Bhimpalasi
Thaat | Kafi[1] |
---|---|
Type | Audava-sampurna |
Time of day | Early afternoon, 12–3[1] |
Pakad | Ṉ̣ S M ❟ M G̱ P M ❟ G̱ M G̱ R S |
Vadi | M̄[1] |
Samavadi | S[1] |
Similar |
Hindustani classical music |
---|
Concepts |
Genres |
Thaats |
Bhimpalasi or Bheempalasi (also known as Bhimpalas or Bheempalas) is a Hindustani classical raga.
Raga Bhimpalasi belongs to the
Theory
The raga has komal Ni and Ga. Rishabh (second) and dhaivat (sixth) are skipped in āroha (ascending) passages, but are given due importance when descending (avroha). Since the scale has 5 notes ascending and all 7 descending, the resulting jāti is Audav–Sampūrṇa.[1] It is performed in the early afternoon, from 12:00 P.M. to 3:00 P.M. (the third prahar of the day).[4]
Use of dhaivat and rishabh is symmetrical in that both are approached via the succeeding notes (D from Ṉ, and R from G̱).G̱ is sung with a kaṇ-svara (grace note) of M. Similarly, Ṉ is sung with a kaṇ-svara from S.
- Vadi Swar: M[3][1]
- Samavadi Swar: S[3][1]
- Thaat: Kafi[3][1]
- Pakad or Chalan: Ṉ̣ S M ❟ M G̱ P M ❟ G̱ M G̱ R S[c][3]
Bandish Examples
A bandish is a composition in Hindustani classical music. Both of the following bandishes are examples of Bhimpalasi.
Bandish by Naimat Khan "Sadarang"
Sthāyi | Antara: | ||
---|---|---|---|
Devanāgarī | IAST | Devanāgarī | IAST |
जा जा रे अपने मन्दिरवा ।
सुन पावे गि (मोरि) सासनन दिया ॥ |
jā, jā re apane mandiravā
suna pāve gi (mori) sāsanana diyā |
सुन हो सदारंग तुमको चाहत है ।
क्या तुम हमको चलन किया ॥ (or, क्या तुम हमको ठगन दिया ॥) जा जा रे... |
suna ho Sadāraṅg, tumako cāhata hai
kyā tuma hamako calana kiyā (or, kyā tuma hamako ṭhagana diyā) jā, jā re (repeat the sthāyi) |
This bandish is set in Teental. Pandit Jasraj is known for having sung this particular bandish; it is also in the repertoire of Sanjeev Abhyankar.
Prominent Bandish(Composition) by Acharya Dr. Pandit Gokulotsavji Maharaj "MadhurPiya"
The Bandish Initials(Bandish Name): "Gāo Bajāo Sab Mil Ātā Umaṅg So"
The Bandish is set in tāla Ektal[5]
Organisation and relationships
Related/similar ragas:
- In Karnataka Devagandhariis the most similar raga, falling with Melakarta 22 (Karaharapriya).
Behaviour
The madhyam (fourth) is the most important note. It is also a nyāsa-svara (resting note) with emphasized elaboration around this note - S G̱ M ❟ M G̱ M ❟ G̱ M P ❟ M P G̱ M P ( M ) G̱ ( M ) G̱ M[d].
Film songs
Language: Hindi
Language: Tamil
Note that the following songs are composed in Abheri, the equivalent of raga Bhimpalasi in Carnatic music.
