Jan and Dean
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Website | jananddean |
Jan and Dean were an American
Among their most successful songs was 1963's "Surf City", the first surf song ever to reach the #1 spot on the Billboard Hot 100 in the US.[2] Their other charting top 10 singles were "Baby Talk" (1959),[3] "Drag City" (1963),[3] "Dead Man's Curve" (1964; inducted into the Grammy Hall of Fame in 2008,[4])[2][3] and "The Little Old Lady (from Pasadena)" (1964).[2][3]
In 1972, Torrence won the
Early lives
William Jan Berry (April 3, 1941 – March 26, 2004), was born in Los Angeles to Clara Lorentze Mustad (born September 2, 1919, Bergen, Norway – died July 9, 2009) and aeronautical engineer William L. Berry (born December 7, 1909, New York City – died December 19, 2004, Camarillo, California),[7] He was raised in Bel Air, Los Angeles.[8] Jan's father worked for Howard Hughes[8] as a project manager of the "Spruce Goose" and flew on its only flight with Hughes.[7][9][10]
Dean Ormsby Torrence (born
History
1957–59: formation
Berry and Torrence met while both were students at
The Barons
In order to enter a talent competition at University High School, Berry and Torrence helped form a doo-wop group known as "The Barons" (named after their high school's Hi-Y club, of which they were members),[16] which was composed of fellow University High students William "Chuck" Steele (lead singer), Arnold P. "Arnie" Ginsburg (born November 19, 1939; 1st tenor), Wallace S. "Wally" Yagi (born July 20, 1940; 2nd tenor),[17][18] John 'Sagi" Seligman (2nd tenor),[19] with Berry singing bass and Torrence providing falsetto.[14]
During its short duration, Sandy Nelson, Torrence's neighbor, played drums, and future Beach Boy Bruce Johnston occasionally sang and played piano. The Barons rehearsed for hours in Berry's parents' garage, where Berry's father provided an upright piano and two two-track Ampex reel-to-reel tape recorders.[15][20]
In 1958, the Barons performed to popular acclaim at the talent competition at University High School, covering contemporary hits like "
Jan & Arnie
After being inspired by a poster featuring a local Hollywood burlesque performer, Virginia Lee Hicks, who was then performing as Jennie Lee, the "Bazoom Girl", at the New Follies Burlesk at 548 S. Main St, Los Angeles,[23] Ginsburg wrote a tribute song, "Jennie Lee", that he brought to Berry and Torrence. Berry adapted the Civil War tune "Aura Lea" and arranged the harmonies. After weeks of practice, Berry, Ginsburg, and Torrence planned to make a demo recording in Berry's garage, but Torrence was drafted into the United States Army Reserve, forcing Berry and Ginsburg to record "Jennie Lee" without Torrence,[24] with Berry's friend and fellow University High student Donald J. Altfeld (born March 18, 1940, in Los Angeles [25]) "beating out the rhythm on a children's metal high chair".[20] The next day Berry took their recording to Radio Recorders, a small recording studio, to have it transferred to an acetate disc.[20] Joe Lubin, Vice President and Head of A & R of Arwin Records, was impressed and offered to add instruments and to release it through Arwin.[24]
In March 1958, the fathers of Berry and Ginsburg signed contracts authorizing Lubin to produce, arrange, and manage their sons.[26][27]
Produced by Lubin, "Jennie Lee" (Arwin 108), backed with "Gotta Get a Date" (credited to Ginsburg, Berry & Lubin), became a surprise commercial success. According to Berry biographer Mark A. Moore, "The song (with backing vocals, plus additional instruments added by the
In July 1958, Jan & Arnie released their second single, "Gas Money" backed with "Bonnie Lou" (Arwin 111), both written by Berry, Ginsburg, and Altfeld. Like "Jennie Lee", "Gas Money" contained a few elements of what would later become surf music. It entered the Billboard charts on August 24, 1958, and peaked at No. 81 a week later.[33] Jan & Arnie were a featured act on the Summer Dance Party that toured the US East Coast, including Pennsylvania, Massachusetts, and Connecticut in July 1958. By the end of the month, they traveled to Manhattan to appear on The Dick Clark Show.
