Amanda Lear

Source: Wikipedia, the free encyclopedia.

Amanda Lear
Ariola Records
  • Five Records
  • Carrere Records
  • Ricordi International
  • Chène Music
  • ZYX Music
  • Le Marais Productions
  • Edina Music
  • Just Good Music for Your Ears
  • Little Boom Records
    • Websitewww.amandalear.com

    Amanda Lear (née Tap or Tapp;[1][2] born 18 June or 18 November 1939 or 1941[9] or 1946[12][13] or 1950[14]) is a French singer, songwriter, painter, television presenter, actress and former model.[15]

    She began her professional career as a fashion model in the mid-1960s and went on to model for

    Ariola Records, primarily impacting continental Europe and Scandinavia. Lear's first four albums earned her mainstream popularity, charting in the top 10 of European charts, including the best-selling Sweet Revenge (1978). Her bigger hits included "Blood and Honey", "Tomorrow", "Queen of Chinatown", "Follow Me", "Enigma (Give a Bit of Mmh to Me)", "The Sphinx", and "Fashion Pack
    ".

    By the mid-1980s, Lear had become a leading media personality in Italy, hosting many popular TV shows. Although television took priority over musical activity,[16] she continued to record, experimenting with different genres and trying to revive her career by re-recording and remixing earlier hits to various levels of success. Lear has also developed a successful career in painting,[17] which she has long described as her biggest passion,[18] and regularly exhibited her works in galleries across Europe and beyond since the early 1980s.[19][20] She has also written a number of books, including My Life with Dalí.

    Since the 1990s, her time has been divided among music, television, movies and painting. Despite regular album releases, she failed to achieve major success in the charts with her music, but her television career has remained stellar and she has hosted numerous primetime TV shows, mostly in Italy and France, occasionally making guest appearances in TV series. She has performed acting and dubbing roles in independent as well as in major film productions. In the late 2000s, Lear reinvented herself as a theatrical actress, performing in long-running stage plays in France. To date, she allegedly has sold over 27 million records worldwide.[21] Lear is also a widely recognized gay icon.[22][23]

    Early life

    Lear's origins are unclear, with the singer providing different information about her background and keeping her birth year a secret from her long-term husband Alain-Philippe.[24] Contested facts include her birth date and place, the gender she was assigned at birth, names and nationalities of her parents and the location of her upbringing. Most sources claim 18 June 1939,[25][26] including Bibliothèque nationale de France[27] or 18 November 1939 to be her birth date, including GEMA. Her birth year, though, has variously been given as 1941,[10] 1946[13] and 1950. During a 2010 interview with French newspaper Libération, Lear presented her identity card to the journalist, which read: "born 18 November 1950 in Saigon".[8] Georges Claude Guilbert claims, "Most biographers believe she was born in 1939, whatever she might declare to the contrary."[5]

    As for her birthplace, Saigon and British Hong Kong seemed to be the most credible,

    French Republic, her birth surname was Tapp.[1][33] In a 1976 interview with Carmen Thomas for a German television show, Lear stated that her father was British, her mother was Russian and that they both had died.[34] However, Lear later stated in a 1978 interview that she had a younger brother, her mother was Mongolian and they were both living together in a small town in the Pyrenees on the French-Spanish border.[35] In 2021, she confirmed she was born in Saigon.[3]

    Lear allegedly grew up in the South of France and in Switzerland,[36] or between London and Paris,[8] or in Nice.[37][38] She learned English, German, Spanish and Italian in her teens and would use multilingualism in her professional life. The academic Georges Claude Guilbert claims, "Linguists observe that she has a French accent when she speaks (and sings) in English".[5]

    The Guardian, on 23 December 2000, summarized the information relating to these aspects of Lear's life as follows:[10]

    Lear's background remains a mystery. She has variously let it be known that her mother was English or French or Vietnamese or Chinese, and that her father was English, Russian, French or Indonesian. She may have been born in Hanoi in 1939, or Hong Kong in either 1941 or 1946. Once she said she was from Transylvania. And to this day, it is a matter of conjecture as to whether she was born a boy or a girl.

