1200–1300 in European fashion

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13th century clothing featured long, belted tunics with various styles of surcoats or mantle in various styles. The man on the right wears a gardcorps, and the one on the left a Jewish hat. Women wore linen headdresses or wimples and veils, c. 1250

Costume during the thirteenth century in Europe was relatively simple in its shapes, rich in colour for both men and women, and quite uniform across the Roman Catholic world as the Gothic style started its spread all over Europe in dress, architecture, and other arts.

Male and female clothing became remarkably similar, with many men's garments differing substantially from women's dress only in hem length, with the fanned sleeves common in the previous century vanishing from the latter and tightly buttoned sleeves becoming common.[1] While most items of clothing, especially outside the wealthier classes, remained by comparison little changed from three or four centuries earlier,[2] the more tightly shaped cuts that had been introduced in the preceding century continued to evolve in commoners' fashion[3] too, with the imitation of nobles' clothing beginning among the developing burgher class that would become prominent in following centuries.

The century saw great progress in the dyeing and working of wool, which was by far the most important material for outerwear. For the rich and fashionable, vibrant colour and rare fabrics such as silk from the

Chinese silk that had been imported earlier; these would continue into unique European styles of silkwork in the 14th century.[3]

The most common dyes remained shades of red, notably

Kings of France as their heraldic colour.[4]

Men's clothing

Men wore a

shoes, and headdress. The clothing of royalty was set apart by its rich fabric and luxurious furs. Hair and beard were moderate in length, and men generally wore their hair in a "pageboy" style, curling under at neck length. Shoes were slightly pointed, and embroidered for royalty and higher clergy.[5]

Working men's clothing

Working men wore a short coat, or tunic, with a belt. It was slit up the center of the front so that they could tuck the corners into their belt to create more freedom of movement. They wore long braies or leggings with legs of varying length, often visible as they worked with their cotte tucked into their belt. Hose could be worn over this, attached to the drawstring or belt at the waist. Hats included a round cap with a slight brim, the beret (just like modern French ones, complete with a little tab at the top), the coif (a little tight white hood with strings that tied under the chin), the straw hat (in widespread use among farmworkers), and the chaperon, then still a hood that came round the neck and over the shoulders. Apart from aprons for trades like smithing, and crude clothes tied round the neck to hold seed for sowing, special clothes were not worn for working.[6]

Style gallery

  • 1 – Work clothes
    1 – Work clothes
  • 2 – Shirt
    2 – Shirt
  • 3 - Tunics
    3 - Tunics
  • 4 – Tunics and mantles
    4 – Tunics and mantles
  • 5 – Cappa or chaperon
    5 – Cappa or chaperon
  • 6 - Tunics
    6 - Tunics
  • 7 - Tunics with hanging sleeves
    7 - Tunics with hanging sleeves
  1. Maciejowski Bible
    , c. 1250. The man on the left wears green hose over his braies.
  2. Man in a coif and shirt (camisa) with gussets at the hem, from the Cantigas de Santa Maria, Spain, mid-13th century.
  3. Falconers wear belted tunics and coifs, 1240s.
  4. Prophetia Merlini
    , c. 1250–70.
  5. Man in the short, hooded cape called a cappa or chaperon, c. 1250–70.
  6. Musicians wear two long tunics, one over the other. The tunic on the left is an early example of mi-parti or particolored clothing, made from two fabrics. Cantigas de Santa Maria, mid-13th century, Spain.
  7. Pan-pipe players wear tunics with hanging sleeves over long-sleeved undertunics. Both wear coifs. Cantigas de Santa Maria, mid-13th century, Spain.

Women's clothing

Woman in a barbette and coif, sleeveless surcoat, gown and mantle. Sketch by Villard de Honnecourt, c.1230

Overview

Dress for women was more loosely fit compared to the previous century and somewhat more modest, the era from about 1220 onward having notably been characterised as the 'elegant period' in Gothic dress by Ortwin Gamber.

A narrow belt was uniform, which could be richly decorated with metal plating in various colours such as gold and green. Over it was worn the cyclas or sleeveless surcoat also worn by men. More wealthy women wore more embroidery and their mantle, held in place by a cord across the chest, might be lined with fur. Women, like men, wore hose and leather shoes which, like men's shoes, could be elaborately embroidered for special occasions.[5]

Headdresses and hairstyles

Individuality in women's costume was notably expressed through their hair and headdress. One distinctive feature of women's headwear was the

nuns today was still worn, mainly by older women and widows.[5]
Women also wore long tunics that went down to their ankles. This was worn over a shirt.

Wealthier women's jewelry

Wealthy women often wore clothes lined with fur. They wore jewelry and jewels such to make them look wealthy. Rings and brooches were made of gold and silver, inset with uncut precious and semi-precious stones. Gold was reserved for the upper class.

Style gallery

Sumptuary laws

The

Breslau in 1267 said that since Jews had stopped wearing the pointed hats they used to wear, this would be made compulsory.[8] The Yellow badge
also dates from this century, although the hat seems to have been much more widely worn.

Marseilles a striped cloak, in England a striped hood, and so on. Over time these tended to be reduced to distinctive bands of fabric attached to the arm or shoulder, or tassels on the arm.[9]

These probably reflected both a growing concern for control over the increasing urban populations, and the increasing effectiveness of the Church's control over social issues across the continent.

Footwear

Shoes began to develop a pointed toe at this time however, they were much more restrained than they were in the 14th century. The usual shoe, worn by men and women alike, opened at the front, from the instep to the toe. Boots were largely only worn by men. Commoners also wore stockings with leather sewn to the sole, and wooden clogs. Woollen garters were also worn by commoners.[10]

Shoes with an ankle strap and open instep, c. 1250

References

  1. .
  2. ^ .
  3. ^ Piponnier & Mane, op cit, p. 60
  4. ^ a b c Payne, Blanche: History of Costume from the Ancient Egyptians to the Twentieth Century, Harper & Row, 1965
  5. ^ Piponnier and Mane, op cit pp. 49–52
  6. . Seals from Norman Roth, op cit. Also Schreckenburg p. 15 & passim.
  7. ^ Medieval Jewish History: An Encyclopedia. Edited by Norman Roth, Routledge Archived 2008-02-25 at the Wayback Machine
  8. ^ Piponnier and Mane:139–141
  9. ^ Hughes, Talbot (1920). Dress design: An Account of Costume for Artists & Dressmakers. LONDON: PITMAN & SONS. pp. 80–82.

Further reading