The Gods We Can Touch

Source: Wikipedia, the free encyclopedia.

The Gods We Can Touch
An edited photograph of Aurora that shows several reflections of her with a dark green dress, while standing on tiptoes. Behind her is a backdrop of red curtains that also cover the lower corner of the image.
Standard cover
Studio album by
Aurora
Released21 January 2022
RecordedNovember 2019 – July 2021
Studio
Genre
Length49:55
Label
Producer
Aurora chronology
A Different Kind of Human (Step 2)
(2019) 		The Gods We Can Touch
(2022) 		What Happened to the Heart?
(2024)
Singles from The Gods We Can Touch
  1. "Exist for Love"
    Released: 14 May 2020
  2. "Cure for Me"
    Released: 7 July 2021
  3. "Giving in to the Love"
    Released: 14 October 2021
  4. "Heathens"
    Released: 2 December 2021
  5. "A Dangerous Thing"
    Released: 7 January 2022
  6. "A Temporary High"
    Released: 21 January 2022

The Gods We Can Touch is the third

Askjell Solstrand, along with new collaborations with Jamie Hartman, Martin Sjølie and Matias Tellez
on its production.

Conceived as a departure from the concept and sound of her previous works, The Gods We Can Touch has been characterised to be an

self-empowerment, abuse, heartbreak, morality and desire, with a maximal and introspective style. The Gods We Can Touch received critical acclaim upon release, with music critics praising its "ethereal" vocal performance and experimental
musical direction.

The Gods We Can Touch was supported by ten singles, five of which were supplemented by music videos. "Exist for Love" was promoted by an online music festival organized by Aurora. "

Billboard Heatseekers Albums
chart. To further promote the album, Aurora performed several songs at the concert film A Touch of the Divine and embarked on her fourth headlining concert tour.

Background and recording

Aurora rented Barony Rosendal (pictured) in November 2020, where she recorded the majority of The Gods We Can Touch.

Aurora began writing songs for the album in January 2019, right after she chose the title for her new record.[1] According to her, two days after the release of her second studio album A Different Kind of Human (Step 2) (2019), she already had planned what she wanted for her next project.[2] During the writing process she read about the history of religion, which was a source of inspiration for the themes of the album.[3]

Aurora stated in an interview with Billboard Japan that production for two upcoming albums began in November 2019, one of them being the yet-untitled The Gods We Can Touch.[2] In an interview with Riff Magazine, she revealed that the closer album had a bigger perspective in comparison to her previous efforts, concluding that "it's an album for every individual within the big army of love."[4] She further detailed the album in an interview with Motley, adding that it "will be dressed in an armour of hardness. But I'm also really exploring the soft, delicate part of me."[5]

The first recorded song for the album was "Exist for Love", which was recorded in January 2020 at the Office in Norway, a month before the COVID-19 pandemic was declared in Norway.[6] The track was made in collaboration with Isobel Waller-Bridge, who contributed with string arrangements.[7] In November 2020, Aurora rented Barony Rosendal to record The Gods We Can Touch.[8] Other recording locations included The Jungle and Blanca Studio, all located in Norway.[9] In April 2021, Aurora's single "Runaway" began growing in popularity on TikTok. In an interview with NME regarding the song's newfound success, Aurora described the themes of the upcoming album: "I'm asking questions to everything that made us the way we are now; in our past, in politics, religion, and in weird ways of thought we have created that make no sense – like racism, not being a feminist or burning women for being witches. All of these strange things that we have convinced ourselves are the right thing to do, which is just so odd."[10] She later stated in July 2021 that album was finished, and her intentions to release the album before the end of 2021.[11]

Music and lyrics

Overview

The Gods We Can Touch has been characterised to be an

jazz,[22] chamber pop, global music,[23] Latin music, and arena rock.[24] Aurora classified the album as its own genre due to its "chaotic" and "genre blending" sound.[25]

Marcy Donelson of AllMusic stated that "The Gods We Can Touch mixes natural, live-sounding vocals and acoustic instrumental performances with ethereal processed harmonies, drum machines, synthesizers, and various programming." The tracks "Exist for Love" and Artemis" were the only songs recorded on first takes, which "commit[ted] to a more spontaneous sound."[26] Aurora's sopranolike vocal performance throughout the album was described by many critics as "ethereal",[14][16][20][17] with interludes to songs that showcase her voice and vocal tone shifts.[21][12] Georgia Griffiths from The Music wrote that Aurora is "channelling Lana Del Rey, [and] the next it's Santigold" in her vocal performances on the record.[21]

A

self-empowerment, abuse, heartbreak, morality and desire.[12][15]

Songs

"Everything Matters", the second track on The Gods We Can Touch, features vocals from French singer Pomme, marking Aurora's first collaboration in one of her albums.