On August 24, 1958, Jan & Arnie played in a live show hosted by
By September 6, 1958, Jan & Arnie's third and final single, "The Beat That Can't Be Beat" backed with "I Love Linda" (Arwin 113), again composed by the Berry, Ginsburg, and Altfeld team, was released. However this single failed to chart, due in part to a lack of distribution. On October 19, 1958, Jan & Arnie performed "The Beat That Can't Be Beat" on CBS's
Arnie Ginsburg recorded a one-off single with a band named the Rituals on the Arwin label. The single, "Girl in Zanzibar" b/w "Guitarro", was released on vinyl in January 1959, preceding Jan and Dean's first single "Baby Talk", released in May 1959. Other than Arnie, the single featured Richard Podolor on guitar, Sandy Nelson on drums, Bruce Johnston on piano, Dave Shostac on sax, Harper Cosby on bass, and Mike Deasy on guitar. It is unclear if the actual single was released for the general public but there are several promotional copies pressed to vinyl in existence.[36]
By the end of the year, when Torrence had completed his six-month stint at Fort Ord, Ginsburg had become disenchanted with the music business. Ginsburg enrolled in the School of Architecture and Design at the University of Southern California and graduated in the field of product design in 1966. After graduation Ginsburg worked for several noted Los Angeles architects, among them Charles Eames,[37] and in December 1973 he was granted a U.S. patent for a table he designed.[38]
Ginsburg moved in 1975 to Santa Barbara, California, where he worked as an architectural designer.[37] designing the innovative Ginsburg House.[39] In September 1976, Ginsburg and Michael W. O'Neill were granted a patent for a portable batting cage.[40]
1959–62: early records
After Torrence returned from a six-month
During this time Berry co-wrote or arranged and produced songs for other artists outside of Jan and Dean, including the Angels ("I Adore Him", Top 30), the Gents, the Matadors (Sinners), Pixie (unreleased), Jill Gibson, Shelley Fabares, Deane Hawley, the Rip Chords ("Three Window Coupe", Top 30), and Johnny Crawford, among others.
Unlike most other rock 'n roll acts of the period, Jan and Dean did not give music their full-time attention. Jan and Dean were college students, maintaining their studies while writing and recording music and making public appearances on the side. Torrence majored in advertising design in the school of architecture at USC, where he also was a member of the Phi Sigma Kappa fraternity.[42] Berry took science and music classes at UCLA, became a member of Phi Gamma Delta fraternity, and entered the California College of Medicine (now the UC Irvine School of Medicine) in 1963.
1963–66: peak years

Jan and Dean reached their commercial peak in 1963 and 1964, after they met Brian Wilson. The duo scored sixteen Top 40 hits on the (#1, 1963). Subsequent top 10 hits included "Drag City" (#10, 1964), the eerily portentous "Dead Man's Curve" (#8, 1964), and "The Little Old Lady from Pasadena" (#3, 1964).
In 1964, at the height of their fame, Jan and Dean hosted and performed at
Jan and Dean also filmed two unreleased television pilots: Surf Scene in 1963 and On the Run in 1966. Their feature film for Paramount Pictures Easy Come, Easy Go was canceled when Berry, as well as the film's director and other crew members, were seriously injured in a railroad accident while shooting the film in Chatsworth, California, in August 1965.[45]
After the surfing craze, Jan and Dean scored two Top-30 hits in 1965: "You Really Know How to Hurt a Guy" got up to 27 and "I Found a Girl" got to 30—the latter from the album Folk 'n Roll. During this period, they also began to experiment with cutting-edge comedy concepts such as the original (unreleased) Filet of Soul and Jan & Dean Meet Batman. The former's album cover shows Berry with his leg in a cast as a result of the accident while filming Easy Come, Easy Go.
