Albanian art
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Albanian art (
At different times,
The centerpiece of medieval Albanian art started with the successor of the
During the
The
History
Early period
Within the boundaries of the present Albanian state, there have been several
During the Bronze Age, a number of Illyrian and Ancient Greek tribes started to emerge itself on the territory of Albania and established several artistic centers at the same time. Terracotta was widely used by both cultures most notably for reliefs and other architectural purposes. Quite a number of terracotta figures, among others from the Illyrians, were found near Belsh but besides that as well throughout Albania.[8][9][10]
The art of
From earliest times
The
Medieval Byzantine period
When the
The earliest icons of Albania date from the thirteenth century and generally estimated that their artistic peak reached in the eighteenth century.[1] No paintings before the thirteenth century, produced by Albanians, have been located to date.[1] Nonetheless few older structures in the country house different collections of paintings dating to the Byzantine period.
By the fifteenth century after the
The most famous Albanian painter was
The
Albanian Renaissance
In the nineteenth century, a significant era for Albanian art begins. The great liberation acts starting with
Kolë Idromeno is perhaps the most famous of the Realist painters in the country and often considered as the introducer of Realism in Albania.[22] Some artists captured the historical past and identity of Albanians in landscapes of vast forests, wide rivers, pristine lakes as well as portraits. Other artists have been focused on social criticism, showing the conditions of the people. By the early twentieth century, a radical artistic change occurred and experienced a patriotic renaissance. The year 1883 is dominated and celebrated for the creation of the most crucial and finest paintings The Portrait of Skanderbeg by Jorgji Panariti and Motra Tone by Kolë Idromeno.
Impressionism did not make itself evident among Albanian artists until after 1900. It did inspire numerous painters among them Vangjush Mio, the first impressionist painter of Albania.
By the middle of the twentieth century, a
Modern period
Although Albania left communism for democracy in 1991, scholars currently label Albanian artwork under the category of "
Alt post-modernism was only introduced fairly recently among Albanian artists, there are a number of artists and works known internationally. Among the most famous Albanian post-modernists are Anri Sala, Sislej Xhafa, Adrian Paci, Oltsen Gripshi, Vénera Kastrati and Helidon Gjergji.
Post-modern tendencies among Albanians were first spotted during the 1980s in Kosovo.[23]
Sculptures of national icons became popular throughout the country. In 1968, Sculptor Odhise Paskali (with help from fellow sculptors Andrea Mana and Janaq Paço) constructed a monument of Skanderbeg, Albania's national hero, in honor of the 500th anniversary of his death, and it is placed in the center of the capital city of Tirana.
The Tirana Biennale is the main contemporary, international art event. Founded in 2001 by Edi Muka, Gezim Qëndro, and Giancarlo Politi, it has enjoyed over the years the contribution of many international curators, like Francesco Bonami, Adela Demetja, Massimiliano Gioni, Jens Hoffmann, Hans Ulrich Obrist, and Harald Szeemann. Many famous Albanian and foreign artists are usually invited.[24]
Dedications
Through different times, various
In 1585, the
In 1809, the
Between 1827 and 1828, the French painter, Alexandre-Gabriel Decamps made a visit to Albania that resulted a great series of paintings illustrating the Albanians with their costumes.[28] Among his most impressive and renowned paintings include the Albanian Duel and Les Danseurs Albanais.
Another passionate British painter and poet include Edward Lear who travelled to Albania in 1848 where he was impressively inspired by Albanian landscapes.[29] He lavishly created a grandiose collection of paintings and drawings that depicted the culture, the traditions and lands of the Albanians exactly as it appeared.[15]
Individual works were created even earlier by distinguished authors such as Ary Scheffer (Gratë Suliote), Jean-Baptiste-Camille Corot (L'Albanaise), Eugène Delacroix (several works), Jean-Léon Gérôme (several works), John Singer Sargent (Albanian Olive Pickers), Amedeo Preziosi (Albanians Mercenaries), Erwin Speckter (Portrait of an Albanian women), Charles Bargue (Head of Young man) and William Linton (Albanian Mountains).