The Gods We Can Touch opens with "The Forbidden Fruits of Eden", an interlude that takes its title from the forbidden fruit of the Garden of Eden that appeared in the biblical book of Genesis.[24] Composed of delicate harmonies, it "set[s] an explicitly religious tone" for the rest of the album.[15] The electronica and chamber pop ballad "Everything Matters" features French singer-songwriter Pomme with a spoken word outro in French language.[32][22][14] Inspired by the myth of Prometheus and the creation of humanity from clay, "Giving in to the Love", questions obsession with body image, while .[33] It incorporates electropop and power pop genres and contains tom tom strikes, a drum machine and echoey synths.[34][35] The baroque pop track "You Keep Me Crawling" deals with abuse of power in relationships where Aurora conveys "intensity and power in her vocals, while also showing vulnerability and softer moments."[8][36][37]

Aurora called "Exist for Love" her first

electro beat.[37][42]

In "A Dangerous Thing", Aurora reflects on an

trumpets that talks about "finding strength when you have nothing left to give."[12][13][16] The Gods We Can Touch closes with the folk and orchestral pop cut "A Little Place Called the Moon".[26][15] One of her favourite songs from the album, Aurora felt that it was the "perfect ending" for the album.[43]

Release and promotion

After clearing her Instagram feed in May 2020, Aurora began hinting at "the beginning of a new era".[44] She initially expected to release the album in that year but she revealed in a September 2020 interview her decision to postpone it due to the COVID-19 pandemic.[28] The next year, the album was delayed to early 2022, following the commercial success of her 2015 single "Runaway".[8] On 14 October 2021, she revealed the album's name and track listing.[45]

In July 2020 Aurora organized the Exist for Love Sessions, an online music festival that promoted various emerging artists.[44] She later appeared at the Late Night with Seth Meyers in November 2021, her first performance at that show since 2018.[46] In promotion of the album's release in the United Kingdom, Aurora performed at two sold-out shows in London.[47] She was also interviewed by Norwegian TV host Anne Lindmo and performed "A Temporary High" in her talk show Lindmo, which was broadcast by NRK.[48]

Singles

Aurora decided to release "Exist for Love" as the album's first single on 14 May 2020 because she felt "the world needs more love than ever".[49] "Cure for Me" was released as The Gods We Can Touch's next single on 7 July 2021.[50]

On 14 October, she released "Giving in to the Love" as the album's next single, and officially announced The Gods We Can Touch, and its release date of 21 January 2022.

promotional single only.[52]

"A Temporary High" served as the sixth single, released on 21 January 2022, alongside the album's release.[53] A music video was released on 27 January 2022.[54]

Concert film and tour

On 3 December 2021, Aurora announced a virtual concert film titled A Touch of the Divine, released exclusively to Moment House on 25 January 2022, a week later after the album was released.[55] It was directed by Alexandra Green and produced by Bullion Productions and Mercury Studios.[56] A teaser was posted on 18 January 2022, while an official trailer was released two days later.[57][58] Described as a "worldwide digital experience", the film included six songs from the album that were accompanied by choreography and interludes spoken by Aurora herself.[55][59]

The album received further promotion from her fourth headlining concert tour, which was announced on 9 July 2021.[60] The tour will span across Europe and North America, starting on 13 February 2022 in Milan, Italy,[60] and set to conclude on 12–13 September in Barcelona, Spain.[61] The second leg of the tour visited North America in May and June 2022.[8]

Usage in media

The fourth track of the album, "Cure for Me" is set to be part of the main soundtrack of Just Dance 2024 Edition.[62]

Critical reception

Professional ratings
Aggregate scores
SourceRating
AnyDecentMusic?7.9/10[63]
Metacritic81/100[64]
Review scores
SourceRating
AllMusic[26]
Clash8/10[31]
DIY[23]
Dork[65]
Gigwise[15]
The Line of Best Fit9/10[17]
musicOMH[42]
NME[36]
NRK P35/6[34]
Under the Radar[32]

The Gods We Can Touch was met with critical acclaim upon release.[66] At Metacritic, which assigns a normalised score out of 100 to ratings from publications, the album received a mean score of 81 based on 9 reviews, indicating "universal acclaim".[64]

