Arthur Hughes (artist)
Arthur Hughes (27 January 1832 – 22 December 1915) was an English painter and illustrator associated with the Pre-Raphaelite Brotherhood.
Biography
Hughes was born in London. In 1846 he entered the art school at
In 1855 Hughes married Tryphena Foord, his model for April Love. They had five children of whom one, Arthur Foord Hughes,[4] also became a painter. Hughes died in Kew Green, London in 1915,[5] leaving about 700 known paintings and drawings, along with over 750 book illustrations. Following the death of Tryphena Hughes in 1921, their daughter Emily had to move to a smaller house. There was, therefore, a shortage of space. As a result, she had her father's remaining preparatory sketches, and all his private papers and correspondence, destroyed. He was the uncle of Edward Robert Hughes.
Hughes is buried in Richmond Cemetery.[6]
Works
His best-known paintings are April Love and The Long Engagement, both of which depict troubled couples contemplating the transience of love and beauty. They were inspired by John Everett Millais's earlier "couple" paintings but place far greater emphasis on the pathos of human inability to maintain the freshness of youthful feeling in comparison to the regenerative power of nature. April Love was purchased from Hughes by William Morris.
Like Millais, Hughes also painted
The oil portrait Springtide, first exhibited in Dublin in 1855, features his wife Tryphena.
In 1857 Hughes was persuaded by Dante Gabriel Rossetti to join with the group of young artists who were to head to Oxford to paint the walls of the newly-finished debating chamber of the Oxford Union Society. Rossetti had chosen the Legend of King Arthur as the theme of frescoes and Hughes was delegated to paint a panel depicting The Death of Arthur. Unfortunately the walls were not properly prepared for the paintings and they soon deteriorated and now only the barest outlines remain of the works.[7]
Illustrations
Although most of Hughes' later paintings are not well regarded, it is considered that the black and white drawings of his later career were some of his best. He illustrated several books, including Tom Brown’s Schooldays (1869), George Macdonald's At the Back of the North Wind (1871) and The Princess and the Goblin (1872) and Christina Rossetti’s Sing Song (1872) and Speaking Likenesses (1874).[8]
He also produced numerous illustrations for
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The King's Orchard
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Musidora Bathing
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That was a Piedmontese ...
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Rosalind in As You Like It
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The Potter's Courtship
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Margaret Lushington, Mrs Stephen Langton Massingberd
See also
- List of Pre-Raphaelite paintings - includes catalogue of Arthur Hughes' work with links to individual paintings' articles.
- List of British painters
Notes
- ISBN 978-1-884446-05-4. Retrieved 29 April 2019.
- ^ One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1922). "Hughes, Arthur". Encyclopædia Britannica (12th ed.). London & New York: The Encyclopædia Britannica Company.
- ^ "Arthur Hughes, portrait study for 'The Proscribed Royalist'". Royal Academy of Arts. Retrieved 11 April 2019.
- Birmingham Museums & Art Gallery. Retrieved 4 January 2016.
- ^ "Death of a well-known artist". Western Daily Press. 24 December 1915. Retrieved 22 January 2016.
- ISBN 9780752461830.
- ^ Morrah, Herbert Arthur (1923). The Oxford Union 1823-1923. London: Cassell and Sons. pp. 166–191.
- ISBN 9780486269559.
External links
- Hughes: Pre-Raphaelite Painter & Book Illustrator (archive copy at archive.org)
- Arthur Hughes at PreRaphaelites.org, Birmingham Museums & Art Gallery
- Works by Arthur Hughes at Project Gutenberg
- Works by or about Arthur Hughes at Internet Archive
- Hughes at ArtMagick.com (archived 2006-10-23)
- Arthur Hughes at Invaluable.com
- Arthur Hughes at Library of Congress, with 20 library catalogue records
- 66 artworks by or after Arthur Hughes at the Art UK site