    Career

    1965–1974: Modelling and the Swinging London period

    Salvador Dalí had a profound impact on Lear's painting career as well as her personal life.[39]

    Amanda Lear was introduced to the eccentric Spanish surrealist painter

    Port Lligat in Catalonia, Spain, and accompanied him and his wife on trips to Barcelona, Madrid, Paris and New York. She also took part in his art projects, posing for a number of Dalí's drawings and paintings, including Angélus de Millet - Amanda (1968),[41] Roger Freeing Angelica (St. George and the Damsel) (1970),[42] Bateau Anthotropic (1971),[43][44] and Exploding Head (1982).[45][46] Dalí and Lear would later collaborate on a giant seven-foot-wide by four-foot high collage fan.[47] Lear can be found as Temperance in Salvador Dali's Tarot, in which she claimed to have assisted Dalí in the completion of the collages.[48]

    In 1965, Lear moved to London and began working as a cabaret artist. A July 1965 newspaper report about a robbery at her home described her as the strip-tease artist "Amanda Tapp, professionally known as Peki d'Oslo".[49] An American newspaper described her in October 1965 as "one of the leading stripping stars on the European cabaret circuit".[50]

    On 11 December 1965 in the UK, she married Morgan Paul Lear, an architecture student,

    Révillon Frères in 1967,[62] and in 1968 played a minor role in the French comedy film Ne jouez pas avec les Martiens and also in the 1968 British psychedelic film Wonderwall.[63] After Jones' death, Lear moved with hippie friends to Elvaston Place, South Kensington, in London. Lear recalled: "We smoked joints, took LSD, Jimi Hendrix came by when he had no place to sleep."[8] In New York, Lear became a fixture at Max's Kansas City, partying every night with Andy Warhol and friends, to the point of neglecting some of her modelling duties, saying : "Do you even think I could have been ready and spotless by 8 A.M. as they wanted me to be ?".[64][65]

    In 1971, Lear modelled for a special Christmas issue of the French edition of

    Tatler.[73] Lear was also one of the four gossip columnists for Ritz Magazine.[74]

    1974–1983: The disco period with Ariola Records

    In 1974, disillusioned by a shallow and conservative fashion industry and encouraged by her boyfriend Bowie,

    Ariola, which offered her a seven-year, six-album recording contract for a sum of money that Lear since has described as "astronomic".[70] Her debut album, I Am a Photograph, released in 1977, was recorded in Munich with most songs composed by Monn who later produced majority of her material in the disco era. The album included Lear's first European hit "Blood and Honey", as well as the follow-up Italian no. 1 single "Tomorrow", and covers of Nancy Sinatra's "These Boots Are Made for Walkin'" and Leroy Anderson's "Blue Tango". I Am a Photograph's mixture of lush disco, schlager, kitsch and camp, topped with Lear's deep half-spoken, half-sung vocals and her characteristic Franglais accent was a successful combination. The second edition of I Am a Photograph, which also contained German no. 2 hit "Queen of Chinatown", included a free pin-up poster with Lear posing topless, a photo originally featured in a Playboy spread. Lear allegedly had affairs with Keith Moon and Jimmy Page.[78][79][80]

    Lear performing on a Dutch TV show at the height of her singing career, 1978

    In 1978, Lear continued her line of disco hits with

    gold in West Germany[82] and France,[83] and went on to sell in excess of four million copies, spawning further European hit singles "Gold" and "Enigma (Give a Bit of Mmh to Me)". Lear took part in three Italian productions in 1978: a war-time parody Zio Adolfo in arte Führer, a softporn documentary Follie di notte directed by Joe D'Amato, and a six-episode controversial TV show Stryx. Later in 1978, Lear and Monn teamed for Never Trust a Pretty Face. The album featured a variety of genre exercises like the dance version of a war-time classic "Lili Marleen", the interpersonal ballad "The Sphinx", the cabaret-esque "Miroir", futuristic tracks "Black Holes" and "Intellectually", as well as the hit disco single "Fashion Pack (Studio 54)
    ".

    In late 1978, at a fashionable Parisian discothèque Le Palace, a French equivalent of Studio 54, Amanda Lear met French aristocrat Alain-Philippe Malagnac d'Argens de Villèle, the former lover and then adopted son of diplomat and controversial novelist Roger Peyrefitte.[84]

    She married him on 13 March 1979, while on a trip to the United States. The marriage lasted 21 years, until Malagnac's death on 16 December 2000, when he was killed by smoke in a fire at their farmhouse in Saint-Étienne-du-Grès.[85] He died just six weeks after Roger Peyrefitte.

