | 431: 31 | VI/1: 73 rev 3: 73 |
01204 | |
| 1025.1 | 10. | after 1739? | Suite for violin and keyboard | A maj. | Vl Kb | 9: 43 | VI/5: 67 | after Weiss; → BWV 1025.2 | 11578 |
| 1025.2 | 10. | c. 1746–1747? | Suite for violin and keyboard (incomplete) | A maj. | Vl Kb | 9: 43 | VI/5: 97 | after BWV 1025.1 | 01206 |
| 1026 | 10. | c.1714–1717 | Fugue for violin and continuo | G min. | Vl Bc | 431: 39 | VI/5: 59 | 01207 | |
| 1027 | 10. | c.1742 | Sonata for gamba and harpsichord No. 1
|
G maj. | Gam Hc | 9: 175 | VI/4: 3 | after BWV 1039; → 1027/1a /2a /4a
|
01208 |
| 1028 | 10. | Sonata for gamba and harpsichord No. 2
|
D maj. | Gam Hc | 9: 175 | VI/4: 21 | 01210 | ||
| 1029 | 10. | Sonata for gamba and harpsichord No. 3
|
G min. | Gam Hc | 9: 175 | VI/4: 36 | → BWV 545b | 01211 | |
| 1030.2 | 10. | 1736–1737 | Sonata for flute and harpsichord
|
B min. | Fl Hc | 9: 3 | VI/3: 33 | after BWV 1030 .1
|
11579 |
| 1030.1 | 10. | 1717–1736 | Sonata for unknown instrument and harpsichord
|
G min. | v Hc | VI/3: 89 | → BWV 1030 .2
|
01212 | |
| 1032 | 10. | 1736–1737 | Sonata for flute and harpsichord (/1 incomplete) | A maj. | Fl Hc | 9: 32, 245 | VI/3: 54 | → BWV 525a | 01214 |
| 1034 | 10. | 1717–1723? | Sonata for flute and continuo | E min. | Fl Bc | 431: 9 | VI/3: 11 | 01216 | |
| 1035 | 10. | 1717–1723? | Sonata for flute and continuo | E maj. | Fl Bc | 431: 21 | VI/3: 23 | 01217 | |
| 1039 | 10. | 1708–1726 | Sonata | G maj. | 2Fl Bc | 9: 260 | VI/3: 71 | → BWV 1027
|
01221 |
| 11. | Works for orchestra (see also: List of orchestral works by Johann Sebastian Bach) | Up ↑ | |||||||
| 1041 | 11. | 1730 | Concerto for violin and orchestra No. 1 | A min. | Vl Str Bc | 211: 3 451: 233 |
VII/3: 3 | → BWV 1058
|
01223 |
| 1042 | 11. | Concerto for violin and orchestra No. 2 | E maj. | Vl Str Bc | 211: 21 | VII/3: 35 | → BWV 1054
|
01224 | |
| 1043 | 11. | 1730–1731 or earlier | Concerto for 2 violins and orchestra – Double Concerto | D min. | 2Vl Str Bc | 211: 41 | VII/3: 71 | → BWV 1062
|
01225 |
| 1044 | 11. | 1727 or later |
Concerto for flute, violin, harpsichord and orchestra – Triple Concerto | A min. | Fl Vl Hc Str Bc | 17: 223 | VII/3: 105 | after 527 /2, 894/2
|
01226 |
| 1045 | 11. | 1743–1746 | Cantata opening: "Concerto" (Symphonic movement for violin and orchestra)
|
D maj. | Vl 3Tr Tmp 2Ob Str Bc | 211: 65 | I/34: 305 | after unknown model by other composer?[66][67][68] | 01227 |
| 1046.2 | 11. | 1721-03-24 | Brandenburg Concerto No. 1
|
F maj. | 2Nho 3Ob Bas Vlp Str Bc | 19: 3 | VII/2: 3 | after BWV 207 (a)/1, /5a
|
01228 |
| 1046.1 | 11. | c.1712- 1713? |
BWV 208 ?)
|
F maj. | 2Nho 3Ob Str Bas Bc | 311: 69 | VII/2: 225 | → BWV 52/1; was BWV 1046a, 1071[66]
|
01229 |
| 1047 | 11. | 1721-03-24 | Brandenburg Concerto No. 2
|
F maj. | Tr Fl Ob Vl Str Vne Bc | 19: 3 | VII/2: 43 | 01230 | |
| 1048 | 11. | 1721-03-24 | Brandenburg Concerto No. 3
|
G maj. | 3Vl 3Vla 3Vc Vne Hc | 19: 3 | VII/2: 73 | → BWV 174 /1
|
01231 |
| 1049 | 11. | 1721-03-24 | Brandenburg Concerto No. 4
|
G maj. | Vl 2Fl Str Vc Vne Bc | 19: 3 | VII/2: 99 | → BWV 1057
|
01232 |
| 1050.2 | 11. | 1721-03-24 | Brandenburg Concerto No. 5 (early version)
|
D maj. | Fl Vl Hc Vl Va Vc Vne | 19: 3 | VII/2: 145 | after BWV 1050.1
|
01233 |
| 1050.1 | 11. | 1720–1721 | Brandenburg Concerto No. 5 (revised version)
|
D maj. | Fl Vl Hc Vl Va Vne | 19: 3 | VII/2: 145 | → BWV 1050.2
|
01234 |
| 1051 | 11. | 1721-03-24 | Brandenburg Concerto No. 6
|
B♭ maj. | 2Vla 2Gam Vc Vne Hc | 19: 3 | VII/2: 197 | 01235 | |
| 1052.2 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 1 (revised version)
|
D min. | Hc Str Bc | 17: 3 | VII/4: 3 | after 188 /1
|
01236 |
| 1052.1 | 11. | before 1726 | Concerto for harpsichord and orchestra No. 1 (early version)
|
D min. | Hc Str Bc | 17: 3 | VII/4: 317 | by 188 /1
|
01237 |
| 1053 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 2
|
E maj. | Hc Str Bc | 17: 3 | VII/4: 79 | after 49 /1
|
01238 |
| 1054 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 3
|
D maj. | Hc Str Bc | 17: 3 | VII/4: 127 | after BWV 1042
|
01239 |
| 1055 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 4
|
A maj. | Hc Str Bc | 17: 3 | VII/4: 161 | after BWV 1055R ?
|
01240 |
| 1056 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 5
|
F min. | Hc Str Bc | 17: 3 | VII/4: 197 | after BWV 156 /1
|
01241 |
| 1057 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 6
|
F maj. | Hc 2Fl Str Bc | 17: 3 | VII/4: 221 | after BWV 1049
|
01242 |
| 1058 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 7
|
G min. | Hc Str Bc | 17: 3 | VII/4: 283 | after BWV 1041
|
01243 |
| 1059 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 8 (abandoned fragment of 1st movement)
|
D min. | Hc Ob Str Bc | 17: 3 | VII/4: 313 | after BWV 35 /1 and earlier model (for oboe?); completions/reconstructions usually based on BWV 35/1, /2 and /5 |
01244 |
| 1060 | 11. | c.1736 | Concerto for 2 harpsichords and orchestra No. 1
|
C min. | 2Hc Str Bc | 212: 3 | VII/5: 3 | after BWV 1060R ?
|
01245 |
| 1061.2 | 11. | after 1732–1733 | Concerto for 2 harpsichords and orchestra No. 2
|
C maj. | 2Hc Str Bc | 212: 39 | VII/5: 109 | after BWV 1061.1
|
01246 |
| 1061.1 | 11. | 1732–1733 or earlier | Concerto for 2 harpsichords (No. 2)
|
C maj. | 2Hc | 212: 39 | VII/5: 83 | → BWV 1061.2
|
01247 |
| 1062 | 11. | 1736 | Concerto for 2 harpsichords and orchestra No. 3
|
C min. | 2Hc Str Bc | 212: 83 | VII/5: 43 | after BWV 1043
|
01248 |
| 1063 | 11. | c.1730 | Concerto for 3 harpsichords and orchestra No. 1
|
D min. | 3Hc Str Bc | 313: 3 | VII/6: 3 | after unknown model? | 01249 |
| 1064 | 11. | c.1730 | Concerto for 3 harpsichords and orchestra No. 2
|
C maj. | 3Hc Str Bc | 313: 53 | VII/6: 55 | after BWV 1064R ?
|
01250 |
| 1065 | 11. | c.1730 | Concerto for 4 harpsichords and orchestra
|
A min. | 4Hc Str Bc | 431: 71 | VII/6: 117 | after Op. 3 No. 10
|
01251 |
| 1066 | 11. | May 1724–End 1725 | Orchestral Suite No. 1
|
C maj. | 2Ob Bas Str Bc | 311: 3 | VII/1: 3 | Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied | 01252 |
| 1067 | 11. | 1738–1739 | Orchestral Suite No. 2
|
B min. | Fl Str Bc | 311: 24 | VII/1: 27 | Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie | 01253 |
| 1068 | 11. | c.1730 | Orchestral Suite No. 3
|
D maj. | 3Tr Tmp 2Ob (Vl) Str Bc | 311: 40 | VII/1: 49, 119 |
Ouverture Air 2Gavotte Bourrée Gigue | 01254 |
| 1069 | 11. | before late 1727 | Orchestral Suite No. 4
|
D maj. | 3Tr Tmp 2Ob Bas Str Bc | 311: 66 | VII/1: 79 | Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 → BWV 110 /1
|
01255 |
| 1071 |
|
|
|
|
|
|
|
see BWV 1046.1
|
01229 |
| 12. | Canons (see also: List of canons by Johann Sebastian Bach )
|
Up ↑ | |||||||
| 1072 | 12. | Canon trias harmonica a 8 | D maj. | 8V | 451: 131 | VIII/1: 3, 6 | [43][69] | 01258 | |
| 1073 | 12. | 1713-08-02 | Canon â 4. Voc: perpetuus | A min. | 4V | 451: 132 | VIII/1: 3 | in US-CAh bMS Eng 870 (35b)[70][71][72][73][74] | 01259 |
| 1074 | 12. | 1727 | Canon a 4 (for Ludwig Friedrich Hudemann) | A min. | 4V | 451: 134 | VIII/1: 3 | [75][76] [43][72][77][78][79][80] |
01260 |
| 1075 | 12. | 1734-01-10 | Canon a 2. perpetuus | D maj. | 2V | VIII/1: 3 | [72] | 01261 | |
| 1076 | 12. | 1746 | Canon triplex a 6 | G maj. | 6V | 451: 138 | VIII/1: 3 | after | 01262 |
| 1077 | 12. | 1747-10-15 | Canone doppio sopr' il soggetto (dedicated to Johann Fulde) | G maj. | 4V Bc | VIII/1: 4 IX/2: 81 |
after | 01263 | |
| 1078 | 12. | 1749-03-01 | Canon Fa Mi, et Mi Fa est Tota Musica, a.k.a. Canon super Fa Mi, a 7. post Tempus Musicum | F maj. | 7V Bc | 451: 136 | VIII/1: 4 | in SBB P 611[72][90][91] | 01264 |
| 1086 | 12. | 1750? | Canon Concordia discors | D maj. | 2V | VIII/1: 4 III/1: VIII |
in SLB Dresden R 291s[43][92][93][94][95] | 01272 | |
| 1087 | 12. | 1747/1748 or earlier | 14 Canons on the first eight notes of the Goldberg ground
|
G maj. | 6V | V/2: 119 | after BWV 988/1; /11 → BWV 1077; /13 → 1076; in BN Paris Ms. 17669, Bl. 18v [57][96][97][98][99][100] |
01273 | |
| 13. | Musical Offering, Art of the Fugue (see also: List of late contrapuntal works by Johann Sebastian Bach )
|
Up ↑ | |||||||
| 1079 | 13. | 1747-07-07 | Musical Offering | Kb Fl 2Vl Bc | 312 | VIII/1: 46 | [101] | 01265 | |
| 1080.1 | 13. | 1742–1749 | The Art of Fugue (autograph) | Hc (?) | 251 | VIII/2.1 | → BWV 1080 .2
|
01266 | |
| 1080.2 | c. 1747–1748 | The Art of Fugue (print version) | 47 | VIII/2.2 | after BWV 1080.1[102]
|
11581 | |||
| Later | Later additions to the main catalogue (above BWV 1128: BWV3) | Up ↑ | |||||||
| 1127 | 1713-10-30 | aria "Alles mit Gott und nichts ohn' ihn" | C maj. | s Str Bc | Sppl: 237 | text by Mylius[103] | 01307 | ||
| 1128 | II | 1707–1708 | chorale setting "Wo Gott der Herr nicht bei uns hält"
|
G min. | Organ | IV/10 | after | 01725 | |
| 1129 | c. 1742–1745 | music theory Theoretische Aufzeichnungen zum fünfstimmigen Satz | Sppl: 63 | 11582 | |||||
| 1130 | c. 1742–1743 | music theory Theoretische Aufzeichnungen zum Kontrapunkt | Sppl: 45 | 11583 | |||||
| 1131 | c. 1743–1746 | music theory Regeln zum Gebrauch von Synkopen im doppelten Kontrapunkt | Sppl: 41 | 11584 | |||||
| 1132 | c. 1736–1739 | Counterpoint studies with W. F. Bach | Sppl: 67 | 11585 | |||||
| 1133 | c. 1740–1745 | thorough-bass rules I Einige höchst nöthige Regeln vom General Basse | V/4: 131 Sppl: 37 |
11586 | |||||
| 1134 | 1738? | thorough-bass rules II Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts | Sppl: 3 | 11587 | |||||
| 1135 | I | 1724-03-25 | Cantata Siehe, eine Jungfrau ist schwanger (25 March: Annunciation) | was BWV Anh. 199; text extant[106][107][108] | 01510 | ||||
| 1136 | I | 1708–1717? 1725-09-09? 1727-02-06 |
Cantata Liebster Gott, vergißt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727, with BWV 157.1 : funeral in Pomßen)
|
was BWV Anh. 209; text by Lehms[109][110] | 01520 | ||||
| 1137 | I | 1729-10-23? | Cantata (sketch: Gott, du Richter der Gedanken for Trinity XIX by Picander?) | SATB Vl Str Bc | III/1 | was BWV Anh. 2; in SBB P 36: 18[111] | 01309 | ||
| 1138.1 | I | 1709-02-04 | Cantata for Ratswahl in Mühlhausen No. 2
|
was BWV Anh. 192[112]
|
01503 | ||||
| 1138.2 | 1710-02-04 | Cantata for Ratswahl in Mühlhausen No. 3
|
lost | 11382 | |||||
| 1139.1 | I | 1725-08-27 | Cantata Wünschet Jerusalem Glück (council election)
|
was | 01311 | ||||
| 1139.2 | I | 1730-06-27 | Cantata Wünschet Jerusalem Glück (200th anniversary of the Augsburg Confession) | was BWV Anh. 4a; text by Picander; after BWV 1139.1[114] | 01312 | ||||
