Nicola D'Ascenzo

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His Master's Voice Window (1915-16), Nipper Building, Camden, New Jersey.

Nicola D'Ascenzo (September 25, 1871, Torricella Peligna, Italy – April 13, 1954, Philadelphia, Pennsylvania) was an Italian-born American stained glass designer, painter and instructor. He is best known for creating stained glass windows for the Washington Memorial Chapel in Valley Forge, Pennsylvania; the Nipper Building in Camden, New Jersey; the Loyola Alumni Chapel of Our Lady at Loyola University Maryland; the Folger Shakespeare Library and Washington National Cathedral, both in Washington, D.C.

Biography

He was born in

Philadelphia, Pennsylvania. Working as a mural painter while in his teens, he attended night classes at the Pennsylvania Academy of the Fine Arts. He attended and then taught at the Pennsylvania Museum School, where he met his wife, fellow instructor Myrtle Dell Goodwin (1864–1954). They married in 1894, and moved to Italy, where he studied at the Scuola Libera in Rome. The couple returned to Philadelphia in 1896, where he worked as a portrait painter and opened D'Ascenzo Studios, initially an interior decorating firm.[2]

Horn & Hardart, Times Square (1912), New York City.

D'Ascenzo Studios created Art Nouveau interiors (and later stained glass facades) for Horn & Hardart restaurants, a chain of about fifty automats that began in Philadelphia in 1902.[3] The company's flagship restaurant in New York City (1912) was on Broadway at Times Square.[4]

Stained glass

D'Ascenzo dabbled in stained glass on his own for several years, and studied the craft at the New York School of Design, sometime around 1900.

Leon Cathedral in Spain.[7]

Architect Milton Bennett Medary assembled an extraordinary team of collaborators for his Washington Memorial Chapel (1914–17) in Valley Forge, Pennsylvania – built on the grounds of the Continental Army's 1777–1778 winter encampment. D'Ascenzo Studios created thirteen stained glass windows; Samuel Yellin created wrought iron gates, hardware and locks; Edward Maene created oak reredos, choir stalls and church furniture; and sculptors Franklin Simmons, Alexander Stirling Calder, Bela Pratt, and Martha Maulsby Hovenden created statues and other works. The Reverend W. Herbert Burke, who led the decades-long effort to build the chapel, celebrated its completion:

The glowing imagery of stained glass associated with perpendicular Gothic is seen in full perfection. In this respect the chapel is comparable to the famous Sainte-Chapelle in Paris, but surpasses the European masterpiece in warmth and delicacy of execution as well as in symbolic appeal.[8]

For the bell tower (completed 1953), D'Ascenzo Studios created a mosaic bust of George Washington and a

Rose Window
: Washington at Prayer.

In 1916, the studio completed four 14 ft (4.27 m)-diameter roundel windows for the tower of the Victor Talking Machine Company in Camden, New Jersey. Each depicted the company's logo – "His Master's Voice" (also known as "Nipper") – a dog listening quizzically to a gramophone. At night, the windows were illuminated, and the west-facing window was visible from Philadelphia, on the opposite side of the Delaware River. The original windows were removed in 1969 and the studio manufactured identical replacement windows which were installed in the tower in 1979. The current tower windows are 2003 reproductions made by another firm. The Camden County Historical Society and the Wolfgram Library at Widener University each possess one of the original windows.[9][10]

Perhaps D'Ascenzo Studios' most varied commission was for

Moorish Revival building was designed by architects (and brothers) Grant and Edward Simon, and nearly every surface in its sanctuary was covered with decoration. The studio designed its murals, twenty stained glass windows (including the glass ceiling of the dome),[11] lighting fixtures, carpets, and even the bronze ark for the Torah. The studio also created the mosaics on the synagogue's façade, whose colors remain vibrant after nearly ninety years.[12]

For the

Charles Lindberg's 1927 flight over the Atlantic Ocean (only three years earlier).[13] Lakehurst was later the site of the 1937 Hindenburg disaster
.

