Sahib Bibi Aur Ghulam
Sahib Bibi Aur Ghulam | |
---|---|
Directed by | Abrar Alvi |
Screenplay by |
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Based on | Saheb Bibi Golam by Bimal Mitra |
Produced by | Guru Dutt |
Starring |
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Cinematography | Guru Dutt Movies Pvt. Ltd. |
Release date |
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Running time | 152 minutes[1] |
Country | India |
Language | Hindi |
Box office | ₹8.4 million[2] |
Sahib Bibi Aur Ghulam (transl. The Master, the Wife, and the Slave) is a 1962 Indian Hindi-language drama film that was directed by Abrar Alvi and produced by Guru Dutt, who also co-stars in it alongside Meena Kumari, Rehman, and Waheeda Rehman. The film, which is based on Bimal Mitra's Bengali-language novel Saheb Bibi Golam (1953) which was the second adaptation of the novel after the 1956 Bengali film with the same title Saheb Bibi Golam starring Sumitra Devi, Uttam Kumar and Chhabi Biswas. Having seen the novel and its staged version, Dutt wanted to adapt Saheb Bibi Golam into a film, was set in the 19th century during the British Raj and focuses on Bhoothnath (Dutt), who meets Chhoti Bahu (Kumari), the lonely wife of a zamindar (Rehman). The film follows Chhoti Bahu's effort to keep her husband—who likes drinking and watching tawaifs perform—at their home by drinking with him. She becomes addicted to alcohol, leading both of them into bankruptcy.[3]
The book's rights were bought after his production venture Chaudhvin Ka Chand (1960) became commercially successful and covered his company's loss following the failure of Kaagaz Ke Phool (1959), his previous directorial project. Mitra and Alvi took a year to write the screenplay, facing difficulties in translating the novel from Bengali to Hindi. Principal photography took place in Andheri and Dhanyakuria with cinematographer V. K. Murthy; the film was edited by Y. G. Chawhan. Hemant Kumar composed the soundtrack and Shakeel Badayuni wrote the lyrics.
Sahib Bibi Aur Ghulam was released on 29 July 1962. Although it commercially failed with a gross of ₹8.4 million (US$110,000),it garnered positive responses from critics; most appreciation was given to the cast's performances, particularly that of Kumari, and Murthy's cinematography. Sahib Bibi Aur Ghulam won four Filmfare Awards, including Best Film, Best Director for Alvi, and Best Actress for Kumari. It also received the National Film Award for Best Feature Film in Hindi and the Bengal Film Journalists' Association Award for Sixth Best Indian Film, and Alvi was awarded the Best Director trophy at the latter function. The film was chosen as the Indian submission for the Academy Award for Best Foreign Language Film but it was not nominated.
Sahib Bibi Aur Ghulam became a milestone of
Plot
In
The lower-class yet educated Atulya "Bhoothnath" Chakraborty arrives in the colonial Calcutta looking for work. Along with his brother-in-law, he lives in the haveli of the Choudhury zamindar family. Bhoothnath meets Subinay, a dedicated member of the religious sect Brahmo Samaj, and is employed at the factory Mohini Sindoor. Subinay's daughter Jaba hears their conversation and is amused by the behaviour of Bhoothnath, whom she considers an unsophisticated rural dweller. Bhoothnath becomes fascinated with the goings-on in the haveli and every night he observes the Choudhury brothers' decadent lifestyle.
One night, Bansi, another servant of the haveli, takes Bhoothnath to meet the younger zamindar's wife Chhoti Bahu, who implores him to bring her sindoor. Chhoti has a poor relationship with her unfaithful husband, who spends most of his time watching a dancing girl performing, and believes it will keep him home. Bhoothnath is struck by her sadness and inadvertently becomes her secret confidante. When Chhoti Bahu's repeated attempts to appease her husband fail, she becomes his drinking companion to keep him by her side. Jaba's marriage with Supavitra, who is also a Brahmo Samaj member, is finalised but she declines it after his father dies. At the same time, Bhoothnath leaves the factory, which Subinay—who later dies—has closed due to his ill health. Bhootnath becomes a trainee architect and goes away to work on a training project.
When Bhootnath returns, he sees the haveli has been partially ruined. Chhoti Bahu is now a desperate alcoholic and her husband is paralysed. Meanwhile, Bhoothnath learns he and Jaba were
The flashback ends. Bhoothnath's workers inform him a skeleton has been found in the ruins of the haveli. From the jewellery on the corpse, Bhoothnath realises it is the remains of Chhoti Bahu. In the last scene, a nostalgic Bhoothnath rides away in a carriage with Jaba, who is now his wife.
