Liliane Atlan
Liliane Atlan | |
---|---|
Born | 14 January 1932 Monteplier, France |
Died | 15 February 2011 Kfar Saba, Israel | (aged 79)
Citizenship | Israel |
Known for | Author and playwright who explored the psychological effects of the Holocaust |
Spouse | Henri Atlan |
Children | 2 |
Parent(s) | Elie and Margeurite Cohen |
Liliane Atlan (14 January 1932 – 15 February 2011) was a French Jewish writer whose work often focused on the psychological effects of the Holocaust.[1]
Life
Atlan was born Liliane Cohen in
After the war, Elie Cohen became focused on assisting survivors of the Holocaust, which included adopting a young male survivor into the family. The young man, Bernard Kruhl, was the sole member of his family to survive
Later, she studied Jewish texts at the Gilbert Bloch d'Orsay School in Paris. Here she met Henri Atlan, who she would later marry. She also studied philosophy at the Sorbonne from 1952 to 1953, where her thesis on “The Arbitrary and the Fantastic Since Nietzsche” was advised by Gaston Bachelard.[3] In 1952 she also married Atlan, and they moved to Paris, having a daughter, Miri, in 1953 and a son, Michaël, in 1956. In the 1960s the family moved to Israel for several years. She also spent two years in California teaching French, and was a writer-in-residence at the University of Iowa in Iowa City before returning to Paris.[2]
Atlan died of cancer on 15 February 2011 in Kfar Saba, Israel.[4]
Work
Atlan's work often explores the psychological effects of the Holocaust on the Jewish people, both collectively and individually, and draws from Jewish spirituality and culture for its structure and themes.[5] Productions of her works, especially Un Opera pour Terezín, often employ non-traditional performance elements, such as using the audience as actors, and staging simultaneous performances worldwide, with audience interaction enabled by simultaneous video broadcasts and electronic communication methods. She refers to the multimedia format of these works as le rencontre en étoile or 'the star-shaped meeting.'[6] Scholar Bettina Knapp coined the phrase 'cosmic theater' to describe Atlan's work, and its propensity to be rooted in a historical moment or a personal experience, but to "transcend limitation, each work passing from an individual plane to a collective or mythic realm" (Knapp, p. 133).[7][8]
Her play Monsieur Fugue draws on French playwright Antonin Artaud's concept of a theater of cruelty. A band of four child ghetto survivors is being transported to Auschwitz where they will be murdered. During their trip, the children enact the lives they could have lived if they were to survive. Grol, one of the guards, decides to ride with the children, encouraging their storytelling and ultimately sharing their fate.[9]
She was the recipient of many literary awards: the Habimah and the Mordechai Anielewicz prizes for her play Monsieur Fugue in 1972; a prize from WIZO for her novel Les Passants; and the Prix Mémoire de la Shoah in 1999 for a collection of her works.[2]
Theater
- Monsieur Fugue (1967) - dir. Roland Monod - based in part on the story of Janusz Korczak[8]
- Les Messies (1969) - dir. Roland Monod
- La Petite Voiture de flammes et de voix (1975) - dir. Michel Hermon
- Un opéra pour Terezín (1989) - dir. Christine Bernard-Sugy (broadcast via radio for Theresienstadt concentration camp; follows the structure of a Passover Seder[10]
Poetry
- Les Mains coupeuses de mémoire (1961) - published under the pen name 'Galil'[8]
- Maître-mur (1962)
- Lapsus (1971)
Prose
- Les Passants/The Passersby (1988, published in English in 1993) - a novel drawing on Atlan's experiences with anorexia and her study of Kabbalah[11]
References
- ^ "About Liliane Atlan".
- ^ a b c Schneider, Judith Morganroth. "Liliane Atlan". Jewish Women's Archive. Retrieved 9 November 2017.
- ^ a b Schiff, E., & SCHIFF, E. (2002). Liliane Atlan (1932-). In S. L. Kremer (Ed.), Holocaust literature: an encyclopedia of writers and their work. London, UK: Routledge.
- ^ Salino, Brigitte. "Liliane Atlan, auteure dramatique et poétesse". Le Monde. Retrieved 9 November 2017.
- ISBN 9789042004771.
- ISBN 0521624150.
- ISBN 0688044050.
- ^ ISBN 0805782974.
- ISBN 0878750657.
- ^ "Un Opera pour Terezín". Holocaust Theater Catalog. National Jewish Theater Foundation. Retrieved 10 May 2018.
- ISBN 0805030549.