Oxford Union murals

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The unfinished mural painted by Rossetti. Note the blank wall space.

Rossetti's design for Sir Lancelot's Vision of the Holy Grail

The Oxford Union murals (1857–1859) are a series of

Arthurian myth
.

The murals were commissioned by

A close up of Jane Burden, later Morris, in Rossetti's Sir Lancelot's Vision of the Holy Grail
The murals compete with the light from the windows

The process of painting the murals was notoriously chaotic. Ruskin said that the artists were "all the least bit crazy and it's very difficult to manage them."[2] As the murals were painted directly onto the wall without plaster or adequate underpainting they began to suffer decay very quickly.[2] William Morris later completely repainted his design for the ceiling.

Rossetti's main work was Sir Lancelot's Vision of the Holy Grail. Burne-Jones painted Nimue brings Sir Peleus to Ettarde after their Quarrel. Morris executed Sir Palomides' jealousy of Sir Tristram and Iseult, though his work has been described as “poorly and clumsily painted, but the background of leaves and flowers” revealed his skills in design.[3]

A view of the murals of the Oxford Union Society Library at night time

Jane Burden, who would later marry William Morris, first appears as a model in the Oxford murals. Burden was noticed by Rossetti and Burne-Jones when she was visiting an Oxford theatre with her sister. Struck by Jane's beauty, they sought her to model for them.

In 1906 Rossetti's Pre-Raphaelite colleague William Holman Hunt, who had not been directly involved, wrote a book on the history of the decorations.

See also

Notes

  1. ^ Richard W. Barber, The Holy Grail: imagination and belief, Harvard University Press, 2004, p.267.
  2. ^ a b c Clare A. P. Willsdon, Mural painting in Britain 1840-1940: image and meaning, Oxford University Press, 2004, p.258.
  3. ^ C. Wood, The Pre-Raphaelites, London: Seven Dials, 1981, p. 110