Cast
The cast is listed below:[5]
- Meena Kumari as Chhoti Bahu
- Guru Dutt as Atulya "Bhoothnath" Chakraborty
- Rehman as Chhote Babu
- Waheeda Rehman as Jabba
- D. K. Sapru as Majhle Babu
- Harindranath Chattopadhyay as Ghari Babu
- Pratima Devi as Badi Bahu
- S. N. Banerjee as a tangadriver
- Nazir Hussain as Subinay Babu
- Dhumal as Bansi
- Minoo Mumtaz as dancer in the song "Saakiya Aaj Mujhe"
- Chanda as Chinta, Chhoti Bahu's maid.
Production
Development
Guru Dutt wanted to adapt
Dutt invited Mitra, who lived in Calcutta, to visit him at a bungalow Dutt rented in
Casting
Dutt and Alvi completed the casting;
Chhaya Arya, the wife of the photographer Jitendra Arya, was suggested to portray Chhoti Bahu.
The film marked the sixth collaboration between Waheeda Rehman and Dutt.[27][28] In Sahib Bibi Aur Ghulam, Waheeda Rehman stars as the "couldn't-care-less carefree" Jabba.[29] After reading the novel, she wanted to play Chhoti Bahu but Dutt felt she was too young for that role, saying she looked more like a girl than a woman. Still insisting, she asked Dutt and the film's cinematographer V. K. Murthy for a photograph session in which she would dress up as Chhoti Bahu, wearing a Bengali sari and a tilaka. After looking at the photographs, Murthy agreed with Dutt and likened her to a child. When Alvi was appointed to direct the film, he called in Waheeda Rehman was and offered her the part of Jabba. Dutt disapproved of this casting because she was an established actress and he did not want her cast as the second female lead after Kumari. According to Dutt, the film's title represents its three leads; Sahib for Rehman, Bibi for Kumari, and Ghulam for Dutt, but these excluded Waheeda Rehman. She, however, told Dutt she was fine by it.[30]
Filming
Principal photography for Sahib Bibi Aur Ghulam took place in Andheri and a forty-to-fifty-room haveli in Dhanyakuria.[31] It started on 1 January 1961 with a muhurat ceremony that was attended by the film's production team. The cinematographer was Murthy and the sets were designed by Biren Nag.[32] Bhanu Athaiya, who knew little about Bengali people and their looks, designed the costumes; Dutt sent her to Calcutta to prepare for filming.[33] According to Usman, Athaiya was also involved in the film's directing, especially that of the song sequences,[34] though only Alvi's name appears in the credits.[35]
Filming, except for the scenes that feature Chhoti Bahu, was almost completed by the beginning of 1962;[36] filming was completed with a 45-consecutive-day schedule in Andheri.[37] There are no scenes of Chhoti Bahu and Jabba together; Waheeda Rehman wanted to act with Kumari so she asked Dutt to rework the story. She suggested a scene in which Jabba persistently asks Bhootnath about Chhoti Bahu and he later takes her to the haveli. Dutt, however, dismissed the idea, saying the characters never meet in the novel and that the audience would not be interested by it.[38] After filming, P. Thackersey and Y. G. Chawhan handled the sound and editing, respectively.[39][40]
Soundtrack
The soundtrack—released by Saregama—was composed by Kumar, Shakeel Badayuni wrote the lyrics,[5] and Geeta and Asha Bhosle sang vocals.[41] Dutt directed the songs but Alvi replaced him while he was absent from the sets during the filming of "Bhanwara Bada Nadan". Dutt watched the result ten times but felt disappointed and re-filmed it by adding comedic elements.[42] After the film's release, Dutt cut the song "Sahil Ki Taraf" from the climax, in which Chhoti Bahu rests her head on Bhoothnath's lap because the audience criticised it. Kumar reused the song for "Ya Dil Ki Suno Duniyawalo"[43] for the 1966 film Anupama.[44]
No. | Title | Singer(s) | Length |
---|---|---|---|
1. | "Meri Baat Rahi Meri Man Men" | Asha Bhosle | 4:10 |
2. | "Meri Jaan O Meri Jaan" | Asha Bhosle | 3:38 |
3. | "Sakhiya Aaj Mujhe Neend Nahin" | Asha Bhosle | 5:46 |
4. | "Sahib Bibi Aur Ghulam Theme" (Instrumental) | 3:03 | |
5. | "Bhanwara Bada Nadan" | Asha Bhosle | 4:29 |
6. | "Chale Aao Chale Aao" | Geeta Dutt | 1:43 |
7. | "Na Jao Saiyan Chhuda Ke Baiyan" | Geeta Dutt | 4:07 |
8. | "Piya Aiso Jiya Men Samaya Gao" | Geeta Dutt | 4:15 |
Total length: | 31:11 |
Release and reception
Release
