Mercedes Jones
Mercedes Jones | |
---|---|
Glee character | |
First appearance | "Pilot" (2009) |
Last appearance | "Dreams Come True" (2015) |
Created by | Ryan Murphy Brad Falchuk Ian Brennan |
Portrayed by | Amber Riley |
In-universe information | |
Occupation | High school student (graduated) Recording artist |
Significant other | Shane Tinsley Sam Evans |
Religion | Christian |
Mercedes Jones is a fictional character from the Fox popular musical comedy-drama series Glee. The character is portrayed by actress Amber Riley, and has appeared in Glee from its pilot episode, first broadcast on May 19, 2009. Mercedes was developed by Glee creators Ryan Murphy, Brad Falchuk and Ian Brennan. She is a dynamic diva-in-training who refuses to sing back-up, and is a member of the glee club at the fictional William McKinley High School in Lima, Ohio.
Storylines
Season 1
Mercedes auditions for the school glee club, New Directions, by performing Aretha Franklin's "Respect".[1] She develops a crush on fellow member Kurt Hummel (Chris Colfer), unaware that he is gay. Though she is hurt when he rejects her, Mercedes is supportive when he confides his sexuality, and they become close friends.[2] Mercedes has a rivalry with glee club co-captain Rachel Berry (Lea Michele), which comes to a head in the episode "Sectionals", when she impresses the club with a rendition of "And I Am Telling You I'm Not Going". Rachel agrees that Mercedes should perform the solo competitively, but she loses the chance when a rival school steals the song.[3]
Frustrated with the lack of solos they receive, Mercedes and Kurt join the school cheerleading squad, the Cheerios, as vocalists.
Season 2
Mercedes' friendship with Kurt is tested when they disagree over religion; Mercedes is a devout Christian, and Kurt an atheist. When his father has a heart attack, Mercedes convinces Kurt to attend church with her, devoting the service to the Hummels and performing "
Mercedes writes an original song entitled "Hell to the No" to be a contender for the glee club's set list for the Regionals competition; though director Will Schuester (Matthew Morrison) thinks it's a great song, he also doesn't think it's appropriate for the competition.[11] When New Directions plans a benefit concert, Mercedes allows her performance slot to be moved to a less desirable place in the program; club member Lauren Zizes (Ashley Fink) is surprised by her failure to stand up for herself, and offers to be her agent, suggesting that she make diva-like demands to ensure they appreciate her talent. Ultimately, Mercedes takes the closing slot from Rachel by performing an overwhelming rendition of Aretha Franklin's "Ain't No Way" so good that Rachel doesn't even try to follow it.[12] Mercedes attends the junior prom as part of a group with Rachel and fellow New Directions member Sam Evans (Chord Overstreet).[13] In the season two finale episode, "New York", it is revealed that she and Sam have begun secretly dating.[14]
Season 3
At the beginning of the third season, Mercedes says that she and Sam had dated for a while, but after he moved out of state she started a relationship with Shane Tinsley, a member of the football team.[15] Shane encourages her to believe in her talent, and she auditions for the role of Maria in the school's production of West Side Story.[16] Both she and Rachel are given callbacks. Mercedes is angry about what she perceives as continued favoritism shown to Rachel, especially in the awarding of solos, and quits glee club.[17] In the audition callbacks, Mercedes gives a performance that Rachel privately concedes was better—Mercedes is sure it is—and when they are both offered the role with half of the performances, she refuses to accept a split role; instead, she joins Shelby Corcoran's (Idina Menzel) rival glee club, and soon has recruited Santana and Brittany away from New Directions into the newly named Troubletones.[17][18] The Troubletones lose the Sectionals competition to New Directions, and Mercedes and the others rejoin New Directions with the promise that the Troubletones will be given one performance number per competition.[19] Sam returns to McKinley and attempts to rekindle his romance with Mercedes.[19] She still has feelings for him, and eventually breaks up with Shane, though she refuses to date Sam while she is unsure of her true feelings.[20] Sam continues to support her, and a YouTube video he posts of Mercedes singing results in her being offered a job as a backup singer in Los Angeles after she graduates.[21][22][23]
Season 4
Although still credited as series regular, Mercedes appears less frequently in the fourth season. She usually returns when there is an event in the lives of one of her friends back home in Ohio. She has moved to Los Angeles and is taking classes at UCLA while she works as a backup singer, though she returns to help with the school musical,[24] for Thanksgiving,[25] and for Mr. Schuester's ultimately failed wedding.[26] She also returns in "Wonder-ful" to do a music video for her newly recorded album, but the record deal falls through.[27]
Season 5
In
Season 6
She was promoted to the main cast again for the final season. She comes back to McKinley with all of the McKinley graduates to try to help Rachel recruit new members for the glee club in the episode "Homecoming". She later tries to convince Rachel to chase her dreams to be on Broadway. In the series finale, Mercedes is going to be Beyoncé's opening act for her upcoming world tour, and gives a tearful farewell to her friends. In 2020, she is headlining her own world tour, and watches Rachel win an award. She attends the McKinley auditorium rededication to Finn Hudson, sings one last song with every former member of New Directions, and takes a final bow with the rest of the Glee cast.