In 1966, Jan Berry recorded "The Universal Coward", an angry response to Donovan’s anti-war single "Universal Soldier"(originally written by Buffy Sainte-Marie) even though Berry never served in the military.[46]
1966–68: Berry's car wreck
On April 12, 1966, Berry received severe head injuries in an automobile accident on Whittier Drive, just a short distance from Dead Man's Curve in Beverly Hills, California, two years after the song had become a hit. He was en route to a business meeting when he crashed his Corvette into a parked truck on Whittier Drive, near the intersection of Sunset Boulevard, in Beverly Hills. Berry also had separated from his girlfriend of seven years, singer-artist Jill Gibson, later a member of the Mamas & the Papas for a short time, who also had co-written several songs with him. He was in a coma for more than two months before finally awakening on the morning of June 16.
Berry recovered from
In Berry's absence, Torrence released several singles on the J&D Record Co. label and recorded Save for a Rainy Day in 1966, a concept album featuring all rain-themed songs. Torrence posed with Berry's brother Ken for the album cover photos. Columbia Records released one single from the project ("Yellow Balloon") as did the song's writer, Gary Zekley, with the group the Yellow Balloon.
Berry returned to the studio in April 1967, almost one year to the day after his accident. Working with Alan Wolfson, he began writing and producing music again. In December 1967, Jan and Dean signed an agreement with
Later years
In 1971, Jan and Dean released the album Jan & Dean Anthology Album under the label United Artists Records. The album included many of their top hits, starting with 1958's "Jennie Lee" and ending with 1968's "Vegetables".
Berry began to sing again in the early 1970s, touring with his Aloha band, while Dean began performing with a band called Papa Doo Run Run.
On August 26, 1973, Torrence was scheduled to appear at the Hollywood Palladium as part of Jim Pewter's "Surfer's Stomp" reunion. Torrence had recently released some Jan & Dean songs with new vocal parts by Bruce Johnston (of the Beach Boys) and producer Terry Melcher under the moniker the Legendary Masked Surfers. Torrence arranged with Berry to join him lip-syncing on stage to a pre-recorded track. The two anticipated that the audience would know it was a tape recording, and they decided to make light of it during the performance. That night, they joked around and stopped lip-syncing on stage while the music continued, but the audience became angry and started booing.[48] The duo's first live performance after Berry's accident occurred at the Palomino Nightclub in North Hollywood on June 5, 1976, ten years after the accident, as guests of Disneyland regulars Papa Doo Run Run. Their first actual multi-song concert billed as Jan and Dean took place in 1978 in New York City at the Palladium as part of the Murray the K Brooklyn Fox Reunion Show. This was followed by a handful of East Coast shows as guests of their longtime friends the Beach Boys. Four nationwide J & D headlining tours followed through 1980. Berry was still suffering the effects of his 1966 accident, with partial paralysis and aphasia.
The duo experienced a resurgence after Paul Morantz's "Road back from Deadman's Curve" article appeared in Rolling Stone in 1974, writing the piece after spending extensive time with the two singers, their families, doctors and associates. Morantz first submitted the story to Playboy, who recommended it to Rolling Stone. He then wrote a film treatment from his story which was purchased by CBS.[49][50]
On February 3, 1978,
In the early 1980s, Papa Doo Run Run left to explore other performance and recording ventures. Berry struggled to overcome drug addiction. In 1979, Berry had performed over 100 concerts of Jan and Dean songs with another front man from Hawaii, Randy Ruff. Torrence also toured briefly as "Mike & Dean", with Mike Love of the Beach Boys. Later, the duo reunited for good. In "Phase II" of their career, Torrence led the touring operation.

Jan and Dean continued to tour on their own throughout the 1980s, the 1990s, and into the new millennium – with 1960s nostalgia providing them with a ready audience, headlining oldies shows throughout North America. Sundazed Music reissued Torrence's Save for a Rainy Day in 1996 in CD and vinyl formats, as well as the collector's vinyl 45 rpm companion EP, "Sounds For A Rainy Day", featuring four instrumental versions of the album's tracks.