Posters for Sahib Bibi Aur Ghulam were printed by Dutt and Alvi.[14] When the film was released on 29 July 1962,[45][46] the initial audience response was negative. A day after its premiere, Dutt went to Bombay's Minerva Cinema[47] and observed audiences were disappointed by the scene in which Chhoti Bahu asks for a last sip of alcohol and the song "Sahil Ki Taraf" that made the relationship between Chhoti Bahu and Bhoothnath ambiguous. He visited the director K. Asif's house and was suggested to make Chhoti Bahu recover from her addiction and her marital relationship improve. Dutt asked Alvi and Mitra to write a new climax and invited Kumari for another day's filming. The next day, while they were discussing the unexpected changes, Dutt decided to maintain it, and instead removed the Chhoti Bahu scene and "Sahil Ki Taraf", saying he did not mind if the film became a box-office disappointment. He added it was not possible to create another scene because the changes would the audience would be confused about the film's plot.[48]
Exact figures for the film's box-office earnings are not available. Firoze Rangoonwala, in the 1973 book Guru Dutt, 1925–1965: A Monograph, reported it performed poorly but better than Kaagaz Ke Phool (1959),[49] while in 2005 Stardust called Sahib Bibi Aur Ghulam an "average grosser".[50] Box Office India estimated its total gross to be ₹8.4 million (US$110,000), supporting Rangoonwala's claim.[2] Sahib Bibi Aur Ghulam was the official submission from India to the 13th Berlin International Film Festival, for which a shorter version was made.[51] On 26 June 1963, Dutt, Kumari, Waheeda Rehman with sister Sayeeda, and Alvi arrived in East Berlin and the screening occurred the next evening.[52] All twenty-five people attending the screening gave a poor response to the film's melodramatic plot, unrelatable themes, and slow screenplay.[53] Sahib Bibi Aur Ghulam received a Golden Bear nomination but lost to the French comedy To Bed or Not to Bed and the Japanese action film Bushido, Samurai Saga (both 1963).[54]
Critical response
Sahib Bibi Aur Ghulam received positive feedback from both contemporaneous and modern critics,[55] who praised the cast's performances—particularly that of Kumari—the cinematography, the costumes and the art direction.[9][56] Reviewers panned the way Chhoti Bahu is unconventionally depicted as an alcoholic woman.[49] In a review dated 24 June 1962, a writer for The Times of India said the film is excellent because of its well-written screenplay that makes an effective balance between the characters and emotional sequences, and "provides a neat dramatic pattern". Calling the film "a classic in celluloid", he said it does "a specially successful job" though it is based on Mitra's novel, which the reviewer called untidy and with a wordy writing style.[57] Kabir, who collected Dutt's handwritten letters for a book titled Yours Guru Dutt (2006), reported it is one of few reviews Dutt read during his lifetime.[58]
Vinod Mehta, who biographed Kumari's life in 1972, said Kumari overshadows her co-stars and added; "Gone were the traces of frivolity, gone was the look of undernourishment, gone was the look of the 'girl-next-door'. She was now a woman of sharp, mature, mysterious persona ... whose one smile concealed a thousand enigmas."[59] In her 1985 book Profiles: Five Film-makers from India, Shampa Banerjee complimented Kumari for being the greatest performer in the film. She also found Bhoothnath to be completely different Dutt's previous roles, noting its "rustic simplicity and comic innocence, coupled with a deeply compassionate nature, lent Bhootnath's character an immediate realism, a natural complexity, which justified the keen internal version of the older Bhootnath who recounts the tale".[60] On 19 February 1989, The Illustrated Weekly of India's Khalid Mohamed called Waheeda Rehman's role equal to that of Kumari's and wrote of her importance in the film, even though hers is a supporting role whereas Kumari's is a lead.[61]