In three pairs of windows (1940) for the Cathedral of St. John the Divine in New York City, D'Ascenzo drew parallels between Biblical scenes and contemporary life. The "Press Bay" features Christ preaching and a modern minister at his pulpit; but also a printing press, Samuel Morse and his telegraph, a radio broadcast, and the invention of television. The "Sports Bay" features Samson slaying the lion and Jacob wrestling with the Angel; but also baseball, football, basketball, bicycle racing and other sports. The "Labor Bay" contrasts ancient occupations with modern ones.[14]

Awards and honors

Christ Church Cranbrook, Michigan. Johannes Kirchmayer
's carving includes a portrait of D'Ascenzo.

D'Ascenzo was awarded a medal at the 1893 World's Columbian Exposition in Chicago; the 1898 Gold Medal from the T-Square Club of Philadelphia;[15] second prize for craftwork at the 1916 Americanization Through Art Exhibition in Philadelphia (Samuel Yellin was awarded first prize); and the 1925 Gold Medal from the Architectural League of New York.[16] He exhibited at the Pennsylvania Academy of the Fine Arts: 1892–1904, 1916 & 1936. He served as President of the Stained Glass Association of America, 1929–1930.[17] He was a member of the Philadelphia Board of Education (1934–1948), and organized art exhibitions that toured the city's public schools.[18] The University of Pennsylvania hosted a 1938 exhibition of D'Ascenzo's paintings, drawings and stained glass.[19]

Legacy

Between 1904 and 1954, D'Ascenzo Studios completed more than 7,800 stained glass windows.[20]

The "Doubting Thomas" door at

Christ Church Cranbrook in Bloomfield Hills, Michigan features a tiny bas-relief portrait of D'Ascenzo as a medieval craftsman. Wood carver Johannes Kirchmayer carved images of the various artisans who worked on the church.[21]

The business records of D'Ascenzo Studios and sketches of many of its works are in the collection of the Athenaeum of Philadelphia. Paintings by D'Ascenzo occasionally appear at auction.[22]

Selected works

Religious buildings

Martha Washington Memorial Window (1918), Washington Memorial Chapel, Valley Forge, Pennsylvania
"Christ in Majesty' tympanum (1923), St. Mark's Episcopal Church, Philadelphia
"Crucifixion" tympanum (1923), St. Mark's Episcopal Church, Philadelphia
Dorrance Memorial Window (1924), Church of St. James the Greater, Bristol, Pennsylvania

Public buildings

Commercial buildings

  • Horn & Hardart Automat (1902), 818-20 Chestnut St., Philadelphia, Pennsylvania. First automat in the United States.[54] D'Ascenzo Studios created its interiors.
  • Horn & Hardart Automat & Cafeteria (1912), 1557 Broadway, New York City. D'Ascenzo Studios created the interiors and the stained glass façade. The facade was removed when the building was converted into a Burger King in the 1970s. It is now Grand Slam, a sports and souvenir shop.
  • Window of Commerce (1912),
    Clermont
    .
  • Little Nipper Windows (set of 4) (1915–16), RCA-Victor Company Headquarters, Camden, New Jersey.
  • History of Philadelphia Window (1928), Fidelity–Philadelphia Trust Company Building, Philadelphia, Pennsylvania, Simon & Simon, architects.[55] The 25 ft (7.62 m)-tall window features scenes of William Penn, the Signing of the Declaration of Independence, George Washington as President, the newly-completed Philadelphia Museum of Art; and portrait medallions of famous Philadelphians.[56]

