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opened a huge array of tasks to him, making him Architekt des Königs (Royal architect) in 1842.
Together with King Frederick William, who had previously (since his first journey to Italy in 1828) studied Italian architecture, Stüler incorporated
Ludwig Persius, Stüler assumed control of the building of the Friedenskirche in Potsdam in 1845. Joint journeys to Italy of Stüler and King Frederick William in 1858–59 deepened the Italian influence from medieval and Quattrocento buildings. His ideas for Cast-iron architecture or the techniques he used for the Neues Museum are more likely influenced from a journey to England in 1842. The building was badly damaged during World War II, but was reopened in 2009.[3]
Stüler died in Berlin, where he is buried in the
Dorotheenstadt cemetery
.
Works
Belvedere auf dem Pfingstberg in PotsdamNeue Synagoge in BerlinThe Friedenskirche in PotsdamThe Castle of Schwerin, picture taken from the Schwerin LakeThe National Museum of Fine Arts in Stockholm
While many of the buildings Stüler built were destroyed in World War II, a few were restored – not in the original ways, but one can still see Stülers concepts on the outside, especially in the Jakobi church in Berlin.
Commonly, Stüler is viewed as a student of Karl Friedrich Schinkel as well as an architect of his own right, combining the wishes of Frederick William, Schinkels Classicism and the new Historicism of the Wilhelminian era, though he didn't refer to himself as a student of Schinkel.
His works were:
1827–1831 probably restoring of the Dorfkirche Parchen
1837 Planned the restoration of the Winter Palace in Saint Petersburg
^LORENZ, WERNER. "Classicism and High Technology – the Berlin Neues Museum." Construction History 15 (1999): 39–55. http://www.jstor.org/stable/41613794.
Media related to Friedrich August Stüler at Wikimedia Commons