    This marriage is not official for the French state. Dalí and his wife Gala both strongly disapproved of the relationship and attempted to persuade Lear to have the marriage annulled. As a consequence of this, and also the time taken up by Lear's successful career in music and television, she and her mentor began drifting apart. They sporadically kept in touch via letters and telephone through the early and mid-1980s, especially after Gala's death in 1982. Lear visited Dalí one last time at Púbol, Spain, a few years before the painter died.

    In the early '80s, she had her first art exhibition in Paris.[86] According to Lear, it happened in 1979.[40]

    In late 1979, Lear recorded Diamonds for Breakfast, which was her commercial breakthrough in the Scandinavian market (top 10 in both Sweden and Norway[87]), producing hits "Fabulous (Lover, Love Me)" and "Diamonds", plus regional single releases "Japan", "When" and the autoerotic "Ho fatto l'amore con me". The album abandoned the Munich disco sound with its lush strings and brass arrangements in favour of an electronic new wave rock style. Lear spent most of 1980 on European promotional tours for the album and its many accompanying single releases, from Greece to Finland. She also made her first visit to Japan, where both the single "Queen of Chinatown" and the Sweet Revenge album had charted. Two non-album singles followed the Diamonds for Breakfast album in late 1980: a pop cover of Eric "Monty" Morris's early ska hit "Solomon Gundie" and the chanson-esque "Le Chat de gouttière", the latter with both music and lyrics written by Lear and recorded for francophone markets.

    The Lear/Monn album success saga neared its end in 1981 when Lear had become increasingly uncomfortable with the expectations and pressures of the music business in general and her own record label in particular. At the artistic and commercial peak of her international career, but with the so-called "

    synthpop take on the pop classic "Fever". This was Lear's final collaboration with producer Anthony Monn. Shortly thereafter, she took legal action against the Ariola label on the grounds of artistic differences to be released from her recording contract. The lawsuit was unsuccessful, and she remained with Ariola until the end of 1983, as stipulated in the original contract. In 1982, another Italian language single, the ballad "Incredibilmente donna", was released on the greatest hits compilation Ieri, oggi
    .

    The double A-side single "Love Your Body"/"Darkness and Light", released in the spring of 1983, was produced by Monn's sound engineer Peter Lüdemann rather than Monn. These were Lear's final Munich recordings for Ariola and her final promotional appearance on West Germany's most important music TV show at the time, Musikladen, in June 1983. Lear's international career momentum was slowing and effectively ended in December 1983 with her sixth and final Ariola album under contractual obligation. Tam-Tam, a collaboration with Italian composers and producers, was a modern and minimalist early 1980s synthpop album with a soundscape dominated by Roland TR-808 drum machines and sequencer-programmed synthesizers. Lear again wrote all the English lyrics for the album. Although she performed some of the songs from the album on the popular Italian TV show Premiatissima, she did not promote Tam-Tam in West Germany or any other parts of Europe and neither did the record company. As a consequence, Tam-Tam passed by unnoticed by the international record-buying public.

    1983–1999: Television career and comeback attempts

    Lear launched a very successful and lucrative career as a TV presenter in Italy, thanks to the future prime minister Silvio Berlusconi, soon becoming a household name in that country. She hosted many successful TV shows there, including Premiatissima and W le donne (the latter adapted in France as Cherchez la femme), where she frequently promoted her music. The singer recorded a string of dance singles for various European labels: "Assassino" and "Ritmo Salsa" in 1984, followed by "No Credit Card" and "Women" in 1985. A mini album titled A L, with four covers of classic songs, including Marilyn Monroe's "Bye Bye Baby" and "As Time Goes By" from the film Casablanca, was recorded for Five Records and released in 1985. Her music career, however, had waned by that point, and she had failed to find chart success with her recordings at that time. In late 1985, Lear appeared in a series of TV spots for Fiat. She had written her first book, the autobiography My Life with Dalí, about her long relationship with the famous painter. Originally published in French, the book was translated into other languages in the second half of the 1980s.