See also
- Architecture of Albania
- Culture of Albania
- Albanian Institute New York
- National Gallery of Figurative Arts of Albania
- List of art galleries in Albania
- List of public art in Albania
Further reading
- Brewer, Bob. My Albania. New York: Lion of Tepelena P, 1992.
- Halliday, Jon. The Artful Albanian. London: Rowland, 1986.
- Pollo, Stefanaq, and Arben Puto. The history of Albania: from its origins to the present day. London: Routledge & Kegan Paul, 1981.
- Muka, Edi. Albania Today. The Time of ironic Optimism. Milan, Politi Editore, 1997.
- Schwander-Sievers, Stephanie, and Bernd J. Fischer. Albanian Identities. London: Hurst & Company, 2002.
References
- ^ a b c "Icons from the Orthodox Communities of Albania - COLLECTION OF THE NATIONAL MUSEUM OF MEDIEVAL ART, KORCË" (PDF). helios-eie.ekt.gr. p. 20.
- ^ Walker Art Gallery. Annual Report and Bulletin of the Walker Art Gallery, Liverpool.
Andrea Alessi, architect and sculptor, was a native of Durazzo in Albania and possibly of local rather than Italian origin.
- ^ Babinger, Franz (1962). "L'origine albanese del pittore Marco Basaiti (ca. 1470 - ca. 1530)". Atti. Istituto Veneto di Scienze, Lettere ed Arti, Classe di Scienze Morali e Lettere. CXX: 497–500.
- ISBN 9780300121889.
- ^ Ceka 2013, p. 25.
- ^ Templer 2016, p. 227.
- ^ Templer 2016, p. 221.
- doi:10.1002/xrs.945.
- ^ John Bagnell Bury; Stanley Arthur Cook; Frank Ezra Adcock (1996). The Cambridge Ancient History: The Augustan Empire, 43 B.C.-A.D. 69, 2nd ed., 1996 - Band 10 von The Cambridge Ancient History, Iorwerth Eiddon Stephen Edwards. University Press, 1996.
- ^ "Bashkia Belsh". qarkuelbasan.gov.al (in Albanian). Retrieved 10 December 2010.
- ISBN 9780815550525.
- ISBN 9780520920262.
- ISBN 9780521224963.
- ISBN 9781317606000.
- ^ a b c d Ferid Hudhri. "2.10. FINE /VISUAL ARTS" (PDF). seda.org.al. p. 2.[permanent dead link]
- ^ Fjalori Enciklopedik Shqiptar, Akademia e Shkencave - Tiranë, 1984 (MOZAIKU I DURRËSIT ME PORTRETIN E NJE GRUAJE, page 726)
- ^ "KONFERENCA E DYTË E STUDIMEVE ALBANOLOGJIKE" (PDF). albanianorthodox.com (in Albanian). Tirana. p. 2.
- ^ Dorina Arapi. "Visual representations of Constantinople/ Istanbul and other images in mural paintings and artifacts of the late Ottoman centuries in Albania". researchgate.net.
- ^ Edmond Manahasa; İlknur Aktug Kolay. "Observations on the existing Ottoman mosques in Albania" (PDF). az.itu.edu.tr. Archived from the original (PDF) on 2020-09-27. Retrieved 2018-02-14.
- ^ Dorina Arapi. "Visual representations of Constantinople/ Istanbul and other images in mural paintings and artifacts of the late Ottoman centuries in Albania". researchgate.net.
- ISBN 9780761418528.
- ISBN 978-9992753675.
- ^ "Shkëlzen Maliqi, Umelec Magazine". Archived from the original on 2008-02-06. Retrieved 2009-09-18.
- ^ TICA
- ISBN 9789995687779.
- ^ John Galt (1835). The life of Lord Byron. Harvard University: Harper & Brothers, 1835. pp. 96–100.
- ISBN 9783990120736.
- ISBN 9780824027148.
- ISBN 9780810873803.
Sources
- Ceka, Neritan (2013). The Illyrians to the Albanians. Tirana: Nigjeni. ISBN 9789928407467.
- Templer, Michael (2016). What happened to the Southern European hunter-gatherers at the advent of farming, between Western Anatolia and the head of the Adriatic Sea (9000-4500 BC)?: A narrative description based on the archaeological record (PhD). Université de Neuchâtel.