Talk:Good Girl Gone Bad/oldrevision

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Untitled

Good Girl Gone Bad is the third

StarGate. Influenced by singer Brandy's 2004 studio album, Afrodisiac, Good Girl Gone Bad is a dance-pop, pop and R&B album and represents a departure from the West Indian sound present on Rihanna's previous releases, Music of the Sun
and A Girl like Me.

Good Girl Gone Bad received generally positive reviews from

2008 ceremony. It debuted at number two on the US Billboard 200 chart and sold over 162,000 copies in its first week. The album was certified double platinum by the Recording Industry Association of America
(RIAA) and sold over 2.8 million copies in the country. It also peaked at number one in Canada, Switzerland and the United Kingdom. As of November 2009, Good Girl Gone Bad sold over 7 million copies worldwide.

Good Girl Gone Bad produced five singles, including the international hits "Umbrella" and "Don't Stop the Music". To support the album, Rihanna embarked on her first worldwide concert tour, the Good Girl Gone Bad Tour. To celebrate its first anniversary, the album was reissued as Good Girl Gone Bad: Reloaded in June 2008. The reissue featured three new songs, including the US Billboard Hot 100 number one hits, "Take a Bow" and "Disturbia". The reissue was followed by Rihanna's first remix album, Good Girl Gone Bad: The Remixes, in January 2009, which featured remixes from Moto Blanco, Tony Moran, the Soul Seekerz and the Wideboys.

Background and concept

Following the release of her debut studio album,

A Girl like Me, was musically a pop oriented record[3] with dancehall and R&B influences.[4] Critically, it was met with mixed response; some critics praised Rihanna's new musical direction,[5] while others criticized some of the songs on the album.[6] Eventually, the album succeeded to sell over 587,308 copies in the United Kingdom[7] and over 1,330,000 copies in the United States.[8]

In early 2007, Rihanna began work on her third studio album.[10] In an interview with MTV News, she elaborated on the sound of her then-upcoming release, "So far, the new music is going in a different direction. Not on purpose, but I just want to hear something fresh and mostly uptempo. I think that's where I want to go on this one. You feel different every album, and [at] this stage I feel like I want to do a lot of uptempo [songs]."[10] Rihanna further explained that she wanted to keep the audience dancing and be soulful at the same time.[10] The singer spoke to Entertainment Weekly about it and explained how she wanted to make an album that people could listen to from beginning to end without skipping any tracks. According to her, the 2004 studio album Afrodisiac by American singer Brandy, was the biggest inspiration for recording her third studio album.[11] In early May 2007, Rihanna revealed that the title of the album will be Good Girl Gone Bad on which she elaborated, "We figured Good Girl Gone Bad was the perfect title because it showed people I'm my own [person] now. I'm not the innocent Rihanna anymore. I'm taking a lot more risks and chances. I felt when I cut my hair, it shows people I'm not trying to look or be anybody else. The album is very edgy."[12]

Production and recording

Good Girl Gone Bad was recorded in several studios worldwide including the

StarGate.[14] In an interview with MTV News, the singer said that "when it first starts off, you think it's a sexy song, but you have to listen to the lyrics. It's a really deep song."[12] During an interview with MTV News, Rihanna recalled the session and stated, "I don't understand how he [Ne-Yo] comes up with certain concepts and he just blows me away sometimes. He's just insane."[10] Ne-Yo told American magazine Vibe, "The best way to express an emotion like love is through storytelling. It makes it more 'I can relate to this character in this song, because I've been through something similar. You hear that kind of storytelling in the song that I wrote for Rihanna called 'Hate That I Love You'."[15]

In early 2007, American producers and song-writers

catch phrase, he felt they were onto "something".[17] Following Rihanna's recording, Def Jam CEO-rapper Jay-Z added his rap.[17]