| 1140 | I | 1730-08-25 | Cantata Gott, gib dein Gerichte dem Könige (council election)
|
I/32.2 | was | 01310 | |||
| 1141 | I | 1740-08-29 | Cantata Herrscher des Himmels, König der Ehren (council election)
|
I/32.2 | was | 01504 | |||
| 1142 | 1716-04-02 | Cantata Was ist, das wir Leben nennen (funeral service for Johann Ernst of S.-W.) | text extant | 01531 | |||||
| 1143 | 4. | 1729-03-24 | Cantata Klagt, Kinder, klagt es aller Welt (funeral of Leopold of Anhalt-Köthen ; music lost but partially reconstructible)
|
I/34 | was 244b /6, /8, /39, /49, /57, /23, /20, /65, /13, /68
|
00305 | |||
| 1144 | I | 1725-02-12 | Cantata Sein Segen fließt daher wie ein Strom (wedding) | was | 01322 | ||||
| 1145 | I | 1729-01-18 | Cantata Der Herr ist freundlich dem, der auf ihn harret (wedding) | was | 01522 | ||||
| 1146 | I | 1729-07-26 | Cantata Vergnügende Flammen, verdoppelt die Macht (wedding) | was | 01523 | ||||
| 1147 | I | 1718-12-10 | Cantata Lobet den Herrn, alle seine Heerscharen (birthday of Leopold of A.-K. )
|
I/34 | was | 01313 | |||
| 1148 | I | 1724-04-27 | Cantata Siehe, der Hüter Israel (doctorate) | SATB 3Tr Tmp 2Ob 3Vl Va Bc | I/34 | was | 01323 | ||
| 1150 | I | 1721-01-01? 1722-01-01? |
Cantata Ihr wallenden Wolken (New Year) | b 2Fl Str Vc Hc Bc | I/4 | was | 01508 | ||
| 1151 | I | 1720-01-01 | Secular cantata Dich loben die lieblichen Strahlen der Sonne (New Year) | I/35 | was | 01314 | |||
| 1152 | I | 1723-01-01 | Secular cantata for New Year (congratulation of Leopold of Anhalt-Köthen and his wife Frederica Henriette) | I/35 | was BWV Anh. 8; lost[130]
|
01316 | |||
| 1153 | I | 1720-12-10 | Secular cantata Heut ist gewiß ein guter Tag (birthday of Leopold of Anhalt-Köthen) | I/35 | was | 01315 | |||
| 1154 | I | 1722-07-29 | Cantata O vergnügte Stunden (birthday of John Augustus of Anhalt-Zerbst) | was | 01505 | ||||
| 1155 | I | 1723-08-09 | Ode in Latin (birthday of Frederick II of Saxe-Gotha) | I/38 | was | 01328 | |||
| 1156 | I | 1727-05-12 | Secular cantata Entfernet euch, ihr heitern Sterne (57th birthday of Augustus II )
|
I/36 | was | 01317 | |||
| 1157 | I | 1732-08-03 | Secular cantata Es lebe der König, der Vater im Lande (name day of Augustus II )
|
I/36 | was | 01319 | |||
| 1158 | I | 1733-08-03 | Secular cantata Frohes Volk, vergnügte Sachsen (name day of Augustus III) | I/36 | was | 01320 | |||
| 1159 | 1739-10-07 | Secular cantata "Serenade" (birthday of Augustus III) | lost | 01536 | |||||
| 1160 | I | 1731-08-25 | Secular cantata So kämpfet nur, ihr muntern Töne (birthday of Joachim Friedrich von Flemming) | I/39 | was | 01318 | |||
| 1161 | I | 1738-04-28 | Secular cantata Willkommen! Ihr herrschenden Götter der Erden in honour of the royal couple (Augustus III and Maria Josepha), and for the forthcoming marriage of princess Maria Amalia with Charles of Sicily | I/37 | was | 01321 | |||
| 1162 | I | 1732-06-05 | St. Thomas school after renovation)
|
I/39 | was | 01326 | |||
| 1163 | I | 1725-11-27 | Secular cantata Auf, süß entzückende Gewalt (wedding of Peter, eldest son of Peter Hohmann, and Christiana Sibylla Mencke) | I/40 | was | 01507 | |||
| 1164 | II | 1712–1713 or earlier |
Motet Ich lasse dich nicht, du segnest mich denn
|
F min. | 2SATB | 39: 157 | III/3: 3 | by | 01470 |
| R | Reconstructions (see also Reconstruction of music by Johann Sebastian Bach) | Up ↑ | |||||||
| 1052R | R | 1970 | Concerto
|
D min. | Vl Str Bc | VII/7: 3 | by Fischer; after BWV 1052[154]
|
01236 | |
| 1055R | R | 1970 | Concerto
|
A maj. | Oba Str Bc | VII/7: 33 | by Fischer; after BWV 1055[154]
|
01240 | |
| 1056R | R | 1970 | Concerto
|
G min. | Vl Str Bc | VII/7: 59 | by Fischer; after BWV 1056[154]
|
01241 | |
| 1060R | R | 1970 | Concerto
|
C min. | Vl Ob Str Bc | VII/7: 75 | by Fischer; after BWV 1060[154]
|
01245 | |
| 1064R | R | 1970 | Concerto
|
D maj. | 3Vl Str Bc | VII/7: 103 | by Fischer; after BWV 1064[154]
|
01250 | |
| Anh. I | Fragments – lost works | Up ↑ | |||||||
| I 1 | I | 1725-07-15? | Cantata Gesegnet ist die Zuversicht (Trinity VII) | SATB 2Fl Str Bc | by TWV 1:617)?; text by Neumeister ?
|
01308 | |||
| I 2 | I |
|
|
|
|
|
|
see BWV 1137
|
01309 |
| I 3 | I |
|
|
|
|
|
|
see BWV 1140
|
01310 |
| I 4 | I |
|
|
|
|
|
|
see BWV 1139.1
|
01311 |
| I 4a | I |
|
|
|
|
|
|
see BWV 1139.2
|
01312 |
| I 5 | I |
|
|
|
|
|
|
see BWV 1147
|
01313 |
| I 6 | I |
|
|
|
|
|
|
see BWV 1151
|
01314 |
| I 7 | I |
|
|
|
|
|
|
see BWV 1153
|
01315 |
| I 8 | I |
|
|
|
|
|
|
see BWV 1152
|
01316 |
| I 9 | I |
|
|
|
|
|
|
see BWV 1156
|
01317 |
| I 10 | I |
|
|
|
|
|
|
see BWV 1160
|
01318 |
| I 11 | I |
|
|
|
|
|
|
see BWV 1157
|
01319 |
| I 12 | I |
|
|
|
|
|
|
see BWV 1158
|
01320 |
| I 13 | I |
|
|
|
|
|
|
see BWV 1161
|
01321 |
| I 14 | I |
|
|
|
|
|
|
see BWV 1144
|
01322 |
| I 15 | I |
|
|
|
|
|
|
see BWV 1148
|
01323 |
| I 16 | I | 1735-11-09 | Cantata Schließt die Gruft! ihr Trauerglocken (mourning of Hedwig of Merseburg) | by Roemhildt;[155] text by Hoffmann, B.[156] | 01324 | ||||
| I 17 | I | Cantata Mein Gott, nimm die gerechte Seele (funeral) | SATB 2Oba Str Bas Bc | I/33 | 01325 | ||||
| I 18 | I |
|
|
|
|
|
|
see BWV 1162
|
01326 |
| I 19 | I | 1734-11-21 | Secular cantata Thomana saß annoch betrübt (welcome to St. Thomas school )
|
I/39 | text by Landvoigt? | 01327 | |||
| I 20 | I |
|
|
|
|
|
|
see BWV 1155
|
01328 |
| N 190 | I | 1729-04-18 | Cantata Ich bin ein Pilgrim auf der Welt (Easter 2)
|
b Bc ... | I/33 | by Bach, C. P. E.?; text by Picander | 01501 | ||
| N 191 | I | 1715-05-19 | Cantata Leb ich oder leb ich nicht ( Cantate )
|
text by Franck, S. | 01502 | ||||
| N 192 | I |
|
|
|
|
|
|
see BWV 1138.1
|
01503 |
| N 193 | I |
|
|
|
|
|
|
see BWV 1141
|
01504 |
| N 194 | I |
|
|
|
|
|
|
see BWV 1154
|
01505 |
| N 195 | I | 1723-06-09 | Secular cantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus) | text in Acta Lipsiensium 1723, Vol. 5, pp. 515–619 | 01506 | ||||
| N 196 | I |
|
|
|
|
|
|
see BWV 1163
|
01507 |
| N 197 | I |
|
|
|
|
|
|
see BWV 1150
|
01508 |
| N 198 | I |
|
|
|
|
|
|
see BWV 149/1a
|
01509 |
| N 199 | I |
|
|
|
|
|
|
see BWV 1135
|
01510 |
| N 200 | I | c.1740 | chorale setting "O Traurigkeit, o Herzeleid" (unused sketch for Orgelbüchlein) | Organ | IV/1: 46 | after Z 1915;[157] in SBB P 283
|
01511 | ||
| N 209 | I |
|
|
|
|
|
|
see BWV 1136
|
01520 |
| N 210 | I | 1734-10-04 | Cantata Wo sind meine Wunderwerke (leave-taking of Johann Matthias Gesner) | text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → | 01521 | ||||
| N 211 | I |
|
|
|
|
|
|
see BWV 1145
|
01522 |
| N 212 | I |
|
|
|
|
|
|
see BWV 1146
|
01523 |
| N 213 | I | Concerto | F maj. | Org | by Telemann; arr. by Bach | 01524 | |||
| 223 | I | 1717–1718? | Cantata Meine Seele soll Gott loben
|
B♭ maj. | I/34 | by Handel?[160] | 00280 | ||
| 224 | I | 1732 | Aria "Reißt euch los, bekränkte Sinnen" (fragment)
|
S | I/41 | by Bach, C. P. E.?; in SBB P 491[161] | 00281 | ||
| Anh. II | Works of doubtful authenticity | Up ↑ | |||||||
| 53 | II | Aria "Schlage doch, gewünschte Stunde" (Funeral)
|
E maj. | a Bel Str Bc | 122: 53 | I/41 | by Hoffmann, M.? | 00068 | |
| 142 | II | Cantata Uns ist ein Kind geboren (Christmas)
|
A min. | atbSATB 2Fl 2Ob Str Bc | 30: 19 | I/41 | text by Neumeister (reworked) | 00174 | |
| 189 | II | Cantata Meine Seele rühmt und preist (German Magnificat, Visitation)
|
B♭ maj. | t Fl Ob Vl Bc | 37: 213 | I/41 | by Hoffmann, M. | 00229 | |
| 217 | II | Cantata Gedenke, Herr, wie es uns gehet (Epiphany I)
|
satbSATB Fl Str Bc | 41: 207 | I/41 | by Altnickol? | 00274 | ||
| 220 | II | Cantata Lobt ihn mit Herz und Munde (24 June: feast of John the Baptist)
|
atbSATB Fl 2Ob Str Bc | 41: 259 | I/41 | 00277 | |||
| 221 | II | Cantata Wer sucht die Pracht, wer wünscht den Glanz
|
tb 2Vl Bas Vc Org | I/41 | in SBB P 191: 83–113 | 00278 | |||
| III 159 | II |
|
|
|
|
|
|
see BWV 1164
|
01470 |
| II 25 | II | 1740–1742 (JSB) |
Kyrie–Gloria Mass
|
C maj. | SATB 2Tr 2Vl Org | 111: XVI | II/9 | by Bach, J. L.? | 01333 |
| 239 | II | 1738–1741 (JSB) |
Sanctus
|
D min. | SATB Str Bc | 111: 89 | II/9 | after Caldara, Missa Providentiae/4[162][163] | 00298 |
| II 28 | II | Sanctus
|
B♭ maj. | SATB 2Ob 2Cor Str Bc | 111: XVII | II/9 | 01336 | ||
| II 29 | II | c.1714–17 | Kyrie–Gloria Mass (only cello part extant)
|
C min. | II/9 | in BKraków St 547 | 01337 | ||
| III 167 | II | 1738–1739 (JSB) | Kyrie–Gloria Mass for two choirs
|
G maj. | 3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org | II/9 | by Bernhard, Krieger or Pohle?; in SBB P 659[164][165][166] | 01478 | |
| II 30 | II | 1690s (Tor.) c.1742 (JSB) |
Magnificat for double choir
|
C maj. | 2SATB 3Tr Tmp 2Vl 2Vla Bc | 111: XV | II/9 | after Torri, Magnificat; Tr3, Tmp by Bach[167][168][169] | 01338 |
| 246 | II | 1732-04-11 (JSB) | Passion St Luke Passion
|
ssatbSATB 2Fl 2Ob Tai Bas Str Bc | 452 | II/9: 65 | → BWV 246/40a; in SBB P 1017[170]
|
00311 | |
| II 31 | II | chorale setting "Herr Gott, dich loben alle wir"
|
SATB 2Tr 3Ob Str Bc | in SBB P 101 | 01339 | ||||
| N 201 | II | chorale setting "Du Friedefürst, Herr Jesu Christ"
|
SATB | by Vetter, D.[171] | 01512 | ||||
| N 202 | II | chorale setting "Gott hat das Evangelium"
|
SATB | by Vetter, D.[172] | 01513 | ||||
| N 203 | II | chorale setting "Ich hebe meine Augen auf"
|
SATB | by Vetter, D.[173] | 01514 | ||||
| N 204 | II | chorale setting "O Traurigkeit, o Herzeleid"
|
SATB | by Vetter, D.[174] | 01515 | ||||
| II 32 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen" | Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01340 | |||
| II 33 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 2 "Mein Jesus, spare nicht" | Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01341 | |||
| II 34 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 3 "Kann ich mit einem Tone" | Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01342 | |||
| II 35 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 4 "Meine Seele lass die Flügel" | Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01343 | |||
| II 36 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 5 "Ich stimm' itzund ein Straff-Lied an" | Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01344 | |||
| II 37 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 6 "Der schwarze Flügel trüber Nacht" | Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01345 | |||
| II 38 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 7 "Das Finsterniß tritt ein" | Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01346 | |||