    After several years as a TV entertainer in Italy on

    Secret Passion, a post-disco Hi-NRG affair produced by Christian De Walden, was recorded in Los Angeles and Rome for major French label Carrere Records. The album was to be her comeback in Continental Europe, Scandinavia, the Eastern Bloc, South America and Japan, as well as a breakthrough attempt in English-speaking countries. These were the only major markets that Lear had not conquered during the Ariola years. The launch was planned for January 1987, however, just before promotion began, Lear was seriously injured in a near-fatal car accident and took months to recover, unable to promote the record properly.[89] Secret Passion's commercial success was less than hoped for, and the lead single "Wild Thing" was ultimately released in a few countries such as France, Italy and Greece. While in hospital, Lear began writing a novel, L'Immortelle, a surrealistic tale of the torments of a woman doomed to eternal youth and beauty.[90] Watching everyone else grow older and eventually losing all her loved ones, the woman is still as beautiful but unable to stop the merciless passage of time.[91]

    Lear at the Cannes Film Festival in 1990

    A series of re-recordings of her old hits appeared on the market in the late 1980s, starting with a synthpop take of the biggest hit, "Follow Me", in 1987. The following year, Italian band

    CCCP Fedeli alla linea recorded a cover of her song "Tomorrow", retitled "Tomorrow (Voulez-vous un rendez-vous)", for which Lear contributed guest vocals. The single was a minor hit in Italy and Amanda's first chart success in that country in six years. In 1989, DJ Ian Levine remixed "Follow Me" and "Gold" in a Hi-NRG fashion, while Lear hosted Ars Amanda on Rai 3, an Italian chat show where she interviewed both Italian and international celebrities and politicians in bed.[70][92] From the late 1980s, Lear has been a regular participant in the popular French radio show Les Grosses Têtes on RTL, televised on Paris Première. To maintain her popularity in Italy, she recorded Uomini più uomini, an all-Italian language album, which included mainstream pop material written among others by Giorgio Conte [it], Paolo Conte's brother[93][94] No single was released to promote the album and it turned out a commercial failure. The same year, Amanda re-recorded some of the songs in French and cut the dance single "Métamorphose" for the French-Italian re-release of the album Tant qu'il y aura des hommes. In 1990, she released an up-tempo, promotional-only single, "Do You Remember Me?" and took part in Thierry Mugler
    's fashion show.

    Lear continued to record more dancefloor-friendly repertoire in the 1990s, starting with the 1992 song "Fantasy", which became a hit in European clubs.

    late night TV show Peep! in Germany, also known as Beware of the Blondes,[96] which she hosted for one year. The show, which used her song "Peep!" as the opening music theme, became remarkably popular in Germany, achieving over 50% of the market share.[70] In June 1995, she performed at a 1970s disco music tribute concert La fièvre du disco in Paris alongside Boney M. and Gloria Gaynor In autumn, the singer released Alter Ego, an upbeat Eurodance offering. Again, the album was unsuccessful and did not produce any hits. As an active supporter of people suffering from HIV/AIDS, Lear made an appearance in 1996 as a model for Paco Rabanne during an annual charity event Life Ball.[97] During her November 1996 concert at Le Palace in Paris, the singer announced her definitive departure from touring and performing live, and although she sporadically gave concerts in the following years, her live acts have been limited mostly to short TV appearances.[98]

    Lear released Back in Your Arms in Spring 1998, an album consisting of re-recordings of her own 1970s disco hits and remixed versions of tracks from the 1995 album Alter Ego. The album failed to make much impact on the market, but the re-recordings have been featured on many mid-price compilations in Europe. Back in Your Arms was re-released with a slightly different track list and title, and a remix of "Blood and Honey" was released as the single. Her next acting and television ventures were the French movie Bimboland, in which she starred alongside Gérard Depardieu, and an Italian makeover TV show Il brutto anatroccolo. The theme tune to the latter was "Nuda", a cover version of Melina Mercouri's 1960 recording "Never on Sunday", which Lear recorded but never released commercially. On the set of Il brutto anatroccolo Lear met model and actor Manuel Casella [it], some 30 years her junior. Lear and Casella began a long-term relationship and were featured prominently in the tabloid press in France and Italy, before splitting in 2008.[99]

