Abstraction

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Abstraction is a process wherein general rules and concepts are derived from the usage and classification of specific examples, literal (real or concrete) signifiers, first principles, or other methods.

"An abstraction" is the outcome of this process—a concept that acts as a common noun for all subordinate concepts and connects any related concepts as a group, field, or category.[1]

Conceptual abstractions may be formed by filtering the information content of a concept or an observable phenomenon, selecting only those aspects which are relevant for a particular purpose. For example, abstracting a leather soccer ball to the more general idea of a ball selects only the information on general ball attributes and behavior, excluding but not eliminating the other phenomenal and cognitive characteristics of that particular ball.[1] In a type–token distinction, a type (e.g., a 'ball') is more abstract than its tokens (e.g., 'that leather soccer ball').

Abstraction in its secondary use is a material process,[2] discussed in the themes below.

Origins

Thinking in abstractions is considered by

modern human behaviour, which is believed[3] to have developed between 50,000 and 100,000 years ago. Its development is likely to have been closely connected with the development of human language
, which (whether spoken or written) appears to both involve and facilitate abstract thinking.

History

Abstraction involves induction of ideas or the synthesis of particular facts into one general theory about something. It is the opposite of specification, which is the analysis or breaking-down of a general idea or abstraction into concrete facts. Abstraction can be illustrated by Francis Bacon's Novum Organum (1620), a book of modern scientific philosophy written in the late Jacobean era[4] of England to encourage modern thinkers to collect specific facts before making any generalizations.

Bacon used and promoted

Thales (c. 624–546 BCE) believed that everything in the universe comes from one main substance, water. He deduced or specified from a general idea, "everything is water," to the specific forms of water such as ice, snow, fog, and rivers.

Modern scientists used the approach of abstraction (going from particular facts collected into one general idea).

Galileo
(1564–1642) repeated one hundred specific experiments into the law of falling bodies.

Themes

Compression

An abstraction can be seen as a

concrete". In this sense the process of abstraction entails the identification of similarities between objects, and the process of associating these objects with an abstraction (which is itself an object
).

For example, picture 1 below illustrates the concrete relationship "Cat sits on Mat".

Chains of abstractions can be

semantic abstractions such as the "idea" of a CAT, to classes of objects such as "mammals" and even categories such as "object
" as opposed to "action".

For example,
hierarchical taxonomy (such as the one mentioned involving cats and mammals), only a progressive exclusion of detail
.

Instantiation

Non-existent things in any particular place and time are often seen as abstract. By contrast, instances, or members, of such an abstract thing might exist in many different places and times.

Those abstract things are then said to be multiply instantiated, in the sense of picture 1, picture 2, etc., shown below. It is not sufficient, however, to define abstract ideas as those that can be instantiated and to define abstraction as the movement in the opposite direction to instantiation. Doing so would make the concepts "cat" and "telephone" abstract ideas since despite their varying appearances, a particular cat or a particular telephone is an instance of the concept "cat" or the concept "telephone". Although the concepts "cat" and "telephone" are abstractions, they are not abstract in the sense of the objects in graph 1 below. We might look at other graphs, in a progression from cat to mammal to animal, and see that animal is more abstract than mammal; but on the other hand mammal is a harder idea to express, certainly in relation to marsupial or monotreme.

Perhaps confusingly, some

sumbebekos
.

Material process

Still retaining the primary meaning of 'abstrere' or 'to draw away from', the abstraction of money, for example, works by drawing away from the particular value of things allowing completely incommensurate objects to be compared (see the section on 'Physicality' below). Karl Marx's writing on the commodity abstraction recognizes a parallel process.

The state (polity) as both concept and material practice exemplifies the two sides of this process of abstraction. Conceptually, 'the current concept of the state is an abstraction from the much more concrete early-modern use as the standing or status of the prince, his visible estates'. At the same time, materially, the 'practice of statehood is now constitutively and materially more abstract than at the time when princes ruled as the embodiment of extended power'.[9]

Ontological status

The way that physical objects, like rocks and trees, have

ontological
usefulness of the word "abstract". The word applies to properties and relations to mark the fact that, if they exist, they do not exist in space or time, but that instances of them can exist, potentially in many different places and times.

