Sofía Casanova
Sofía Casanova | |
---|---|
Born | Sofía Guadalupe Pérez Casanova 30 September 1861 |
Died | 16 January 1958 | (aged 96)
Occupation(s) | Journalist, writer |
Organization | Royal Galician Academy |
Spouse | Wincenty Lutosławski |
Awards | Grand Cross of the Civil Order of Beneficence |
Sofía Casanova (30 September 1861 – 16 January 1958) (formally in
Family and youth
Casanova descended from a multinational family. Her paternal grandfather, Vicente Pérez Losada, was
The abandoned mother and her children stayed in A Coruña, supported financially by Juan Bautista Casanova.[7] Casanova spent her childhood at the Pazo del Hombre in San Julián de Almeiras , in the A Coruña province,[11] and began her studies at the local Doña Concha school. In 1873 the family – including her mother, brothers, and maternal grandparents – took up residence in Madrid.[12] The first years in the capital were initially very hard for the young girl; unaccustomed to Castilian heat she was longing for Galician climate, and given financial misery of the family, she had to support the economy by giving lessons. Their standing improved upon receiving a heritage from Casanova's paternal family.[13]
In Madrid, Casanova frequented the Conservatorio, where she began to study poetry and declamation.[7] Her first poems were published when she was fifteen years old, in the Faro de Vigo. It was not she but her mother who sent them to the newspaper after finding them in her room. Casanova's talent for poetry was recognized in the most select literary circles[14] that she frequented assiduously.[7] She started to make friends in the Madrid literary world, above all with Blanca de los Ríos. She was noticed by Marquis of Valmar, who facilitated publications of her poems in the Madrid titles Telegrama, El Obrero, Flores y Pestas, Semana Literaria and Imparcial and in the Barcelona-based La Ilustración Ibérica; she was also publishing in the Galician Domingos del Faro and Folletín del Faro. In the early 1880s she has already earned her name as a promising, young poet.[15]
At the court of Alfonso XII
Already by 1872, her poetry was presented during literary evenings at Teatro de Variedades;[16] during the following few years she got used to stage appearances when reading her poems[17] and it seems that in the late 1870s she was already moderately successful.[18] In the early 1880s, she earned her name as a promising, young poet,[15] praised as "poetisa de corazón".[19] By that time she also began a career of an actress; between 1878 and 1882 she was noted as performing for Teatro Español[20] or Teatro de Alhambra.[21] She initially appeared in the press under her proper surname "Sofía Pérez Casanova";[22] in the early 1880s, she was referred to as "Sofía Casanova".
At an unspecified time, either in the late 1870s or in the early 1880s, Casanova became the protégé of
In 1885, Casanova published her debut volume, a collection of poetic pieces titled Poesias. The book was financed by the king himself;[7] the set was prologued by Ricardo Blanco Asenjo , a poet and literary critic fairly popular at the time, working for a number of prestigious periodicals.[24] Publication of her debut volume increased Casanova's popularity, and in 1885, some papers started to celebrate her as a poet with "espíritu inspirado y un rostro bello. La juventud y la gracia tejen en sus sienes, ornadas de rizos de oro, una corona de atractivos y encantos. La pobreza añádele uní aureola de irresis-tible simpatía" (roughly translates to "Inspired spirit and a beautiful face. Youth and grace weave at her temples, adorned with golden curls, a crown of attractions and charms. Poverty adds a halo of irresistible sympathy").[25]
In these circles, in June 1886, Campoamor introduced her to a young Polish nobleman, later to become philosopher and professor, Wincenty Lutosławski, who had arrived in Madrid from France.[12] Lutosławski became infatuated with Casanova almost immediately; the two corresponded for some four months before she declared having fallen in love with him as well.[26] Though Lutosławski's parents remained highly skeptical about marrying a foreigner, he remained firm and the couple were married in the church of San Marcos on 19 March 1887. However, they signed a secret document, in which both consented to unilateral rupture should any of the parties wish to go his/her own way.[27]
Unhappy marriage
After the wedding, the couple spent their
In the early 20th century, the Lutosławski couple moved from Russia to
Literary recognition
Casanova's continuous moves combined with her literary experience and her study of language allowed her to master six other languages in addition to Spanish and Galician: French, English, Italian, Polish, Portuguese, and Russian. These became key knowledge for the translations that she would carry out in the future. Her trips also allowed her to meet personalities from the intellectual and political world such as Tolstoy, Marie Curie, and Morel-Fatio, whose opinions about the Spanish she collected in books and conferences.[4] She made literary contributions to ABC, El Debate, Blanco y Negro, El Mundo, and Galicia, and her home in Madrid became a meeting place for Basilio Álvarez, Alfredo Vicenti , Ramón y Cajal, Alberto Insúa , Victoriano García Martí , and Castelao, who would illustrate her book Princesa del amor hermoso (1909). She maintained an intense social life, giving lectures and participating in so-called "social works". During the Krakow period she came to know and befriended a number of Polish writers, including Stanisław Wyspiański, Rydel, Kasprowicz and Władysław Reymont.