| II 39 | II | 1704 | Sieben geistliche Oden und ein Gedicht No. 8 "Ach was wollt ihr trüben Sinnen" | Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01347 | |||
| II 40 | II | 1736 | Song "Ich bin nun wie ich bin" | Voice Kb | in Singende Muse an der Pleiße[176][177][178] | 01348 | |||
| II 41 | II | 1736 | Song "Dir zu Liebe, wertes Herze" | Voice Kb | in Singende Muse an der Pleiße[176][179][180] | 01349 | |||
| 571 | II | c. 1704 | Fantasia, a.k.a. Concerto | G maj. | Organ | 38: 67 | IV/11: 35 | [181][182] | 00651 |
| 580 | II | Fugue | D maj. | Organ | 38: 215 | [183] | 00662 | ||
| II 42 | II | Fugue | F maj. | Organ | in SBB P 817: 1–3 | 01350 | |||
| 576 | II | Fugue | G maj. | Organ | 38: 106 | IV/11 | [184] | 00658 | |
| 577 | II | Fugue | G maj. | Organ | 38: 111 | IV/11: 44 | [185] | 00659 | |
| 581 | II | Fugue | G maj. | Organ | IV/11 | by Homilius?[186] | 00663 | ||
| 131a | II | Fugue
|
G min. | Organ | 38: 217 | IV/11: 3 | after BWV 131/5[187]
|
00161 | |
| 534 | II | Prelude and Fugue | F min. | Organ | 15: 104 | IV/5: 130 | by Bach, W. F.? | 00608 | |
| 536a | II | c.1760–1789? | Prelude and Fugue | A maj. | Organ | IV/6: 114 | after | 00612 | |
| 545b | II | 1708–1717 | Prelude, Trio and Fugue | B♭ maj. | Organ | IV/11: 6 | after | 00624 | |
| 553 | II | Eight Short Preludes and Fugues No. 1 | C maj. | Organ | 38: 23 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00633 | |
| 554 | II | Eight Short Preludes and Fugues No. 2 | D min. | Organ | 38: 27 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00634 | |
| 555 | II | Eight Short Preludes and Fugues No. 3 | E min. | Organ | 38: 30 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00635 | |
| 556 | II | Eight Short Preludes and Fugues No. 4 | F maj. | Organ | 38: 33 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00636 | |
| 557 | II | Eight Short Preludes and Fugues No. 5 | G maj. | Organ | 38: 36 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00637 | |
| 558 | II | Eight Short Preludes and Fugues No. 6 | G min. | Organ | 38: 39 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00638 | |
| 559 | II | Eight Short Preludes and Fugues No. 7 | A min. | Organ | 38: 42 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00639 | |
| 560 | II | Eight Short Preludes and Fugues No. 8 | B♭ maj. | Organ | 38: 45 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00640 | |
| 561 | II | Fantasia and Fugue | A min. | Organ | 38: 48 | 00641 | |||
| 568 | II | Prelude | G maj. | Organ | 38: 85 | IV/6: 51 | 00648 | ||
| 584 | II | Trio | G min. | Organ | I/12: 23 IV/11 |
after BWV 166/2[193]
|
00666 | ||
| 1027 /1a /2a /4a | II | Trio ]
|
G maj. | Organ | IV/11 | after 1039/1–2 /4; arr. by Kellner, J. P.?[194]
|
01209 | ||
| 591 | II | Kleines harmonisches Labyrinth | Organ | 38: 225 | IV/11: 50 | by Heinichen?[195][196] | 00673 | ||
| 597 | II | Concerto for solo organ
|
E♭ maj. | Organ | IV/11 | after lost model? | 00680 | ||
| 598 | II | Pedal-Exercitium (fragment) | Organ | 38: 210 | by Bach, C. P. E.? | 00681 | |||
| 676a | II | 1739–1789 | chorale setting "Allein Gott in der Höh sei Ehr" (later variant) | Organ | 40: 208 | IV/4: KB 48 | after BWV 676
|
00792 | |
| 683a | II | 1739–1789 | chorale setting "Vater unser im Himmelreich" (later variant) | Organ | IV/4: KB 51 | after BWV 683
|
00800 | ||
| N 205 | II |
|
|
|
|
|
|
see BWV 1121
|
01516 |
| II 48 | II | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | by Walther (& Scholz?) | 01356 | ||||
| II 49 | II | chorale setting "Ein feste Burg ist unser Gott" | Organ | by Walther? | 01357 | ||||
| II 50 | II | chorale setting "Erhalt uns, Herr, hei deinem Wort" | Organ | 01358 | |||||
| II 51 | II | chorale setting "Erstanden ist der heilge Christ" | Organ | 01359 | |||||
| II 52 | II | chorale setting "Freu dich sehr, o meine Seele" | Organ | 01360 | |||||
| II 53 | II | chorale setting "Freu dich sehr, o meine Seele" | Organ | 01361 | |||||
| II 54 | II | chorale setting "Helft mir Gotts Güte preisen" | Organ | 01362 | |||||
| chorale setting "Von Gott will ich nicht lassen" | |||||||||
| II 55 | II | 1714-1717 or earlier |
chorale setting "Herr Christ, der einig Gottes Sohn" | Organ | 01363 | ||||
| II 58 | II | chorale setting "Jesu, meine Freude" | Organ | 01366 | |||||
| II 59 | II | chorale setting "Jesu, meine Freude" | Organ | 01367 | |||||
| II 60 | II | chorale setting "Nun lob, mein Seel, den Herren" | Organ | by Walther? | 01368 | ||||
| II 62a | II | chorale setting "Sei Lob und Ehr mit hohem Preis" | Organ | 01370 | |||||
| II 62b | II | chorale setting "Sei Lob und Ehr mit hohem Preis" | Organ | 01371 | |||||
| II 63 | II | chorale setting "Vom Himmel hoch" | Organ | 01372 | |||||
| II 64 | II | chorale setting "Vom Himmel hoch" | Organ | 01373 | |||||
| II 65 | II | chorale setting "Vom Himmel hoch" | Organ | 01374 | |||||
| II 66 | II | chorale setting "Wachet auf, ruft uns" | Organ Tr | by Krebs, J. L.? | 01375 | ||||
| II 67 | II | chorale setting "Was Gott tut, das ist wohlgetan" | Organ | 01376 | |||||
| II 68 | II | chorale setting "Wer nur den lieben Gott läßt walten" | Organ | 01377 | |||||
| II 69 | II | chorale setting "Wir glauben all an einen Gott" | Organ | 01378 | |||||
| II 70 | II | chorale setting "Wir glauben all an einen Gott" | Organ | 01379 | |||||
| II 71 | II |
|
|
|
|
|
|
see BWV 1128
|
01725 |
| II 72 | II | chorale setting "Christus der uns selig macht" (Canon) | Organ | 01381 | |||||
| II 74 | II | chorale setting "Schmücke dich, o liebe Seele" | Organ | 01383 | |||||
| II 75 | II | chorale setting "Herr Christ, der einig Gottes Sohn" | Organ | 01384 | |||||
| II 76 | II | chorale setting "Jesu, meine Freude" | Organ | 01385 | |||||
| II 77 | II | chorale setting "Herr Christ, der einig Gottes Sohn" | Organ | 01386 | |||||
| II 78 | II | chorale setting "Wenn wir in höchsten Nöten sein" | Organ | 01387 | |||||
| II 79 | II | chorale setting "Befiehl du deine Wege" | Organ | 01388 | |||||
| 691a | II | 1720–1789 | chorale setting "Wer nur den lieben Gott läßt walten" (variant) | Organ | 40: 151 | after BWV 691 | 00809 | ||
| 705 | II | chorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16) | Organ | 40: 23 | IV/10: 47 | after Z 7549
|
00825 | ||
| 708 | II | 1700–1789 | chorale setting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19) | Organ | 40: 30 | IV/10: 86 | after Z 1679
|
00828 | |
| 708a | II | 1700–1789 | chorale setting "Ich hab mein Sach Gott heimgestellt" | Organ | 40: 152 | IV/10: 86 | after Z 1679
|
00829 | |
| 716 | II | chorale setting "Allein Gott in der Höh sei Ehr" (Fantasia) | Organ | 40: 45 | IV/10: 14 | after Z 4457
|
00838 | ||
| 726 | II | bef. c.1727 | chorale setting "Herr Jesu Christ, dich zu uns wend" | Organ | 40: 72 | IV/3: 45 | after Z 624
|
00849 | |
| 743 | II | bef. c.1740 | chorale setting "Ach, was ist doch unser Leben" | Organ | IV/10: 11 | after Z 1208b; by Buttstett, J. H. ?
|
00871 | ||
| 745 | II | 1700–1788 | chorale setting "Aus der Tiefe rufe ich" | Organ | 40: 171 | IV/10: 22 | after Z 1217; by Bach, C. P. E. ?
|
00873 | |
| 749 | II | c.1700–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" | Organ | IV/10: 80 | after Z 624; by Bach, J. Christoph or Telemann ?
|
00878 | ||
| 750 | II | c.1700–1703 | chorale setting "Herr Jesu Christ, meins Lebens Licht" | Organ | IV/10: 81 | 00879 | |||
| 752 | II | c.1700–1717 | chorale setting "Jesu, der du meine Seele" | Organ | after Z 6779a
|
00881 | |||
| 754 | II | bef. c.1740 | chorale setting "Liebster Jesu, wir sind hier" | Organ | after Z 3498b
|
00883 | |||
| 755 | II | chorale setting "Nun freut euch, lieben Christen g'mein" | Organ | after Z 4429a
|
00884 | ||||
| 756 | II | chorale setting "Nun ruhen alle Wälder" | Organ | after Z 2293b
|
00885 | ||||
| 757 | II | chorale setting "O Herre Gott, dein göttlichs Wort" | Organ | after Z 5690
|
00886 | ||||
| 758 | II | chorale setting "O Vater, allmächtiger Gott" | Organ | 40: 179 | IV/11: 69 | after Z 8603b
|
00887 | ||
| 762 | II | bef. c.1717 | chorale setting "Vater unser im Himmelreich" | Organ | IV/10: 142 | after Z 2561
|
00891 | ||
| 763 | II | chorale setting "Wie schön leucht uns der Morgenstern" | Organ | after Z 8359
|
00892 | ||||
| 765 | II | bef. c.1717 | chorale setting "Wir glauben all an einen Gott" | Organ | 40: 187 | after Z 7971
|
00894 | ||
| N 206 | II | chorale setting "Ach bleib mit deiner Gnade" | Organ | by Pachelbel (P 376)[197][198] | 01517 | ||||
| chorale setting "Christus, der ist mein Leben" | |||||||||
| II 80 | II | 1707–1708 or earlier |
Suite | F maj. | Keyboard | V/12 | 01389 | ||
| 821 | II | Suite | B♭ maj. | Keyboard | 42: 213 | V/12: 3 | [199] | 00959 | |
| 834 | II | Allemande | C min. | Keyboard | 42: 259 | V/12 | [200] | 00973 | |
| 839 | II | 1735-03-07 or earlier |
Sarabande | G min. | Keyboard | V/12 | in Notenbuch der Zeumerin[201][202] | 00978 | |
| 844 | II | Toccatina No. 4 Scherzo | D min. | Keyboard | 42: 220 | V/12: 16 | by Bach, W. F.? ↔ BWV 844a[203] | 00983 | |
| 844a | II | Scherzo | E min. | Keyboard | 42: 281 | V/12: 22 | by Bach, W. F.? (BR A55); ↔ BWV 844[203] | 00984 | |
| 845 | II | Gigue | F min. | Keyboard | 42: 263 | V/12 | [200] | 00985 | |
| II 81 | II | Gigue (incomplete) | D min. | Keyboard | V/12 | by Kellner, J. P.? | 01390 | ||
| II 82 | II | Ciacona | B♭ maj. | Keyboard | V/12 | by Bach, J. B.? | 01391 | ||
| II 83 | II | Ciacona | A maj. | Keyboard | V/12 | by Bach, J. B. or H.? | 01392 | ||
| II 84 | II | Ciacona | G maj. | Keyboard | V/12 | by Bach, J. B.? | 01393 | ||
| II 85 | II | Toccata and Fugue | F min. | Keyboard | 42: XXXV | V/12: 114, 122 | by Dobenecker?[204][205] | 01394 | |
| 898 | II | B-A-C-H
|
B♭ maj. | Keyboard | 42: XXXIV | V/12 | 01067 | ||
| II 86 | II | Fantasia | C min. | Keyboard | 42: 243 | V/12 | by Gronau? | 01395 | |
| II 87 | II | Fantasia | C maj. | Keyboard | V/12 | by Benda? | 01396 | ||
| 905 | II | Fantasia and Fugue | D min. | Keyboard | 42: 179 | V/12: 24 | [206] | 01076 | |
| 907 | II | Fantasia and Fughetta | B♭ maj. | Keyboard | 42: 268 | V/12: 28 | by Kirchhoff?[207] | 01078 | |
| 908 | II | Fantasia and Fughetta | D maj. | Keyboard | 42: 272 | V/12: 34 | by Kirchhoff?[207] | 01079 | |
| 909 | II | Concerto e Fuga | C min. | Keyboard | 42: 190 | V/12: 38 | 01080 | ||
| 919 | II | Fantasia | C min. | Keyboard | 36: 152 | V/12: 48 | by Bach, J. B. or J. B. the Younger?[208] | 01092 | |
| 920 | II | Fantasia | G min. | Keyboard | 42: 183 | V/12 | [206] | 01093 | |
| 923a | II | Toccatina No. 3 Prelude | A min. | Keyboard | 42: 279 | V/12: 14 | after BWV 923[209] | 01097 | |
| II 89 | II | Fugue | C maj. | Keyboard | 42: XXXIV | V/12 | 01398 | ||