Song | Movie | Year | Composer | Singer |
---|---|---|---|---|
Yaanai Thandham Pole | Amarakavi | 1952 | G. Ramanathan, T. A. Kalyanam | M. K. Thyagaraja Bhagavathar, P. Leela |
Thanga Nilavil | Thirumanam | 1958 | S. M. Subbaiah Naidu, T. G. Lingappa | A. M. Rajah, Jikki |
Vaarai Nee Vaarai | Manthiri Kumari | 1950 | G. Ramanathan | Thiruchi Loganathan, Jikki |
Kannan Mananilayai | Deivathin Deivam | 1962 | S. Janaki | |
Singaravelane Deva | Konjum Salangai | 1962 | S. M. Subbaiah Naidu | |
Kungumam Piranthathu Marathila | Paattondru Ketten | 1971 | C. Ramchandra | P. Suseela
|
Isai Thamizh | Thiruvilaiyadal | 1965 | K. V. Mahadevan | T. R. Mahalingam |
Kadhalaagi | Thiruvarutchelvar | 1967 | T. M. Soundararajan, Master Maharajan | |
Gangai Karai Thottam | Vanambadi | 1963 | P. Suseela
| |
Komatha Engal Kulamatha | Saraswati Sabatham
|
1966 | ||
Velodu Vilaiyaadum Murugaiyaa | Chitrangi | 1964 | Vedha | |
Radhaiyin Nenjame | Kanimuthu Paappa | 1972 | T. V. Raju (Credits Only) | |
Nalama Nalama | Ival Oru Pournami | 1986 | T. K. Ramamoorthy | |
Pazhamuthir Solaiyilae | Kuzhandaiyum Deivamum | 1965 | M. S. Viswanathan | |
Raagangal Pathinaaru | Thillu Mullu | 1981 | S. P. Balasubrahmanyam | |
Poo Malaiyil | Ooty Varai Uravu | 1967 | T. M. Soundararajan, P. Susheela | |
Malarnthum Malaradha | Pasamalar | 1961 | Viswanathan–Ramamoorthy | |
Thendral Urangiya Podhum | Petra Maganai Vitra Annai | 1958 | A. M. Rajah & P. Susheela | |
Anbu Megame | Engamma Sapatham | 1974 | Vijaya Bhaskar | S. P. Balasubrahmanyam, Vani Jairam |
Vanil Vazhum | Uruvangal Maralam | 1983 | S. V. Ramanan | |
Kuyile Kavikuyile | Kavikkuyil | 1977 | Illayaraja
|
S. Janaki |
Chendoora Poove | 16 Vayathinile | |||
Vasantha Kaala Kolangal | Thyagam | 1978 | ||
Naatham En Jeevanae | Kaadhal Oviyam
|
1982 | ||
Chinna Chiru Vayathil | Meendum Kokila | 1981 | K. J. Yesudas, S. P. Sailaja | |
Megam Karukkuthu | Anandha Ragam
|
1982 | K. J. Yesudas, S. Janaki | |
Velakku Vetcha | Mundhanai Mudichu | 1983 | Illayaraja, S. Janaki
| |
Poovae Poochudava | Poove Poochooda Vaa | 1985 | K. J. Yesudas(ver 1), K. S. Chithra (ver 2) | |
Poombaaraiyil Pottu Vaicha | En Uyir Kannamma | 1988 | Ilaiyaraaja | |
Velli Golusu | Pongi Varum Kaveri | 1989 | Arunmozhi, K. S. Chithra | |
Kallidasan Kannadasan | Soorakottai Singakutty | P. Jayachandran, P. Susheela | ||
Poonkaaviyam
(Natbhairavi in Charanam) |
Karpoora Mullai | 1991 | P. Suseela, K. S. Chithra
| |
Sangathamizh Kaviye
(Ragamalika: Abheri, Bageshri, Sumanesa Ranjani) |
Manathil Uruthi Vendum
|
1987 | K. J. Yesudas, K. S. Chithra | |
Dhevadhai Poloru | Gopura Vasalile | 1991 | Malaysia Vasudevan, Mano, Deepan Chakravarthy, S. N. Surendar | |
Ennai Thottu | Unna Nenachen Pattu Padichen | 1992 | S. P. Balasubrahmanyam, Swarnalatha | |
Mayilaadum Thoppil | Chinna Pasanga Naanga | 1992 | S. P. Balasubrahmanyam, S. Janaki | |
Orellam Un Pattuthan | Orellam Un Pattu | 1991 | K. J. Yesudas, Swarnalatha(Pathos) | |
En Paattu En Paattu | Poomani | 1996 | Illayaraja
| |
Punnaivana Ponguiyile | Sevanthi | 1994 | Arunmozhi, Swarnalatha | |
Adi Aasai Machaan | Kummi Paattu | 1999 | ||
Kanne Yen Kanmaniye | Kavithai Paadum Alaigal | 1990 | Mano, K. S. Chithra | |
Unn Manasile Paattuthaan | Paandi Nattu Thangam | 1989 | S. P. Balasubrahmanyam, K. S. Chithra | |
Poovendrum Ponne Endrum | Dhuruva Natchathiram | |||