When back in Spain, Casanova resumed her literary works with renewed zeal. In 1909, she published Más que amor, a romance novel featuring a widowed Spanish woman living in Poland; the work contained barely veiled references to her own bitter experiences. Other novels falling into the similar genre were Princesa del amor hermoso (1909), El pecado (1911), Exóticas (1913), and El crimen de Beira-Mar (1914). La mujer española en el extranjero (1910) was a set of essays exploring cultural differences and again heavily based on her personal record. Her name started to feature regularly in literary sections of Spanish papers, herself counted among the mujeres ilustres ('distinguished women') of the literary world.[33] Her photo was splashed on the front pages of illustrated periodicals.[34] She tried also to go beyond the world of literature and pursued her interest in charity and education; she presided over the Madrid Comite Femenino de Higiene Popular.[35]
Casanova is one of the few women whom Benito Pérez Galdós praised. After Gertrudis Gómez de Avellaneda, only Rosario de Acuña had managed to put on her dramas in the Teatro Español before Casanova. Pérez Galdos premiered Casanova's first dramatic piece, La madeja, on 12 March 1913. In the decision, the opinion of the lead actress, Matilde Moreno weighed heavily. The premise of the work responded to the idea that foreigners, with their eagerness for emancipation, wanted the destruction of the family. This was a reaction, according to the scholar María del Carmen Simón Palmer , of numerous writings of the late 19th and early 20th century against feminist currents from the United States. Although critics praised the content of the work, a misinterpretation on the night of the premiere – the chronicle tells – prevented its comedy from being represented on successive days.[4] Casanova's rise to acknowledged literary status was sort of officially confirmed when in 1906 she was elected a member of the Royal Galician Academy and in 1911 she joined the Academy of Spanish Poetry.
War correspondent
Casanova traveled frequently to Poland, where some of her daughters lived; the oldest, Maria (Manita), got married in 1910.[36] At that time, Casanova spoke Polish very well, though with a Spanish accent which most of her relatives and friends found charming and amusing. During one of these trips, in July 1914, World War I broke out. After a month of resistance, she left Drozdowo in the direction of Warsaw, where she became a battalion nurse for the dying. This horrific trip, her biographers recount, hurt her deeply and would change her life.[12] She reported on it in a letter to ABC, trying to convince her compatriots that their growing admiration for the Germans was not justified;[7] however, in general she tried to stick to the officially adopted neutral standpoint.[37]
In the late summer of 1914, Luis Morote, a Russian correspondent for Heraldo de Madrid, happened to be in Warsaw seeking news on the war developments. It is there he met Casanova, who provided him with some local information.[38] Encouraged, she started to provide her own correspondence to El Liberal; Casanova's first contributions appeared in October 1914.[39] Torcuato Luca de Tena , owner and director of ABC, wrote a letter with the proposal that she become its correspondent in Eastern Europe, which she accepted;[40] a biographer believes she was formally contracted by ABC in December 1914.[39]
In 1915, the German advance forced the evacuation of Warsaw. She continued working in the hospital and shortly before the German takeover of Warsaw she fled with her daughters on the last train to
In 1917, she witnessed the
Happy years
In 1918, Casanova returned from Russia to Warsaw, already capital of the independent Poland. She settled with the family of her oldest daughter[47] and commenced perhaps the happiest period of her life; she was growing old surrounded by loving, well-to-do family and numerous grandchildren, publishing many books, basking in prestige in both Spain and Poland and mixing with some of the best-known Polish politicians. She admitted to have been entirely "polaquizada".[48]
By the early 1920s, her three daughters were already married; unlike the marriage of her parents and this of her own, marriages of Casanova's daughters were very successful. Maria (1888–1979) wed Mieczysław Niklewicz, a journalist, publisher and prestigious figure in the Polish
Casanova used to visit Spain fairly often, at least six times between 1920 and 1930; during one of the visits in 1919, she was received as a heroine and greeted with many tributes.