Residences

  • The Hunt Windows (set of 4) (ca. 1905), Metropolitan Museum of Art, New York City, design attributed to architect William Lightfoot Price.[57] Made for the Frank van Camp residence, Indianapolis, Indiana.[58]
  • Paul Revere Window (1923), Cyrus H. K. Curtis residence, Wyncote, Pennsylvania.
  • Dante and Beatrice Window (1927), Philbrook Museum of Art, Tulsa, Oklahoma.[59]
  • Thomas J. McKinney residence (1929), Buffalo, New York, James A. Johnson, architect.[60][61][62][63]
  • Canterbury Pilgrims Windows (set of 9) (1929), Study, Theodore Swann residence, Birmingham, Alabama.[64] This was D'Ascenzo's largest (and most expensive) residential commission. The studio designed individual windows or sets of them for twelve additional rooms.[65]
  • Caravel Windows (1931), Dining room,
    Merion, Pennsylvania
    .
  • Horn & Hardart Automat (1902), 818-20 Chestnut Street, Philadelphia.
    Horn & Hardart Automat (1902), 818-20 Chestnut Street, Philadelphia.
  • His Master's Voice Window (1915–16), from inside the Nipper Building's tower.
    His Master's Voice Window (1915–16), from inside the Nipper Building's tower.
  • Cooper Library (1916), Camden, New Jersey. Note D'Ascenzo's mosaic frieze behind the colonnade.
    Cooper Library (1916), Camden, New Jersey. Note D'Ascenzo's mosaic frieze behind the colonnade.
  • Conrad Weiser Window (year), Lutheran Theological Seminary at Philadelphia.
    Conrad Weiser Window (year), Lutheran Theological Seminary at Philadelphia.
  • Facade mosaics (1927), Rodeph Shalom, Philadelphia.
    Facade mosaics (1927), Rodeph Shalom, Philadelphia.
  • Interior (1927), Rodeph Shalom, Philadelphia.
    Interior (1927), Rodeph Shalom, Philadelphia.
  • Ten Commandments Rose Window (1929), Riverside Church, New York City.
    Ten Commandments Rose Window (1929), Riverside Church, New York City.
  • Ages of Man Window (1931), Folger Shakespeare Library, Washington, D.C.
    Ages of Man Window (1931), Folger Shakespeare Library, Washington, D.C.
  • Dwight Memorial Chapel (1931), Yale University.
    Dwight Memorial Chapel (1931), Yale University.