Musical performances
As Mercedes, Riley features in many ensemble musical performances, has had several solos and duets, which have been released as singles, available for download, and included on Glee's soundtrack albums. Her first performance, "Respect" by Aretha Franklin, was included in full on the series' first DVD box set, Glee – Volume 1: Road to Sectionals.[31] In the episode "Acafellas", her performance of Jazmine Sullivan's "Bust Your Windows" was called "showstopping" by Raymund Flandez of The Wall Street Journal.[32] It was included on the album Glee: The Music, Volume 1,[33] and released as a single, which peaked at number 35 in Ireland.[34] Riley recorded a version of Dionne Warwick's "Don't Make Me Over" for the episode "Hairography". It was used as an instrumental within the episode, rather than performed by Mercedes on-screen,[35] but was included in full on Glee: The Music, Volume 2.[36] Her performance of "And I Am Telling You I'm Not Going" in the episode "Sectionals" also features on this album.[36] It peaked at number 85 on the Canadian Hot 100.[37]
The rendition of Aguilera's "Beautiful" in the episode "
In the second-season episode "
"Hell to the No", Mercedes' original song, was titled for the character's signature catchphrase. Co-written by Glee's music supervisor Adam Anders, composer Peer Åström, and executive producer Ian Brennan,[53] the piece peaked at number 53 on the US Billboard Hot 100.[54] In the episode "A Night of Neglect", she performed another Franklin song, "Ain't No Way".[55] Her final solo of the season was Otis Redding's "Try a Little Tenderness", which was included on the album Glee: The Music, Volume 6.[56][57] During the season, Mercedes reprised duets with both Santana and Rachel: with the former on Ike & Tina Turner's "River Deep – Mountain High"[58] and ABBA's "Dancing Queen",[59] and with the latter on "Take Me or Leave Me" from the musical Rent.[60] "River Deep, Mountain High" was included on the album Glee: The Music, Volume 4 and peaked at number 30 in Ireland.[34][61] "Take Me or Leave Me" featured on the following album, Glee: The Music, Volume 5, and reached number 51 in the U.S.[62][63] "Dancing Queen" appeared on the season's final soundtrack album, Volume 6,[57] and peaked at number 74 in the U.S.[64] Futterman criticized the arrangement of "Dancing Queen" for diluting Riley and Rivera's "power vocals", which, she said, "[gave] them the thin sound of ABBA's original even though they're both much better than that."[59]
Mercedes featured in three of the third season's "Asian F" episode's musical numbers. Flandez said of her solo, "She blew Jennifer Hudson's 'Spotlight' out of this world."[65] Anthony Benigno, writing for The Faster Times, said that it was "great", but added that it was "not much of a stretch for Amber Riley to hit this one".[66] Vanity Fair's Brett Berk praised her "amazing voice" and gave the performance four stars out of five, and The Hollywood Reporter's Lesley Goldberg characterized the rendition as "flawless".[67][68] Other reviewers were more critical, including VanDerWerff, who said that this was the only song in the episode that "really didn't work".[69] TVLine critic Michael Slezak felt that the arrangement used was not distinct enough from the original, though he gave the performance a "B+", as did Entertainment Weekly writer Abby West, who wrote, "Mercedes looked fantastic and carried herself well, and her voice was as strong as ever but it felt a little lacking."[70][71] In her "Maria-off" with Rachel, Benigno said they "both kill it", characterized it as "easy but fun", and gave it an "A−", as did Slezak and West, the latter of whom "didn't feel that Mercedes was the clear winner" but thought both singers were "fantastic".[66][70][71] BuddyTV's John Kubicek thought that "Mercedes clearly won" and Flandez maintained that she "clearly outshone her rival", and continued, "You just believe so much of what she sings."[65][72] Berk agreed, and contrasted the two singers with his rating scale of one to five stars: "Two stars for Rachel, who sang this like Barry Manilow; four for Mercedes, who sang this like she lived it."[67] Futterman had a slightly different take: "Rachel puts on a diva front, but inside she's scared and nervous, while Mercedes is just a diva."[73] However, Hyman thought that the two "were evenly matched", while IGN journalist Robert Canning and Billboard's Rae Votta both thought Rachel was the victor; Votta stated, "While the show wants us to believe otherwise, Rachel clearly outsang Mercedes".[74][75][76] "It's All Over" from Dreamgirls received the most enthusiastic commentary, including an "A+" from West, who wrote "Mercedes was at her best in this performance", a sentiment echoed by Benigno when he awarded the song an "A".[66][70] Vicki Hyman of The Star-Ledger called it "pretty awesome" and Flandez a "cleverly amusing take", while Futterman said Mercedes "fully embraces her inner Effie White" and that the song was "on par with the best of Glee's Broadway songs in terms of plot relevancy and vocal arrangements".[73][75]
