Luan (mythology)
Luan | ||
---|---|---|
Hanyu Pinyin luán | | |
IPA | [lwǎn] |
Transcriptions | |
---|---|
Revised Romanization | ran |
McCune–Reischauer | ran |
Transcriptions | |
---|---|
Romanization | ran |
Luan (
Appearance
Chapters 7 and 16 of the Classic of Mountains and Seas describes the luan as inhabiting paradisiacal areas where it sings spontaneously. In Chapter 11, its features are reminiscent of the fenghuang. It is said to trample on snakes while wearing one on its breast. In other sections, it is mentioned as carrying a shield.[1]: 102 In the Classic of Mountains and Seas, the luan is described as being one of the three five-coloured birds, along with huang and feng bird.[4]: 44 The luan would sing while the feng would dance to accompany it.[4]: 44
The Shuowen Jiezi defines the bird as born from the sperm of Chìdì. It is red in colour with five-coloured markings. Its body is shaped like that of a chicken. It sings in the five standard pitches and appears when hymns of praise are sung to rulers.[1]: 102 It also described the luan as being "the essence of divine birds".[4]: 44
The Sancai Tuhui states that the bird is the transformation of a divine spirit.
The Japanese Wakan Sansai Zue of the Edo period further states that due to the viscosity of the luan's blood, it could be used as an adhesive for attaching strings to musical instruments.
By the Six Dynasties period, the luan became associated with the Queen Mother of the West.[1]: 102
Origin
It has been suggested that the luan's origins are the
Meaning
Like the fenghuang, a sighting of the luan indicates an omen of peace. An early legend thought to be from the Warring States period states that the luan was presented as a tribute by northwestern tribes to King Cheng of Zhou as a symbol of submission to his virtue.[1]: 102
See also
References
- ^ ISBN 9780520298514.
- OCLC 52478595.
- ^ OCLC 794698887.
- ^ OCLC 1017489156.)
{{cite book}}
: CS1 maint: location missing publisher (link