Ariel Ramírez
Ariel Ramírez | |
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Born | Santa Fe, Argentina | 4 September 1921
Died | 18 February 2010 Monte Grande, Buenos Aires, Argentina | (aged 88)
Occupations |
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Ariel Ramírez (4 September 1921 – 18 February 2010) was an Argentine composer, pianist and music director. He was considered "a chief exponent of Argentine folk music" and noted for his "iconic" musical compositions.[1]
Ramírez is known primarily for his Misa Criolla (1964).[2][3] It allowed him to travel around Europe and Latin America to build his reputation.[3] However, he wrote more than 300 compositions during his career, and sold over 10 million albums.[4][5][6]
Biography
Ariel Ramírez was born in
Following a suggestion from Yupanqui, he visited the northeastern part of Argentina, and deepened his research into the traditional rhythms of South America. He spent time in Mendoza and Buenos Aires.[3] At the same time continuing his academic studies as a composer at the National Conservatory of Music, in Buenos Aires.[3] He made his first recording in 1946, with RCA; he made twenty records with that label until 1956.[3] Plácido Domingo, José Carreras and Mercedes Sosa are some of the artists to have recorded his work.[2] He was also associated with Miguel Brascó and Félix Luna.[4]
Ramírez went on to study classical music in Madrid, Rome and mainly in Vienna, from 1950 to 1954. Back in Argentina, he collected over 400 folk and country songs and popular songs and founded the Compañía de Folklore Ariel Ramírez.[7]
Ramírez had two daughters, Mariana and Laura, and a son, Facundo.[8] (NB: The Washington Post reported in error that he had two sons.)[5] He married musicologist Norma Inés Cuello de Ramírez.[9][10]
Compositions
In 1964, the Ramírez composition Misa Criolla marked the beginning of a period of high musical productivity for the composer, which also heralded the premieres of the works Navidad Nuestra and La Peregrinación (both 1964); Los Caudillos (1965); Mujeres Argentinas (1969), and Alfonsina y el mar (1969), all produced in collaboration with writer Félix Luna. Misa Criolla and Alfonsina y el mar are probably his best-known compositions.
Misa Criolla
Misa Criolla was one of the first masses not in Latin shortly after the Second Vatican Council permitted use of the vernacular in Catholic churches.[2][5] The Washington Post wrote that the Misa Criolla is "widely regarded as a stunning artistic achievement, [that] combined Spanish text with indigenous instruments and rhythms".[5] It led to album sales numbering in the millions internationally.[5] Ramírez once told The Jerusalem Post how Misa Criolla was inspired by a visit to Germany after World War II.[5] While there, he had an encounter with two of 5 sisters (siblings, not nuns), who had regularly risked their lives bringing food to prisoners of the Nazis in their neighbourhood, which led him to consider writing "a spiritual piece". This would eventually become the Misa Criolla.[5]
The Misa—a 16-minute
"Alfonsina y el mar"
While not sharing the same worldwide success,[citation needed] Alfonsina y el mar enjoys great popularity in Latin America and Spain, being one of the most well regarded songs in Argentine folk music. The piece pays homage to poet Alfonsina Storni, evoking her tragic suicide in 1938, when she threw herself into the sea at La Perla beach in Mar del Plata, and the poem she wrote as a goodbye message, I Am Going to Sleep. Artists of the stature of Mercedes Sosa, Nana Mouskouri, Violeta Parra, Alfredo Kraus, Avishai Cohen and José Carreras (with Pasión Vega) have made recordings of the song, as well as many other popular singers including Shakira, Ane Brun, Miguel Bosé, Andrés Calamaro and Paloma San Basilio.
Other
Other major compositions by Ramírez include the Cantata Sudamericana (again with text by Félix Luna, 1972) and another mass, the "Mass for Peace and Justice" (Misa por la paz y la justicia, 1981), with liturgical texts by Félix Luna and Osvaldo Catena, which is also quite famous.[2] He wrote more than 300 compositions during his career.[4] With Luna he created the Mercedes Sosa hits Mujeres Argentinas (Argentine Women), which documented women fighting for their freedom, and Cantata Sudamericana (South American Cantata).[5]
Along with the Hamlet Lima Quintana, Ramírez also composed the music for Spanish film director Carlos Saura's TV film Los Cuentos de Borges: El Sur, which is based on the short story El Sur by Argentine author Jorge Luis Borges.[12]
Society of Authors and Composers of the Argentine Republic
Ramírez was first elected president of the Society of Authors and Composers of the Argentine Republic (
Death
Ramírez developed
See also
References
- ^ a b "Argentine Folk Icon Ariel Ramirez Dies". Latin American Herald Tribune. Archived from the original on 7 August 2017. Retrieved 21 February 2010.
- ^ a b c d "Argentinian composer Ariel Ramírez dies". Radio Netherlands Worldwide. 19 February 2010. Retrieved 21 February 2010.
- ^ a b c d e f g h "He was the creator of "Misa Criolla": Ariel Ramírez dies at 88". Buenos Aires Herald. Retrieved 21 February 2010.
- ^ a b c d e "Art & Culture: Argentine pianist and composer Ariel Ramirez has died". Momento24. 19 February 2010. Retrieved 21 February 2010.
- ^ a b c d e f g h i j k Adam Bernstein (21 February 2010). "Ariel Ramirez dies; Argentine composer wrote 'Misa Criolla'". The Washington Post. Retrieved 21 February 2010.
- ^ Vitale, Cristian (11 March 2017). "Una obra cumbre de la música popular | A 50 años del estreno de Misa Criolla". PAGINA12 (in Spanish). Retrieved 19 April 2023.
- ^ a b La Nación (2/18/2010) (in Spanish)
- ^ René Vargas Vera (21 February 2010). "El último adiós al pianista y compositor Ariel Ramírez". La Nación. Retrieved 12 July 2013.
- ^ Alicia Agüero. "Dirección Nacional de Artes". Archived from the original on 6 January 2015. Retrieved 12 July 2012.
- ^ Publicación oficial (29 September 2011). "Boletín Oficial, Gobierno de la Ciudad Autónoma de Buenos Aires" (PDF). Retrieved 12 July 2013.
- ^ Elley, Derek. "El Sur", Variety (magazine), New York City, 2 December 1992. Posted on 1992-12-01.
- ^ La Nación (1/19/2001) (in Spanish)