Between the 1970s and the early 2000s, Torrence issued a number of re-recordings of classic Jan and Dean and Beach Boys hits. A double album titled One Summer Night / Live was issued by
On August 31, 1991, Berry married Gertie Filip at the Stardust Convention Centre in
Berry's death
Berry died on March 26, 2004, as the result of a seizure at age 62.
In February 2010, the Jan and Dean album Carnival of Sound was released on the Rhino Handmade label. The album cover was designed by Torrence. Along with the CD, there was a limited edition (1500 copies), which included a 10-track LP. The album was released in Europe in April 2010 in its original US form.
In 2012, Torrence reunited with Bruce Davison, who portrayed him in the 1978 film Deadman's Curve, to perform with the Bamboo Trading Company on their From Kitty Hawk To Surf City album. The songs were "Shrewd Awakening" and "Tonga Hut", which was featured on the film Return of the Killer Shrews, a sequel to the 1959 film The Killer Shrews and also "Tweet (Don't Talk Anymore)", "Drinkin' In the Sunshine", and "Star Of The Beach". The album also features Dean's two daughters, Jillian and Katie Torrence. Torrence and his two daughters were featured in the music video of "Shrewd Awakening".[55][56]
After Berry's death, Torrence began touring occasionally with the Surf City All-Stars. He serves as a spokesman for the City of Huntington Beach, California, which, thanks in part to his efforts, is nationally recognized as "Surf City USA". Torrence's website features—among other things—rare images, a complete Jan and Dean discography, a biography, and a timeline of his career with cohort Jan Berry. He currently resides in Huntington Beach, California, with his wife and two daughters.[citation needed]
Legacy
In 1964, Jan and Dean were signed to host what became the first multi-act rock and roll show that was edited into a motion picture designed for wide distribution.
According to rock critic Dave Marsh, the attitude and public persona of punk rock can be traced to Jan and Dean.[57]
Brian Wilson has cited Berry as having a direct impact[further explanation needed] on his own growth as a record producer.[58]
In an interview conducted by Jan and Dean fan and historian David Beard for the
Jan and Dean were inducted into the Hollywood Rock Walk of Fame on April 12, 1996, exactly 30 years after Jan Berry had his near fatal car accident.
On January 28, 2023, Jan and Dean were inducted into the California Music Hall Of Fame.[60]
The Who covered Jan and Dean's "Bucket T" on their UK EP Ready Steady Who from 1966, one of only a few songs the group performed where surf-fan Keith Moon provided the lead vocals.[61]
Alternative rock group the Red Hot Chili Peppers referenced the duo in their song "Did I Let You Know", on the album I'm with You.[importance?]
Discography
References
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- ^ a b c Billboard Staff. "61 years ago this week, Jan & Dean's "Surf City" became the first surf song to hit No. 1 on the #Hot100". Retrieved July 21, 2024.
- ^ a b c d "Jan and Dean Chart History: Hot 100". Billboard. Internet Archive: Billboard/Internet Archive. Archived from the original on May 12, 2018. Retrieved July 21, 2024.
- ^ "Jan & Dean - Official Jan Berry Website - Dead Man's Curve / The New Girl In School". Jananddean-janberry.com. Archived from the original on 2016-03-06. Retrieved 2014-08-23.
- ^ "Pollution (3) - Pollution (Vinyl, LP) at Discogs". Discogs. Retrieved 2014-08-23.
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- ^ Ancestry.com. 1930 United States Federal Census [database on-line]. Provo, Utah, USA: Ancestry.com Operations Inc, 2002. Year: 1930; Census Place: Compton, Los Angeles, California; Roll: 125; Page: 3B; Enumeration District: 897; Image: 1073.0; FHL microfilm: 2339860.
- ^ Ancestry.com. Social Security Death Index. Number: 546-07-7303; Issue State: California.
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- ^ a b c Twist & Shout: The Golden Age of American Rock 'n Roll, Vol. 3, ed. Lee Cotten (Pierian Press, 2002):506.
