Marija Jurić Zagorka
Marija Jurić Zagorka | |
---|---|
Born | Negovec, Kingdom of Croatia-Slavonia, Austria-Hungary | 2 March 1873
Died | 29 November 1957 Zagreb, SR Croatia, Yugoslavia | (aged 84)
Occupation | Writer, journalist |
Language | Croatian |
Nationality | Croatian |
Notable works | The Witch of Grič |
Marija Jurić (Croatian pronunciation:
Early life and education
Marija Jurić was born on 2 March 1873 in the village of Negovec in the family of Ivan Jurić and Josipa Domin. She had two brothers and a sister. Baptized in a Catholic church on 3 March 1873, she was given the baptismal name Mariana. She later spoke of her family as being wealthy but unhappy. She spent her childhood in Hrvatsko Zagorje on the Golubovec estate owned by Baron Geza Rauch which her father managed. She was educated by private tutors alongside baron Rauch's children. Zagorka attended elementary school in Varaždin were she stood out as very intelligent and talented, finishing all grades with the highest marks.[2] Although her father wanted to send her to Switzerland to attend high school, which baron Rauch agreed to pay, her mother objected so she eventually attended an all-girls high school at the Convent of the Sisters of Mercy in Zagreb. At her mother's insistence and with her father's objection, Zagorka married Slovak-Hungarian railway officer Andrija Matraja, 17 years her senior, in an arranged marriage held at the end of 1891. She disapproved of her husband's chauvinism against Croats. The couple lived in Szombathely for three years, during which she suffered a mental breakdown,[3] but they eventually divorced. She learned Telegraphy and Hungarian during the time she spent in Hungary which helped her later in her career as a journalist. After dramatically escaping her abusive husband in 1895, Zagorka at first lived with her uncle in Sremska Mitrovica and afterwards in Zagreb. Matraja accused her of being mentally unstable so she was kept in an asylum for a period of time, but was eventually discharged when doctors realized that she was healthy.[3] She managed to get a divorce with her father's help but was proclaimed guilty of marriage failure after her mother testified against her, so her former husband had no obligation to pay alimony or to return her personal belongings.[4]
Journalist career
During high school, Zagorka edited her first newspaper - Samostanske novine [Convent Newspaper]. She had a single copy that she lent to other students.[3] In 1891, she edited the only student newspaper in Krapina - Zagorsko proljeće [Spring of Zagorje] under the pseudonym M. Jurica Zagorski (implying she was a man). Following the publication of the first issue, it was banned because of what Zagorka wrote in the introduction titled "The Spirit of Matija Gubec Accuses - Later Generations Haven't Used Spilled Blood and Are Still Slaves". In 1896, she wrote unsigned articles for the Hrvatski branik and Hrvatska Posavina newspapers.[3]
During the same year, Zagorka started working in Obzor, first as proofreader because the board of directors and editor-in-chief Šime Mazzuro objected to her for being a woman, but after bishop
In 1917, Zagorka left Obzor and started her own magazine - Zabavnik and also wrote articles for Jutarnji list. Afterward, she published and edited the first Croatian women's magazine Ženski list [Womans' Paper] (1925–38), personally writing most of the articles, which had a feminist and patriotic note. Zagorka also wrote articles for dozens of other prominent newspapers, including Vijenac and Novi list. [1] She participated in the foundation of the Croatian Female Writers' Association in 1936.[9]
In 1938, she left Ženski list dissatisfied with the majority of the editorial staff that had become supporters of conservatism and clericalism contrary to their original support for liberalism and feminism. In 1939, she founded magazine Hrvatica [Croatian Woman] (1939–41). All of the proceedings acquired from the subscribers were spent on the printing, while Zagorka volunteered.[3] During World War II, she was persecuted by Ustaše who forbid her from publishing Hrvatica, seized all the existing magazine copies, subscription money, and even furniture from her apartment.[10] Faced with constant harassment, she attempted suicide.[10] In 1944, she tried to join the Yugoslav Partisans but was rejected. Following the end of the war, she became excluded from the cultural scene for which she blamed some of her former, misogynist colleagues from Obzor who believed that women should only write romance novels.[11] Since she didn't have a pension and was therefore dependent on the help of acquaintances and readers, she decided to publish an advertisement in which she sought someone who would regularly bring her food. Among several candidates, she selected two younger men, Nikola Smolčić and Leo Car, who introduced themselves as cousins but were, in fact, a couple. She eventually asked them to move in with her. It was later revealed from the letters she secretly sent to her friends that she was heavily mistreated by Smolčić and Car. [12] Zagorka joined the Women's Antifascist Front of Croatia, Slobodna Dalmacija purchased the copyright to her works, and in 1952, she became an independent publisher collaborating with the Otokar Keršovani Printing Office.[10]
Death
Zagorka died in Zagreb at the age of 84. She was buried on Mirogoj Cemetery by the chapel on the right side from the entrance, but not long after, her body was moved to the arcades on the left, away from the entrance.[12]
Legacy
Zagorka's property was inherited by Smolčić, who died not long after, passing the property to his partner, Car. Although Zagorka wanted her apartment on Dolac Market to be turned into a memorial center, Car did not respect her last wish, renovated the apartment and continued to live in it until his death in September 1986.[12] In 2009, City of Zagreb bought the apartment from Car's heirs and turned it into a Memorial apartment of Marija Jurić Zagorka - operated by the educational NGO Centre for Women's Studies Zagreb - in which visitors can learn more about Zagorka and other influential women in the fields of culture, politics, science, and human rights. Every year, at the end of November, the Center organizes a cultural and scientific event entitled Days of Marija Jurić Zagorka. Every third Thursday of the month, the Center organizes public lectures on Zagorka and women's literature.
