Yirmisekiz Mehmed Çelebi

Source: Wikipedia, the free encyclopedia.
Portrait by Pierre Gobert, commissioned by the Bâtiments du Roi, 1724[1]
Tuileries, on 21 March 1721. Sortie de l'ambassadeur, 1721. Pierre-Denis Martin (1663-1742). Musée Carnavalet
.

Yirmisekiz Mehmed Çelebi Efendi (ca. 1670–1732), also Mehmed Efendi (sometimes spelled Mehemet Effendi in France), was an Ottoman statesman who was delegated as ambassador by the Sultan Ahmed III to Louis XV's France in 1720. He is remembered for his account of his embassy mission (a sefâretnâme, "book of embassy").

Yirmisekiz Mehmed Çelebi was born in

grand vizier
, also carried the name in the form of Yirmisekizzade ("son of twenty-eight").

He rose through the military hierarchy and then oriented his career to the service of the finances of the state, as superintendent for the Ottoman

defterdar) by the reign of Ahmed III. In 1720, while in that position, he was assigned as Ottoman ambassador to Louis XV's France and sent to Paris. His embassy of eleven months was notable for being the first ever foreign representation of a permanent nature for the Ottoman Empire
. On his return to the Ottoman capital, Mehmed Çelebi presented his contacts, experiences and observations to the Sultan in the form of a book.

His sefâretnâme is one of the most important examples of the homonymous genre, both for its literary merits and in terms of the insights it provides on his time and environment. He describes his journey to France, the 40-days quarantine near Toulon for fear of plague, his journey through Bordeaux towards Paris, his reception by Louis XV, the ceremonies and the social events to which he participated, notably a night at the theatre, places of interest in Paris, the curiosity with which he examines the Western culture and the curiosity he aroused among his Western interlocutors, for instance his days of fasting in Ramadan, July/August 1720, becoming a reason for public gathering for curious Parisian women.

Aside from setting the pace and nature of the long-term trend of

Tulip Era were also largely inspired by the gardening techniques used in Tuileries Palace, described in length by the author/ambassador. His book was translated into French
in 1757 and also into other Western languages afterwards.

After another embassy mission this time in

Egypt, Yirmisekiz Mehmed Çelebi who was deeply associated with the Tulip Era, was exiled to Cyprus after the Patrona Halil uprising which put an end to that era and to Ahmed III's reign. He died in Famagusta in 1732 and was buried in the courtyard of Buğday Mosque
in that city.

His son

Yirmisekizzade Mehmed Said Paşa regained imperial favor shortly afterwards and was dispatched himself for an embassy in Paris in 1742, as well as another more historically significant one in Sweden and Poland
, which led to his writing another sefaretname.

Gallery

  • Mehmed Efendi arrives at the Tuileries on 21 March 1721. Charles Parrocel.
    Mehmed Efendi arrives at the
    Tuileries on 21 March 1721. Charles Parrocel
    .
  • La sortie de l'ambassadeur turc du Jardin des Tuileries, Gobelins Manufactory, 1734-1737.
    La sortie de l'ambassadeur turc du Jardin des Tuileries, Gobelins Manufactory, 1734-1737.
  • Mehmed Efendi with the child Louis XV.
    Mehmed Efendi with the child Louis XV.
  • Mehmed Efendi in Paris.
    Mehmed Efendi in Paris.

Sources

  1. Philip Mould & Company
    . Retrieved 11 February 2017.
  2. ^ İsmail Hâmi Danişmend, Osmanlı Devlet Erkânı, Türkiye Yayınevi, İstanbul, 1971, p. 60.
  • Mehmed efendi, Le paradis des infidèles: Relation de Yirmisekiz Çelebi Mehmed efendi, ambassadeur ottoman en France sous la Régence, traduit par Julien-Claude Galland, intr. & notes par Gilles Weinstein (Paris: François Maspéro, 1981).
  • Fatma Müge Göçek, East Encounters West: France and the Ottoman Empire in the Eighteenth Century (New York & Oxford: Oxford University Press, 1987).
  • Tomas Guarisco, Un ambassadeur ottoman à Toulouse sous la Régence : expérience diplomatique, échanges culturels et interactions sociales (M.Phil Thesis, dir. Mathieu Grenet, Université Toulouse 2 Jean-Jaurès, 2017).

See also