- ^ a b Ben Marcus, Surfing USA!: An Illustrated History of the Coolest Sport of All Time (MVP Books, 2005):88.
- ^ "Barons". Vagabond58.com. 19 September 2012. Archived from the original on 19 September 2012. Retrieved 28 October 2017.
- ^ Often "Wally Agi". See University High School Yearbook (June 1958):46, 104.
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- ^ Often misspelled "John Sagliman". See University High School Yearbook (June 1958):43.
- ^ a b c Kent Hartman, The Wrecking Crew: The Inside Story of Rock and Roll's Best-Kept Secret, 64.
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- ^ "Jan & Dean Photo Galleries - Jan & Arnie/Jennie Lee - The Bazoom Girl". Jananddean-janberry.com. Archived from the original on 2014-01-03. Retrieved 2014-08-23.
- ^ a b Ben Marcus, Surfing USA!: An Illustrated History of the Coolest Sport of All Time (MVP Books, 2005):89.
- ^ Ancestry.com. U.S. Public Records Index, Vol. 1 [database on-line]. Provo, UT, USA: Ancestry.com Operations, Inc., 2010.
- ^ "Jan & Dean Photo Galleries - Jan & Arnie/Jan & Arnie". Jananddean-janberry.com. Archived from the original on January 3, 2014. Retrieved August 23, 2014.
- ^ "Jan & Dean Photo Galleries - Jan & Arnie/Jan & Arnie". Jananddean-janberry.com. Archived from the original on January 3, 2014. Retrieved August 23, 2014.
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- ^ "Jan & Dean Photo Galleries - Jan & Arnie/Jennie Lee". Jananddean-janberry.com. Archived from the original on 2014-08-26. Retrieved 2014-08-23.
- ^ "Jan & Dean Photo Galleries - Jan & Arnie/Jan & Arnie". Jananddean-janberry.com. Archived from the original on January 3, 2014. Retrieved August 23, 2014.
- ^ "Cash Box Top Singles 6/21/58". Cashboxcountdowns.com. Archived from the original on July 24, 2012. Retrieved October 28, 2017.
- ^ a b "Jan & Dean: Jan Berry Official Website". Jananddean-janberry.com. Archived from the original on September 12, 2014. Retrieved August 23, 2014.
- ^ "Jan & Dean - Official Jan Berry Website - 1958-1962". Jananddean-janberry.com. Archived from the original on March 17, 2015. Retrieved August 23, 2014.
- ^ "Jan & Dean Photo Galleries - Jan & Arnie/Jan & Arnie - Dick Clark - Hollywood Bowl". Jananddean-janberry.com. Archived from the original on September 7, 2017. Retrieved October 28, 2017.
- ^ Hartford Courant (Hartford, CT: October 19, 1958).
- ^ "Arnie Ginsburg". Jananddean-janberry.com. Retrieved August 23, 2014.
- ^ a b Mary Every, "Making The Most Of A Minimal Life", News-Press (Santa Barbara, CA), August 5, 1989.
- ^ "Patent USD229467 - Table - Google Patents". Retrieved August 24, 2014.
- ^ Nora Richter Greer, Outdoor Decorating and Style Guide: Interior Design and Architecture (Rockport Publishers, 2003)
- ^ "Patent US3980304 - Portable batting practice cage". Retrieved August 23, 2014.
- ^ Gilliland, John (1969). "Show 20 - Forty Miles of Bad Road: Some of the best from rock 'n' roll's dark ages. [Part 1]" (audio). Pop Chronicles. University of North Texas Libraries.
- ^ Rand, Frank Prentice; Ralph Watts; James E. Sefton (1993). All The Phi Sigs – A History. Indianapolis, IN: Phi Sigma Kappa Fraternity. pp. 270–275.
- ISBN 0-214-20512-6
- ^ "Mysterious Financier: Dean Torrence and the Kidnapping of Frank Sinatra Jr". Jananddean-janberry.com. Archived from the original on 2011-10-02. Retrieved 2012-03-25.