"Rehab" is one of the three songs composed and produced by Timbaland for the album.[18] Timbaland was on tour with Justin Timberlake to promote Timberlake's 2006 album FutureSex/LoveSounds, which Timbaland had also produced. After completing a show in Chicago, they joined Rihanna in the studio, where Timberlake experimented with beats and melodies.[18] Weeks later, the three got together in New York City, where Timberlake had already conceptualized a song for Rihanna. Timbaland, who wanted to compose a song called "Rehab" for Rihanna, was producing a beat, when Timberlake came in and improvised the song over it.[18] Hannon Lane also co-wrote and co-produced the song.[19][20] Timberlake told Entertainment Weekly that he believed "Rehab" to be "the bridge for [Rihanna] to be accepted as an adult in the music industry".[21] Rihanna told Robert Copsey of Digital Spy that she enjoyed working with Timberlake, and learned much from the sessions. She said, "Working with Justin in the studio is just great. He's a fun guy and likes to make all the sessions enjoyable. He's also such a genius when it comes to lyrics."[22]

Composition

Good Girl Gone Bad is a

Shut Up and Drive" is a new wave,[31] and pop rock,[25] song, which incorporates influences of the 1970s and 1980s musical styles.[25] It samples New Order's 1983 single "Blue Monday".[25] "Hate That I Love You", the sixth song on the album, is a folky R&B song; Nick Levine of Digital Spy compared it to "Sexy Love" and "Because of You".[32]


The seventh track on the album, "Say It" samples the 1990s song by

chorus has a "killer line and a bass throb".[33]

Singles

".

"Umbrella" was released as the lead single from Good Girl Gone Bad. It was sent to

UK Singles Chart and the US Billboard Hot 100 chart. In the UK, the song topped the singles chart for ten consecutive weeks,[39] while in the US, it was on the top position for seven consecutive weeks.[40] As of June 2013, "Umbrella" has sold 4,236,000 digital copies in the US, and is Rihanna's fifth best-selling single in the country.[41] Director Chris Applebaum shot the accompanying music video for the song; it features scenes of Rihanna nude and covered in silver paint.[42] The video earned the singer three nominations at the 2007 MTV Video Music Awards for Best Direction, Video of the Year and Monster Single of the Year and won the latter two.[43]

"Shut Up and Drive" was released as the second single from the album; it impacted contemporary hit radio in the US on June 12

Beyoncé Knowles.[53] "Hate That I Love You" reached number seven on the US Hot 100[47] and number 15 on the UK Singles Chart.[39] The music video for the song was shot by Mandler[54] and premiered on September 24.[55]

"Don't Stop the Music" was digitally released as an EP via the iTunes Store on September 7.[56] The song received positive reviews from music critics, who praised its production and the interpolation of the "Mama-say, mama-sa, ma-ma-ko-ssa" hook.[57] "Don't Stop the Music" won the accolade for Best International Song at the 2008 NRJ Music Awards.[58] The single peaked atop of the singles charts in eight countries; it peaked at number three on the Hot 100[47] and number four on the UK Singles Chart.[39] It is the seventh best-selling single by Rihanna in the US, with 3,521,000 digital copies sold as of June, 2013.[41] Mandler shot the music video in a nightclub in Prague, the Czech Republic.[59] "Rehab" was released as the fifth and final single from Good Girl Gone Bad; it was sent to contemporary hit radio in the US on October 6, 2008.[60] Critics were divided on the song's production and composition, some comparing the structure to that of Timberlake's 2007 single "What Goes Around... Comes Around".[57] It reached number 16 on the UK Singles Chart[39] and number 18 on the US Hot 100 chart.[47] Anthony Mandler directed the accompanying music video, which was shot in Vasquez Rocks Park, near Los Angeles; it features a cameo appearance from Timberlake.[61]

Marketing and release

Good Girl Gone Bad was first released Belgium

CD. It was released in the Netherlands[64] and in Poland[65] the following day. The album was released in Finland[66] and the United Kingdom on June 4,[67] and in the United States the following day, on both CD and LP.[68][69] Good Girl Gone Bad was released on CD in Germany on June 8[70], LP in Australia on June 12[71] and on CD in New Zealand on the same date.[72] A deluxe edition of the album, featuring a bonus disc with dance remixes, was released on June 27 in Japan.[73]

Live performances

Rihanna performing during the Good Girl Gone Bad Tour in Brisbane, Australia

Rihanna performed "Umbrella" together with "Shut Up and Drive" and "Breakin' Dishes" at BBC Radio 1's Big Weekend on May 21, 2007.

