Jane Heap
Jane Heap | |
---|---|
![]() Little Review reunion, with Jane Heap, Mina Loy, and Ezra Pound in Paris (1921) | |
Born | |
Died | June 18, 1964 | (aged 80)
Occupation | Publisher |
Known for | Promotion of literary modernism |
Jane Heap (November 1, 1883 – June 18, 1964) was an American
Life
![](http://upload.wikimedia.org/wikipedia/commons/thumb/0/03/Jane_Heap%2C_John_Rodker%2C_Martha_Dennison%2C_Tristan_Tzara%2C_Margaret_Anderson%2C_ca._1920s.jpg/220px-Jane_Heap%2C_John_Rodker%2C_Martha_Dennison%2C_Tristan_Tzara%2C_Margaret_Anderson%2C_ca._1920s.jpg)
Heap was born in
It was while working at the Lewis Institute, in 1908, that she first met Florence Reynolds, a student and the daughter of a prosperous Chicago businessman. Reynolds and Heap became lovers, in 1910 travelling together to Germany, where Heap studied tapestry weaving. They remained friends throughout their lives, although they often lived apart, and despite the fact that Heap formed romantic attachments with many other women. From the late 1930s, Heap became the companion of the founding editor of British
In 1912, Heap helped found Maurice Browne's Chicago Little Theatre, an influential avant-garde theatre group presenting the works of Chekhov, Strindberg and Ibsen and other contemporary works.
The Little Review
In 1916, Heap met Margaret C. Anderson, and soon joined her as co-editor of the groundbreaking Modernist magazine, The Little Review. Although her work in the published magazine was relatively low profile (she signed her pieces simply "jh"), she was a bold and creative force behind the scenes.[4]
In 1917, Anderson and Heap moved The Little Review to New York. With the help of poet and critic
In March 1918, Ezra Pound sent Heap and Anderson the opening chapters of James Joyce's
Gurdjieff
Heap met
Heap established a Paris Gurdjieff study group in 1927, which continued to grow in popularity through the early 1930s, when Kathryn Hulme (author of The Nun's Story) and journalist Solita Solano (Sarah Wilkinson) joined the group. This developed into an all-women Gurdjieff study group known as "the Rope", taught jointly by Heap and by Gurdjieff himself.
In 1935, Gurdjieff sent Heap to London to set up a new study group. She would remain in London for the rest of her life, including throughout The Blitz. Her study group became very popular with certain sections of the London avant-garde, and after the war its students included the future theatre producer and director, Peter Brook. Heap also became friends with the concert pianist and composer Helen Perkin during this period.[9]
Work
Apart from her Little Review work, Heap never in her lifetime published an account of her ideas, although both Hulme and Anderson published collections of memoirs, and particularly their memories of working with Gurdjieff. After Heap's death from diabetes in 1964, former students put together a collection of her aphorisms (both her own and Gurdjieff's) and, in 1983, some notes reflecting her expression of some of the key Gurdjieff ideas. Some of her aphorisms are given below:[10]
- Never oppose someone with the same center, always offer another one.
- Do not sit too long in the same place.
- You are responsible for what you have understood.
- Little steps for little feet.
- Suppress natural reaction and pay for it later.
- We never refuse in the Work.
- Animals are nature's experiments and embody all the emotions.
- A cat is all essence. Essence remembers.
- All that falls from the wagon is lost.
Other
In 2006 Heap and
References
- ^ Baggett, Holly. Dear Tiny Heart : The Letters of Jane Heap & Florence Reynolds. New York, NY, USA: New York University Press, 1999. p 2. Susan Noyes Platt." The Little Review: Early Years and Avant-Garde Ideas,” in Sue Ann Prince, ed, The Old Guard and the Avant-Garde, Modernism in Chicago 1910- 1940, University of Chicago Press, 1990, pp. 139-154.
- ^ "Florence Heap collection related to Jane Reynolds and The Little Review". lib.udel.edu. University of Delaware. Retrieved 17 August 2014.
- ISBN 0814712460.)
{{cite book}}
: CS1 maint: location missing publisher (link - ^ Jane Heap was "a spellbinding talker…expressing ideas effortlessly and creatively as she went along." Hugh Ford, Four Lives in Paris (North Point Press, San Francisco, 1987)
- ^ Gammel, Irene. "The Little Review and Its Dada Fuse, 1918 to 1921." Baroness Elsa: Gender, Dada and Everyday Modernity. Cambridge, MA: MIT Press, 2002, 241.
- ^ Gammel, 253.
- ^ Freytag-Loringhoven, Body Sweats: The Uncensored Writings of Elsa von Freytag-Loringhoven, Ed. Irene Gammel and Suzanne Zelazo. Cambridge, MA: MIT Press, 2011, 185.
- ^ Baggett, Holly, ibid. p. 4
- ^ Foreman, Lewis (ed.), The John Ireland Companion (2011), p. 145
- ^ "Jane Heap". gurdjieff.org.
- ^ "Chicago Gay and Lesbian Hall of Fame". glhalloffame.org. Archived from the original on 2015-10-17.
Further reading
- Barnet, Andrea (2004). All-Night Party: The Women of Bohemian Greenwich Village and Harlem, 1913–1930. Chapel Hill, NC: Algonquin Books. ISBN 1-56512-381-6.
Bibliography
- Dear Tiny Heart: The Letters of Jane Heap and Florence Reynolds, edited by Holly A. Baggett, (New York University Press., 1999)