Casanova towards the Republic and the Civil War
In 1931, she witnessed the proclamation of the Second Spanish Republic, with the conviction that what happened to her while living in Russia in 1917 was going to happen in her own country. With the closure of the newspaper ABC, she lost her job for a few months. This fact made her hate the Republicans, a feeling that increased until in 1936 she wrote one of the last articles of her collaboration with the newspaper Mirando a Rusia (Looking to Russia).[7]
At the outbreak of the Spanish Civil War, Casanova lived in Warsaw; she almost immediately declared herself in favor of the Nationalists and together with her daughters and grandchildren participated in a number of events supposed to support the cause among the Poles.[60] With the Madrid headquarters of ABC seized by the Republicans, she kept sending correspondence from Poland to the competitive, Nationalist-held Sevilla headquarters of the daily.[61] In her contributions she clearly sided with the Nationalist faction[62] and hailed the Crusade, lambasting the Republicans as "hordes which lost the right to call themselves humans and which should rather be dealt with by zoology".[63] In return, the Republican press mocked her as sort of a plague which descended upon Poland.[64]
Casanova visited Spain between October and December 1938. She twice met Francisco Franco, first in Burgos[65] and then in La Coruña.[66] Caudillo gave her his family photograph with personal dedication.[67] She has also signed a homage address of "Galician women" to the generalissimo.[68] In December of that year, she declared to La Voz de Galicia on the occasion of her departure to Warsaw that she was convinced that the coup d'état provoked by an army sector would bring moments of development and splendor to Spain.[2] It is also the year in which she visited La Coruña and her village for the last time.
According to some scholars, the position enjoyed by Casanova in the world of literature was used by Francoist Spain. One author plays down her support for the Nationalists by claiming that she "let herself be carried away, perhaps with good will, by the advice of some friends", all resulting from her experiences during the past, including these related to the Bolshevik Revolution.[69] Another one of Casanova's biographers underlines the weight of her experiences of 1917–1920 and suggests that they prevented the old woman from noticing the genuine nature of "the army, which cracked down on just claims of own people and left them in the pool of blood".[70] One more scholar claims that her support for Franco is "difficult to comprehend"; he eventually notes that the key to understanding Casanova's position is noting her concept of peace, reportedly rooted in classical anthropology.[71] However, because of her stand during the Civil War, a historian of literature with no reservations counts Casanova – dubbed also an anti-semite – among the Spanish representatives of "literatura fascista".[72]
World War II and afterwards
At the outbreak of
According to some sources, Franco was personally interested in Casanova's fate and suggested assistance when arranging a would-be transfer back to Spain.
With her Warsaw house reduced to rubble during the Warsaw Uprising[75] she moved to Poznań to live with her daughter Halina's family. Most of her manuscripts were burnt or otherwise lost in course of the fighting in 1944–1945. Although she was almost blind, she continued to write, aided by her grandchildren, to whom she dictated her last experiences. According to some sources, she wanted to end her days in Spain;[3] other sources suggest that she chose to stay with her family in the Communist-held Poland, even at the cost of renouncing her Spanish citizenship,[74] which reportedly was in a way her "second death".[23] In 1950 Josefa López Calvo died; she was known as Pepa, a female Galician servant who accompanied Casanova since her Russian days.[75] In 1952 the Royal Galician Academy named Casanova an academic of honor.[76] She died in Poznań on 16 January 1958; her passing was acknowledged by some Spanish press titles, and a few published related homage articles.[77] At the moment of death she had at least ten living grandchildren; it is not clear whether and how many great-grandchildren she had.[78] She is buried in the Poznań Jan Vianney cemetery .[79]
Journalistic and literary career
At the time of the founding of the Royal Galician Academy, in 1906, Casanova already had work and recognition worldwide, which led to her being named a member of this organization, and in 1952 she was unanimously granted the title of academic of honor.[76]
She published novels, short stories, a comedy, and more than 1,200 articles in newspapers and magazines in Galicia and Poland. Her literary, narrative, poetry, and theater output was very prolific. It includes four collections of poetry, five novels, eight short novels, short stories, a play that Benito Pérez Galdós premiered at the Teatro Español, a children's book, and eight volumes of social, cultural, and political commentaries. She gave numerous lectures on the situation of women and international relations, both in Spain and in Poland, and translated classical works from Polish and Russian into Spanish.