Physicality

A physical object (a possible referent of a concept or word) is considered concrete (not abstract) if it is a particular individual that occupies a particular place and time. However, in the secondary sense of the term 'abstraction', this physical object can carry materially abstracting processes. For example, record-keeping aids throughout the Fertile Crescent included calculi (clay spheres, cones, etc.) which represented counts of items, probably livestock or grains, sealed in containers. According to Schmandt-Besserat 1981, these clay containers contained tokens, the total of which were the count of objects being transferred. The containers thus served as something of a bill of lading or an accounts book. In order to avoid breaking open the containers for the count, marks were placed on the outside of the containers. These physical marks, in other words, acted as material abstractions of a materially abstract process of accounting, using conceptual abstractions (numbers) to communicate its meaning.[10][11]

Abstract things are sometimes defined as those things that do not exist in reality or exist only as sensory experiences, like the color red. That definition, however, suffers from the difficulty of deciding which things are real (i.e. which things exist in reality). For example, it is difficult to agree to whether concepts like God, the number three, and goodness are real, abstract, or both.

An approach to resolving such difficulty is to use predicates as a general term for whether things are variously real, abstract, concrete, or of a particular property (e.g., good). Questions about the properties of things are then propositions about predicates, which propositions remain to be evaluated by the investigator. In the graph 1 below, the graphical relationships like the arrows joining boxes and ellipses might denote predicates.

Referencing and referring

Abstractions sometimes have ambiguous referents. For example, "happiness" can mean experiencing various positive emotions, but can also refer to life satisfaction and subjective well-being. Likewise, "architecture" refers not only to the design of safe, functional buildings, but also to elements of creation and innovation which aim at elegant solutions to construction problems, to the use of space, and to the attempt to evoke an emotional response in the builders, owners, viewers and users of the building.

Simplification and ordering

Abstraction uses a

intuitive
or common experience between the communicator and the communication recipient. This is true for all verbal/abstract communication.

Conceptual graph for A Cat sitting on the Mat (graph 1)
Cat on Mat (picture 1)

For example, many different things can be red. Likewise, many things sit on surfaces (as in picture 1, to the right). The property of redness and the relation sitting-on are therefore abstractions of those objects. Specifically, the conceptual diagram graph 1 identifies only three boxes, two ellipses, and four arrows (and their five labels), whereas the picture 1 shows much more pictorial detail, with the scores of implied relationships as implicit in the picture rather than with the nine explicit details in the graph.

Graph 1 details some explicit relationships between the objects of the diagram. For example, the arrow between the agent and CAT:Elsie depicts an example of an

present participle SITTING and the nouns agent and location express the diagram's basic relationship; "agent is SITTING on location"; Elsie is an instance of CAT.[12]

Although the description sitting-on (graph 1) is more abstract than the graphic image of a cat sitting on a mat (picture 1), the delineation of abstract things from concrete things is somewhat ambiguous; this ambiguity or vagueness is characteristic of abstraction. Thus something as simple as a newspaper might be specified to six levels, as in Douglas Hofstadter's illustration of that ambiguity, with a progression from abstract to concrete in Gödel, Escher, Bach (1979):[13]

(1) a publication
(2) a newspaper
(3) The San Francisco Chronicle
(4) the May 18 edition of The San Francisco Chronicle
(5) my copy of the May 18 edition of The San Francisco Chronicle
(6) my copy of the May 18 edition of The San Francisco Chronicle as it was when I first picked it up (as contrasted with my copy as it was a few days later: in my fireplace, burning)

An abstraction can thus encapsulate each of these levels of detail with no

loss of generality
. But perhaps a detective or philosopher/scientist/engineer might seek to learn about something, at progressively deeper levels of detail, to solve a crime or a puzzle.