References

  1. ^ D'Ascenzo catalogue (1973), p. 4.
  2. ^ Sandra L. Tatman, "Nicola D'Ascenzo (1871–1954)," from Philadelphia Architects and Buildings.
  3. ^ Horn & Hardart, 11th & Ludlow Sts., Philadelphia, from PAB.
  4. ^ Horn & Hardart, Broadway
  5. John Lafarge
    , although Weilbacker was unable to find evidence confirming this. See: Weilbacker, p. 31.
  6. ^ Weilbacker, p. 31.
  7. ^ Weilbacker, pp. 34-35.
  8. ^ Rev. W. Herbert Burk, "Valley Forge Miracles: A Sermon Preached in the Washington Memorial Chapel, 13 October 1929", quoted in "The Churches at Valley Forge," from National Park Service.
  9. ^ His Master's Voice, from Encyclopedia of Philadelphia.
  10. ^ A Memento of Recording History, Widener Magazine, October 26, 2010.
  11. ^ Census of Stained Glass Windows in America – Rodeph Shalom,
  12. ^ Congregation Rodeph Shalom, from Philadelphia Public Art.
  13. ^ Weilbacker, pp. 65-66.
  14. ^ Weilbacker, pp. 66-67.
  15. ^ The Brickbuilder, vol. 7, no. 5 (May 1898), p. 93
  16. ^ Stained Glass, from St. James the Greater Episcopal Church.
  17. ^ Past Presidents, from Stained Glass Association of America.
  18. ^ "Art for the Children," Art and Progress, vol. 3, no. 5 (March 1912), p. 533.[1]
  19. ^ Philadelphia Art News, February 14, 1938.
  20. ^ Weilbacker, p. 50.
  21. ^ Eckert, Kathryn Bishop, Cranbrook: The Campus Guide,. Princeton Architectural Press, NY, 2001 p. 64
  22. ^ 39 results for D'Ascenzo, from Live Auctioneers.
  23. ^ Guidebook to the Church of the Evangelists (1904).
  24. ^ Dan Papa, "When Modernism Took a Pew," from Hidden City.
  25. ^ Church of the Good Shepherd, from The Scranton Times-Tribune.
  26. ^ "The Stained Glass Windows" (PDF), from Trinity Memorial Episcopal Church.
  27. ^ "A Historical Look at St. Mark's Church, Frankford (1916), from Philadelphia Studies.
  28. ^ D'Ascenzo Studios, The Memorial Windows, Washington Memorial Chapel, Valley Forge, Pa. (1930).[2]
  29. ^ George Washington Window, from Flickr.
  30. ^ Anthony Wayne Window, from Washington Memorial Chapel.
  31. ^ Washington at Prayer Window, from Flickr.
  32. ^ "Holy Cross Church to acquire historic stained glass windows" (2013)
  33. ISBN 978-1481069427
    .
  34. ^ Our Home, from Congregation Rodeph Shalom.
  35. ^ Rodeph Shalom interior, from Plan Philly.
  36. ^ Our building, from USG.
  37. ^ O'Connell, Kim A. (4 Dec 2002). "Stained glass restored at Princeton". ArchitectureWeek. Retrieved 19 Nov 2015.
  38. ^ Life of Christ Window, from C-Zap Studios.
  39. ^ CDR Robert J. Manning, The Stained Glass Windows of the Cathedral of the Air, (Naval Air Engineering Center, Lakehurst, New Jersey, 1991).
  40. ^ Gideon Egner Memorial Chapel, from Historic Campus Architecture Project.
  41. ^ Larchmont Avenue Presbyterian Church, from Robert Fertitta.
  42. ^ Hyatt, Diction (June 22, 2016). "Six Feet Under, a Business is Taking Root". Route 1 Newspaper.
  43. ^ "D'Ascenzo Window in National Cathedral," Philadelphia Art News, December 6, 1937.
  44. ^ Allen, Allison Bearce, Christian Church Symbolism As Seen in the United Presbyterian Church of the Covenant, Erie, Pennsylvania. Erie: United Presbyterian Church of the Covenant, 1959.
  45. ^ "Hatcher Showcase - Art & Architecture - Interior - Stained Glass".
  46. ^ "Johnson Park Restoration".
  47. ^ Weilbacker, p. 68.
  48. ^ Ages of Man Window, from E. Taylor Studio.
  49. ^ "Shakespeare Library Shows Stained Glass by D'Ascenzo," The Philadelphia Record, March 12, 1934; quoted in Weilbacker, p. 69.
  50. ^ Founder's Room, Folger Shakespeare Library.
  51. ^ Justice is the Queen of Virtues, from Hidden City.
  52. ^ World War I Tablet, from Philadelphia Public Art.
  53. ^ "USCH Visitors Guide" (PDF). November 2017. Retrieved 2 July 2019.
  54. ^ New York City Signs -- 14th to 42nd Street.
  55. ^ History of Philadelphia Window, from PAB.
  56. ^ "Fidelity-Philadelphia Trust Building," The Evening Courier (Camden, New Jersey), March 12, 1929.
  57. ^ The Hunt Windows, from Metropolitan Museum of Art.
  58. ^ Robert Edwards, "Stained and Leaded Glass Windows in William Lightfoot Price Houses" (2011), from InCollect.
  59. ^ Dante and Beatrice Window, from Philbrook Museum of Art.
  60. ^ Palladian window, from Buffalo Architectural Museum.
  61. ^ Canterbury Tales Window, from Buffalo Architectural Museum.
  62. ^ Zodiac Windows, from Buffalo Architectural Museum.
  63. ^ Fairy Tales Windows, from Buffalo Architectural Museum.
  64. ^ Theodore Swann residence, from Birmingham Wiki.
  65. ^ Weilbacker, pp. 84-87.
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