As a journalist she wrote almost 1,000 stories,[3] of which the articles published in ABC between 1915 and 1936 stand out, as do the titles La mujer española en el extranjero (Madrid, 1910), De la Revolución rusa (Madrid, 1918), Impresiones de una mujer en el frente oriental de la guerra europea (Madrid, 1919), La revolución bolchevista, Diario de un testigo (Madrid, 1920), and El martirio de Polonia.[80]
She took a pacifist and anti-war stance, and said so in her contributions to the press during the
Her penchant for studying led her to learn six languages and translate the most famous Polish writers such as Sienkiewicz into Spanish. Her work was also translated into French, Polish, Swedish, and Dutch.[4]
Legacy
Though very popular and acclaimed in the interwar period, today Casanova is no longer counted among great names of literature in Castellano. She is usually absent not only in very basic[81] and mid-size synthetic works on Spanish literature[82] but also in multi-volume in-depth accounts.[83] Even specialized studies dedicated to specific genres, e.g. to novels[84] or poetry,[85] tend to ignore her. If appearing in encyclopedias or dictionaries, only a few lines are dedicated to her;[86] she is described briefly as "poetisa y narradora".[87] She is treated somewhat more extensively only in synthetic works on Spanish feminist literature; the opinion which hails her as "the most significant poet of this [19th century] period, and one of Spain's most remarkable women"[88] is rather exceptional.
Except a minor 1964 booklet[89] almost entirely forgotten after her death,[90] Casanova has enjoyed some revival of interest since the 1990s.[91] She earned at least three PhD dissertations,[92] some of them released commercially;[93] other books were also published, be it in the United States,[94] Spain[95] or Poland.[96] A spate of minor works followed, printed either in specialized literary periodicals or in other volumes; more than 50 scientific articles on Casanova's life and works appeared during the last 20 years.[as of?][97] A number of journalistic pieces were published in popular periodicals, especially in Galicia but also in the nationwide Spanish press and a few in Poland. Most of the authors no longer present Casanova as an extraordinary writer, and if focusing on her writings, they tend rather to emphasize her work as a correspondent and journalist. Instead of a great woman of literature, she is presented rather as an extraordinary person who lived a fascinating life, crossed cultural frontiers and was witness to many dramatic developments of her era. She is discussed against the background of the feminine movement, gender issues, social change, the Russian Revolution, nationalism, both world wars, the history of journalism, cross-cultural challenges, cultural conflict in Spain, and Spanish-Polish or Spanish-Russian relations.[98] In 2011 a full-length documentary movie was dedicated to Casanova, co-financed by the Galician self-government.[99] In 2016, Inés Martín Rodrigo published a biographical novel about Casanova called Azules son las horas.[100] At least two schools in Galicia bear the name of Sofía Casanova: one in El Ferrol[101] and one in Culleredo.[102] In a few cities there are streets dedicated to Casanova, e.g. in Madrid and La Coruña.
Among Casanova's grandchildren the best known was
Works
- El doctor Wolski: páginas de Polonia y Rusia, Madrid, Imp. del Suc. de J. Cruzado a cargo de Felipe Marqués, 1894
- Princesa del amor hermoso, Madrid, Impr. Artística Española, 1909 (serial story, vol. 3, no. 156)
- La mujer española en el extranjero, Madrid, 1910
- El pecado, Madrid, Imp. de Alrededor del Mundo / Libr. de los Suc. de Hernando, 1911 (Biblioteca de escritores gallegos, 10)
- Exóticas, Madrid, Suc. de Hernando, 1913
- La madeja, Madrid, Imp. de "Alrededor del mundo", 1913 (Los contemporáneos y los maestros, 241), theater