The "
"Rumour Has It" / "Someone Like You" debuted at number eleven in the Hot 100 issue dated November 23, 2011. It sold 160,000 digital downloads in its first week, the fifth-highest first week digital sales for the series.[84] The mash-up sparked a revival in sales for "Rumour Has It", which achieved a new peak at number sixty that same week, during which it sold 42,000 digital copies.[84] In Canada, the mash-up entered on the Canadian Hot 100 at number twelve on the strength of sales of 14,000 downloads.[85] With the death of Whitney Houston three days before the "Heart" episode aired, a great deal of attention was given to Riley's performance of Houston's hit during the episode, "I Will Always Love You", and its unexpected function as a tribute to the singer. Reviews were glowing: Reiter called it a "gorgeous, lush take" that was "definitely an episode highlight", and Bell described is as "a beautiful cover", "the perfect song for Mercedes to sing to Sam" and a "haunting performance".[86][87] Flandez wrote that it was a "heart-rending love song that becomes a homage of the 48-year-old fallen star", and "brought goosebumps"; the shot near the end, "of Mercedes dressed in a sweetheart gown, standing alone, reaching for the stars, was memorable".[88][89] Chaney said that "Riley deserves a standing ovation", and that she sang the song with "a power motivated by genuine emotions that tied in directly to her storyline"; the "heartbreaking context of Houston's death ... immediately elevated this moment to the very best one of Glee's entire third season."[90]
Reception
Ryan Brockington. for the New York Post has written that "the key to this show lies directly within the female leads", praising Riley as Mercedes and noting that in "Acafellas", Riley "finally got a chance to shine".[91] Similarly, Stack commented that the best aspect of "Acafellas" was the focus it placed on previously more minor characters such as Mercedes.[92] Eric Goldman of IGN criticised Mercedes' actions in the episode "Ballad", in which Puck confesses to her he is the father of Quinn's baby, and Mercedes responds by telling him to leave Quinn alone. Goldman questioned: "Really? She doesn't think Finn should know he's not really the dad? She doesn't think Puck should be involved, given he actually is the dad? It was a really strange response, and given Mercedes is not generally written to be an unlikable, manipulative person (That's Terri!), I'm not sure how the writers thought this was a justified viewpoint for her."[74]
Korbi Ghosh of
The relationship between Mercedes and Shane was initially well received. Goldberg called their first scene together "adorable", and wrote that her "new love life seems to have refreshed the character on screen as her newfound happiness translates well".[94] Hyman hoped their coupling would continue,[95] though Matt Zoller Seitz of Salon.com lamented Sam's departure, as he felt a relationship between the two "would have been groundbreaking for all sorts of reasons".[96]
The Mercedes storyline in "Asian F" was met with widely divergent reactions. Many reviewers were unhappy with the return of the Rachel versus Mercedes rivalry, including AOLTV's Crystal Bell, who lamented that it had "been done every season".[97] Nearly as many expressed the hope that Mercedes was not pregnant given her nausea in the first "booty camp" scene, including Hyman, Kubicek, and West.[70][72][75] Benigno felt Mercedes was acting "wildly out of character" in the episode.[66] Slezak was also puzzled at her change, and asked, "When has Mercedes ever been anything other than a team player and New Directions MVP? Seriously, nobody's going to cut her slack for a bad week?"[71] Canning agreed, and wrote: "Schue's tough love with Mercedes came out of left field", and felt it added to the "inconsistency of these characters", even though "it ultimately made sense" in the context of setup for "It's All Over".[74] Poniewozik wrote that having the story "turn on her resentment at being overlooked by the glee club is an apt meta-touch, since she's been overlooked by the show for some time now."[98] VanDerWerff was the most enthusiastic about her storyline, and called it "the best part of the episode": it was "all about how she now feels appreciated—because she has a boyfriend, sigh—and so she's willing to take on Rachel for the role of Maria (and, actually, beat her) and push for what she feels is rightfully hers, which involves more respect from New Directions."[69]
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External links
- Mercedes Jones at Fox.com