2007 American Music Awards, held at the Nokia Theater in Los Angeles, California. For the performance of "Hate That I Love You", Ne-Yo accompanied her on the stage.[79] In late December, 2007, Rihanna was the guest star at the Late Show with David Letterman, where she gave a performance of "Shut Up and Drive".[80]

Rihanna performed "Don't Stop the Music" at the 2008 NRJ Music Awards, held in

Rockfeller Center, New York City. She performed "Don't Stop the Music", together with "Umbrella" and "Take a Bow".[84] The singer performed "Rehab" live on November 23, 2008, at the 2008 American Music Awards, where she won the awards for Favorite Pop/Rock Female Artist and Favorite Soul/R&B Female Artist.[85] At the awards ceremony, she performed it wearing an eye patch, which she later removed after she was lowered to the main stage.[86]

Tour

To further promote the album, Rihanna embarked on her first worldwide and second overall tour, the

video album, entitled Good Girl Gone Bad Live, was filmed at the Manchester Arena show in Manchester, United Kingdom; the show was held on December 6, 2007.[90] The Good Girl Gone Bad Live DVD was released on June 9 and June 13, 2008 in the United Kingdom and Germany through Mercury Records and the Universal Music Group respectively.[91][92]

Critical response

Professional ratings
Review scores
SourceRating
Pitchfork Media
7.4/10[34]
Rolling Stone[96]
Slant Magazine[38]
Uncut[97]

Good Girl Gone Bad received generally favorable reviews from music critics. At

Pink."[99] Kelefa Sanneh of The New York Times wrote that the album "sounds as if it were scientifically engineered to deliver hits".[100] Peter Robinson of The Observer commended her "crew of collaborators" for "masking her own shortcomings" and commented that, "While Rihanna lacks her peers' charisma, she's a great vessel for exhilarating mainstream pop."[30] Pitchfork Media's Tom Breihan called the album an "unexpectedly varied and satisfying listen".[34] Neil Drumming of Entertainment Weekly felt that, although it "goes bad when Rihanna tries her hand at treacly ballads and glum sentiment", Good Girl Gone Bad is, "its finest, messiest moments," a "thrilling throwback to more than a decade ago, when upstart producers haphazardly mashed R&B with hip-hop to create chunky jeep anthems such as Mary J. Blige's 'Real Love'."[94]

In a mixed review, Rodney Dugue of The Village Voice felt that the album "never settles on a sound" and only cited its three Timbaland-produced songs as highlights.[46] Although he found the ballads improved from Rihanna's previous albums, Slant Magazine's Sal Cinquemani criticized the lyrics, particularly those written by Justin Timberlake, as "once again an Achilles' high heel for Rihanna".[38] Alex Macpherson of The Guardian found Rihanna to be "ill-suited" for its dance-pop songs and stated, "The gimmicky samples and pounding beats bury her personality, and the summery reggae of her first two albums is sorely missed."[95] Robert Christgau of MSN Music cited "Umbrella" as a "choice cut",[101] indicating "a good song on an album that isn't worth your time or money".[102] The song was also ranked number three on "The 10 Best Songs of 2007" by Time; the magazine's Josh Tyrangiel said that it was "the sexiest song of 2007."[103]