- El crimen de Beira-Mar, Madrid, Talleres de Ediciones Españolas, 1914 (El Libro Popular , vol. 3, no. 8)
- De la guerra: crónicas de Polonia y Rusia. Primera serie, Madrid, Renacimiento, 1916
- De la Revolución rusa en 1917, Madrid, Renacimiento, 1917
- Sobre el Volga helado, Madrid, Prensa Popular, 1919 (short novel, vol. 4, no. 196)
- Triunfo de amor, Madrid, Prensa Popular, 1919 (short novel, vol. 4, no. 186)
- El doctor Wolski, Madrid, Prensa Popular, 1920 (short novel, vol. 5, no. 255)
- Lo eterno, Madrid, Prensa Popular, 1920 (short novel, vol. 5, no. 218)
- La revolución bolchevista: (diario de un testigo), Madrid, Biblioteca Nueva, 1920
- Viajes y aventuras de una muñeca española en Rusia, Burgos, Hijos de Santiago Rodríguez, 1920
- Episodio de guerra, Madrid, Prensa Popular, 1921 (short novel, vol. 6, no. 299)
- Princesa rusa, Madrid, Publicaciones Prensa Gráfica, 1922 (serial novel, vol. 2, no. 55)
- Valor y miedo, Madrid, Prensa Popular, 1922 (short novel, vol. 7, no. 348)
- Kola el bandido, Madrid, Publicaciones Prensa Gráfica, 1923 (serial novel, vol. 3, no. 101)
- En la corte de los zares, Madrid, Libr. y Edit. Madrid, 1924 (1 complete work)
- El doctor Wolski, Madrid, Libr. y Edit. Madrid, 1925 (2 complete works)
- El dolor de reinar, Madrid, Publicaciones Prensa Gráfica, 1925 (serial novel, vol. 5, no. 213)
- El pecado, Madrid, Libr. y Edit. Madrid, 1926 (3 complete works)
- Amores y confidencias: de Rusia, Madrid, Libr. y Edit. Madrid, 1927 (4 complete works)
- En la corte de los zares (del principio y del fin del imperio), Madrid, Biblioteca Rubén Darío, 1929 (1 complete work)
- El pecado, Madrid, Dédalo, c. 1930 (novels and short stories)
- Como en la vida, Madrid, Aguilar, 1931
- Idilio epistolar, Madrid, Aguilar, 1931
- Las catacumbas de Rusia roja, Madrid, Espasa Calpe, 1933
- El martirio de Polonia, 2nd ed. Madrid, Atlas, 1945 (with Miguel Branicki)
- Como en la vida, Madrid, 1947 (novels and short stories, vol. 19, no. 951)
- Princesa del amor hermoso, in: Novelas breves de escritoras españolas, 1900-1936, Edición de Ángeles Ena Bordonada, Madrid, Castalia / Instituto de la Mujer, 1990 (Biblioteca de escritoras, 10)
- La revolución bolchevista: (diario de un testigo), Edición de M. Victoria López Cordón. Madrid, Castalia / Instituto de la Mujer, 1990 (Biblioteca de escritoras, 11)
- Galicia la inefable, Edición de Mª Rosario Martínez Martínez, Santiago de Compostela, Xunta de Galicia, 1996
References
- ^ Bugallal, Isabel (3 December 2009). "Sofía Casanova no interesa a nadie, su figura no da juego" [Sofía Casanova Does Not Interest Anyone; Her Figure is Not Flattering]. La Opinión A Coruña (in Spanish). A Coruña. Retrieved 13 August 2018.
- ^ a b Turrión, María José (23 January 2014). "Sofía Casanova, una reportera en la Gran Guerra" [Sofía Casanova, a Reporter in the Great War]. El País Blogs (in Spanish). Retrieved 13 August 2018.
- ^ a b c "Escucha a Inés Martín Rodrigo, autora de 'Azules son las horas' en La Tarde" (in Spanish). COPE. 23 February 2016. Retrieved 14 August 2018.
- ^ a b c d e f Simón Palmer, María del Carmen (1989). "Sofia Casanova, autora de la Madeja". Actas del Tercer Congreso Internacional de Estudios Galdosianos II (in Spanish). University of Las Palmas de Gran Canaria: 531–536. Retrieved 14 August 2018.
- ISBN 9788445323977
- ^ ISBN 9788400091309
- ^ a b c d e f g h i j k l m n o "Sofía Casanova (1862–1958)" (in Spanish). Galería da Lonxevidade. Archived from the original on 30 June 2017. Retrieved 14 August 2018.
- ISBN 9788445323977
- ^ Diario Oficial de Avisos de Madrid, 13 February 1871
- ISBN 9788360097212. Retrieved 20 April 2019 – via Wyższa Szkoła Filologiczna.)
{{cite book}}
: CS1 maint: location missing publisher (link - ISBN 9788445323977. Retrieved 13 August 2018 – via Google Books.
- ^ a b c d e García Calero, Jesús (21 February 2016). "Las cuatro guerras de Sofía Casanova" [The Four Wars of Sofía Casanova]. ABC (in Spanish). Madrid. Retrieved 14 August 2018.