| II 90 | II | Fugue | C maj. | Kb (with ped?) | 38: 213 | IV/11: 58, 61 | by Bach, C. P. E. (H 388) or Pachelbel? | 01399 | |
| II 91 | II | Fugue | G maj. | Keyboard | 42: XXXIV | V/12 | 01401 | ||
| II 92 | II | Fugue | G maj. | Keyboard | V/12 | 01402 | |||
| II 93 | II | Fugue | E min. | Keyboard | 42: XXXIV | V/12 | 01403 | ||
| II 95 | II | Fugue | E min. | Keyboard | 42: XXXIV | V/12 | 01405 | ||
| II 96 | II | Fugue | D maj. | Keyboard | V/12 | by Bach, C. P. E.? (H 373.5) | 01406 | ||
| II 98 | II | Fugue | D min. | Keyboard | V/12 | by Bach, C. P. E.? (H 373.5) | 01408 | ||
| II 99 | II | Fugue | D min. | Keyboard | V/12 | 01409 | |||
| II 100 | II | Fugue | D min. | Keyboard | V/12 | by Bach, C. P. E.? (H 373.5) | 01410 | ||
| II 101 | II | Fugue | G min. | Keyboard | 42: XXXV | V/12: 130 | by Dobenecker?[205] | 01411 | |
| II 102 | II | Fugue | E♭ min. | Keyboard | V/12 | 01412 | |||
| 897/2 | II | Fugue | A min. | Keyboard | 42: 175 | V/12 | by Dretzel or Bach, W. F.? | 01066 | |
| 945 | II | Fugue | E min. | Keyboard | 36: 155 | V/12 | by Graupner?[210] | 01120 | |
| 956 | II | Fugue | E min. | Keyboard | 42: 200 | V/12: 70 | 01133 | ||
| 958 | II | Fugue | A min. | Keyboard | 42: 205 | V/12: 74 | 01135 | ||
| 960 | II | Fugue (incomplete) | E min. | Keyboard | 42: 276 | V/12 | [211] | 01137 | |
| N 207 | II | Fugue | E min. | Keyboard | IV/11 | by Seger?[212] | 01518 | ||
| II 109 | II | B-A-C-H
|
G min. | Keyboard | V/12 | 01419 | |||
| 964 | II | Sonata | D min. | Keyboard | 42: 3 | V/12: 78 | after BWV 1003[213]
|
01141 | |
| II 111 | II | Largo and Allegro | G maj. | Keyboard | 42: XXXV | V/12 | 01421 | ||
| 968 | II | Adagio | G maj. | Keyboard | 42: 27 | V/12: 94 | after BWV 1005/1[213]
|
01145 | |
| 969 | II | Toccatina No. 5 Andante | G min. | Keyboard | 42: 218 | V/12: 18 | [203] | 01146 | |
| II 113 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 3 Minuet | F maj. | Keyboard | 432: 25 | V/4: 82 | 01423 | |
| II 116 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 7 Minuet | G maj. | Keyboard | 432: 28 | V/4: 87 | 01426 | |
| II 117 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 8a and 8b two Polonaises | F maj. | Keyboard | 432: 28 | V/4: 88 | 01427 01428 | |
| II 118 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 9 Minuet | B♭ maj. | Keyboard | 432: 29 | V/4: 89 | 01429 | |
| II 119 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 10 Polonaise | G min. | Keyboard | 432: 30 | V/4: 90 | 01430 | |
| II 120 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 14 Minuet | A min. | Keyboard | 432: 31 | V/4: 92 | 01431 | |
| II 121 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 15 Minuet | C min. | Keyboard | 432: 32 | V/4: 92 | 01432 | |
| II 126 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 22 Musette | D maj. | Keyboard | 432: 35 | V/4: 99 | 01437 | |
| II 127 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 23 March | E♭ maj. | Keyboard | 432: 35 | V/4: 100 | by Bach, C. P. E. | 01438 |
| II 128 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 24 (Polonaise) | D min. | Keyboard | 432: 36 | V/4: 101 | 01439 | |
| II 132 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 36 Minuet | D min. | Keyboard | 432: 48 | V/4: 125 | 01443 | |
| II 151 | II | Concerto | C maj. | Keyboard | 42: XXXIV | V/12 | 01462 | ||
| II 152 | II | Concerto | G maj. | Vl Hc | 42: XXXIV | VI/5 | 01463 | ||
| 990 | II | Sarabanda con Partitis | C maj. | Keyboard | 42: 221 | V/12: 97 | [214] | 01168 | |
| II 153 | II | Sonata | A maj. | Vl Bc | VI/5 | 01464 | |||
| II 154 | II | Sonata | E♭ maj. | Vl Hc | VI/5 | [215] | 01465 | ||
| 1020 | II | Sonata | G min. | Vl Hc | 9: 274 | VI/5 | by Bach, C. P. E.? (H 542.5)[216][217] | 01201 | |
| 1022 | II | Sonata | F maj. | Vl Hc | VI/5: 27 | by Bach, C. P. E.?; after BWV 1021; ↔ BWV 1038[217][218] | 01203 | ||
| 1024 | II | Sonata | C min. | Vl Bc | VI/5 | [219][220] | 01205 | ||
| 1031 | II | Sonata
|
E♭ maj. | Fl Hc | 9: 22 | VI/5: 13 | by Bach, C. P. E.? (H 545)[217][221] | 01213 | |
| 1033 | II | Sonata
|
C maj. | Fl Bc | 431: 3 | VI/5: 3 | by Bach, C. P. E.? (H 564.5)[217][222] | 01215 | |
| 1038 | II | 1732–1735 | Sonata | G maj. | Fl Vl Bc | 9: 219 | VI/5: 45 | by Bach, C. P. E.? (H 590.5); after BWV 1021; ↔ BWV 1022[218] | 01220 |
| 525a | II | Concerto (Trio sonata)
|
C maj. | Vl Vc Bc | VI/5 | after | 01718 | ||
| II 155 | II | Concerto | A maj. | Kb Str Bc | VI/5 | 01466 | |||
| I 22 | II | Concerto | B♭ maj. | Ob Vl Str Bc | VI/5 | by Förster (C.?)?[225] | 01330 | ||
| 1070 | II | Orchestral Suite (No. 5)
|
G min. | Str Bc | 451: 190 | VI/5 | by Bach, W. F.?[226][227] | 01256 | |
| Anh. III | Works of other composers, spuriously attributed to Bach | Up ↑ | |||||||
| III 156 | III | Cantata Herr Christ, der einge Gottes Sohn (Annunciation) | SATB Str Bc | by TWV 1:732)[228]
|
01467 | ||||
| III 157 | III | Cantata Ich habe Lust zu scheiden (Purification) | s 2Fl Str Bc | by TWV 1:836)[229]
|
01468 | ||||
| 15 | III | 1726-04-21 (JSB) |
Cantata Denn du wirst meine Seele nicht in der Hölle lassen (Easter)
|
satbSATB 3Tr Tmp Str Bc | 2: 135 | I/41 | by Bach, J. L. (JLB 21); text in Meiningen 1704[230] | 00017 | |
| 141 | III | Cantata Das ist je gewißlich wahr (3rd Sunday of Advent)
|
atbSATB 2Ob Str Bc | 30: 3 | I/41 | by TWV 1:183)[231]
|
00173 | ||
| 145/b | III | Cantata movement So du mit deinem Munde bekennest Jesum (Easter)
|
D maj. | SATB Tr Str Bc | 30: 96 | I/10: 142 | by TWV 1:1350/1)[232]
|
00178 | |
| 160 | III | 1725–1732? | Cantata Ich weiß, daß mein Erlöser lebt (Easter)
|
C maj. | t Vl Bas Bc | 32: 171 | I/41 | by TWV 1:877)[233]
|
00194 |
| 218 | III | Cantata Gott der Hoffnung erfülle euch (Pentecost)
|
satbSATB 2Hn Str Bc | 41: 223 | by TWV 1:634)[234]
|
00275 | |||
| 219 | III | Cantata Siehe, es hat überwunden der Löwe (Michaelmas)
|
sabSATB Str Bc | 41: 239 | by TWV 1:1328)[235]
|
00276 | |||
| 222 | III | Cantata Mein Odem ist schwach (Purification)
|
sabSATB Str Bc | by BWV Anh. 165
|
00279 | ||||
| III 158 | III | Aria "Andrò dall'colle al Prato" | s 2Fl (2Hn) Str Bc | by Bach, J. C. | 03022 | ||||
| III 160 | III | 1750–1755? (Harrer?) | TWV 8:10
|
C maj. | 2SATB | III/3: 15 | after | 01471 | |
| III 161 | III | Motet Kündlich groß ist das gottselige Geheimnis /1 (Christmas)
|
D maj. | SATB Str? Bc | III/3 | by Graun ( BWV 243a
|
01472 | ||
| III 162 | III | Motet Lob und Ehre und Weisheit und Dank | 2SATB | III/3 | by Wagner, G. G. | 01473 | |||
| III 163 | III | Motet Merk auf, mein Herz, und sieh dorthin | 2SATB | III/3 | by Bach, J. Ernst
|
01474 | |||
| III 164 | III | Motet Nun danket alle Gott ]
|
SSATB | III/3: 52 | by Altnickol | 01475 | |||
| III 165 | III | Motet Unser Wandel ist im Himmel
|
SATB | III/3 | by BWV 222 /3 /4 /6
|
01476 | |||
| III 166 | III | 1716 (JLB) 1729 (JSB) |
Kyrie–Gloria Mass Missa sopra cantilena "Allein Gott in der Höh' sei Ehr"
|
E min. | SSATB 2Vl 2Vla Vc Bc | 111: XV 41: 276 |
II/9 | by Bach, J. L. (JLB 38), start of Gloria arr. by Bach | 01477 |
| II 24 | III | 1715–1717, 1724 (JSB) | Kyrie–Gloria Mass
|
A min. | SATB Str Bc | 111: XV | II/9 | after Missa Sancti Lamberti by Pez, J. C. | 01332 |
| II 26 | III | 1727–1732 (JSB) | Kyrie–Gloria Mass | C min. | satbSATB 3Tbn 2Vl Bc | 41: 193 111: XVI |
II/2: 295 | by BWV 242 )
|
01334 |
| II 27 | III | c. 1745? (JLK) | Sanctus | F maj. | SATB 2Hn 2Ob Str Bc | 111: XVII | II/9 | by Krebs, J. L. (Krebs‑WV 104)[237] | 01335 |
| III 168 | III | c. 1747? (WFB) | Kyrie and German Gloria | G min. | sSATB Str Bc | 111: XVII | II/9 | by Bach, W. F. (BR E1 F 100) | 01479 |
| I 21 | III | c. 1707 (MH) | Magnificat Meine Seel erhebt den Herren
|
A min. | s Fl 2Vl Bc | 111: XVIII | II/9 | by Hoffmann, M.[238] | 01329 |
| III 169 | III | 1724–1725 | Passion Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum
|
text by BWV 244 but no other known setting[239]
|
01480 | ||||
| 8/6 | III | 1713 (Vet.) 1724-09-24 (JSB) |
chorale setting "Liebster Gott, wenn werd ich sterben" (s. 5)
|
E maj. | SATB | 1: 241 | I/23: 161 | by | 00009 |
| III/2.1: 63 III/2.2: 25 |
11228 | ||||||||
| D maj. | I/23: 219 | 00010 | |||||||
| 27/6 | III | 1652 (Ros.) 1726-10-06 (JSB) |
chorale setting "Welt, ade, ich bin dein müde" (s. 1)
|
B♭ maj. | SSATB | 51: 244 | I/23: 251 | by | 01481 |
| III 170 | III/2.2: 86 | 11345 | |||||||
| 43/11 | III | 1652 (Pet.) 1726-05-30 (JSB) |
chorale setting "Du lebensfürst, Herr Jesu Christ" (ss. 1, 13) | G maj. | SATB | 10: 126 | I/12: 164 | by | 11241 |
| chorale setting "Ermuntre dich, mein schwacher Geist" | III/2.1: 74 III/2.2: 57 | ||||||||
| 567 | III | Prelude | C maj. | Organ | 38: 84 | IV/11 | by Krebs, J. L. (Krebs‑WV 401)[244] | 00647 | |
| III 178 | III | last third of 17th century | Toccata quasi Fantasia con Fuge | A maj. | Organ | 42: 250 | V/12 | by Reincken?[245] | 01489 |
| II 43 | III | c. 1788 | Fugue | B min. | Organ | IV/11 | by Pölitz; after H 776/18 | 01351 | |
| II 44 | III | Fugue | G maj. | Organ | IV/11 | by Kellner, J. P. or J. C.[246] | 01352 | ||
| II 45 | III | c. 1799 | B-A-C-H
|
B♭ maj. | Organ | IV/11 | by Knecht | 01353 | |
| II 88 | III | 1765 | Fugue | C maj. | Keyboard | V/12 | by Kellner, J. C. | 01397 | |
| II 97 | III | Fugue | F♯ maj. | Keyboard | 42: XXXV | IV/11: 63 | by Krebs, J. L. (Krebs‑WV 409/2) | 01407 | |
| II 103 | III | c. 1711–1718 (GFH) | Fugue | A min. | Keyboard | V/12 | by Handel (HWV 609) | 01413 | |
| II 104 | III | c. 1711–1718 (GFH) | Fugue | C min. | Keyboard | V/12 | by Handel (HWV 610) | 01414 | |
| II 105 | III | c. 1711–1718 (GFH) | Fugue | B♭ maj. | Keyboard | V/12 | by Handel (HWV 607) | 01415 | |
| II 106 | III | c. 1711–1718 (GFH) | Fugue | G min. | Keyboard | V/12 | by Handel (HWV 605) | 01416 | |
| N 208 | III | 1747 (JEE) | Fugue | E♭ min. | Keyboard | IV/11 | After Toccata nona by Eberlin | 01519 | |
| II 46 | III | Trio | C min. | Organ | IV/11 | by Krebs, J. T.[247] | 01354 | ||
| 692 | III | chorale setting "Ach Gott und Herr" ( Kirnb. coll. No. 3)
|
C maj. | Organ | 40: 4 | IV/11 | by Walther; after BWV 692a | 00810 | |
| 692a | III | chorale setting "Ach Gott und Herr" (early version) | C maj. | Organ | 40: 152 | IV/11 | by Walther; → BWV 692 | 00811 | |
| 693 | III | chorale setting "Ach Gott und Herr" ( Kirnb. coll. No. 4)
|
C maj. | Organ | 40: 5 | IV/11 | by Walther | 00812 | |
| 723 | III | chorale setting "Gelobet seist du, Jesu Christ" (also in Neumeister Collection) | Organ | 40: 63 | after Z 1947; by Bach, J. Michael
|
00846 | |||