Guruvayurappa | Pudhu Pudhu Arthangal
|
1989 | ||
Deviye Naan Saranam | Thanga Thamaraigal | 1991 | ||
Muththamizhe Muththamizhe | Raman Abdullah | 1997 | ||
Kumbhabhisekham Koyiluku | Veera Thalattu | 1998 | ||
Medhuva Meduva | Annanagar Mudhal Theru | 1988 | Chandrabose | |
Saravana Poikayil | Poramai | 1980 | S.D.Sekar | K. J. Yesudas,B.S.Sasirekha |
Thanimayile | Sattam Oru Iruttarai | 1981 | Shankar–Ganesh | S. N. Surendar, S. Janaki |
Vennila Mugham Paduthu | Jyothi Malar | 1986 | K. J. Yesudas, Vani Jairam | |
Poove Nee Yaar Solli | Thaniyatha Thagam | A. A. Raj | Malaysia Vasudevan, S. Janaki | |
Kannodu Kaanbadhellam | Jeans | 1998 | A. R. Rahman | Nithyashree Mahadevan
|
Taniye Taniye | Rangeela | 1995 | S. Janaki | |
Mel Isaiyae | Mr. Romeo | 1996 | Swarnalatha, Unni Menon, Srinivas, Sujatha | |
Muppadhu Nimidam | Parasuram | 2003 | P. Unnikrishnan, Sujatha Mohan | |
Sahana | Sivaji: The Boss | 2007 | Chinmayi, A. R. Rahman
| |
Nagumo | Arunachalam | 1997 | Deva | Hariharan, K. S. Chithra |
Sempattu Poove | Purusha Lakshanam | 1993 | S. P. Balasubrahmanyam, K. S. Chithra | |
Pathinettu Vayadhu | Suriyan
|
1992 | S. P. Balasubrahmanyam, S. Janaki | |
Un Marbile Vizhi Moodi(Reused Tune) | Ninaithen Vandhai | 1998 | K. S. Chithra & chorus | |
Poothirukkum Vaname | Pudhayal | 1997 | Vidyasagar | Hariharan, Uma Ramanan |
Malare Oru Varthai | Poomagal Oorvalam | 1999 | Siva | Hariharan, Sujatha Mohan |
Sollamalae | Poove Unakkaga | 1996 | S. A. Rajkumar | P. Jayachandran, Sujatha, Sunandha |
Oru Vaartha Kekka | Ayya | 2005 | Bharadwaj | Sadhana Sargam, KK |
Aasai Oviyam | Manjal Veiyil | 2009 | Bharadwaj | |
Pudhu Kadhal | Pudhukottaiyilirundhu Saravanan | 2004 | Yuvan Shankar Raja | Chinmayi
|
Engeyo Paartha | Yaaradi Nee Mohini | 2008 | Udit Narayan | |
Endhan Uyir Thozhiyae | Winner | 2003 | ||
Unakkul Naane | Pachaikili Muthucharam | 2007 | Harris Jayaraj | Bombay Jayashri |
Kana Kaangiren | Ananda Thandavam
|
2009 | G. V. Prakash Kumar | Nithyashree Mahadevan, Shubha Mudgal , Vinita, Uluwissu Santhoshan Suarez
|
Uyire Uyire | Ellame En Kadhali
|
1994 | M. M. Keeravani | Mano, K. S. Chithra |
Ya Ya Yadhava | Devaraagam | 1996 | K. S. Chitra
| |
Nee Korinal | 180 | 2011 | Sharreth | Karthik, Shweta Mohan |
Konjam Thenkasi(Charanam in Nattai) | Thenkasi Pattanam | 2002 | Suresh Peters | K.S. Chitra, Srinivas ,Sriram
|
Kannamma | Ispade Rajavum Idhaya Raniyum | 2019 | Sam C. S. | Anirudh Ravichander |
See also
Notes
- ^ Alternate notations:
- Carnatic: Ṇ₂ S G₂ M₁ P N₂ Ṡ
- Western: B♭ C E♭ F G B♭ C
- ^ Alternate notations:
- Carnatic: Ṡ N₂ D₂ P M₁ G₂ R₂ S
- Western: C B♭ A G F E♭ D C
- ^ Alternate notations:
- Carnatic: Ṇ₂ S M₁ ❟ M₁ G₂ P M₁ ❟ G₂ M₁ G₂ R₂ S
- Western: B♭ C F 𝄒 F E♭ G F 𝄒 E♭ F E♭ D C
- ^ Alternate notations:
- Carnatic: S G₂ M₁ ❟ M₁ G₂ M₁ ❟ G₂ M₁ P ❟ M₁ P G₂ M₁ P M₁ G₂ M₁ G₂ M₁
- Western: C E♭ F 𝄒 F E♭ F 𝄒 E♭ F G 𝄒 F G E♭ F G F E♭ F E♭ F
References
Sources
- Bor, Joep; Rao, Suvarnalata (1999). The Raga Guide: A Survey of 74 Hindustani Ragas. Nimbus Records with Rotterdam Conservatory of Music. p. 40. ISBN 9780954397609.
- Bhimpalāsi Rāga (Hin), The Oxford Encyclopaedia of the Music of India. Oxford University Press. ISBN 9780195650983. Retrieved 12 October 2018.
- Gosvami, O. (1957). The Story Of Indian Music. Bombay: Asia Publishing House.