    2000–present: Recent career

    Lear contributed vocals for a cover of Giorgio Moroder's 1970s hit "From Here to Eternity", recorded in 2000 with Eric D. Clark. In the morning of 16 December 2000, a fire broke out in Lear's house in Saint-Étienne-du-Grès, killing her husband Alain-Philippe, and his friend Didier Dieufis.[100] At the time of the accident, Lear was in Milan, where she was hosting a TV show. The fire left the house in ruins, destroying personal memorabilia and a number of Dalí's paintings.[101][102] As a result of the accident, she fell into depression,[103] but soon returned to work and put on an art exhibition titled Not a. Lear.[104] At the end of 2001, she returned with the album Heart, dedicated to the late husband. The album offered a cover of "Love Boat", the title song from the 1970s TV series of the same name, and the club-friendly track "I Just Wanna Dance Again", both issued as singles featuring remixes by some prominent names in the world of French dance music, such as Laurent Wolf and Junior Vasquez.

    In 2002, Lear starred in Le Défi,

    Dancing with the Stars, and released two dance singles, "Paris by Night" and the remake of Barry Manilow's "Copacabana", as well as two compilations, Forever Glam! and Sings Evergreens. In 2006, Lear opened an art exhibition in New York, titled Never Mind the Bollocks, Here's Amanda Lear,[106] and was decorated with the Ordre des Arts et des Lettres by the French Minister of Culture Renaud Donnedieu de Vabres in recognition of her contributions to French arts and sciences.[1] A compilation was released, the 3 CD The Sphinx – Das Beste aus den Jahren 1976–1983, fully covering the singer's Ariola output. In October, the album With Love was released in France. It won critical acclaim in France and was released in the rest of Europe in early 2007. Lear made several appearances in movies, including acting in Oliviero Rising and dubbing for the French version of Dragon Hunters. In 2008, she hosted several TV shows in Italy and France.[107][108]

    In 2009, Lear accepted the part of Cécile in the comedy Panique au ministère, which debuted at the Théâtre de la Porte Saint-Martin in Paris. The show turned out to be a huge success and was taken on tour.[109] The same year, she dubbed the voice of Fish in the German movie Lacoma directed by Christopher Roth.[25] Her next album Brief Encounters, was released in autumn 2009, preceded by the single "Someone Else's Eyes", a duet with Italian singer-producer Deadstar. The following month, Lear released the autobiography Je ne suis pas celle que vous croyez... (I am not who you think...) and the EP Brand New Love Affair. The title song was released as the lead single, accompanied by an animated music video. Brief Encounters was partly re-recorded and remixed and then released in Acoustique and Reloaded versions. Boy George remixed "Someone Else's Eyes" in 2010. In April 2011, Lear released the single "Chinese Walk", and joined the judging panel of the Italian TV show Ciak... si canta! on Rai 1. She dubbed the voice of Janet the Lioness in the French version of Zookeeper. In September, Lear returned to theatre for the lead role in Lady Oscar, an adaptation of Claude Magnier's 1958 play Oscar, at the Théâtre de la Renaissance in Paris. The play was another success[110] and was taken on tour.[111]

    Her album I Don't Like Disco was released in January 2012, and the single "La Bête et la Belle" sparked controversy due to its erotic imagery.[112][113] In September 2012, Lear appeared as a catwalk model on Jean Paul Gaultier's fashion show in Paris[114][115] and in 2013 started playing the leading part in the play Divina at the Théâtre des Variétés in Paris. In Spring 2014, she released My Happiness, a tribute album with covers of Elvis Presley's songs, promoted by the single and video "Suspicious Minds". In 2015, she recorded the duet "Mai più" with Italian singer Gianluca De Rubertis [it] for his album L'universo elegante. The pair then teamed for the ballad "Prima del tuo cuore" for Lear's next album Let Me Entertain You, released in May 2016. Her play La Candidate, a sequel to Panique au ministère, opened in 2016 at the Théâtre de la Michodière[116] and was subsequently taken on tour across France. At the time of an interview in the Italian program Domenica in on 16 October 2016, Lear had planned a retirement immediately after completing the La Candidate tour in Spring 2017,[117][118] however, she had to cancel a number of final dates due to health issues.[119] In 2018, she worked on the dubbing for French and Italian versions of Incredibles 2, hosted the TV show Voulez-vous coucher avec moi ? on Cielo,[120][121] and released another book, Délires.[122] In 2019, Lear joined the judging panel of the Italian TV show Sanremo Young on Rai 1. In 2020, Lear starred in Si Muore Solo Da Vivi directed by Alberto Rizzi and in Miss directed by Ruben Alves.[123][124] In 2021, she appears in TV drama Camping Paradis [fr] in France.[125] In September, Lear returned to theatre to play Joan Crawford in Qu'est-il arrivé à Bette Davis et Joan Crawford ? [fr], a play about Bette Davis and Joan Crawford in the war they fought on the set of What Ever Happened to Baby Jane? The play was directed by Michel Fau at the Théâtre de la Porte Saint-Martin in Paris.[126][127][128][129][130]

    She released a new album called Tuberose in 2021.