| 740 | III | chorale setting "Wir glauben all an einen Gott" | Organ | 40: 103 | after Krebs‑WV 554c)
|
00868 | |||
| 744 | III | chorale setting "Auf meinen lieben Gott"
|
Organ | 40: 170 | IV/10: 20 | after Krebs‑WV 517)
|
00872 | ||
| 746 | III | 1715 or earlier (JCFF) | chorale setting "Christ ist erstanden" | D min. | Organ | 40: 173 | IV/10 | by Fischer (Ariadne Musica No. 24) | 00874 |
| 748 | III | 1700–1739 | chorale setting "Gott der Vater wohn uns bei" | D maj. | Organ | 40: 177 | IV/10 | by Walther; → BWV 748a | 00876 |
| 748a | III | 1700–1789 | chorale setting "Gott der Vater wohn uns bei" (variant) | D maj. | Organ | IV/10 | by Scholz (arr.)?; after BWV 748 | 00877 | |
| 751 | III | chorale setting "In dulci jubilo" (also in Neumeister Collection )
|
Organ | IV/10 | by Bach, J. Michael | 00880 | |||
| 759 | III | chorale setting "Schmücke dich, o liebe Seele" | F maj. | Organ | 40: 181 | IV/10 | by Homilius (HoWV VIII.17)[212] | 00888 | |
| 760 | III | chorale setting "Vater unser im Himmelreich" | Organ | 40: 183 | IV/10 | by Böhm | 00889 | ||
| 761 | III | chorale setting "Vater unser im Himmelreich" | Organ | 40: 184 | IV/10 | by Böhm | 00890 | ||
| 1096 | III | Neumeister Chorales No. 8)
|
A min. | Organ | IV/9: 16, 76 | by Pachelbel?[248][249] | 01282 | ||
Neumeister Chorales No. 8)
| |||||||||
| 771 | III | chorale setting "Allein Gott in der Höh sei Ehr" | G maj. | Organ | 40: 195 | IV/11 | by Vetter, A. N.[250]
|
00901 | |
| II 47 | III | chorale setting "Herzlich tut mich verlangen" | A min. | Organ | IV/10 | by Kellner, J. P.[246] | 01355 | ||
| chorale setting "Ach Herr, mich armen Sünder" | |||||||||
| II 56 | III | 1735 (Telem.) | chorale setting "Herr Jesu Christ dich zu uns wend" | Organ | IV/10 | by TWV 31:8)
|
01364 | ||
| II 57 | III | chorale setting "Jesu Leiden, Pein und Tod" | Organ | IV/10 | by Vogler | 01365 | |||
| II 61 | III | chorale setting "O Mensch, bewein dein Sünde groß" | F maj. | Organ | IV/10 | by Pachelbel (P 396)[251] | 01369 | ||
| II 73 | III | 1720–1788 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" | F min. | Organ | IV/10 | by BWV 639
|
01382 | |
| III 171 | III | chorale setting "Christ lag in Todesbanden" | Organ | 40: 174 | IV/10 | by Pachelbel (P 58)[252] | 01482 | ||
| III 172 | III | chorale setting "Herr Jesu Christ, dich zu uns wend" | G maj. | Organ | IV/10 | by Krebs, J. L. (Krebs‑WV 524) | 01483 | ||
| 824 | III | 1720 (WFB) | Klavierbüchlein WFB No. 47: Suite | A maj. | Keyboard | 36: 231 | V/5: 78 | by TWV 32:14)[28]
|
00962 |
| 835 | III | 1761 (Kirnb.) | Allemande | A min. | Keyboard | 42: 267 | V/12 | by Kirnberger (EngK 74)[253] | 00974 |
| 838 | III | Allemande and Courante | A maj. | Keyboard | 42: 265 | V/12 | by Graupner (GWV 849/2 /3)[253] | 00977 | |
| 840 | III | Courante | G maj. | Keyboard | V/12 | by TWV 32:13/2)
|
00979 | ||
| 897/1 | III | c. 1736–1743 (CHD) | Prelude | A min. | Keyboard | 42: 173 | V/12 | by Dretzel ("Adagiosissimo")[254] | 01065 |
| 962 | III | c. 1783 (JGA) | Fugue | E min. | Keyboard | 42: 198 | V/12 | by Albrechtsberger (Op. 1/8)[255] | 01139 |
| 970 | III | Toccatina No. 6 Presto | D min. | Keyboard | 42: XXXIV | V/12 | by Bach, W. F. (BR A49 F 25/2) | 11148 | |
| II 94 | III | 1774 (Kirnb.) | Fugue | E min. | Keyboard | 42: XXXIV | V/12 | by Kirnberger (EngK 35)[256] | 01404 |
| II 107 | III | B-A-C-H
|
C maj. | Keyboard | 42: XXXIV | V/12 | by Sorge? | 01417 | |
| II 108 | III | B-A-C-H
|
C maj. | Keyboard | 42: XXXIV | V/12 | by Bach, C. P. E. (H 373) or Sorge? | 01418 | |
| II 110 | III | B-A-C-H
|
C min. | Keyboard | 42: XXXIV | V/12 | by Sorge? | 01420 | |
| II 112 | III | 1780 (Kirnb.) | Grave | E min. | Keyboard | V/12 | by Kirnberger (EngK 16)[257] | 01422 | |
| II 114 | III | 1725 (AMB) | No. 4 Minuet
|
G maj. | Keyboard | 432: 26 | V/4: 83 | by Petzold[258] | 01424 |
| II 115 | III | 1725 (AMB) | No. 5 Minuet
|
G min. | Keyboard | 432: 26 | V/4: 84 | by Petzold[258] | 01425 |
| II 122 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 16 March | D maj. | Keyboard | 432: 32 | V/4: 94 | by Bach, C. P. E. (H 1/1) | 01433 |
| II 123 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 17 Polonaise | G min. | Keyboard | 432: 32 | V/4: 95 | by Bach, C. P. E. (H 1/2) | 01434 |
| II 124 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 18 March | G maj. | Keyboard | 432: 33 | V/4: 96 | by Bach, C. P. E. (H 1/3) | 01435 |
| II 125 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 19 Polonaise | G min. | Keyboard | 432: 33 | V/4: 97 | by Bach, C. P. E. (H 1/4) | 01436 |
| II 129 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 27 Solo per il cembalo | E♭ maj. | Keyboard | 432: 38 | V/4: 104 | by Bach, C. P. E. (H 16) | 01440 |
| II 130 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 28 Polonaise | G maj. | Keyboard | 432: 39 | V/4: 106 | by Hasse[259] | 01441 |
| II 131 | III | c.1745? | Notebook A. M. Bach (1725) No. 32 | F maj. | Keyboard | 432: 46 | V/4: 121 | by Bach, J. C. (W A22)[260] | 01442 |
| II 133 | III | 1763 or later | Musical clock No. 1 Fantasia | G maj. | Musical clock | V/12 | by Bach, W. F. (BR A63 F 207) | 01444 | |
| II 134 | III | 1763 or later | Musical clock No. 2 Scherzo | G maj. | Musical clock | V/12 | by Bach, W. F. (BR A64 F 207) | 01445 | |
| II 135 | III | 1763 or later | Musical clock No. 3 Bourlesca | A min. | Musical clock | V/12 | by Bach, W. F. (BR A65 F 207) | 01446 | |
| II 136 | III | 1763 or later | Musical clock No. 4 Trio | A min. | Musical clock | V/12 | by Bach, W. F. (BR A66 F 207) | 01447 | |
| II 137 | III | 1763 or later | Musical clock No. 5 L'Intrada della Caccia | E♭ maj. | Musical clock | V/12 | by Bach, W. F. (BR A67 F 207) | 01448 | |
| II 138 | III | 1763 or later | Musical clock No. 6 Continuazione della Caccia | E♭ maj. | Musical clock | V/12 | by Bach, W. F. (BR A68 F 207) | 01449 | |
| II 139 | III | 1763 or later | Musical clock No. 7 Il Fine delle Caccia I | D maj. | Musical clock | V/12 | by Bach, W. F. (BR A69 F 207) | 01450 | |
| II 140 | III | 1763 or later | Musical clock No. 8 Il Fine delle Caccia II | D min. | Musical clock | V/12 | by Bach, W. F. (BR A70 F 207) | 01451 | |
| II 141 | III | 1763 or later | Musical clock No. 9 Song "O Gott die Christenheit" | F maj. | Musical clock | V/12 | by Bach, W. F. (BR A71 F 207) | 01452 | |
| II 142 | III | 1763 or later | Musical clock No. 10 Psalm 110 | A min. | Musical clock | V/12 | by Bach, W. F. (BR A72 F 207) | 01453 | |
| II 143 | III | 1763 or later | Musical clock No. 11 Polonaise | E min. | Musical clock | V/12 | by Bach, W. F. (BR A73 F 207) | 01454 | |
| II 144 | III | 1763 or later | Musical clock No. 12 Polonaise Trio | A min. | Musical clock | V/12 | by Bach, W. F. (BR A74 F 207) | 01455 | |
| II 145 | III | 1763 or later | Musical clock No. 13 March | C maj. | Musical clock | V/12 | by Bach, W. F. (BR A75 F 207) | 01456 | |
| II 146 | III | 1763 or later | Musical clock No. 14 March | F maj. | Musical clock | V/12 | by Bach, W. F. (BR A76 F 207) | 01457 | |
| II 147 | III | 1763 or later | Musical clock No. 15 La Combattuta | G maj. | Musical clock | V/12 | by Bach, W. F. (BR A77 F 207) | 01458 | |
| II 148 | III | 1763 or later | Musical clock No. 16 Scherzo | G min. | Musical clock | V/12 | by Bach, W. F. (BR A78 F 207) | 01459 | |
| II 149 | III | 1763 or later | Musical clock No. 17 Minuet | G maj. | Musical clock | V/12 | by Bach, W. F. (BR A79 F 207) | 01460 | |
| II 150 | III | 1763 or later | Musical clock No. 18 Trio | G min. | Musical clock | V/12 | by Bach, W. F. (BR A80 F 207) | 01461 | |
| III 177 | III | Prelude and Fugue | E♭ maj. | Keyboard | 36: 88 | V/12: 134 | by Bach, J. Christoph?[261] | 01488 | |
| III 179 | III | 1728 (JDH) | Fantasia durch alle Tonarten gehend | A min. | Keyboard | V/12 | by Heinichen[262] | 01490 | |
| III 180 | III | Fugue | D min. | Keyboard | 36: 188 | V/12 | by Kellner, J. P.[212] | 01491 | |
| III 181 | III | Fugue | A min. | Keyboard | V/12 | by Krebs, J. L. (Krebs‑WV 825/2) | 01492 | ||
| III 182 | III | Passacaglia | D min. | Keyboard | 42: 234 | V/12 | by Witt | 01493 | |
| III 183 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 6 Rondeau | B♭ maj. | Keyboard | 432: 27 | V/4: 85 | by Couperin (6ième Ordre: Les Bergeries) | 01494 |
| 1036 | III | 1731 (CPE) | Trio | D min. | Vl Hc (2Vl Bc) | VI/5 | by Bach, C. P. E. (H 569; Wq 145) | 01218 | |
| 1037 | III | c. 1740s (JGG) | Sonata | C maj. | 2Vl Bc | 9: 229 | VI/5 | by Goldberg[263] | 01219 |
| III 173 | III | 1712 (FAB) c. 1723 (JSB) |
Invention | B min. | Vl Kb | 451: 172 | VI/5 | by Bonporti (Op. 10 No. 2)[264] | 01484 |
| III 174 | III | 1712 (FAB) c. 1723 (JSB) |
Invention | B♭ maj. | Vl Kb | 451: 176 | VI/5 | by Bonporti (Op. 10 No. 5)[265] | 01485 |
| III 175 | III | 1712 (FAB) c. 1723 (JSB) |
Invention | C min. | Vl Kb | 451: 181 | VI/5 | by Bonporti (Op. 10 No. 6)[266] | 01486 |
| III 176 | III | 1712 (FAB) c. 1723 (JSB) |
Invention | D maj. | Vl Kb | 451: 185 | VI/5 | by Bonporti (Op. 10 No. 7)[267] | 01487 |
| III 184 | III | c. 1747 (Zuc.) | Sonata | A min. | Vl Bc | VI/5 | by Zuccari (Op. 1 No. 10)[268] | 01495 | |
| III 185 | III | Sonata | D maj. | 2Vl Bc | VI/5 | by Bach, C. P. E. (H 585; ≈H 507; Wq 74) | 01496 | ||
| III 186 | III | Sonata | F maj. | 2Vl Bc | VI/5 | by Bach, C. P. E. (H 576; Wq 154) | 01497 | ||
| III 187 | III | Sonata (Trio) | F maj. | Bas Fl Vne | VI/5 | by Bach, C. P. E. (H 589) | 02454 | ||
| III 188 | III | c. 1740 (WFB) | Sonata (Concerto) | F maj. | 2Hc | 431: 47 | V/12 | by Bach, W. F. (BR A12 F 10) | 01499 |
| I 23 | III | 1710 (Alb.) c.1710 (JSB) |
Concerto | E min. | 2Vl Va Vc Vne | VI/5 | by Albinoni (Op. 2 No. 4 = 2nd Concerto) | 01331 | |
| III 189 | III | 1745–1747 (JSB) | Concerto | A min. | Hc Str Bc | VI/5 | by Bach, C. P. E. (H 403; Wq 1) | 01500 | |
| Anh. N | New additions to the Anhang | Up ↑ | |||||||
| — |
|
Up ↑ | |||||||
| 655b | – | 1708–1789 | chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "a" in BGA) | Organ | 252: 159 | after | 00754 | ||
| 655c | – | 1708–1789 | chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "b" in BGA) | Organ | 252: 160 | after | 00755 | ||
| 813a | – | French Suites, No. 2 – Version B (early version): No. 6 Menuet II | C min. | Keyboard | 36: 236 | V/8: 79 | 00947 | ||
| deest | BC C 8 |
1723–1750? (JSB?) |
Motet Der Gerechte kömmt um (Wer ist der, so von Edom kömmt /39; funer. motet?)
|
E min. | SSATB 2Fl 2Ob Str Bc | I/41: 127 | by Kuhnau? (Tristis est...); arr. by Bach? | 01532 | |
| deest | BC D 1 |
1717-03-28? | Passion Weimarer Passion | ?stbSATB 2Fl 2Ob Str Bc | → 283 ?)