In a 2005 poll compiled by Vjesnik, a Zagreb daily newspaper, Zagorka came second in the list of most popular Croatian writers of all time.[13] The Croatian Journalists' Association awards the annual Marija Jurić Zagorka Award for excellence in written, radio, television, online and investigative journalism. She is one of the principal subjects of the essay collection No Man's Lands: eight extraordinary women in Balkan history, by the British-Kosovan writers Elizabeth Gowing and Robert Wilton.
Works
This Works is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic. (February 2020) |
None of her novels have been translated into English, but two are available in German: The Witch of Gric (1995) and Malleus Maleficarum (1972). The latter title is the same as that of the "textbook" published in 1486 about how to find the witches, though Zagorka's novel is a fictional tale, not a witch-hunting manual. 11 of her novels, published in Croatian, are found in the Library of Congress.
Novels
- Roblje (Slaves) (1899)
- Vladko Šaretić (1903)
- Kneginja iz Petrinjske ulice (The Princess from Petrinjska Street) (1910): Zagorka's first murder mystery.
- Crveni ocean (The Red Ocean) (written under the name Jurić Vodvařka) (1918) - A utopian social novel about the 1917 October Revolution of Soviet Union. It was inspired by the inventions of Nikola Tesla.
- Tozuki (1922) - a social novel with themes from contemporary life, in which a secret society of criminals, murderers, smugglers and bribed politicians named Tozuki that arose in the first years of Yugoslavia .
- Republikanci (Republicans) (1924) deals with the Napoleonic wars and the pro-Illyrian nationalistic movement led by Croatian Ban Maksimilijan Vrhovac.
- Modri đavo (The Blue Devil) (1926)
- Plameni inkvizitori (The Flaming Inquisitors) also called Kameni križari (The Stone Crusaders) (1928). The story centres around the 13th century historical heroes "Knight Sokol" and the infamous robber Tomo Crni (Black Tomo).
- Krijeposni griješnici (The Virtuous Sinners) (1929)
- Kamen na cesti (A Stone on the Road) (1934) - An autobiographical novel detailing the author's early life. The main themes are the authors own undying patriotism in which she finds the comfort and reason to overcome all tragedies and obstacles in her life. The story starts in the authors tragic childhood filled with physical abuse from her mother and the neglect of her father. It describes a wealthy jet unhappy family, where the author herself, though being casually abused by her mother both physically and verbally, is the least mistreated child. Although told in a romanticized style, the book does a lot of psychological introspective of the narrator, analyzing both herself and others. It deals with each situation, opinion, ideal and theory by showing that things aren't how they present themselves. The center of the plot deals with her mothers decision of marrying her daughter to a 26-year older man, who eventually demands that she abandons her nationality and writes in the Hungarian spirit. The marriage ends with Mirijana refusing to abandon her nationality and becoming a "traitor", after which she elopes to her homeland Croatia, where she received the protection of her friends and father. The tragic deaths of her loved ones are the constant curse the author has to face, which gradually destroys her health and will for life. She eventually finds her cause in serving her nation, and through time gains stronger support. The novel deals with the themes of marriage, family abuse, discrimination and love, where the author concludes that her greatest love and devotion goes to her Croatian country for which she was prepared to sacrifice her wealth, good name, career offers and life, yet sees Croatia's freedom as her greatest joy and treasure.
- Vitez slavonske ravni (The Knight of the Slavonian Plain) (1938) - Set in the time of Maria Theresa. It tells the story of an impoverished noblewoman Krasanka and a masked knight who threatens the plundering bands by the use of what they see as "magic". He soon becomes a legend among the lands of Slavonia gaining nicknames such as "The Elf Knight" due to his use of pyrotechnics to frighten the superstitious bandits. It stands out as Zagorka's only literary work that's not thematically connected with Zagreb.