Commercial performance

In the United States, Good Girl Gone Bad debuted at number two on the Billboard 200 chart, with sales of 162,000 copies sold in its first week. It became her then-best start album entry; Music of the Sun entered the chart at number 10 with sales of 68,000 copies, while A Girl like Me sold 115,000 copies and peaked at number five.[104] The next week, it fell to number seven with 81,000 copies sold (-50%).[105] When the re-issues was released, it sold 63,000 copies and helped Good Girl Gone Bad to jump from number 124 to number seven on the US Billboard 200 in its 55th week. With this, the album got back in the top 10 for the first time since its debut in June 2007.[106] It was certified two-times platinum by the Recording Industry Association of America (RIAA);[107] by November 2012, both Good Girl Gone Bad and the reissue had sold 2,800,000 copies in the US alone.[108] The album debuted atop of the Canadian Hot 100 and became Rihanna's first number one album in the country.[109] It was certified quintuple platinum by Music Canada denoting shipments of over 500,000 copies.[110]

Good Girl Gone Bad debuted at number one on the UK Singles Chart; it became her first album to top the chart. It stayed on the chart for a total of 128 weeks.

Album R&B Chart.[111] It was certified sextuple platinum by the British Phonographic Industry (BPI)[112] and sold over 1,850,000 copies in the country.[113] It ended at number 10 on the UK 2007 Year-end list and number six on the 2008 Year-end list.[114] In Ireland, Good Girl Gone Bad debuted at number three on the Irish Singles Chart on June 7, 2007.[115] After four weeks on the chart, it reached number one.[116] The album peaked at number one on the Swiss Hitparade chart and stayed on the chart for a total of 91 weeeks.[117] In Australia, it peaked at number two[118] and was certified three-times platinum by the Australian Recording Industry Association (ARIA), denoting shipments of over 210,000 copies.[119] As of November 2009, Good Girl Gone Bad has sold over 7 million copies worldwide.[120]

Accolades and legacy

At the

Prior to its physical release, "Umbrella" achieved the biggest debut in the six-year history of the

Re-issue

In early 2008, Rihanna unveiled a new song titled "

On Air with Ryan Seacrest.[126] MTV News reported that the track would serve as the lead single from Good Girl Gone Bad: Reloaded, a reissue of the original album to mark its first anniversary.[125] Rihanna further announced that apart from "Take a Bow", the expanded album would contain two more songs, one of which was a duet with American pop rock band Maroon 5, to supplement the original track listing.[127]

When Good Girl Gone Bad: Reloaded was released, the original album received a sales increase of 930%—more than any other non-debuting album in the history of the Billboard 200 chart.

Track listings

Good Girl Gone Bad – Standard edition
No.TitleWriter(s)Producer(s)Length
1."Umbrella" (featuring Jay-Z)
4:35
2."Push Up on Me"
  • Rotem
  • Riddick[a]
3:15
3."Don't Stop the Music"
Breakin' Dishes
"
  • Stewart
  • Nash
  • Stewart
  • Harrell[a]
3:20
5."
Shut Up and Drive
"
  • Rogers
  • Sturken
3:33
6."Hate That I Love You" (featuring Ne-Yo)
  • StarGate
  • Ne-Yo[a]
3:39
7."Say It"
  • Neo da Matrix
  • Riddick[a]
4:10
8."Sell Me Candy"
2:45
9."Lemme Get That"
  • Nash
  • Mosley
  • Carter
  • Timbaland
  • Nash[a]
3:41
10."Rehab" (featuring Justin Timberlake and Timbaland)
  • Timberlake
  • Mosley
  • Hannon Lane
  • Timbaland
  • Lane[b]
  • Timberlake[a]
4:54
11."Question Existing"
4:08
12."Good Girl Gone Bad"
3:35
Total length:46:02
Good Girl Gone Bad – UK edition (bonus track)[130]
No.TitleWriter(s)Producer(s)Length
13."Cry"
  • Hermansen
  • Eriksen
  • Dabney
StarGate3:53
Total length:49:54
Good Girl Gone Bad – UK edition (digital download bonus track)[131]
No.TitleWriter(s)Producer(s)Length
14."Umbrella" (Acoustic)
  • Stewart
  • Nash
  • Harrell
  • Carter
  • Stewart
  • Harrell[a]
4:36
Total length:54:34
Good Girl Gone Bad – Deluxe Edition Featuring Dance Remixes (Disc 2)[132]
No.TitleWriter(s)Producer(s)Length
1."Umbrella" (featuring Jay-Z) (Seamus Haji & Paul Emanuel Remix)
  • Stewart
  • Nash
  • Harrell
  • Carter
6:27
2."Breakin' Dishes" (Soul Seekerz Remix)
  • Stewart
  • Nash
6:36
3."Don't Stop the Music" (The Wideboys Club Mix)
  • Hermansen
  • Eriksen
  • Dabney
  • Jackson
  • StarGate
  • The Wideboys[c]
6:04
4."Question Existing" (The Wideboys Club Mix)
  • Smith
  • Taylor
  • Carter
6:37
5."Hate That I Love You" (featuring Ne-Yo) (K-Klassic Remix)
  • Smith
  • Hermansen
  • Eriksen
6:12
6."Push Up on Me" (Moto Blanco Club Mix)
  • Rotem
  • Riddick
  • Richie
  • Weil
7:41
7."Good Girl Gone Bad" (Soul Seekerz Remix)
  • Smith
  • Hermansen
  • Eriksen
  • Marlin
6:37
8."Haunted" (Steve Mac Classic Mix)
  • Rogers
  • Sturken
6:35
9."Say It" (Soul Seekerz Remix)
  • Riddick
  • Atkinson
  • Brown
  • Dillon
  • Dunbar
  • Thompson
  • Neo da Matrix
  • Riddick[a]
  • Soul Seekerz[c]
6:25
10."Cry" (Steve Mac Classic Mix)
  • Hermansen
  • Eriksen
  • Dabney
  • StarGate
  • Steve Mac[c]
5:48
11."S.O.S." (Digital Dog Remix)
  • Rotem
  • Digital Dog[c]
7:23
Notes