|
01533 | |||
| deest | BC D 5a |
1707 (Kei) before 1713 (JSB) |
Passion St Mark Passion pastiche , Weimar version)
|
SATB 2Vl 2Va Hc | II/9: 69 | Pasticcio (Keiser G.?, Bach) | 01534 | ||
| deest | BC D 5b |
1726-04-19 (JSB) |
Passion St Mark Passion pastiche , 1st Leipzig version)
|
SATB 2Vl 2Va Org | II/9 | Pasticcio after 1084 )
|
01535 | ||
| deest | BC D 10 |
c.1750? | Passion Wer ist der, so von Edom kömmt | D min. | satbSSATB 2Fl 2Ob Str Bc | I/41: 95 | Pasticcio (Graun, C. H.; Telemann; Bach; ...) | 10991 | |
| deest (8/6*) |
BC F 131 .1c | c. 1735 | chorale setting "Liebster Gott, wenn werd ich sterben" | E♭ maj. | SATB | III/2.1: 100 | after Z 6634; text by Neumann
|
11072 | |
| BGA | 1725 (JSB) | Notebook A. M. Bach (1725) No. 21 Menuet fait par Mons. Böhm | G maj. | Keyboard | 432: 35 | V/4: 82 | by Böhm | ||
| BNB I/B /48 |
1709 (Bas.) c.1738 (JSB) |
Acroama missale ]
|
2SATB 3Tbn Str Bc | by BWV 1081[269]
|
08834 | ||||
| BNB I/C/1 |
1740–1742 (JSB) | Magnificat | C maj. | SATB 4Tbn Tmp Bc | by BWV 1082; in DBB 2755/1
|
08841 | |||
| deest | BNB I/K/2 |
before 1719 (Han.) 1743–1748 (JSB) |
Passion St Mark Passion pastiche , 2nd Leipzig version)
|
stSATB 2Ob 2Bas 2Vl 2Va Vc Vne Hc | II/9 | Pasticcio after HWV 48/9 /23 /41 /44 /47 /52 /55 (Handel )
|
01680 | ||
| deest | NBA | 1591 (Pal.) c.1742 (JSB) |
Kyrie–Gloria Mass arranged from Missa sine nomine a 6
|
E min. | SSATTB 2Co 4Tro Vne Hc Org | II/9: 13 | by Palestrina after anon. motet Beata Dei genitrix; arr. by Bach | 01676 | |
| NBA | 1720-01-22 | Klavierbüchlein WFB, p. 3a: Claves signatae (introduction on clefs) | 451: 213 | V/5 | [28] | ||||
| NBA | 1720-01-22 | Klavierbüchlein WFB, p. 3b: Explication... (introduction on ornaments) | 451: 213 | V/5 | [28] | ||||
| NBA | 1720 (WFB) | Klavierbüchlein WFB No. 25: Pièce pour le Clavecin | Keyboard | 451: 218 | V/5: 40 | by Richter, J. C.[28] | |||
| deest | NBA | 1720 (anon) | Klavierbüchlein WFB No. 30: Bass sketch | G min. | 451: 220 | V/5: 45 | [28] | ||
| NBA | 1720 (WFB) | Klavierbüchlein WFB No. 48a–d: Partita | Keyboard | 451: 223 | V/5: 82 | by Stölzel[28] | |||
| Voices (see also SATB) | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| a | A | b | B | s | S | t | T | v | V | |||
| alto (solo part) | alto (choir part) | bass (solo part) | bass (choir part) | soprano (solo part) | soprano (choir part) | tenor (solo part) | tenor (choir part) | voice (includes parts for unspecified voices or instruments as in some canons) | vocal music for unspecified voice type | |||
| Winds and battery (bold = soloist) | ||||||||||||
| Bas | Bel | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
| bassoon (can be part of Bc, see below) | musical bells )
|
cornett, cornettino | flauto dolce, piccolo, flauto basso )
|
corno da caccia, corno da tirarsi, lituo
|
oboe | oboe d'amore | oboe da caccia | taille | trombone | tromba da tirarsi
|
timpani | clarino trumpet )
|
| Strings and keyboard (bold = soloist) | ||||||||||||
| Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne | |
| basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | harpsichord | keyboard (Hc, Lw, Org or clavichord) | lute, theorbo | Lautenwerck (lute-harpsichord) | organ (/man. = manualiter, without pedals) | strings: Vl I, Vl II and Va | viola(s), viola d'amore, violetta | violoncello piccolo
|
viola da gamba
|
violin(s), violino piccolo | violone, violone grosso | |
By genre
Cantatas (BWV 1–224)
- See #BWV Chapter 1 in the table above
In the 1950 first edition of the BWV the cantatas were largely listed according to their BGA number:
- BWV 1–200: Church cantatas
- BWV 201–216: Secular cantatas
- BWV 217–224: Cantatas with various issues (lost, incomplete, spurious, doubtful)
Additionally Anh. I of the first edition of the BWV started with a list of some 20 lost cantatas, while Anh. III of that edition listed a few cantata (movements) by other composers (Anh. 156–158).
BWV2a added many more lost cantatas (BWV Anh. 190–199 and 209–212) and alternative versions to known works indicating (partially) lost cantatas or cantata versions, e.g.
BWV 244a
, the music of which was partially preserved in the St Matthew Passion, BWV 244.
Motets (BWV 225–231)
- See #BWV Chapter 2 in the table above
There are over a dozen motets attributed to Bach, about half of which are authentic by all accounts:
- BWV 225–230 are the six compositions that have always been considered motets composed by Bach
- BWV 231 was later renumbered to BWV 28/2a, a variant of the second movement of cantata BWV 28
- BWV 118, published as a cantata in the 19th century, was later recategorised as a motet, following Bach's designation on the score.
- BWV Anh. 159–165 are motets with a doubtful or spurious assignation to Bach, the first of which is however most likely composed by Bach.
Liturgical works in Latin (BWV 232–243)
- See #BWV Chapter 3 in the table above
Bach's involvement with Latin church music, as composer, arranger or copyist, includes:
- BWV 232–242: Masses and Mass movements (Mass in B minor; Kyrie–Gloria Masses; separate Mass movements)
- BWV 243: Magnificat
- BWV 1081–1083: later additions to the BWV catalogue
- BWV Anh. 24–30, 166–168: doubtful and spurious works
- BNB I/B/48, I/C/1, I/P/2: copies and arrangements
Passions and oratorios (BWV 244–249)
- See #BWV Chapter 4 in the table above
Passions and oratorios composed or contributed to by Bach include:
- BWV 244–247: Passions (St Matthew Passion; St John Passion; St Luke Passion; St Mark Passion)
- BWV 248–249: Oratorios (Christmas Oratorio; Easter Oratorio)
- BWV 11: Ascension Oratorio
- BWV 127/1, 500a, 1084, 1088, deest: St Mark Passion (attributed to Keiser), Weimarer Passion, Wer ist der, so von Edom kömmt
- BWV Anh. 169: passion text by Picander (not set by Bach, apart from using some parts of this text in his St Matthew Passion)
Four-part chorales (BWV 250–438)
- See #BWV Chapter 5 in the table above
Bach's chorale settings (usually for SATB choir) are included in:
- BWV 250–438: separate chorale settings
- Cantatas (most prominently in the Second Notebook for Anna Magdalena Bach
- BWV 1089, 1122–1126: later additions to the BWV catalogue
- BWV Anh. 31, 201–204: doubtful and spurious
Songs and arias (BWV 439–524)
- See #BWV Chapter 6 in the table above
Songs and (separate) arias by Bach are included in several collections:
- BWV 439–507: Schemellis Gesangbuch
- BWV 508–518: Second Notebook for Anna Magdalena Bach
- BWV 519–523: D-B Mus. ms. Bach P 802, a manuscript by Johann Ludwig Krebs
- BWV Anh. 32–39: Deutsche Übersetzungen und Gedichte (doubtful)
- BWV Anh. 40–41: Singende Muse an der Pleiße (doubtful)
Associated with the Songs and Arias group:
- BWV 524: (Wedding) Quodlibetfor four voices (incomplete)
- BWV 1127: "strophic aria rediscovered in 2005)[103]
Works for organ (BWV 525–771)
- See #BWV Chapter 7 in the table above
Bach's organ compositions include:
- BWV 525–530: Sonatas
- BWV 531–582: compositions of the type Prelude/Fantasia/Toccata/Adagio/Passacaglia or Fugue
- BWV 583–591: various free organ compositions (Trios/Aria/Canzona/Allabreve/Pastorale/Kleines harmonisches Labyrinth )
- BWV 592–597: Concertos (transcriptions)
- BWV 598: Pedal-Exercitium
- BWV 599–764: Chorale preludes (Leipzig Chorales; Chorale preludes from Clavier-Übung III; Kirnberger chorale preludes; other chorale preludes)
- BWV 765–768: Chorale partitas
- BWV 769–771: Chorale variations (includes Canonic Variations on "Vom Himmel hoch da komm' ich her")
- BWV 1085–1087, 1121, 1128: various later additions to the BWV catalogue
- BWV 1090–1120: Neumeister Chorales
- BWV Anh. 42–79, 171–178, 200, 206, 208, 213: lost, doubtful and spurious organ pieces
Works for keyboard (BWV 772–994)
- See #BWV Chapter 8 in the table above
Bach's works for harpsichord, clavichord and other keyboard instruments include:
- BWV 772–801: Inventions and Sinfonias
- BWV 802–805: Duets from Clavier-Übung III
- BWV 806–845: Suites and suite movements (Overture in the French style from Clavier-Übung II; etc.)
- BWV 846–893: The Well-Tempered Clavier (book I, book II)
- BWV 894–962: compositions of the type Prelude/Fantasia/Concerto/Toccata or Fugue/Fughetta (includes Chromatic Fantasia and Fugue, Six Little Preludes, several parts of the Klavierbüchlein für Wilhelm Friedemann Bach, etc.)
- BWV 963–970: Sonatas and sonata movements
- BWV 971–987: Concertos (includes Italian Concerto from Clavier-Übung II and various concerto transcriptions)
- BWV 988–991: Variations (includes Goldberg Variations = Clavier-Übung IV and Aria variata alla maniera italiana)
- BWV 992–994: Capriccios and Applicatio (includes Capriccio on the departure of a beloved brother)
Works for solo lute (BWV 995–1000)
- See #BWV Chapter 9 in the table above
Bach's compositions for lute or lute-harpsichord (Lautenwerck) include:
- BWV 995–1000 suites and separate movements for lute or lute-harpsichord
- BWV 1006
Chamber music (BWV 1001–1040)
- See #BWV Chapter 10 in the table above
Bach wrote chamber music for solo violin, cello or flute, sonatas for harpsichord and an instrumental soloist, and trio sonatas:
- BWV 1001–1006: Sonatas and partitas for solo violin
- BWV 1007–1012: Cello Suites
- BWV 1013: Partita for solo flute
- BWV 1014–1026: works for accompanied violin (sonatas, suite for violin and harpsichord; sonatas, fugue for violin and basso continuo)
- BWV 1027–1029: sonatas for viola da gamba and harpsichord
- BWV 1030–1035: sonatas for accompanied flute (sonatas for flute and harpsichord; sonatas for flute and basso continuo)
- BWV 1036–1040: trio sonatas
Orchestral works (BWV 1041–1071)
- See #BWV Chapter 11 in the table above
Bach wrote concertos and orchestral suites:
- BWV 1041–1045: Violin concertos (Concerto movement/Sinfonia fragment
- BWV 1046–1051: Brandenburg Concertos
- BWV 1052–1065: Harpsichord concertos
- BWV 1066–1071: BWV 1046)
Canons (BWV 1072–1078)
- See #BWV Chapter 12 in the table above
Separate canons by Bach are listed in the 12th chapter of the BWV:
- BWV 1072–1078: canons
- BWV 1086–1087: later additions
Late contrapuntal works (BWV 1079–1080)
- See #BWV Chapter 13 in the table above
The list of late
contrapuntal
works contains only two items:
- BWV 1079: The Musical Offering
- BWV 1080: The Art of Fugue
20th-century additions to the BWV catalogue and Anhang
Additions as published in BWV2a
Additions to the main catalogue (BWV 1081–1126)
- Credo in unum Deum in F major(for choir), included in Chapter 3 in BWV2a
- BWV 1082 – Suscepit Israel by Antonio Caldara (for choir), as copied by Bach;[270]Included in Chapter 3 in BWV2a
- BWV 1083 – Tilge, Höchster, meine Sünden (motet, "parody", i.e., reworked version, of Pergolesi's Stabat Mater), included in Chapter 3 in BWV2a
- BWV 1084 – O hilf, Christe, Gottes Sohn (chorale from Bach's Leipzig versions of the St Mark Passion attributed to Keiser), included in Chapter 5 in BWV2a
- BWV 1085 – O Lamm Gottes, unschuldig (chorale prelude), included in Chapter 7 in BWV2a
- BWV 1086 – Canon Concordia discors, included in Chapter 12 in BWV2a
- (discovered 1974), included in Chapter 12 in BWV2a
- So heb ich denn mein Auge sehnlich auf" (arioso for bass), No. 20 in Wer ist der, so von Edom kömmt (pasticcio Passion oratorio);[271]Included in Chapter 4 in BWV2a
- BWV 1089 – Da Jesus an dem Kreutze stund (four-part chorale), included in Chapter 5 in BWV2a
- BWV 1090–1120 – 31 chorale preludes for organ from the Neumeister Collection, discovered in 1985 in the archives of the Yale University library; Included in Chapter 7 in BWV2a, except for BWV 1096, attributed to Johann Pachelbel,[272][273] which was moved to Anh. III (spurious works).
- BWV 1121, previously Anh. 205 – Fantasie in C minor (organ), included in Chapter 7 in BWV2a
- BWV 1122–1126 – five four-part chorales,[274] moved to Chapter 5 in BWV2a
Additions to the Anhang (BWV Anh. 190–213)
BWV Anh. 190–213 were added between the 1950 and 1990s editions of the catalogue
- BWV Anh. 190–197 – Cantatas added to Anh. I (music lost); see also List of Bach cantatas
- BWV Anh. 198 – Abandoned sketch of a cantata opening, renumbered to BWV 149/1aand added to Chapter 1 in BWV2a
- BWV Anh. 199 – Cantata added to Anh. I (music lost); see also List of Bach cantatas
- BWV Anh. 200 – Fragment of a chorale prelude O Traurigkeit, o herzeleid, added to Anh. I (unused sketch for the Orgelbüchlein)
- BWV Anh. 201–204 – Four-part chorales added to Anh. II (doubtful)
- BWV Anh. 205 – Fantasia in C minor, authenticated as BWV 1121and added to Chapter 7 in BWV2a
- BWV Anh. 206 – Doubtful chorale prelude, added to Anh. II
- BWV Anh. 207 – Doubtful keyboard fugue, added to Anh. II
- BWV Anh. 208 – Spurious organ fugue, added to Anh. III
- BWV Anh. 209–212 – Lost cantatas added to Anh. I; see also List of Bach cantatas
- BWV Anh. 213 – Lost arrangement for organ of an unidentified Telemann concerto, added to Anh. I
21st-century additions to the BWV catalogue (BWV 1127 and higher)
- See also #BWV Later in the table above
BWV numbers assigned after the publication of BWV2a:
- BWV 1127: strophic aria "Alles mit Gott und nichts ohn' ihn" (discovered June 2005)[103]
- BWV Anh. 71, renumbered to BWV 1128: chorale fantasia for organ "Wo Gott der Herr nicht bei uns hält" (BWV Anh. II 71 was authenticated as a composition by Bach after Wilhelm Rust's 1877 copy was recovered in March 2008)[275][105]
- BWV 1129 and higher: BWV#Numbers above BWV 1126
Derivative works
There is not much system in the way works derived from Bach's compositions are listed. The "R" addition to the BWV number is only well-established for the reconstructions included in NBA VII/7 (e.g. solo violin reconstructions of BWV 565 are not usually indicated as BWV 565R, neither is the system used for reconstructed vocal works). For some series of transcriptions and arrangements works catalogues of these transcribers/arrangers may hold sublists with works derived from compositions by Bach.
