Computer Music Center

Source: Wikipedia, the free encyclopedia.

The Computer Music Center (CMC) at Columbia University is the oldest center for electronic and computer music research in the United States. It was founded in the 1950s as the Columbia-Princeton Electronic Music Center.

Location

The CMC is housed in Prentis Hall, 632 West 125th Street, New York City, across the street from Columbia's 17-acre Manhattanville campus. The facility consists of a large graduate research facility specializing in computer music and multimedia research, as well as composition and recording studios for student use. Projects to come out of the CMC since the 1990s include:

The director of the CMC is

David Soldier, Anna Meadors, and Ben Holtzman, as well as visiting faculty who give seminars every year. In collaboration with the Visual Arts Program in the Columbia University School of the Arts, the Computer Music Center offers a Sound Art MFA Program directed by Miya Masaoka
. The program was founded in 2014 by Douglas Repetto who served as Director until 2016.

History

The forerunner of the Columbia-Princeton Electronic Music Center was a studio founded in the early 1950s by

tape, the studio soon branched out into all areas of electronic music research. The center was officially established with a grant from the Rockefeller Foundation in 1959 which was used to finance the acquisition of the RCA Mark II Sound Synthesizer
from its owner, RCA.

RCA Mark II Sound Synthesizer, Computer Music Center at Columbia University

The center's flagship piece of equipment, the RCA Mark II Sound Synthesizer, was delivered in 1957 after it was developed to Ussachevsky and Babbitt's specifications. The RCA (and the center) were re-housed in

Columbia-Princeton Electronic Music Center
, which was produced principally on the RCA synthesizer.

The "Victor" (nickname of RCA Mark II Sound Synthesizer) at the CMC was one of the first synthesizers. Exponents thought it would replace the orchestra, but it turned out to be difficult to keep consistent. Instead it was given to Columbia which used it to teach avant-garde electronic musicians.

Most of the luminaries in the field of electronic music (and avant-garde music in general) visited, worked, or studied at the Electronic Music Center, including Edgard Varèse, Chou Wen-chung, Halim El-Dabh, Michiko Toyama, Bülent Arel, Mario Davidovsky, Charles Dodge, Pril Smiley, Alice Shields, Wendy Carlos, Dariush Dolat-Shahi, Kenjiro Ezaki and Luciano Berio. The center also acted as a consulting agency for other electronic music studios in the Western Hemisphere, giving them advice on optimum studio design and helping them purchase equipment.

The staff engineers at the center under

Serge Modular
synthesizers.

By the late 1970s the Electronic Music Center was rapidly nearing obsolescence as its classical

analog tape techniques were being surpassed by parallel work in the field of computer music. By the mid-1980s the Columbia and Princeton facilities had ceased their formal affiliation, with the Princeton music department strengthening its affiliation with Bell Labs and founding a computer music studio under Godfrey Winham and Paul Lansky (see Princeton Sound Lab
).

The original Columbia facility was re-organized in 1995 under the leadership of Brad Garton and was renamed the Columbia University Computer Music Center. Garton served as Director from 1995 until 2021, when Seth Cluett became Director joined by Anna Meadors as Assistant Director.

Associates

  • Seth Cluett, Director, Lecturer in Computer Music and Sound Studies
  • Anna Meadors, Assistant Director
  • Brad Garton, Director Emeritus, Professor of Music
  • Miya Masaoka, Director of the Sound Arts MFA Program
  • Fred Lerdahl, Professor of Music
  • Chou Wen-chung, Professor of Music
  • George E. Lewis, Professor of Music
  • Zosha Di Castri, Assistant Professor of Music

References