- ^ Pazos 2010, pp. 19-20
- ^ Azules son las horas (in Spanish). Planeta. Retrieved 14 August 2018.
- ^ a b Ochoa Crespo, Pedro (2016), "Género e identidad sexual como discurso. Sofía Casanova y la Primera Guerra Mundial" [PhD thesis Complutense], Madrid, p. 167
- ^ La Coorespondencia de España 3 March 1874
- ^ El Solfeo 5 July 1877
- ^ El Imparcial 20 February 1880
- ^ El Pabellón Nacional 13 October 1882
- ^ El Globo 8 September 1878
- ^ El Democrata 3 April 1881
- ^ See a selection of press notes from the early 1880s, available at Hemeroteca Digital service
- ^ a b c d Meissner, Karol, Las tres muertes de Sofía Casanova, [in:] Galeon service [retrieved 24 May 2019]
- ^ La Ilustración Española 22 May 1883
- ^ La Epoca 11 May 1885
- ISBN 9788360097212. Retrieved 20 April 2019 – via Wyższa Szkoła Filologiczna.)
{{cite book}}
: CS1 maint: location missing publisher (link - ^ Pazos 2010, pp. 20-21
- ISBN 9788360097212. Retrieved 20 April 2019 – via Wyższa Szkoła Filologiczna.)
{{cite book}}
: CS1 maint: location missing publisher (link - ISBN 9788360097212. Retrieved 20 April 2019 – via Wyższa Szkoła Filologiczna.)
{{cite book}}
: CS1 maint: location missing publisher (link - ^ "Sofia Perez Eguia y Casanova Lutosławska" (in Polish). PAU collection. Retrieved 20 May 2019.
- ISBN 9788360097212. Retrieved 20 April 2019 – via Wyższa Szkoła Filologiczna.)
{{cite book}}
: CS1 maint: location missing publisher (link - ISBN 9788360097212. Retrieved 20 April 2019 – via Wyższa Szkoła Filologiczna.)
{{cite book}}
: CS1 maint: location missing publisher (link - ^ Sofia Casanova, [in:] El Álbum ibero americano 14 May 1909 [retrieved 25 May 2019]
- ^ see "La Ilustració catalana" 30 October 1910 [retrieved 25 May 2019]
- ^ "Comite femenino de higiene popular", [in:] El Globo 3 February 1914 [retrieved 25 May 2019]
- ^ Osorio, Olga (2014), "Los orígenes del trabajo periodístico de Sofía Casanova al inicio de la I Guerra Mundial", [in:] "Historia y Comunicación Social" 19, p. 50
- ^ Martínez Martínez, Rosario (2015), "Emilia Pardo Bazán y Sofía Casanova, cronistas de la Gran Guerra", [in:] "La Tribuna. Cadernos de Estudos da Casa-Museo Emilia Pardo Bazán" 10, p. 89
- ^ Martínez Martínez 2015, p. 55
- ^ a b Martínez Martínez 2015, p. 56
- ^ Fontana, Antonio (2 March 2016). "'Azules son las horas', ¿quién es Sofía Casanova?" ['Azules son las horas', Who is Sofía Casanova?]. ABC (in Spanish). Retrieved 14 August 2018.
- ^ Martínez Martínez 2015, pp. 61-62
- ^ del Campo, Eduardo. "Sofía Casanova en la Revolución Rusa de 1917" [Sofía Casanova in the Russian Revolution of 1917]. FronteraD. Archived from the original on 4 January 2011. Retrieved 14 August 2018.
- ^ Martínez Martínez 2015, p. 67
- ^ Martínez Martínez 2015, p. 70
- ^ Martínez Martínez 2015, p. 71
- ISBN 9788496467989. Retrieved 23 May 2019 – via Google Books.
- ISBN 9788360097212. Retrieved 20 April 2019 – via Wyższa Szkoła Filologiczna.)