Thought processes

In

objects. But an idea can be symbolized.[14]

As used in different disciplines

In art

Typically, abstraction is used in the arts as a synonym for abstract art in general. Strictly speaking, it refers to art unconcerned with the literal depiction of things from the visible world—it can, however, refer to an object or image which has been distilled from the real world, or indeed, another work of art.[15] Artwork that reshapes the natural world for expressive purposes is called abstract; that which derives from, but does not imitate a recognizable subject is called nonobjective abstraction. In the 20th century the trend toward abstraction coincided with advances in science, technology, and changes in urban life, eventually reflecting an interest in psychoanalytic theory.[16] Later still, abstraction was manifest in more purely formal terms, such as color, freedom from objective context, and a reduction of form to basic geometric designs.[17]

In computer science

Computer scientists use abstraction to make models that can be used and re-used without having to re-write all the program code for each new application on every different type of computer. They communicate their solutions with the computer by writing source code in some particular computer language which can be translated into machine code for different types of computers to execute. Abstraction allows program designers to separate a framework (categorical concepts related to computing problems) from specific instances which implement details. This means that the program code can be written so that code does not have to depend on the specific details of supporting applications, operating system
software, or hardware, but on a categorical concept of the solution. A solution to the problem can then be integrated into the system framework with minimal additional work. This allows programmers to take advantage of another programmer's work, while requiring only an abstract understanding of the implementation of another's work, apart from the problem that it solves.

In general semantics

Abstractions and levels of abstraction play an important role in the theory of general semantics originated by Alfred Korzybski. Anatol Rapoport wrote "Abstracting is a mechanism by which an infinite variety of experiences can be mapped on short noises (words)."[18]

In history

Francis Fukuyama defines history as "a deliberate attempt of abstraction in which we separate out important from unimportant events".[19]

In linguistics

Researchers in

speech sounds in such a way as to neglect details that cannot serve to differentiate meaning. Other analogous kinds of abstractions (sometimes called "emic units") considered by linguists include morphemes, graphemes, and lexemes
.

Abstraction also arises in the relation between

designata
) abstracted from the language user; and syntax considers only the expressions themselves, abstracted from the designate.

In mathematics

Abstraction in mathematics is the process of extracting the underlying structures, patterns or properties of a mathematical concept or object, removing any dependence on real-world objects with which it might originally have been connected, and generalizing it so that it has wider applications or matching among other abstract descriptions of equivalent phenomena.

The advantages of abstraction in mathematics are:

  • It reveals deep connections between different areas of mathematics.
  • Known results in one area can suggest conjectures in another related area.
  • Techniques and methods from one area can be applied to prove results in other related area.
  • Patterns from one mathematical object can be generalized to other similar objects in the same class.

The main disadvantage of abstraction is that highly abstract concepts are more difficult to learn, and might require a degree of mathematical maturity and experience before they can be assimilated.

In music

In music, the term abstraction can be used to describe improvisatory approaches to interpretation, and may sometimes indicate abandonment of tonality. Atonal music has no key signature, and is characterized by the exploration of internal numeric relationships.[20]

In neurology

A recent meta-analysis suggests that the verbal system has a greater engagement with abstract concepts when the perceptual system is more engaged in processing concrete concepts. This is because abstract concepts elicit greater brain activity in the inferior frontal gyrus and middle temporal gyrus compared to concrete concepts which elicit greater activity in the posterior cingulate, precuneus, fusiform gyrus, and parahippocampal gyrus.[21] Other research into the human brain suggests that the left and right hemispheres differ in their handling of abstraction. For example, one meta-analysis reviewing human brain lesions has shown a left hemisphere bias during tool usage.[22]

In philosophy

Abstraction in philosophy is the process (or, to some, the alleged process) in concept formation of recognizing some set of common features in individuals, and on that basis forming a concept of that feature. The notion of abstraction is important to understanding some philosophical controversies surrounding empiricism and the problem of universals. It has also recently become popular in formal logic under predicate abstraction. Another philosophical tool for the discussion of abstraction is thought space.