Reconstructed concertos
- See also #Reconstructions in the table above
Each reconstructed concerto is created after the harpsichord concerto for the presumed original instrument. Such reconstructions are commonly referred to as, for example, BWV 1052R (where the R stands for 'reconstructed'). Other reconstructions and completions of for instance BWV 1059 have been indicated as BWV 1059,[276] or BWV 1059a.[277]
Adaptations
Transcriptions and arrangements in the catalogues of works by other composers include:
- Ferruccio Busoni
- Catalogue numbers BV B 20 to B 46 are arrangements of works by Bach, many of which published in the Bach-Busoni Editions.
See also
- List of compositions by Johann Sebastian Bach printed during his lifetime
- List of fugal works by Johann Sebastian Bach
References
For abbreviations used in the references see also Bibliography at www
- ^ Bach & Agricola 1754, pp. 167–169.
- ^ Forkel & Terry 1920, "Chapter IX: Bach's Compositions" pp. 114–142.
- ^ a b Bach-Gesellschaft Ausgabe, .../Prefaces, .../Thematic Catalogue: documentation and facsimiles at the International Music Score Library Project
- ^ a b Forkel & Terry 1920, "Appendix III" pp. 225–286.
- ^ Schmieder 1950.
- OCLC 18856743
- ^ Schmieder 1990.
- ^ Dürr & Kobayashi 1998.
- ^ "Fantasia, c BWV 1121 [BWV 1998]; BWV Anh. 205 / Anh. II 45→". Bach Digital. Leipzig: Bach Archive; et al. 14 May 2019.
- ^ Blanken 2019.
- ^ "Christ lag in Todes Banden (Leipzig version) BWV 4.2; BWV 4". Bach Digital. Leipzig: Bach Archive; et al. 11 March 2019.
- ^ Johann Sebastian Bach (1685–1750): New Edition of the Complete Works at the Bärenreiter website.
- ^ a b Neue Bach-Ausgabe: documentation at the International Music Score Library Project
- ^ Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition at the Bärenreiter website.
- ^ Hans-Joachim Schulze and Christoph Wolff. Bach Compendium: Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs, Vol. 1 (Part 1–4). Leipzig 1985ff.
- ^ "Der Gerechte kömmt um ... BWV deest (BC C 8)". Bach Digital. Leipzig: Bach Archive; et al. 25 May 2019.
- ISBN 3-7618-1036-9
- ^ Johann Sebastian Bach: Correspondance Catalogues Zwang — Schmeider at www
.musiqueorguequebec .ca - ^ Works Catalogues at www
.bachdigital .de - ^ a b c d e f g h i Melamed 1995, p. 102.
- ^ BWV 281 at Luke Dahn's www
.bach-chorales .com website (2018). - ^ Zahn 1889–1893, III, p. 131.
- ^ l. u. (1885), "Moller, Heinrich von", Allgemeine Deutsche Biographie (in German), vol. 22, Leipzig: Duncker & Humblot, pp. 758–759
- ^ a b Platen 1976, pp. 53–54.
- ^ a b c d Schulze 1983, pp. 81ff.
- ISBN 9781315452807.
- ISBN 9783110963243.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj US-NHub Music Deposit 31 (Klavierbüchlein für W. F. Bach) at Bach Digital.
- RISM 467300920
- RISM 467300939
- ^ Philipp Spitta. Musikgeschichtliche Aufsätze. Berlin (1894), 117f
- ISBN 9781843836704.
- ^ Johann Sebastian Bach: Concerti nach Vivaldi u.a. – III at www
.crescendo-music .com - ^ Johann Sebastian Bach, edited by Hermann Scherchen, preface by Charles van den Borren. Facsimile of BR Bruxelles II. 4805, appendix in Musica viva, Vol. III. Brussels (1936)
- ^ a b Johann Sebastian Bach, edited by E. Capriani. "Documenti storici" in Opere per Liuto, Vol. III. Rovereto (1977)
- ^ MB Lpz III. 11. 3
- ^ a b c d Johann Sebastian Bach, introduction by Hans-Joachim Schulze. Drei Lautenkompositionen in zeitgenössischer Tabulatur (BWV 995, 997, 1000). Leipzig (1975)
- ^ Artzt. "The third Lute Suite by Bach: Three Manuscripts and their Implications" in Journal of the Lute Society of America (1968), pp. 9ff
- ^ Grossman. "Der Intavolator als Interpret: Johann Sebastian Bachs Lautensuite g-moll, BWV 995, im Autograph und in zeitgenössischer Tabulatur" in Basler Jahrbuch (1986), pp. 223–244
- ^ a b c d e f g h Henning 1987.
- ^ a b Junghänel. "Bach und die zeitgenössische Lautenpraxis" in Bericht Duisburg
- ^ a b c d e f g h Radke. Fs Engel, pp. 271ff
- ^ a b c d e f g h i Schulze, Dok III
- ^ Schulze. Mf 1968, pp. 203f
- ^ Schulze. "«Monsieur Schouster» – ein vergessener Zeitgenosse Johann Sebastian Bachs" in Fs Dürr, pp. 243ff
- ^ Schulze. St
- ^ a b c d Schulze. "Wer intavolierte Johann Sebastian Bachs Lautentabulaturen?" in Mf 1966, pp. 32ff
- ^ a b c d e f Siegele Diss
- ^ Beißwenger, Acht Präl: 27
- ^ Dömling/Kohlhase, AcM 1971: 108f
- ^ a b c d e Schulze St
- ^ a b c d Spitta I: 768; II: 646
- ^ Wiemer, BJ 1987: 29ff
- ^ a b c Dreyfus Cont Gr
- ^ Johann Sebastian Bach with an introduction by Hiroshi Hoshino. "The Manuscript Copy of J. S. Bach's Prelude, Fugue and Allegro for Lute or Harpsichord, E-flat major (BWV 998), in the Possession of Ueno Gakuen" (contains facsimile of Prelude pour la Luth. ò Cembal. par J. S. Bach.) in Fs for Ueno Gakuen. Tokyo (1974), pp. 171ff
- ^ Dombois. "The Allegro from J. S. Bachs Prelude, Fugue and Allegro in E-flat major" in Lute Society Journal (1972), pp. 25ff, 51ff
- ^ a b c d Kobayashi Chr
- ^ Neemann 1931.
- ^ Badura-Skoda
- ^ Spitta I: 663
- ^ Kilian, Mf 1961: 323 (regarding BWV 539)
- ^ a b Dadelsen TBSt 4/5
- ^ Hofmann, Fs Scheide: 14~154
- ^ Spitta I: 707
- ^ Zingel. "Bach auf der Harfe" in Schweizerische Musikzeitung (1964), pp. 286ff
- ^ a b Forkel & Terry 1920, p. 137 (footnote 4), pp. 234–235 and p. 242.
- ^ BWV 1045 at www
.bach-cantatas .com - ^ BWV 1045 at www
.jsbachcantatas .com - ^ Friedrich Wilhelm Marpurg. Abhandlung von der Fuge Vol. 2. Berlin (1754), TAB XXXVII
- ^ Herz BQA
- ^ Neumann/Schulze, Dok I, Nr. 147
- ^ a b c d e Schulze. "Johann Sebastian Bachs Kanonwidmungen" in BJ 1967, pp. 82ff
- ^ Spitta I: 386
- ^ Wolff, Mf 1973: 217ff
- ^ Georg Philipp Telemann. Der getreue Music-Meister. Hamburg (1728), p. 68
- ^ Johann Mattheson. Der vollkommene Capellmeister. Hamburg (1739), p. 412
- ^ Lorenz Christoph Mizler. Neu eröffnete musikalische Bibliothek Vol. III. Leipzig (1747), p. 482ff
- ^ Friedrich Wilhelm Marpurg. Abhandlung von der Fuge nach den Grundsätzen und Exemplen der besten deutschen und ausländischen Meister entworfen ... Vol. 2. Berlin (1754), TAB XXXIII, Fig. 2–3
- ^ Neumann/Schulze, Dok I, Nr. 158; Dok II, Nr. 325, 564
- ^ Spitta II: p. 478 / 798
- ^ Johann Sebastian Bach. Canon triplex à 6 Voc:. Leipzig (1747)
- ^ C. L. Hilgenfeldt. Johann Sebastian Bach's Leben, Wirken und Werke: ein Beitrag zur Kunstgeschichte des achtzehnten Jahrhunderts. Leipzig: Friedrich Hofmeister (1850), p. 212
- ^ Clement
- ^ Neumann/Schulze, Dok II, Nr. 559
- ^ Smend. Johann Sebastian Bach bei seinem Namen gerufen: Eine Noteninschrift und ihre Deutung. Kassel (1950). Reprint in: Smend Bach-St: 176ff
- ^ Nowak. "Ein Bach-Fund" in Fontes artis musicae (1966), pp. 95ff
- ^ Spitta II, p. 506 / p. 747
- ^ a b Wolff Stile antico
- ^ Neumann/Schulze, Dok I, Nr. 174
- ^ Neumann/Schulze, Dok I, Nr. 177
- ^ Spitta Vol. II, pp. 717ff / Anh. p. 19
- ^ NBA VIII/1 Krit. Bericht: 36f
- ^ Neumann/Schulze, Dok II, Nr. 602, 603
- ^ Reich. "Johann Sebastian Bach und Johann Gottfried Müthel – zwei unbekannte Kanons" in Mf 1960, pp. 449f
- ^ Stam, Mf 1968: 317ff, bes. 319
- ^ BN Paris Ms. 17669, Bl. 18v at gallica
.bnf .fr - ^ Alain. "Un supplément inédit aux Variations Goldberg de J. S. Bach" in Revue de Musicologie (1975), pp. 244ff
- ^ Gárdonyi. "Zu einigen Kanons von J. S. Bach" in Studia Musicologica: Academiae Seientiarum Hungaricae Vol. 28 (1986), pp. 321–324
- ^ Kennyon. "A newly discovered Group of Canons by Bach" in MT (1976), pp. 391ff
- ^ Wolff. "Bach's Handexemplar of the Goldberg Variations" in JAMS (1976), pp. 224ff
- Musicalisches Opfer. Leipzig, 7 July 1747.
- Die Kunst der Fuge, edited by Carl Philipp Emanuel Bach. Leipzig, c. 1751.
- ^ a b c Maul 2005.
- ^ Kuznik 2008.
- ^ a b Blaut & Schulze 2008.
- ^ Texte / Zur Leipziger / Kirchen-Music, / Auf den andern, dritten, vierdten Sonntage / nach der Erscheinung Christi, / Das Fest Mariä Reinigung, / Und die Sonntage / Septuagesimae, Sexagesimae, / Esto mihi, / Ingleichen / Auf das Fest / der Verkündigung Mariä. Leipzig: Immanuel Tietzen (1724)
- ^ Hobohm, BJ 1973: 5ff
- ^ Neumann BT: 159, 427
- ^ Hofmann, BJ 1982: 51ff
- ^ Christine Blanken. "A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cantata Cycle'", pp. 9–30 in Understanding Bach, Vol. 10, 2015
- ^ Häfner, BJ 1975: 99ff
- ^ Brinkmann. "Neues über J. S. Bach in Mühlhausen" in Mühihäuser Geschichtsblätter Vol. 31 (1932): 242ff
- ^ a b c d e Geiringer JSB 1971
- ^ a b Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume III. Leipzig: Joh. Theod. Boetii Tochter (1732); 2nd printing 1737
- .
- ^ Nützliche Nachrichten Von Denen Bemühen derer Gelehrten und andern Begebenheiten in Leipzig (in German). Leipzig: Johann Christian Langenheim. 1740. pp. 82ff.
- ^ Hudson, NBA I/33, Krit. Bericht: 31ff
- ^ BC: Werk [B 12]
- ^ Schaumburg-Lippische Hofbibliothek Bückeburg, V 100 F, No. 31
- ^ a b Tiggemann, BJ 1994: 7–22
- ^ a b c d Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume IV. Leipzig: Friedrich Matthias Friesen (1737).
- ^ Schaumburg-Lippische Hofbibliothek Bückeburg, Cb 76 II, Nr. 214
- ^ Smend Köthen: 27f, 169, 184f
- ^ Breitkopf-Werke, 1. Ausgabe: 33
- ^ Neumann BT: 184
- ^ Verzeichniß der von dem verstorbenen Doctor und Musikdirector Forkel in Göttingen nachgelassenen Bücher und Musikalien. Göttingen (1819), Nr. 94
- ^ Neumann, NBA I/4, Krit. Bericht: 118
- ^ Dürr, NBA I/35, Krit. Bericht: 117
- ^ Smend Köthen: 27, 69, 195–198
- ^ Dürr, NBA I/35, Krit. Bericht: 120, 275f
- ^ Dürr, NBA I/35, Krit. Bericht: 118f
- ^ Smend Köthen: 27, 69, 199ff
- ^ Wäschke. "Die Zerbster Hofkapelle unter Fasch" in Zerbster Jahrbuch II (1906): 47ff
- ^ Wäschke. "Eine noch unbekannte Komposition J. S. Bachs" in SIMG 10 (1908/09): 633f
- ^ Leipziger Post-Zeitungen (10 August 1723)
- ^ Neumann, NBA I/38, Krit. Bericht: 10
- ^ Christoph Ernst Sicul. Das frohlockende Leipzig. Leipzig (1727), pp. 3ff
- ^ Neumann, NBA I/36, Krit. Bericht: 11ff
- ^ Schulze, BJ 1985; 166ff
- ^ Neumann, NBA I/36, Krit. Bericht: 20ff
- ^ Neumann, NBA I/36, Krit. Bericht: 24ff
- ^ Neumann, NBA I/39, Krit. Bericht: 42
- ^ Dürr, Bericht Duisburg
- ^ Neumann, NBA I/37, Krit. Bericht: 97ff
- ^ Wolff, Bericht Duisburg
- ^ Als die / von / E. Hoch=Edlen / und / Hoch=Weisen Rathe / der Stadt Leipzig / neugebauete und eingerichtete / Schule zu S. Thomae / den 5. Jun. durch etliche Reden eingeweyhet wurde, / ward folgende / CANTATA / dabey verfertiget und aufgeführet / von / Joh. Sebastian Bach, / Fürstl. Sächs. Weissfels. Capellmeister, und besagter Schulen Cantore / und / M. Johann Heinrich Winckler, / Collega IV Leipzig: Bernhard Christoph Breitkopf (1732)
- ^ Dürr, Gs Albrecht: 121ff
- ^ Neumann, NBA I/39, Krit. Bericht: 14f
- ^ Christoph Gottsched. Versuch einer Critischen Dichtkunst vor die Deutschen ... Leipzig (1730): 371ff
- ^ Neumann, NBA I/40, Krit. Bericht: 22ff
- ^ Smend, Bach-Gs 1950: 42ff
- ^ Peter Freiherr von Hohenthal at www
.geni .com - ^ Melamed 1988.