- ^ Movie Call Sheet: Train Wreck Derails Film. Martin, Betty. Los Angeles Times 11 August 1965, page D12.
- ^ Hickey, Andrew (2022-02-15). "Episode 144: "Last Train to Clarksville" by the Monkees". A History of Rock Music in 500 Songs. Retrieved 2023-10-07.
- ^ Moore, Mark A. "Rainy Days in a Carnival of Sound: "The Lost Renaissance of Jan & Dean." Endless Summer Quarterly (Fall 2007).
- ^ Moore 2016, p. 383
- ^ "'Deadman's Curve': How We Turned Near-Forgotten '50s Surfer-Rockers Into Icons". Thewrap.com. 20 June 2011. Retrieved October 28, 2017.
- ^ "Jan & Dean: Behind the Movie". Paulmorantz.com. Retrieved October 28, 2017.
- ^ "Jan & Dean Resource". Jananddean.moonfruit.com. Archived from the original on 30 April 2015. Retrieved 12 June 2021.
- ^ "Jan & Dean Resource". Jananddean.moonfruit.com. Archived from the original on 30 April 2015. Retrieved 12 June 2021.
- ^ Richie Unterberger (June 11, 2002). "Anthology: Legendary Masked Surfer Unmasked - Dean Torrence | Songs, Reviews, Credits, Awards". AllMusic. Retrieved August 23, 2014.
- ^ L.A. Times March 28, 2004, p. B.19
- ^ ""Shrewd Awakening" music video". YouTube. Archived from the original on 2021-12-11. Retrieved 12 June 2021.
- ^ "The Bamboo Trading Company". Killershrewsmovie.com. December 3, 2013. Retrieved August 23, 2014.
- ^ Dave Marsh "An Analytical Study", in the liners for Jan and Dean's Anthology LP, United Artists, 1971.
- ^ Brian Wilson interview with Peter Jones Productions, quoted in article by Mark A. Moore titled: Jan Berry 101: A Study in Composition Archived 2007-09-29 at the Wayback Machine (Endless Summer Quarterly, Summer 2004).
- ^ "Collectors' Choice Music". Ccmusic.com. Archived from the original on 2012-02-29. Retrieved 2012-03-25.
- ^ "The Music, The Evening, The Inductees, The Magic". California Music Hall Of Fame Induction Ceremony.
- ISBN 978-0-7864-0609-8.
Sources
- Adams, Mark, Jan & Dean/Dean Torrence Interviews, archived from the original on 2007-11-14, retrieved 2007-02-15
- Berry, Torrence, Jan & Dean Archives Volume 1. White Lighting Publishing (2013) ISBN 978 0989334440
- Berry, Torrence, Jan & Dean Archives Volume 2. White Lighting Publishing (2013) ISBN 978 0989334464
- Berry, Torrence and Kelly, Mike, Jan & Dean Archives Volume 1. White Lighting Publishing (2014) ISBN 978 1941028049
- Greene, Bob (2008), When We Get to Surf City: A Journey Through America in Pursuit of Rock and Roll, Friendship, and Dreams, St. Martin's Press, ISBN 978-0-312-37529-4
- Holdship, Bill (April 2005), "Wipeout! (Jan & Dean Article)", MOJO
- Moore, Mark A. (2004), "Jan Berry 101: A Study in Composition — With Bach, Old Ladies, and Bats", Endless Summer Quarterly, Summer: 12–22
- Moore, Mark A. (2005), "A Righteous Trip: In the Studio with Jan Berry", Dumb Angel Magazine, 4, Neptune's Kingdom Press: 88–99
- Moore, Mark A. (2007), "Rainy Days in a Carnival of Sound: The Lost Renaissance of Jan & Dean", Endless Summer Quarterly, Fall: 31–38
- Moore, Mark A. (2016), The Jan & Dean Record: A Chronology of Studio Sessions, Live Performances and Chart Positions, McFarland, ISBN 978-0786498123
- Moore, Mark A., Jan & Dean History, archived from the original on 2007-02-07, retrieved 2007-02-13