Aachen Cathedral Treasury
The Aachen Cathedral Treasury (
Collection and arrangement
In 1995, the Cathedral Treasury was completely refurnished in accordance with the newest conservation and pedagogical knowledge. An area of over 600 m2 contains over a hundred artworks, divided into five thematic groups.
One conceptional area is the documentation of the cathedral as the church of
Among the objects in the Cathedral Treasury which were connected with Charlemagne is an
The second section contains objects connected to the liturgy, including the
Artworks which were used at Aachen at the
The
Items from the rich textile collection of the treasury are in constant rotation in the basement, with the coronation cloak, the Cappa Leonis (c. 1520), falsely named after Pope Leo III in the centre.
History
Treasury
"Since I have seen every royal marvel, [I know that] no-one living has seen a more marvellous thing," wrote Albrecht Dürer in his travel diary, when he visited Aachen in 1520 on the occasion of the coronation of Emperor Charles V. By some miracle, the unique collection, the most important north of the Alps, has survived intact in the cathedral and its treasury to this day. Its outstanding position is due to the fact that Aachen Cathedral hosted the coronations of thirty kings of the Romans between 936 and 1531. Only after being anointed at Aachen could the ruler be crowned Holy Roman Emperor in Rome. Countless precious objects entered the collection as royal donations, others were essential parts of the coronation ceremonies.
As they grew over the centuries, the contents had a tumultuous history. They were sent away during the
In 1804
Towards the end of the
At the beginning of the
On Easter Monday 1945, the young vicar Erich Stephany, accompanied by the American art protection officer Walker Hancock, set out for Siegen, to inspect the six boxes of stored treasure. On 7 May he left for Siegen again, to bring the treasure back to Aachen. However, the delivery was delayed by the Capitulation of the Wehrmacht signed the same day. The collection was only returned on 26 May thanks to Hancock, who prevented their transfer to Marburg, loaded the treasure, copies of the Imperial Regalia, and the wooden doors of St Maria in a lorry without authorisation and transported them to Aachen and Cologne.
Treasury Chamber
Until 1979, the treasure was housed in a 90 m2 room from Carolingian times on the east side of the cloisters. In 1975, on account of the significance of the Aachen Cathedral Treasury, the
See also
References
- ^ Entry in the UNESCO list
- ISBN 3-923773-16-1, p. 21.
- ISBN 3-86582-284-3.
- ^ Franz Kaufmann, Vom Talisman Karls des Großen: Kanonikus Anton Joseph Blees und der Aachener Münsterschatz zur Zeit der französischen Revolution: Zwei Abhandlungen zur Geschichte des Münsterschatzes. Aachen: Creutzer, 1920.
- ISBN 978-3-7954-2827-3, p. 124.
Bibliography
- Franz Bock, Karls des Grossen Pfalzkapelle und ihre Kunstschätze: Kunstgeschichtliche Beschreibung des karolingischen Octogons zu Aachen, etc. Cologne – Neuß, 1866.
- Karl Faymonville, Das Münster zu Aachen (Die Kunstdenkmäler der Stadt Aachen vol. 1). Düsseldorf: Schwann, 1916.
- Ernst Günther Grimme, Der Aachener Domschatz. 2nd edition, Düsseldorf: Schwann, 1973.
- Otto Müller (Ed.), Der Aachener Domschatz. Königstein im Taunus: Langewiesche, 1976, ISBN 3-7845-0123-0.
- Herta Lepie, Die Domschatzkammer zu Aachen. Aachen: Aachen Cathedral Chapter, 1990.
- Herta Lepie, Georg Minkenberg, Die Schatzkammer des Aachener Domes. Aachen: Brimberg, 1995, ISBN 3-923773-16-1.
- Herta Lepie, Elfenbeinkunst aus dem Aachener Domschatz. Petersberg: Imhof, 2006, ISBN 3-86568-000-3.
- Herta Lepie, Georg Minkenberg, Der Domschatz zu Aachen. Regensburg: Schnell & Steiner, 2010, ISBN 3-795423-20-1.