Electropop
Electropop | |
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Stylistic origins | |
Cultural origins | Early 1980s, United Kingdom |
Derivative forms | |
Other topics | |
Electronic music |
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Experimental forms |
Popular styles |
Other topics |
Electropop is a
History
Early 1980s
During the early 1980s, British artists such as
Some fascinating new music began arriving on these shores; it was dubbed electropop, because electronic instrumentation — mainly synthesizers and syndrums — was used to craft pop songs. "Pop Muzik" by M was one of the first. There was a gradual accumulation of worthy electropop discs, though they were still mostly heard only in rock discos. But in 1981, the floodgates opened, and "new music" at last made a mighty splash. The breakthrough song was "Don't You Want Me" by the Human League.
21st century
Singer Michael Angelakos of Passion Pit said in a 2009 interview that while playing electropop was not his intention, the limitations of dorm life made the genre more accessible.[9]
In 2009, The Guardian quoted James Oldham—head of artists and repertoire at A&M Records—as saying "All A&R departments have been saying to managers and lawyers: 'Don't give us any more bands because we're not going to sign them and they're not going to sell records.' So everything we've been put on to is electronic in nature."[10][11]
In 2019, Kenneth Womack wrote that singer and songwriter Billie Eilish had "staked her claim as the reigning queen of electropop" with her critical and commercial hit album When We All Fall Asleep, Where Do We Go?.[12]
See also
References
- ^ Jon Pareles (March 21, 2010). "Spilling Beyond a Festival's Main Courses". The New York Times.
- ^ "Spilling Beyond a Festival's Main Courses". The New York Times. March 22, 2010.
- ^ a b Jones 2006, p. 107.
- ^ Reynolds 2005, pp. 296–308.
- ^ "Anglomania: The Second British Invasion". Rolling Stone. Retrieved April 29, 2019.
- ^ UK gaga for electro-pop, guitar bands fight back Archived 2009-07-23 at the Wayback Machine, The Kuwait Times, January 28, 2009
- ^ The 1980s revival that lasted an entire decade by Simon Reynolds for The Guardian, 22 January 2010.
- The Purdue University Calumet Chronicle. Archived from the originalon June 4, 2013. Retrieved June 22, 2012.
- ^ "Interview: Michael Angelakos of Passion Pit Boston Phoenix October 1, 2009".
- ^ "Gaga for girl power". smh.com.au. February 28, 2009.
- ^ Neil McCormick (August 5, 2009). "La Roux, Lady Gaga, Mika, Little Boots: the 80s are back". Telegraph.co.uk. Archived from the original on January 11, 2022.
- ^
Salon. Retrieved February 2, 2020.
Bibliography
- Jones, Hollin (2006). Music Projects with Propellerhead Reason: Grooves, Beats and Styles from Trip Hop to Techno. PC Publishing. ISBN 978-1-870775-14-4.
- Reynolds, Simon (2005). Rip it up and start again : post-punk 1978-84. London: Faber. ISBN 978-0-571-21570-6.