The Line of Best Fit writer Tom Williams praised the album as an "ethereal masterpiece" and stated that Aurora's sound is "like heaven on Earth."[17] Steven Loftin of Dork called Aurora on the album "exciting as she is intriguing" and makes the "world feels like a better place."[65] Clash's Finlay Holden called the record "high-reaching" and noted that the themes of "angry, celebratory, wallowing and cathartic energies exhibit themselves in a maximalist way."[31] Ben Hogwood from musicOMH states that the record consisted of "futuristic production and intriguing, sometimes daring melodies" despite being rooted in a "deep and very distant past."[42]

Chris Hamilton-Peach of DIY writes that "Aurora's celestial spark remains her calling card" on the album.[23] Gigwise writer Tom Taylor sees Aurora as she "experiments with genre in her joyful new album" while also being reliant on "high-energy, electro-pop anthems."[15] Andrew Trendell of NME notes that the record "seizes the opportunity to take the world on and fight with all her power" and is loaded with "idiosyncratic quirks and enchanting notions."[36] Hayden Godfrey from Under the Radar felt that the record showcases Aurora's "glorious highs and careful lows" towards the production.[32] Ewan Gleadow from Cult Following says that Aurora "relies entirely on the fascinatingly lucid vocal range she holds."[67] According to Marcy Donelson from AllMusic, the record only expands on Aurora's "already mystical bearing."[26]

Commercial performance

Upon its release, The Gods We Can Touch became the third most-streamed album on

Top Current Album Sales charts, respectively.[69][70]

Track listing

All tracks produced by Aurora and Magnus Skylstad, except where noted.

The Gods We Can Touch – Standard edition
No.TitleWriter(s)Producer(s)Length
1."The Forbidden Fruits of Eden"
Askjell Solstrand
  • Fredrik Svabø
    		• 3:29
    14."This Could Be a Dream"
    • Aksnes
    • Skylstad
    		 4:08
    15."A Little Place Called the Moon"
    • Aurora
    • Tellez
    		4:10
    Total length:49:55
    The Gods We Can Touch – Japanese edition (bonus track)
    No.TitleWriter(s)Producer(s)Length
    16."Cure for Me" (Acoustic)
    • Aksnes
    • Skylstad
    • Aurora
    • Skylstad
    • Svabø
    		3:33
    Total length:53:29
    The Gods We Can Touch – Spotify (bonus track)
    No.TitleWriter(s)Producer(s)Length
    16."The Woman I Am"
    • Aksnes
    • Roberts
    • Skylstad
    • Aurora
    • Skylstad
    		3:12
    Total length:53:08
    The Gods We Can Touch – Alternative vinyl edition
    No.TitleWriter(s)Producer(s)Length
    1."The Forbidden Fruits of Eden"Aurora Aksnes 0:40
    2."Cure for Me"
    • Aksnes
    • Skylstad
    		 3:21
    3."The Innocent"
    • Aksnes
    • Roberts
    • Skylstad
    		 3:27
    4."A Dangerous Thing"
    • Aksnes
    • Sjølie
    • Aurora
    • Skylstad
    • Sjølie[a]
    		3:35
    5."Exist for Love"
    • Aksnes
    • Roberts
    • Skylstad
    		 4:13
    6."Heathens"
    • Aksnes
    • Skylstad
    • Skålnes
    		 3:45
    7."Blood in the Wine"
    • Aksnes
    • Solstrand
    • Svabø
    		3:29
    8."Exhale Inhale"
    • Aksnes
    • Roberts
    • Skylstad
    		 3:32
    9."A Temporary High"
    • Aksnes
    • Skylstad
    		 3:23
    10."The Woman I Am"
    • Aksnes
    • Roberts
    • Skylstad
    • Aurora
    • Skylstad
    		3:12
    11."This Could Be a Dream"
    • Aksnes
    • Skylstad
    		 4:08
    12."Artemis"Aksnes 2:38
    13."The Devil Is Human"
    • Aurora
    • Skylstad
    • Ball
    		3:01
    14."Everything Matters" (featuring Pomme)
    • Aksnes
    • Claire Pommet
    • Hartman
    • Aurora
    • Skylstad
    • Hartman[a]
    		3:33
    15."A Little Place Called the Moon"
    • Aksnes
    • Tellez
    • Aurora
    • Tellez
    		4:10
    Total length:49:44
    The Gods We Can Touch – Japanese Special Edition (Disc 2)
    No.TitleWriter(s)Producer(s)Length
    1."The Woman I Am"
    • Aksnes
    • Roberts
    • Skylstad
    • Aurora
    • Skylstad
    		3:12
    2."The Devil Is Human"
    • Aksnes
    • Bennett
    • Ball
    • Aurora
    • Skylstad
    • Ball
    		3:01
    3."A Potion for Love"
    • Aksnes
    • Langebæk
    • Aurora
    • Skylstad
    		3:36
    4."Storm" (with Wu Qing-feng) (English Version)
    • Aksnes
    • Howe Chen
    • Roberts
    • Skylstad
    • Wu Qing-feng
    • Howe Chen
    • Skylstad
    • Wu Qing-feng
    		3:51
    5."Hunting Shadows" (Assassin's Creed)
    • Aurora
    • Kjelby
    		2:55
    6."Runaway" (Piano Version)
    • Aksnes
    • Skylstad
    • Skålnes
    • Skylstad
    		4:47
    7."A Temporary High" (Acoustic)
    • Aksnes
    • Skylstad
    		 2:50
    8."A Potion for Love" (VEVO Session)
    • Aksnes
    • Langebæk
    • Aurora
    • Skylstad
    		3:19
    9."Exhale Inhale" (VEVO Session)
    • Aksnes
    • Roberts
    • Skylstad
    		 4:00
    10."Exist for Love" (Live from SUPERSONIC 2021)
    • Aksnes
    • Roberts
    • Skylstad
    		 4:48
    Total length:36:22