John Locke defined abstraction in An Essay Concerning Human Understanding:

'So words are used to stand as outward marks of our internal ideas, which are taken from particular things; but if every particular idea that we take in had its own special name, there would be no end to names. To prevent this, the mind makes particular ideas received from particular things become general; which it does by considering them as they are in the mind—mental appearances—separate from all other existences, and from the circumstances of real existence, such as time, place, and so on. This procedure is called abstraction. In it, an idea taken from a particular thing becomes a general representative of all of the same kind, and its name becomes a general name that is applicable to any existing thing that fits that abstract idea.' (2.11.9)

In psychology

Carl Jung's definition of abstraction broadened its scope beyond the thinking process to include exactly four mutually exclusive, different complementary psychological functions: sensation, intuition, feeling, and thinking. Together they form a structural totality of the differentiating abstraction process. Abstraction operates in one of these functions when it excludes the simultaneous influence of the other functions and other irrelevancies, such as emotion. Abstraction requires selective use of this structural split of abilities in the psyche. The opposite of abstraction is concretism. Abstraction is one of Jung's 57 definitions in Chapter XI of Psychological Types.

There is an abstract thinking, just as there is abstract feeling, sensation and intuition. Abstract thinking singles out the rational, logical qualities ... Abstract feeling does the same with ... its feeling-values. ... I put abstract feelings on the same level as abstract thoughts. ... Abstract sensation would be aesthetic as opposed to sensuous sensation and abstract intuition would be symbolic as opposed to fantastic intuition. (Jung, [1921] (1971): par. 678).

In social theory

Social theorists deal with abstraction both as an ideational and as a material process. Alfred Sohn-Rethel (1899–1990) asked: "Can there be abstraction other than by thought?"[2] He used the example of commodity abstraction to show that abstraction occurs in practice as people create systems of abstract exchange that extend beyond the immediate physicality of the object and yet have real and immediate consequences. This work was extended through the 'Constitutive Abstraction' approach of writers associated with the Journal Arena. Two books that have taken this theme of the abstraction of social relations as an organizing process in human history are Nation Formation: Towards a Theory of Abstract Community (1996)[23] and an associated volume published in 2006, Globalism, Nationalism, Tribalism: Bringing Theory Back In.[24] These books argue that a nation is an abstract community bringing together strangers who will never meet as such; thus constituting materially real and substantial, but abstracted and mediated relations. The books suggest that contemporary processes of globalization and mediatization have contributed to materially abstracting relations between people, with major consequences for how humans live their lives.

One can readily argue that abstraction is an elementary methodological tool in several disciplines of social science. These disciplines have definite and different concepts of "man" that highlight those aspects of man and his behaviour by idealization that are relevant for the given human science. For example, homo sociologicus is the man as sociology abstracts and idealizes it, depicting man as a social being. Moreover, we could talk about homo cyber sapiens[25] (the man who can extend his biologically determined intelligence thanks to new technologies), or homo creativus[26] (who is simply creative).

Abstraction (combined with Weberian

idealization) plays a crucial role in economics - hence abstractions such as "the market"[27]
and the generalized concept of "business".[28] Breaking away from directly experienced reality was a common trend in 19th-century sciences (especially
Neoclassical economists created the indefinitely abstract notion of homo economicus by following the same procedure. Economists abstract from all individual and personal qualities in order to get to those characteristics that embody the essence of economic activity. Eventually, it is the substance of the economic man that they try to grasp. Any characteristic beyond it only disturbs the functioning of this essential core.[29]