- Mala revolucionarka (The Little Revolutionary) (1939)
- Jadranka (1943) - Zagorka's final novel before her demise, dealing with the repression of Croatian nationalist movements under the reign of Emperor Franz Joseph I of Austria.
- Nevina u ludnici (The Innocent in the Madhouse) (1957)
Short Story Collection
Zagrebačke silhouette (The Silhouettes of Zagreb) (1911)
Series
- Grička vještica (The Witch of Grič) (1912-26) - cycle of 6 novels in 7 volumes:
- Tajna krvavog mosta (The Secret of the Bloody Bridge) (1912)
- Kontesa Nera (Countess Nera) (1913-14)
- Malleus Maleficarum (1918) - The Latin title means "The Hammer of the Witches".
- Suparnica Marije Terezije (The Rival of Maria Theresa) (1918) - 2 volumes
- Dvorska kamarila Marije Terezije (The Court Chambers of Maria Theresa) (1926)
- Buntovnik na prijestolju (The Rebel on the Throne) (1918)
Zagorka's most popular work, combining genres of a
- The Antichrist
- Kći Lotrščaka (The Daughter of the Lotrščak) (1921-22) - A historical romance novel that deals with the 16th century nationalist uprising of the Croatian Catholic priests.
- Kaptolski antikrist (The Antichrist of Kaptol) (1925)
- Gordana
- Gordana (1934-35) - Zagorka's longest work, dealing with the death of Janos for the throne, and the events leading up to the Battle of Mohácsin the early 16th century. The novel tells the story of the Croatian spirit through the fictional heroine Gordana Brezovačka and her undying national pride.
- Proročanstvo na Kamenitim vratima (The Prophecy at the Stone Gate)
- Pakao prijestolja (The Hell of Thrones)
- Veliki sud (The Great Court)
- Gordana Kraljica Hrvatâ (Gordana, the Queen of the Croats) (1937-39) - The sequel to Gordana.
Non-Fiction
- Poznata hrvatska spisateljica (Famous Croatian Writer) (1932) - Autobiography
- Neznana junakinja hrvatskog naroda (The Unknown Heroine of the Croatian Nation) (1939) - a study
- Što je moja krivnja (What's my Fault?) (1947)
- Memoirs (1952-53)
Drama
- Kalista i Doroteja (Callisto and Dorotheus) - written in 1887 at the age of 14, inspired by Roman history.
- Katarina Zrinska (1887 or 1888)
- Filip Košenski
- Evica Gupčeva
References
- ^ a b c d Kragić, Bruno (2005). "JURIĆ, Marija (Zagorka)". Hrvatski biografski leksikon (in Croatian). Miroslav Krleža Institute of Lexicography. Retrieved 14 January 2015.
- ^ Lasić, Stanko: Književni počeci Marije Jurić Zagorke (1973.- 1910.), Uvod u monografiju, Zagreb, 1986, Znanje
- ^ a b c d e f "Kronologija života i rada".
- ^ Jakobović Fribec, Slavica: "Marija Jurić« u leksikonu: Francisca de Haan, Krassimira Daskalova, Anna Loutfi (Eds.), A Biographical dictionary of women's movements and feminisms - Central, Eastern, and South Eastern Europe; 19th and 20th centuries, 1st ed., Central European University Press, Budapest, 2006, p. 195 – 199
- ^ "Trebam li se odreći svojih knjiga zato što me toliki čitaju? - Jutarnji List". www.jutarnji.hr.
- ^ Hergešić, Ivo: Introduction in Tajna krvavog mosta, Džepna knjiga, Zagreb, 1987, p. 9
- ^ Lasić, Stanko: Književni počeci Marije Jurić Zagorke (1973.- 1910.), Uvod u monografiju, Znanje, Zagreb, 1986, p. 110
- ^ "IVANA GRKEŠ Marija Jurić Zagorka dobila je svoje zasluženo mjesto u hrvatskoj književnosti, kulturi i tradiciji".
- ^ "Policija književnice prati još od 1918". www.vecernji.hr.
- ^ a b c Hergešić, Ivo: Introduction in Tajna krvavog mosta, Džepna knjiga, Zagreb, 1987, p. 21-22
- ^ "Nosi se Zagorka". www.matica.hr.
- ^ a b c "Podijelila je sudbinu svojih junakinja: neshvaćena, prezrena, iskorištena". www.jutarnji.hr. August 7, 2008.
- ^ "Krleža popularniji od Zagorke" (PDF). Vjesnik (in Croatian). September 27, 2005. Retrieved 2009-02-08.[permanent dead link]
Further reading
- Vujnović, Marina (August 2008). "Forging the Bubikopf nation: a feminist political-economic analysis of Ženski list, interwar Croatia's women's magazine, for the construction of an alternative vision of modernity" (PDF). University of Iowa. Retrieved 2014-03-21.