Personnel

Credits for Good Girl Gone Bad adapted from Allmusic.[133]

  • Jon Marius Aareskjold – engineer, guitar engineer
  • Angela Allen – marketing coordinator
  • Q. Atkinson – composer
  • Stevie Blacke – cello, violin
  • Tim Blacksmith – management
  • Ewart Brown – composer
  • Jay Brown – A&R
  • Ed Calle – conductor, horn conductor, orchestration
  • Carter Administration – executive producer
  • Shawn Carter – composer, additional personnel, guest artist, primary artist, rap
  • Demacio Castellon – engineer, mixing
  • Danny D – management
  • Kevin "KD" Davis – mixing
  • Roberto Deste – photography
  • Clifton Dillon – Composer
  • The-Dream
     – composer
  • Sly Dunbar – composer
  • William Durst – engineer
  • Mikkel Storleer Eriksen
     – composer, engineer, instrumentation, musician
  • Terence Franklyn – assistant, assistant engineer
  • Rodrigo Gallardo – trumpet
  • Chris Gehringer – mastering
  • Gillian Gilbert – composer
  • Richard "Rico" Gonzales – engineer
  • Augie Haas – trumpet
  • Kuk Harrell – engineer, vocal producer, composer
  • Al Hemberger – engineer, mixing
  • Tor Erik Hermansen
     – composer
  • Rob Heselden – production coordination
  • Ricardo "Slick" Hinkson – assistant engineer
  • Peter Hook – composer
  • Josh Houghkirk – assistant, mixing Assistant
  • Michael Jackson – composer
  • Marc Jordan – management
  • Terese Joseph – A&R
  • Doug Joswick – package production
  • Anthony Kilhoffer – engineer
  • John Kricker – trombone
  • Hannon Lane – keyboards, producer
  • Daniel Laporte – engineer
  • Mathieu Lejeune – engineer
  • Mat LeJeuneat – engineer
  • Fabienne Leys – artist coordination
  • Espen Lind – guitar
  • Adam Lowenberg – marketing, mastering
  • Deborah Mannis-Gardner – sample clearance
  • Manny Marroquin – mixing
  • L. Martin – composer
  • Roy Matthews – assistant, mixing assistant
  • Doug Michels – trumpet
  • Christie Moran – production assistant
  • Stephen Morris – composer
  • Terius "The-Dream" Nash – composer
  • Shaffer "Ne-Yo" Smith – composer, additional personnel, producer, rap, vocal producer
  • Greg Ogan – engineer
  • Deepu Panjwani – assistant engineer
  • Ciarra Pardo – art direction, design
  • Phillip Ramos – assistant engineer
  • Lionel Richie – composer
  • Makeba Riddick – composer, vocal producer
  • Rihanna – vocals
  • Dusty Robbennolt – assistant engineer
  • J. Peter Robinson – art direction, design
  • Evan Rogers
     – background vocals, composer, executive producer, producer
  • J.R. Rotem
     – composer
  • Dan Satterwhite – tuba
  • Christa Shaub – management
  • Tyran "Ty Ty" Smith – A&R
  • Chris Steinmetz – engineer
  • Christopher "Tricky" Stewart – composer, drum programming, keyboards, producer
  • Frankie Storm – composer
  • Bernt Rune Stray – guitar
  • Tim Sturges – assistant engineer
  • Carl Sturken
     – composer, executive producer, instrumentation, musician, producer
  • Bernard Sumner – composer
  • Rebecca Sweatman – production assistant
  • Phil Tan – mixing
  • Grayson Taylor – assistant engineer
  • Shea Taylor – composer
  • Dana Teboe – trombone
  • Brian Thompson – composer
  • Timbaland – producer
  • Justin Timberlake – background vocals, composer, vocal producer
  • Mike Tocci – engineer
  • Marcos Tovar – assistant engineer
  • Cynthia Weil – composer