- ^ a b c d e Wilfried Fischer. Verschollene Solokonzerte in Rekonstruktionen: Fünf Konzerte nach BWV 1052, 1055, 1056, 1060, 1064 (NBA VII/7 Supplement). Bärenreiter 1970.
- ^ Pfau 2008, p. 99.
- ^ Hoffmann 1738.
- ^ Zahn 1889–1893, I, p. 513.
- ^ Hofmann 1987.
- ^ Dürr & Jones 2006, p. 871.
- ^ Spitta 1899, I, pp. 343–344.
- ^ Dadelsen 1957, p. 39.
- ^ Beißwenger 1991, pp. 150–151.
- ^ David 1961.
- ^ Schicht 1805.
- ^ Spitta 1899, Vol. III, p. 28.
- ^ Wollny 2015, p. 132.
- RISM 467019500
- ^ Thielemann 2012.
- ^ Torri 2013, p. 4.
- ^ Schneider 1912.
- ^ Vetter 1713, No. 35.
- ^ Vetter 1713, No. 29.
- ^ Vetter 1713, No. 20.
- ^ Vetter 1713, No. 5.
- ^ a b c d e f g h Landmann 1907.
- ^ a b Spitta 1894.
- ^ Scholze 1736, pp. 33–34.
- ^ Buhle 1909, pp. XVIII–XXI, 52.
- ^ Scholze 1736, p. 48.
- ^ Buhle 1909, pp. XVIII–XXI, 34–35.
- ^ Dömling & Kohlhase 1971.
- ^ Dirksen 2016, pp. 20, 146–147.
- ^ Keller 1937, pp. 63–64.
- ^ Keller 1937, pp. 70–71.
- ^ Williams 2003, pp. 176–178.
- ^ Williams 2003, p. 182.
- ^ Spitta 1899, I, pp. 455–456.
- ^ Williams 2003, pp. 56, 59.
- ^ Williams 2003, pp. 101–102, 105–106.
- ^ Schulenberg 2013, p. 13; online appendix 2.
- ^ a b c d e f g h Tittel 1966, pp. 114–123.
- ^ a b c d e f g h Dürr 1987.
- ^ Dirksen 2010, p. 28; online appendix 6.
- ^ Dirksen 2010, p. 21; online appendix 3–5.
- ^ Spitta 1899, II, p. 43; III, p. 206.
- ^ Wright 2000.
- ^ Feder 1958, p. 78.
- ^ Perreault 2004, pp. 187–188.
- ^ Eichberg 1976, pp. 47–49.
- ^ a b Eichberg 1976, pp. 8–11.
- ^ Kretzschmar 1910, p. 71.
- ^ Eichberg 1976, pp. 18–19.
- ^ a b c Eichberg 1976, pp. 20–29.
- ^ Morana 1993, p. 26.
- ^ a b Koska 2011.
- ^ a b Eichberg 1976, p. 45.
- ^ a b Kobayashi 1978, p. 51.
- ^ Schulze 1984, pp. 80–81.
- ^ Eichberg 1976, pp. 8–25.
- ^ Eichberg 1976, pp. 7–17.
- ^ Eichberg 1976, pp. 17–19.
- ^ a b c Feder 1958, p. 77.
- ^ a b Eichberg 1976, pp. 29–42.
- ^ Eichberg 1976, pp. 42–47.
- ^ Eppstein 1966, p. 187.
- ^ Kobayashi 1978, pp. 52–53.
- ^ a b c d Leisinger & Wollny 1993, pp. 192–196.
- ^ a b Eppstein 1966, p. 181.
- ^ van Leyden 1956.
- ^ Siegele 1957.
- ^ Eppstein 1982, p. 77.
- ^ Eppstein 1982, p. 84.
- ^ Hellmann 1965.
- ^ Hofmann 1999, pp. 72–75.
- ^ Spitta 1899, III, p. 143.
- ^ Kenyon 2011, p. 352.
- ^ Schulenberg 2010, p. 54.
- ^ Dürr 1952, p. 42.
- ^ Dürr 1952, pp. 40f.
- ^ Scheide 1960, pp. 66ff.
- ^ Dürr 1952, pp. 31–36.
- ^ Dürr 1952, pp. 37f.
- ^ Dürr 1952, pp. 35ff.
- ^ Dürr 1952, pp. 38f.
- ^ Dürr 1952, pp. 39f.
- ^ Hofmann 1983, p. 126.
- ^ Kobayashi 1978, pp. 46–50.
- ^ Glöckner 1983.
- ^ Henrici 1725.
- ^ Vetter 1713, No. 91.
- ^ a b Platen 1976, p. 51.
- ^ So how many Bach four–part chorales are there? at Luke Dahn's www
.bach-chorales .com (2018) - ^ Platen 1976.
- ^ Kobayashi 1978, p. 46.
- ^ Dirksen 1998.
- ^ a b Feder 1958, p. 76.
- ^ Tittel 1966, p. 106.
- ^ Williams 2003, p. 549.
- ^ Perreault 2004, p. 56.
- ^ Williams 2003, pp. 526–527.
- ^ Perreault 2004, pp. 197–198.
- ^ Perreault 2004, p. 53.
- ^ a b Eichberg 1976, p. 12.
- ^ Ahlgrimm 1969, p. 67.
- ^ Kobayashi 1978, p. 44.
- ^ Kirnberger 1774.
- ^ Kirnberger 1780.
- ^ a b Schulze 1980, pp. 54–58, 64.
- ^ Schulze 1980, p. 50.
- ^ Schulze 1980, pp. 45ff.
- ^ Schneider 1907, p. 159.
- ^ Heinichen 1728, pp. 885–895.
- ^ Dürr 1954.
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- ^ Bonporti 1712, No. 5.
- ^ Bonporti 1712, No. 6.
- ^ Bonporti 1712, No. 7.
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- ^ D-B Mus. ms. 1160 at www
.bachdigital .de - ^ Kirsten Beißwenger (ed.) Werke zweifelhafter Echtheit, Bearbeitungen fremder Kompositionen (Volume 9 of Series II: Masses, Passions, Oratorios from the New Bach Edition). Bärenreiter, 2000.
- ^ Wer ist der, so von Edom kömmt by Johann Christoph Altnikol et al.: Scores at the International Music Score Library Project
- ^ Williams 2003, p. 549.
- ^ Perreault 2004, p. 56.
- ^ Marx, Wolfgang (2000). Bach: Chorales, Motet BWV 118, Quodlibet, Notenbüchlein for A.M. Bach (Bach 2000, Vol. 87) (Media notes). Koopman, Gritton, et al. Teldec Classics. p. 8.
- ^ "Wo Gott der Herr nicht bei uns hält BWV 1128; BWV Anh. 71; Emans 195". Bach Digital. Leipzig: Bach Archive; et al. 14 February 2019.
- ^ Igor Kipnis, The London Strings, Neville Marriner. Bach: The Harpsichord Concertos. CBS 1989
- ^ André Isoir, Le Parlement de Musique, Martin Gester. Johann Sebastian Bach: L'oeuvre pour orgue et orchestre. Calliope 1993
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Der inzwischen durch zahlreiche Verschiebungen unübersichtlich gewordene Anhang wird ebenfalls komplett überarbeitet (transl.: The Anhang, which in the meanwhile has become confusing because of many changes, will also be completely reworked)
- Blaut, Stephan; ].
- Bonporti, Francesco Antonio (1712). Invenzioni [Inventions] (in Italian). Vol. Op. 10. Bologna: Giuseppe Antonio Silvani.
- Buhle, Edward, ed. (1909). Sperontes Singende Muse an der Pleisse [Sperontes's Singing muse at the Pleisse]. Denkmäler Deutscher Tonkunst: Erste Folge (in German). Vol. XXXV–XXXVI. Leipzig: Breitkopf & Härtel.
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- ISMN9790006480098. BA 6497.
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Preface in English and German.
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- obligato]. Studia musicologica Upsaliensia (in German). Vol. 2. Uppsala: Almqvist & Wiksell.
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- Forkel, Johann Nikolaus; Terry, Charles Sanford (1920). Johann Sebastian Bach: His Life, Art and Work – translated from the German, with notes and appendices. New York: Harcourt, Brace and Howe.
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- Heinichen, Johann David (1728). Der General-Bass in der Composition (in German). Vol. II. Dresden.
- ISMN 979-0-004-16727-4. EB 6466.
- Henning, Uta (1987). "Zur Frage des Lautenklaviers bei Johann Sebastian Bach: Mögliche Zuweisung der Bachschen Lautenkompositionen an das Lautenklavier – Beschreibung des Instruments und Rekonstruktionsversuche im 20. Jahrhundert". In ISBN 3-7618-0767-8 – via Qucosa].
- Sammlung erbaulicher Gedancken über und auf die gewöhnlichen Sonn- und Festtage(in German). Leipzig: Boetius. pp. 293ff.
- Hoffmann, Balthasar (1738). "IX. Bey der Lob- und Trauerrede auf die verwitwete Herzoginn von Merseb. Hedwig, im Jahre 1735". In Gottsched, Johann Christoph (ed.). Der Deutschen Gesellschaft in Leipzig Oden und Cantaten in vier Büchern (in German). Vol. I. Leipzig: Bernhard Christoph Breitkopf. pp. 143–146.
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- C. F. Peters. pp. 57–72.
- Kuznik, Joel H. (December 2008). "BWV 1128: A recently discovered Bach organ work" (PDF). The Diapason. 99 (22): 22–23. HTML version (without illustrations)
- Landmann, Arno (1907). "Angeblich von J. S. Bach komponierte Oden von Chr. H. von Hoffmannswaldau" [Likely by J. S. Bach composed odes of Chr. H. von Hoffmannswaldau]. In .
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- Meiningen 1704: Sonn- und Fest-Andachten Uber die ordentlichen Evangelia Aus gewissen Biblischen Texten Alten und Neuen Testaments Und In der Hoch-Fürstl. Sachs. Meining. Hof-Capell Der Heil. Dreyfaltigkeit Deroselben zu Ehren abgesungen (in German). Meiningen. 1704.
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- doi:10.13141/bjb.v1931 – via Qucosa].
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- Pfau, Marc-Roderich (2008). "Ein unbekanntes Leipziger Kantatentextheft aus dem Jahr 1735: Neues zum Thema Bach und Stölzel" [An unknown Leipzig cantata text publication from the year 1735: News regarding Bach and Stölzel]. In ISSN 0084-7682.
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Unaltered up unto its eighth printing in 1986.
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- Siegele, Ulrich (1957). "Noch einmal: Die Violinsonate BWV 1024" [Yet again: The violin sonata BWV 1024]. In .
- Spitta, Philipp (1894). "Sperontes' Singende Muse an der Pleisse: Zur Geschichte des deutschen Hausgesanges im achtzehnten Jahrhundert" [Sperontes's Singende Muse an der Pleisse: On the history of German singing-at-home in the 18th century]. Musikgeschichtliche Aufsätze [Essays on music history] (in German). Berlin: Paetel. pp. 175ff.
- Thielemann, Arne (2012). "Zur Identifizierung des Magnificats BWV Anh. 30 aus Johann Sebastian Bachs Notenbibliothek" [On the identification of the Magnificat BWV Anh. 30 from Johann Sebastian Bach's music library]. In ISSN 0084-7682.
- Tittel, Karl (1966). "Welche unter J. S. Bachs Namen geführten Orgelwerke sind Johann Tobias bzw. Johann Ludwig Krebs zuzuschreiben? Ein Versuch zur Lösung von Autorschaftsproblemen" [Which of the organ works for which J. S. Bach has been named as author can be ascribed to .
- Torri, Pietro (2013). Thielemann, Arne (ed.). Magnificat in C: BWV Anh. 30. Stuttgarter Bach-Ausgaben. Vol. Full score. Bach, Johann Sebastian (arranger); Horn, Paul (basso continuo realization). Stuttgart: Carus. 35.012.
- "US-NHub Music Deposit 31 (Klavierbüchlein für W. F. Bach)". Bach Digital. Leipzig: Bach Archive; et al. 3 March 2020.
- van Leyden, Rolf (1956). "Die Violinsonate BWV 1024" [The violin sonata BWV 1024]. In .
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- Zuccari, Carlo (c. 1747). "Sonata X" [Sonata No. 10]. Sonate a Violino, e Basso ò Cembalo: Opera Prima [Sonatas for violin, and bass or harpsichord, Op. 1] (in Italian). Vol. I. Milan. pp. 16–20.
- Zahn, Johannes (1889–1893). Die Melodien der deutschen evangelischen Kirchenlieder (in German). Gütersloh: Bertelsmann. Volume:I – II – III – IV – V – VI
Further reading
- Basso, Alberto. Frau Musika: La vita e le opere di J. S. Bach. Turin, EDT (in Italian):
- Vol. 1 (1979): Le origini familiari, l'ambiente luterano, gli anni giovanili, Weimar e Köthen (1685–1723). ISBN 88-7063-011-0
- Vol. 2 (1983): Lipsia e le opere de la maturità (1723–1750). ISBN 88-7063-028-5
- Vol. 1 (1979): Le origini familiari, l'ambiente luterano, gli anni giovanili, Weimar e Köthen (1685–1723).
- Papillon, André (2006). Index of Chorale Melodies in the Works of Johann Sebastian Bach. Foreword by ISBN 2-7637-8351-1.
- ISBN 978-0-393-65179-9.
External links
Wikimedia Commons has media related to Compositions by Johann Sebastian Bach.
- List of works by Johann Sebastian Bach: Scores at the International Music Score Library Project
- Johann Sebastian Bach: Systematisch-chronologisches Werkverzeichnis at www
.klassika .info (in German) - Works of Johann Sebastian Bach (1685–1750) at Muziekwebwebsite
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