    She is portrayed by Andreja Pejić in the film Dalíland, released in 2023.[131]

    A 2025 HBO documentary compares and contrasts the life stories of April Ashley and Amanda Lear[132] and includes a new interview with Lear conducted by the director Zackary Drucker. The interview focusses on Lear's own version of her personal history and gender identity, and how it contrasts with the accounts of her contemporaries.[133] Provisionally titled April & Amanda, the film screened at the Sundance Film Festival in January 2025 as Enigma.[134]

    Gender identity

    Allegations that Lear was a drag queen or intersex circulated from the beginning of Lear's modelling and singing careers.[135] Her alleged transgender background was commented on by Salvador Dalí himself[136] and remarked upon in the media and in the biographies of those who knew Lear earlier in her life, including Dalí;[137][138] author Ian Gibson devoted an entire chapter to Lear in his biography of Dalí.[29]

    drag acts under the stage name "Peki d'Oslo".[140] Similar facts have been reported by Romy Haag, a transgender artist living in Germany, who ran the popular nightclub Chez Romy in Berlin and knew Lear.[141]

    Some sources say that Dalí sponsored Lear's

    sex reassignment surgery in Casablanca in 1963, carried out by Georges Burou[142][10][143] and also that Dalí invented the stage name for her, a pun of the Catalan language
    "L'Amant de Dalí" ('Dalí's lover').

    In 1978, Lear posed nude for Playboy.[9]

    Despite Lear denying transgender allegations on numerous occasions and explaining they were part of a strategy to draw public attention,[144] the allegations continued to persist. In 1976, Lear stated that it was "a crazy idea from some journalist"[34] and later claimed that the rumour had been started by Dalí or even herself.[145][146]

    However, French,[147] British and Italian[148][149] newspapers and magazines in the 1960s and 1970s and more recently in 2008[150] and 2011[151] and a 2016 article in La Stampa included passport details and an alleged reproduction of a copy of Lear's birth certificate, which states that she was given the name Alain Maurice Louis René Tap on 18 June 1939 in Saigon.[139] The article included an alleged picture of Lear before her alleged transition.[139]

    Discography

    Main article: Amanda Lear discography
    Studio albums and main compilations

    Filmography

    Main article: Amanda Lear filmography

    Theater

    • 2009-2011 : Panique au ministère written by Jean Franco & Guillaume Mélanie, directed by Raymond Acquaviva
    • 2011-2013 : Lady Oscar written by Guillaume Mélanie, directed by Éric Civanyan
    • 2013-2014 : Divina written by Jean Robert-Charrier, directed by Nicolas Briançon
    • 2016-2017 : La Candidate written by Jean Franco & Guillaume Mélanie, directed by Raymond Acquaviva
    • 2021-2022 : Qu’est-il arrivé à Bette Davis et Joan Crawford ? written by Jean Marboeuf, directed by Michel Fau
    • 2024 : The Scientific Cardplayer written by Jean Franco & Guillaume Mélanie, directed by Raymond Acquaviva

    Books

    • 1984 : Lear, Amanda (1984).
      OCLC 461749441
      .       (autobiography)
    • 1987 : Lear, A (1987). L'Immortelle (in French). Paris:
      OCLC 461837831
      . (novel)
    • 1994 : Lear, A (1994).
      OCLC 807550048. (reprint of Le Dalí d'Amanda, with a foreword by Paco Rabanne
      )
    • 2004 : Lear, A (2004). Mon Dalí (in French). Neuilly-sur-Seine: Éditions Michel Lafon.
      OCLC 56012321
      . (reprint of Le Dalí d'Amanda)
    • 2006 : Lear, A; Galerie Claudius (2006). Between dream and reality. Norderstedt:
      OCLC 180929230
      . (collected arts)
    • 2009 : Lear, A (2009). Je ne suis pas du tout celle que vous croyez… (in French). Paris:
      OCLC 468417957
      . (autobiography)
    • 2018 : Lear, A; Dieudonné, Frédéric (2018). Délires (in French). Paris:
      OCLC 1078361743
      . (collection of meditations and anecdotes)