See also

References

Citations

  1. ^
    touch and sight
    ."
  2. ^ a b Alfred Sohn-Rethel, Intellectual and manual labour: A critique of epistemology, Humanities Press, 1977
  3. ISSN 0964-0282
    .
  4. ^ Hesse, M. B. (1964), "Francis Bacon's Philosophy of Science", in A Critical History of Western Philosophy, ed. D. J. O'Connor, New York, pp. 141–52.
  5. ^ Klein, Jürgen (2016), "Francis Bacon", in Zalta, Edward N. (ed.), The Stanford Encyclopedia of Philosophy (Winter 2016 ed.), Metaphysics Research Lab, Stanford University, retrieved 2019-10-22
  6. PMID 16502614, archived from the original
    (PDF) on 2015-05-09
  7. ^ Murray Gell-Mann (1995) "What is complexity? Remarks on simplicity and complexity by the Nobel Prize-winning author of The Quark and the Jaguar" Complexity states the 'algorithmic information complexity' (AIC) of some string of bits is the shortest length computer program which can print out that string of bits.
  8. ^ Ross, L. (1987). The Problem of Construal in Social Inference and Social Psychology. In N. Grunberg, R.E. Nisbett, J. Singer (eds), A Distinctive Approach to psychological research: the influence of Stanley Schacter. Hillsdale, NJ: Earlbaum.
  9. ^ James, Paul (2006). Globalism, Nationalism, Tribalism: Bringing Theory Back In – Volume 2 of Towards a Theory of Abstract Community. London: Sage Publications., pp. 318–19.
  10. ^ Eventually (Schmandt-Besserat estimates it took 4000 years Archived January 30, 2012, at the Wayback Machine) the marks on the outside of the containers were all that were needed to convey the count. The clay containers evolved into clay tablets with marks for the count.
  11. sexagesimal number system
    was in use 2350–2000 BCE.
  12. .
  13. .
  14. Suzanne K. Langer
    (1953), Feeling and Form: a theory of art developed from Philosophy in a New Key: New York: Charles Scribner's Sons. 431 pages, index.
  15. ^ "abstract art". Encyclopædia Britannica. March 2024.
  16. ^ National Gallery of Art: Abstraction. Archived May 9, 2011, at the Wayback Machine
  17. ^ Rapoport, Anatol (1950). Science and the Goals of Man. New York: Harper & Bros. p. 68. quoted in: Gorman, Margaret (1962). General Semantics and Contemporary Thomism. Bison. Vol. 146. Lincoln: University of Nebraska Press. p. 43. . Retrieved 2018-05-26. Abstracting is a mechanism by which an infinite variety of experiences can be mapped on short noises (words).
  18. ^ . Retrieved 2018-08-04. [...] 'history' is not a given, not merely a catalog of everything that has happened in the past, but a deliberate attempt of abstraction in which we separate out important from unimportant events.
  19. ^ Washington State University: Glossary of Abstraction. Archived September 11, 2007, at the Wayback Machine
  20. S2CID 22661328
    .
  21. ^ James W. Lewis "Cortical Networks Related to Human Use of Tools" 12 (3): 211–231 The Neuroscientist (June 1, 2006).
  22. ^ . Retrieved 30 June 2021.
  23. ^ . Retrieved 30 June 2021.
  24. ^ Steels, Luc (1995). The Homo Cyber Sapiens, the Robot Homonidus Intelligens, and the 'Artificial Life' Approach to Artificial Intelligence. Brussels: Vrije Universiteit, Artificial Intelligence Laboratory.
  25. .
  26. ^ Jones, Campbell (26 April 2013). Can The Market Speak?. Winchester: John Hunt Publishing (published 2013). . Retrieved 30 June 2021. Scrutiny of the idea of the market will reveal that behind the category 'the market' lies abstraction upon abstraction.
  27. ^ Qalo, Ropate R. (1997). Small Business: A Study of a Fijian Family : the Mucunabitu Iron Works Contractor Cooperative Society Limited. Mucunabita Education Trust. pp. 18, 21. . Retrieved 30 June 2021. [...] the concept of abstraction to which business and money belong. [...] the business is allowed to function as an abstraction [...].
  28. ^ Galbács, Peter (2015). "Methodological Principles and an Epistemological Introduction". The Theory of New Classical Macroeconomics. A Positive Critique. Contributions to Economics. Heidelberg/New York/Dordrecht/London: Springer. pp. 1–52. .

Sources

Further reading

External links