{{cite book}}
: CS1 maint: location missing publisher (link - ^ Martínez Martínez, Rosario (2010), "En la trayectoria vital de Sofia Casanova", p. 8
- ^ Błaszkowski, Piotr (2018), Dama Narodowa Maria z Lutosławskich Niklewiczowa, [in:] Prawy service [retrieved 25 May 2019]
- ISBN 9788392426776
- ^ Polak, Agnieszka, Grzybowski, Andrzej (2017), "O. Karol Meissner – lekarz i benedyktyn", [in:] "Archiwum Historii i Filozofii Medycyny" 80 (2017), p. 39
- ISBN 0967996058
- ^ La insigne escritora Sofia Casanova, [in:] Union Patriotica 1 February 1929 [retrieved 1 June 2019]
- ^ "Nominations made by Nobel Laureates in Literature (1901-1950)", [in:] Nobelprize service [retrieved 25 May 2019]
- ^ González Serrano, Carlos Javier, "Sofía Casanova, una pioniera del periodismo", [in:] "ElVueloDeLaLechuza" service [retrieved 25 May 2019]
- ^ For a sample, compare Franciszek Baturewicz, "Sofja Casanova", [in:] "Echo Tygodnia" 16 March 1929 [retrieved 25 May 2019]
- ^ Somoza Silva, Lazaro, "Las catacumbas de Rusia roja", [in:] "La Libertád" 24 December 1933 [retrieved 25 May 2019]
- ^ "Embajadas y legaciones", [in:] La Nación 1 February 1934 [retrieved 25 May 2019]
- ^ "Confidencias", [in:] La Tierra 29 November 1934 [retrieved 25 May 2019]
- ISBN 9788461153336. Retrieved 23 May 2019 – via Google Books.
- ^ Compare "ABC en Polonia". ABC (in Spanish). 14 October 1938. p. 4. Retrieved 23 May 2019.
- ISBN 9788401331534. Retrieved 23 May 2019 – via Google Books.
- ^ In original "con el aniquilamiento de esas hordas que han perdido el derecho de llamarse humanas y que en la Zoología se las puede clasificar", referred after Sawicki 2009, p. 12
- ^ "Pues, señor, resulta que en Varsovia lo están pasando todavia peor que en Berlin". La Voz (in Spanish). 12 October 1937.
- ^ "Sofia Casanova visita al Generalisimo". Heraldo de Zamora (in Spanish). Burgos. 19 November 1938. p. 1. Retrieved 20 May 2019 – via Biblioteca Virtual de Prensa Histórica.
- ^ "El Generalísimo Franco estuvo ayer en La Coruña". Heraldo de Zamora (in Spanish). 6 December 1938. p. 1. Retrieved 20 May 2019 – via Biblioteca Virtual de Prensa Histórica.
- ISBN 9788392426776. Retrieved 20 May 2019.
- ^ "¡Atiende! mujer gallega de toda condición". El Progreso (in Spanish). 10 September 1938. p. 1. Retrieved 20 May 2019 – via Biblioteca Virtual de Prensa Histórica.
- ^ The opinion of Rosario Marínez, see "Sofía Casanova no interesa a nadie, su figura no da juego". La Opinión (in Spanish). 3 December 2009.
Sofía Casanova was going through some horrible years of extreme hardship, and professed to be supporting her family, one that had had a lot of money but lived through a long series of wars: the First World War, the Bolshevik Revolution, the Frontier Wars of Poland, suffered political persecutions with great difficulty. And Sofía, at a certain moment, let herself be carried away, perhaps with good will, by the advice of some friends, and was very used. Do not forget that in 1938 she was expressly brought to Burgos for an act of political propaganda. Nor should we forget that Sofía was a person of conservative ideas and that she had lived through the Bolshevik Revolution and that in good faith she trusted in fascism. Within its mentality she was coherent but in Spain she was taken advantage of much more than could be ethical
- ISBN 9788392426776. Retrieved 20 May 2019., p. 17
- ISBN 9788400091309.
vía a paz de acordo coa antropoloxía clásica, a paz consecuencia da xustiza, da orde, distinta da mera ausencia de Guerra
- ISBN 9788446029304, p. 1177
- ISBN 9788360097212. Retrieved 20 April 2019 – via Wyższa Szkoła Filologiczna.)
{{cite book}}
: CS1 maint: location missing publisher (link - ^ a b Violetta Szostak, Przypadki Sofii Casanovy, [in:] Wysokie Obcasy 12 January 2011 [retrieved 19 May 2019]
- ^ a b Smurzyński, Jerzy (2015), "Sofía Casanova Lutosławska", [in:] Historia Łomży service (retrieved 24 May 2019)
- ^ a b Dopico, Montse (9 July 2011). "¿Quién conoce a Sofía Casanova?" [Who Knows Sofía Casanova?]. El Mundo (in Spanish). Santiago de Compostela. Retrieved 14 August 2018.