    Notes

    • ^a signifies a co-producer.
    • Vinyl releases of the album that include the alternative track listing have different versions of some of its tracks.[71]

    Personnel

    Credits adapted from the CD liner notes of The Gods We Can Touch.[9]

    Musicians

    • Aurora Aksnes – vocals (all tracks); piano (tracks 2, 11); percussion (tracks 3, 5, 7); synthesizer (tracks 4, 7); organ (track 4)
    • Magnus Skylstad – synth bass (tracks 1, 3); synthesizer (tracks 1, 4, 6); organ (track 3); drums (tracks 3–4, 6–7); bass (tracks 4, 6–7); synth pads (tracks 6–7), strings (track 7); percussion (track 7, 11); baritone guitar, piano (track 11)
    • Fredrik Svabø – guitar (tracks 2–3, 7); acoustic guitar (tracks 5, 11)
    • Askjell Solstrand
      – piano (tracks 2, 13); co-production (track 13)
    • Pomme – vocals (track 2)
    • Alexander von Mehren – drum machine (tracks 4, 14)
    • Isobel Waller-Bridge – string arrangement (track 6)
    • Glen Roberts – acoustic guitar (track 6)
    • Maddie Cutter – cello (track 6)
    • Galya Bisengalieva – violin, viola (track 6)
    • Odd Martin Skålnes – guitar, percussion (track 7)
    • Martin Sjølie – electric guitar, drums, bass (track 11)
    • Matias Tellez – guitar, synthesizer (track 15)
    • Per Arne Glorvigen – bandoneon (track 12)

    Technical

    • Aurora – production (all tracks)
    • Magnus Skylstad – production (tracks 1–14); programming (tracks 2, 4, 6–7); engineering (tracks 2, 4, 7, 11), mixing, recording engineer (track 3)
    • Jamie Hartman – production (track 2)
    • Martin Sjølie – co-production (track 11)
    • Alex Whartman – mastering (all tracks)
    • Josh Gudwin – mixing (track 4)
    • Robin Schmidt – mastering (track 6)

    Design

    • Aurora – art direction
    • Leif Podhajsky – art direction, artwork, package design
    • Xin Li – photography

    Charts

    Chart performance for The Gods We Can Touch
    Chart (2022) Peak
    position
    Australian Albums (ARIA)[72] 100
    Austrian Albums (Ö3 Austria)[73] 24
    Belgian Albums (Ultratop Flanders)[74] 25
    Belgian Albums (Ultratop Wallonia)[75] 29
    Dutch Albums (Album Top 100)[76] 28
    Finnish Albums (
    Suomen virallinen lista)[77]
    		 47
    French Albums (
    SNEP)[78]
    		 56
    German Albums (Offizielle Top 100)[79] 11
    Norwegian Albums (VG-lista)[68] 1
    Polish Albums (ZPAV)[80] 31
    Scottish Albums (OCC)[81] 7
    Slovak Albums (ČNS IFPI)[82] 70
    Spanish Albums (PROMUSICAE)[83] 53
    Swiss Albums (Schweizer Hitparade)[84] 16
    UK Albums (OCC)[85] 8
    US
    Heatseekers Albums (Billboard)[69]
    		 6
    US
    Top Current Album Sales (Billboard)[70]
    		 56

    Release history

    Release dates and formats for The Gods We Can Touch
    Region Date Format(s) Label Edition Ref.
    Various January 21, 2022
    • streaming
    		Standard [86]
    		[87]
    Japan
    • CD
    		 Universal Music Japan Japan bonus [88]
    January 18, 2023 Japan Special [89]

    See also

    References

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