Benedikt Schack
Benedikt Emanuel Schack[1] (Czech: Benedikt Žák) (7 February 1758 – 10 December 1826) was a composer and tenor of the Classical era, a close friend of Mozart and the first performer of the role of Tamino in Mozart's opera The Magic Flute.
Early life
Benedikt Schack (also spelled as Žák, Ziak, Cziak or Schak) was born on 7 February 1758 in
In 1786, Schack joined the traveling theatrical troupe of Emanuel Schikaneder, working both as a tenor and as a composer of Singspiele. The troupe settled in Vienna in 1789, performing in the suburban Theater auf der Wieden.
Friendship and collaborations with Mozart
It was around this time that Schack became a friend and professional colleague of Mozart, who was gradually increasing his involvement with Schikaneder's troupe. Schack apparently asked his friend for advice and help in composing,[4] and the level of assistance evidently increased. The following anecdote was published in the Baierisches Musik-Lexikon by Felix Joseph von Lipowsky (Munich, 1811):
Mozart often came to Schack to fetch him for a stroll; while Schack dressed he would sit at the writing desk and compose here and there a piece in Schack's operas. Thus several passages in Schack's operas derive from Mozart's own hand and genius.[5]
In 1790, Schack and his fellow singer-composers of the Schikaneder troupe collaborated to write an opera This fairy-tale opera can be considered a kind of precursor to The Magic Flute; it employed much the same cast in similar roles.
When The Magic Flute (music by Mozart, libretto by Schikaneder) premiered in 1791, Schack took the role of Tamino. According to the
Only two months after the Magic Flute premiere, Mozart died. According to a story that first appeared in an anonymous obituary of Schack in 1827, 36 years after Mozart's death, the two men participated in a rehearsal of Mozart's Requiem on the last day of Mozart's life.[10]
On the very eve of his death, Mozart had the score of the Requiem brought to his bed, and himself (it was two o'clock in the afternoon) sang the alto part; Schack, the family friend, sang the soprano line, as he had always previously done, Hofer, Mozart's brother-in-law, took the tenor, Gerl, later a bass singer at the Mannheim Theater, the bass. They were at the first bars of the Lacrimosa when Mozart began to weep bitterly, laid the score on one side, and eleven hours later, at one o'clock in the morning (of 5 December 1791, as is well known), departed this life.
Mozart wrote a set of eight variations (K. 613) on Schack's aria "Ein Weib ist das herrlichste Ding" from the Singspiel Der dumme Gärtner.
Later life
Later, Schack moved on to posts in Graz (1793) and Munich (1796). With the decline of his singing voice, he retired in 1813 and lived on a pension. He died in Munich[11] on 10 December 1826.
Toward the end of his life, Schack was sent a letter by the former
Schack was married to the former Elisabeth Weinhold, who was also a singer; she took the role of the Third Lady in the Magic Flute premiere.
Assessment
Testimony for Schack's abilities as a singer comes from Leopold Mozart, who heard his debut performance with the Schikaneder troupe while it was visiting Salzburg in 1786. Leopold described Schack in a letter Leopold wrote to his daughter Maria Anna (Nannerl), who was living in nearby St. Gilgen:
The new tenor hired by Schikaneder arrived yesterday. He sings excellently well and has a beautiful voice, with an easy and flexible throat and a beautiful method. For this reason another opera, La Frascatana, will be given so that the public can hear him on next Wednesday ... This man truly sings very beautifully."[12]
Schack's collaborative opera Der Stein der Weisen has recently been revived, prompted by the discovery of an early manuscript copy, by Boston Baroque under Martin Pearlman; the work has received favorable reviews.[13] Bampton Classical Opera performed it in 2002.
Notes
- ^ Literature by and about Benedikt Schack in the German National Library catalogue
- ^ Grove Dictionary
- ^ Heartz (2007, 272)
- ^ The source here is the preface to an 1831 edition of Schack's A Mass for Four Voices and Orchestral Accompaniments published by Vincent Novello. Novello had learned of Mozart's assistance from the Mozart's widow Constanze during a trip to Salzburg in 1829 (Buch 1997, 195).
- ^ Quoted from Buch (1997, 195). Buch adds: "Lipowsky was not a part of the Viennese circle, so this account probably comes from Schack himself, who was working in Munich at the time." A later letter from Constanze Mozart, quoted below, also supports the story.
- ^ "On Mozart's Partial Autograph of the Duet "Nun, liebes Weibchen", K.625/592a" by David J. Buch, in Journal of the Royal Musical Association, No. 124 (1999), pp. 53–85 (via academia.edu)
- ^ Buch 1997, 196
- ^ The traditional view given by Grove is not corroborated by any reliable source and is challenged by Albrecht (2005), who suggests that the flutist Anton Dreyssig played Tamino's flute music from the orchestra pit, with Schack miming his playing, as tenors generally do today.
- ^ The Baierisches Musik-Lexicon by Felix Joseph Lipowsky, cited in Deutsch 1965, 514
- ^ Deutsch (1965, 536–7). The obituary appeared in the Allgemeine musikalische Zeitung, issue of July 25, 1827, and is likely to reflect a story told to the author by Schack himself.
- ^ Grove Dictionary
- ^ Translation from Heartz (2007, 272). "Easy and flexible throat" renders the German "leicht geläufige Gurgel"; "good technique" renders "schöne Methode". La Frascatana was an opera by Giovanni Paisiello.
- ^ See "Telarc International". Archived from the original on June 29, 2007. Retrieved June 21, 2007.
References
- ISBN 0-85115-794-7.
- Buch, David J. (1997) "Mozart and the Theater auf der Wieden: New attributions and perspectives," Cambridge Opera Journal 9: 195–232.
- Buch, David J., "Three Posthumous Reports Concerning Mozart in his Late Viennese Years", Eighteenth-Century Music 2/1, (Cambridge University Press, 2005), 125–129.
- Deutsch, Otto Erich (1965) Mozart: A Documentary Biography. English translation by Eric Blom, Peter Branscombe, and Jeremy Noble. Stanford, CA: Stanford University Press.
- The New Grove Dictionary of Music and Musicians, online edition, article "Benedikt Schack". Copyright Oxford University Press 2007. This article also contains a list of works composed by Schack.
- Grove Dictionary of Opera, online edition, article "Benedikt Schack". Oxford University Press 2007.
- Heartz, Daniel (2007) Haydn, Mozart, and early Beethoven: 1781–1802. New York: Norton.