- ^ including ABC, La Vanguardia, Imperio, Diario de Burgos, Nueva Alcarria and other
- ^ Sofía Casanova Eguia Estomper (escritora) entry, [in:] Xenealoxia service [retrieved 24 May 2019]
- ISBN 9788361454878. Retrieved 20 May 2019 – via issuu.
- ^ "Sofía Casanova" (in Galician). Consello da Cultura Galega. Retrieved 14 August 2018.
- ISBN 978-8420688398; Jean Descola, Historia literaria de España, Madrid 1968
- ISBN 9788497402873
- ISBN 9788474232318
- ISBN 9788408026662
- ISBN 9780805746273, pp. 42-46, though the work deals with feminine poetry only
- ISBN 9788420652474, p. 299
- ^ see e.g. Bleiberg, Ihrie, Perez 1993, p. 327, Bregante 2003, p. 173. Among her works the entries note her articles to ABC, Poesias (1885), Cancionero (1911), El doctor Wolski (1894), Sobre el Volga helado (1903), El pecado (1911) and La madeja (1913)
- ISBN 9780313324451, pp. 486-487
- ^ José Luis Bugallal Marchesi, Sofía Casanova: Un siglo de glorias y dolores, La Coruña 1964, 40 pp.
- ^ In 1958 she was dedicated a homage publication Velada literaria en homenaje a Sofía Casanova, [in:] Boletín da Real Academia Galega 327-332 (1958), pp. 190-192. During the following 30 years she went into almost total oblivion and there was no study dedicated to her published in the 1960s, 1970s or 1980s
- ^ The work which commenced the trend was Ofelia Alayeto, The Poetry of Sofia Casanova, [in] Monographic Review VI (1990), pp. 36-45
- ^ Rosario Martínez Martínez, Sofía Casanova. Mito y literatura [PhD thesis UNED], Madrid 1996, Cristina Cabrera Pérez, Sofía Casanova, una periodista singular: análisis de los textos de la primera corresponsal de guerra española [PhD thesis Universidad de Sevilla], Sevilla 2012, Pedro Ochoa Crespo, Género e identidad sexual como discurso. Sofía Casanova y la Primera Guerra Mundial [PhD thesis Complutense], Madrid 2016
- ISBN 9788445323977
- ISBN 9780826592514
- ISBN 9788400091309
- ^ Maria Filipowicz-Rudek Maria, Piotr Sawicki (eds.), Sofía Casanova Lutosławska – hiszpańska pisarka, Polka z wyboru, Drozdowo 2012
- ^ Compare the list of works at Dialnet.Unirioja service
- ISBN 9788416854233, pp. 91-92
- ^ A maleta de Sofía, [in:] Cultura Galega service
- ^ "'Azules son las horas', de Inés Martín Rodrigo - Estandarte". Estandarte (in Spanish). Retrieved 9 February 2023.
- ^ I.E.S. Sofía Casanova Ferrol, [in:] paxinasgalegas service
- ^ CEIP Sofía Casanova, [in:] Edu.Xunta service
- ^ Jarosław Dudała, Zmarł o. Karol Meissner, [in:] Gość Niedzielny 20 June 2017
- ^ Maria Klaudia Niklewicz, [in:] Wyborcza service 31 March 2011
- ^ Maria Małgorzata Koszla-Szymańska, Nauczanie języka hiszpańskiego na Uniwersytecie Warszawskim w latach 1917-2017 [lecture at a conference of 2017 in Warsaw], p. 3 and passim
- ^ Stanisław Chodynicki, Paweł Radziejewski, Wspomnienie o dr. Ryszardzie Niklewiczu, [in:] Medyk Białostocki
- ^ Czesław Meissner, [in:] FilmPolski service
- ^ Paweł Brojek, 10 lat temu zmarł Andrzej Meissner – działacz i publicysta endecki, [in:] Prawy service 26 June 2018
- ^ Wolikowski Andrzej Józef, [in:] ListaKrzystka service
- ^ Grzegorz Wolikowski ps. Romek, [in:] Ogrody Wspomnień service
- ^ Fizyka a wiara. Wykład prof. Krzysztofa Meissnera, [in:] Kierunkowskaz service 31 March 2016
Further reading
- Filipowicz-Rudek Maria, Sawicki Piotr (eds.), Sofía Casanova Lutosławska – hiszpańska pisarka, Polka z wyboru, Drozdowo 2012