Dinesh Raheja, writing for Rediff.com in 2003, called the film "a fascinating mood movie made by people gifted with acute sensitivity". He said Dutt was at his best when playing Bhootnath without his moustache. Raheja, however, was critical of Rehman and said her scenes could be partly removed because her character, which he deemed perky, is less important to the film's main plot.[62] Writing for The Hindu in 2008, A. P. S. Malhotra said Kumari's portrayal of a "career-defining role" is an "awe-inspiring performance". He praised Athaiya's costumes and Murthy's cinematography, stating both are outstanding throughout the film.[9] Anna M. M. Vetticad, in an article published by Firstpost in 2020, said Kumari played her role brilliantly and commended the film's production, including the art direction.[63] In 2021, Sampada Sharma of The Indian Express wrote of Kumari; "Her perpetually melancholic eyes and her pristine beauty make her a tragic figure who is slowly drowning in a sea of despair".[64]
Accolades
The film won a National Film Award in the category Best Feature Film in Hindi, and at the 10th Filmfare Awards, it won Best Film, Best Director (Alvi), and Best Actress (Kumari).[65][66] The Film Federation of India chose Sahib Bibi Aur Ghulam to represent India in the Best Foreign Language Film award at the 35th Academy Awards over the Tamil-language romantic drama Nenjil Or Aalayam (1962).[67] Sahib Bibi Aur Ghulam, however, failed to be nominated and the Academy of Motion Picture Arts and Sciences wrote to Dutt telling him according to American culture, it was inappropriate for a woman to be an alcoholic.[68][69]
Award | Category | Recipient(s) and nominee(s) | Result | Ref(s) |
---|---|---|---|---|
26th Annual BFJA Awards | Best Indian Films (Sixth) | Sahib Bibi Aur Ghulam | Won | [70] |
Best Director (Hindi) | Abrar Alvi | Won | ||
Best Actor (Hindi) | Guru Dutt | Won | ||
Best Supporting Actor (Hindi) | Rehman | Won | ||
Best Cinematographer (Hindi) | V. K. Murthy | Won | ||
Best Dialogue (Hindi) | Abrar Alvi | Won | ||
13th Berlin International Film Festival | Golden Bear | Sahib Bibi Aur Ghulam | Nominated | [71] |
10th Filmfare Awards | Best Film | Sahib Bibi Aur Ghulam | Won | [66] [72] |
Best Director | Abrar Alvi | Won | ||
Best Actor | Guru Dutt | Nominated | ||
Best Actress | Meena Kumari | Won | ||
Best Supporting Actor | Rehman | Nominated | ||
Best Supporting Actress | Waheeda Rehman | Nominated | ||
Best Story | Bimal Mitra | Nominated | ||
Best Cinematography | V. K. Murthy | Won | ||
10th National Film Awards | Best Feature Film in Hindi | Sahib Bibi Aur Ghulam | Won | [65] |
Legacy
"It must have been in 1961 or 1962. I don’t remember the exact date, but it was during the filming of the final scene in Sahib Bibi [Aur Ghulam]. Jabba is waiting for Bhoothnath in a carriage in the haveli ruins. That was the last time we worked together. He never offered me another role after Sahib Bibi [Aur Ghulam]."
— Waheeda Rehman on Dutt ending their collaboration with the film[38]
Sahib Bibi Aur Ghulam attained cult status and became a milestone in Hindi cinema.[63][73] Along with Pyaasa (1957) and Kaagaz Ke Phool (1959), critics have regarded Sahib Bibi Aur Ghulam among Dutt's best work.[74][75] According to Banerjee, Sahib Bibi Aur Ghulam is Dutt's last major contribution to the industry.[60] It is also the only film Alvi directed.[76] Film experts have regarded Kumari's performance in Sahib Bibi Aur Ghulam as one of the best of her career;[77] according to Tejaswini Ganti, the film made her particularly known for tragic roles,[78] and Raheja commented; "Meena took the audience on an unforgettable odyssey into the inner recesses of the mind of an emotionally and physically cloistered woman".[79] Kumari played similar roles in several more films, including the dramas Dil Ek Mandir (1963), Chitralekha (1964), Gazal (1964), Kaajal (1965), Phool Aur Patthar (1966) and Pakeezah (1972).[80][81] Dutt collaborated with Kumari again in Sanjh Aur Savera (1964), which was his last film to be released during his lifetime.[82][83]
Several lists have included Sahib Bibi Aur Ghulam. In 2005,
In a 1994 interview with
Notes
- ^ According to Sahib Bibi Aur Ghulam's director and writer Abrar Alvi, Chhaya Arya was cast first by Guru Dutt to play the role of Chhoti Bahu and then Meena Kumari was chosen as her substitute.[21] Mohan Deep and Vinod Mehta, both of whom have published biographical books about Kumari, wrote she was Dutt's first choice for the film; after Kumari's husband Kamal Amrohi showed disapproval of the role, Arya was suggested, and Kumari was again chosen after Arya opted out.[22]
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Further reading
- ISBN 978-93-80069-86-9.
External links
- Sahib Bibi Aur Ghulam at IMDb