    Notes

    1. ^ According to other sources, she was born in Hong Kong[9] or Hanoi.[10][11]

    References

    1. ^ a b c d "Nominations dans l'Ordre des Arts et Lettres de juillet 2006". Ministère de la Culture et de la Communication (in French). Retrieved 6 June 2010.
    2. ^ a b c d General Register Office for England and Wales. 4. Vol. 5A. Chelsea, London, General Register Office, Southport, England. 1837–2005. p. 1452.

      Name: Amanda Tap; Event Type: Marriage Registration; Event Place: Chelsea, London, England; Registration District: Chelsea; County: London; Registration Year: 1965; Registration Quarter: Oct-Nov-Dec; Page: 1452; Affiliate Line Number: 167; Volume: 5A; Spouse Name (available after 1911): Lear; Possible Spouse: Morgan P Lear.
    3. ^ a b Élodie Suigo (20 September 2021). "Amanda Lear à contre-emploi sur les planches dans "Qu'est-il arrivé à Bette Davis et Joan Crawford" : "C'est une thérapie pour moi"" (audio) (in French). France Info.
    4. ^ Federica Rosato (11 April 2020). "Amanda Lear: chi è, età, carriera, curiosità e vita privata". ilcorrieredellacitta.com (in Italian). Archived from the original on 22 January 2021. Retrieved 15 January 2021.
    5. ^
      LCCN 2018019336
      .
    6. OCLC 718104990
      .
    7. ^ a b Patrick Renard (June 2013). "Amanda Lear travestie" (PDF). Jukebox magazine. No. 318. p. 28. Archived from the original (PDF) on 13 October 2019.
    8. ^ a b c d e f g h i j k Dahan, Eric (16 August 2010). "Drôle de dame" [Funny lady]. Libération (in French). Archived from the original on 23 December 2023. Retrieved 23 December 2023.
    9. ^ a b c "Muse Amanda Lear Defends Being Alone to Artist Francesco Vezzoli". Document Journal. 28 February 2018.
    10. ^ a b c d e Anthony, Andrew (23 December 2000). "The bizarre career of Amanda Lear (At the court of Queen Lear)". The Observer. Retrieved 6 June 2010.
    11. ^ Oliver de Weert (2022). "Sphinx mit Sex-Appeal" (in German). arte-magazin.de. Retrieved 24 February 2024.
    12. ^ "Discographie Amanda Lear" (in French). lescharts.com. Retrieved 21 March 2024.
    13. ^ a b Neidhart, Didi (24 February 2002). "Amanda Lear - In Every Dreamhome A Heartache". Skug.at (in German). Retrieved 16 July 2018.
    14. ^ "Biography — Amanda Lear". amandalear.com. Retrieved 9 February 2024.
    15. ^ "Amanda Lear". YouTube. 8 November 2012.
    16. ^ Monica Romanò (2002). "Le trasformazioni di Amanda" (in Italian). gqonline.it. Archived from the original on 2 April 2003. Retrieved 28 December 2018.
    17. ^ Carsten Weidemann (15 February 2007). "Amanda Lear zeigt ihre Malerei" (in German). queer.de. Retrieved 28 December 2018.
    18. ^ Pantella, Marco (22 October 2014). "An Interview with Amanda Lear". The Ground. Archived from the original on 14 July 2018. Retrieved 14 July 2018.
    19. ^ "Eventi Mostre. Sogni Miti Colori 07/06/2008-30/06/2008 Pietrasanta (LU), Toscana". Eventi e sagre.it (in Italian). Retrieved 28 February 2013.
    20. ^ "A Londra le esclusive opere di Amanda Lear in mostra con artisti talentuosi". Spoleto Arte.it (in Italian). 10 May 2017. Retrieved 15 July 2018.
    21. ^ Finos, Arianna (28 July 2016). "La regina Lear: "Che orrore la disco music, quanta robaccia ho fatto ma non-ho più rimpianti"". la Repubblica (in Italian). Retrieved 23 July 2018.
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    Bibliography

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