Charts

Certifications

‹See Tfd›‹See Tfd›
Region Certification Certified units/sales
Australia (ARIA)[119] 3× Platinum 210,000^
Austria (IFPI Austria)[173] 2× Platinum 40,000*
Belgium (BEA)[174] 3× Platinum 60,000*
Brazil (Pro-Música Brasil)[175] 2× Platinum 120,000*
Canada (Music Canada)[110] 5× Platinum 500,000^
Denmark (IFPI Danmark)[176] 2× Platinum 60,000^
Finland (Musiikkituottajat)[177] Platinum 16,002[177]
France (
SNEP)[178]
Platinum 200,000*
Germany (BVMI)[179] 3× Platinum 600,000^
Greece (IFPI Greece)[180] Gold 7,500^
Hungary (MAHASZ)[181] Platinum 6,000^
Ireland (IRMA)[182] 5× Platinum 75,000^
Italy (FIMI)[183] Platinum 80,000*
Japan (RIAJ)[184] Platinum 250,000^
Mexico (AMPROFON)[185] Platinum 100,000^
New Zealand (RMNZ)[186] 3× Platinum 45,000^
Poland (ZPAV)[187] 2× Platinum 40,000*
Portugal (AFP)[188] Gold 10,000^
Russia (
NFPF)[189]
4× Platinum 80,000*
Spain (PROMUSICAE)[190] 2× Platinum 160,000^
Switzerland (IFPI Switzerland)[191] 3× Platinum 90,000^
United Kingdom (BPI)[112] 6× Platinum 1,850,000[113]
United States (RIAA)[107] 2× Platinum 2,800,000[108]
Summaries
Europe (IFPI)[192] 3× Platinum 3,000,000*

* Sales figures based on certification alone.
^ Shipments figures based on certification alone.

Release history

Country Date Format Edition Label
Belgium[62] May 31, 2007
CD
Limited Universal Music Group
Portugal[63] Standard
Netherlands[64] June 1, 2007
Poland[65]
Finland[66] June 4, 2007
United Kingdom[67] Mercury Records
United States[68] June 5, 2007 Def Jam Recordings
United States[69] LP
Germany[70] June 8, 2007 CD Universal Music Group
Australia[71] June 12, 2007 LP
New Zealand[72] CD
France[193] June 13, 2007 Digital download
Japan[73] June 27, 2007 CD Deluxe
Hong Kong[194] July 30, 2007 Limited

References

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  5. Allmusic
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  15. ISSN 1070-4701
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    )
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External links