The Great Race
The Great Race | |
---|---|
Directed by | Blake Edwards |
Screenplay by | Arthur A. Ross |
Story by | Blake Edwards Arthur A. Ross |
Produced by | Martin Jurow |
Starring | Jack Lemmon Tony Curtis Natalie Wood Peter Falk Keenan Wynn Dorothy Provine Arthur O'Connell Vivian Vance |
Cinematography | Russell Harlan |
Edited by | Ralph E. Winters |
Music by | Henry Mancini |
Distributed by | Warner Bros. |
Release date |
|
Running time | 160 minutes |
Country | United States |
Language | English |
Budget | US$12 million |
Box office | US$25,333,333[1] |
The Great Race is a 1965 American Technicolor epic slapstick comedy film starring Jack Lemmon, Tony Curtis, and Natalie Wood, directed by Blake Edwards, written by Arthur A. Ross (from a story by Edwards and Ross), and with music by Henry Mancini and cinematography by Russell Harlan. The supporting cast includes Peter Falk, Keenan Wynn, Arthur O'Connell and Vivian Vance. The movie cost US$12 million (equivalent to $98.36 million in 2020), making it the most expensive comedy film at the time.[2] The story was inspired by the actual 1908 New York to Paris Race.[3]
It is known for one scene that was promoted as "the greatest pie fight ever".
Plot
The Great Leslie and Professor Fate are competing
A seven-car race begins, but Fate's long-suffering sidekick Maximilian Meen has sabotaged four other cars (and his own, by mistake), leaving just three cars in the race. The surviving teams are Leslie with his loyal valet Hezekiah Sturdy, Maggie DuBois driving a Stanley Steamer by herself, and Fate and Max. The steamer car breaks down and Maggie accepts a lift in the Leslie Special. Fate arrives first at a refueling point, the small Western frontier town of Boracho.[5] A local outlaw named "Texas Jack" becomes jealous of the attraction to Leslie shown by showgirl Lily Olay and a saloon brawl ensues. Fate sneaks outside amidst the chaos, steals the fuel he needs, and destroys the rest. Leslie uses mules to pull his car to another refueling point, where Maggie tricks Hezekiah into boarding a train and handcuffs him to a seat, lying to Leslie that Hezekiah had quit and "wanted to go back to New York".
The two remaining cars reach the Bering Strait and park side by side in a blinding snowstorm. Keeping warm during the storm, Leslie and Maggie begin to see each other as more than competitors. Mishaps, including a polar bear in Fate's car, compel all four racers to warm themselves in Leslie's car. They awaken on a small ice floe which drifts into their intended Russian port, where Hezekiah is waiting for Leslie, who in turn casts off Maggie for deceiving him. Maggie is snatched by Fate, who drives off in the lead.
After driving across Asia, both cars enter the tiny kingdom of Carpania, whose alcoholic and foppish Crown Prince Friedrich Hapnick is the
As the racers leave Pottsdorf (with Maggie now back in Leslie's car), it becomes a straight road race to Paris. Nearing Paris, Leslie and Maggie have a spirited argument regarding the roles of men, women and sex in relationships. Leslie stops his car just short of the finish line under the Eiffel Tower to prove that he loves Maggie more than he cares about winning the race. Fate drives past to claim the winner's mantle, but becomes indignant that Leslie let him win. Fate demands a rematch: a race back to New York.
The return race commences, with newlyweds Leslie and Maggie now a team. Fate lets them start first, then orders Max to destroy their car with a small cannon. The shot misses the Leslie Special, instead knocking down the Eiffel Tower.
Cast
- Jack Lemmon as Professor Fate and Prince Friedrich Hapnick
- Tony Curtis as Leslie Gallant III, aka The Great Leslie
- Natalie Wood as Maggie DuBois
- Peter Falk as Maximillian Mean ("Max")
- Keenan Wynn as Hezekiah Sturdy
- Arthur O'Connell as Henry Goodbody
- Vivian Vance as Hester Goodbody
- Dorothy Provine as Lily Olay
- Larry Storch as Texas Jack
- Ross Martin as Baron Rolf von Stuppe
- Hal Smith as the Mayor of Boracho
- Denver Pyle as the Sheriff of Boracho
- Marvin Kaplan as Frisbee
- George Macready as General Kuhster
- Joyce Nizzari as Woman in West
- Ken Wales as Baron's Guard
- William Bryant as Baron's Guard
- Victor Adamson as Barfly
- Herman Belmonte as Barfly
- Frank Evans as Barfly
- Leon Alton as Townsman
- Bill Borzage as Townsman
- Kenner G. Kemp as Townsman
- Walter Bacon as Reporter
- George Holmes (actor) as Reporter
- King Mojave as Reporter
- Frank Kreig as Starter
- Frank Baker (actor) as Observer at the Start
- Shirley Blackwell as Observer at the Start
- Charles Cirillo as Observer at the Start
- Joseph Crehan as Observer at the Start
- Jeff Lawrence as Observer at the Start
- Paul Bryar as Policeman
- Bob Carson as Vice Chairman
- Noble Chissellas Auto Worker
- Joe Evans as Executive Board member
- Harry Harvey Sr. as Executive Board member
- Bob Herron as Palace Guard
- Charles Horvath as Texas Jack Henchman / Baker
- Mike Lally as Bettor
- J. Edward McKinle as Chairman
Themes
Director Blake Edwards based the film on the 1908 New York to Paris Race, very loosely interpreted. On February 12, 1908, the "Greatest Auto Race" began with six entrants, starting in New York City and racing westward across three continents. The destination was Paris, making it the first around-the-world automobile race. Only the approximate race route and the general time period were borrowed by Edwards in his effort to make "the funniest comedy ever".[6]
Edwards, a studious admirer of silent film, dedicated the film to film comedians Laurel and Hardy.[2] The Great Race incorporated a great many silent era visual gags, along with slapstick, double entendres, parodies, and absurdities.[4] The film includes such time-worn scenes as a barroom brawl, the tent of the desert sheik, a sword fight, and the laboratory of the mad scientist. The unintended consequences of Professor Fate's order, "Push the button, Max!" is a running gag, along with the spotless invulnerability of The Great Leslie.[2]
Edwards poked fun at later films and literature as well. The saloon brawl scene was a parody of the western film genre, and a plot detour launched during the final third of the film was a direct parody of the novel The Prisoner of Zenda and of the 1937 film version of the story, where a traveler is a lookalike for the king and stands in for him.[2]
Production
Because of the success of Edwards' previous films
Edwards wanted Robert Wagner to play the leading man, but studio executive Jack L. Warner insisted on Tony Curtis, possibly because of Wood's recent divorce from Wagner. (Burt Lancaster was announced at one stage.)[8] Working with Warner, Curtis's new agent Irving "Swifty" Lazar negotiated US$125,000 for Curtis, more than Edwards and Lemmon who were to receive US$100,000 each. After Warner signed the Curtis contract, Lazar reasoned that Edwards and Lemmon should make US$125,000, and Warner upped its compensation to match Curtis.[9]
Natalie Wood did not want to make The Great Race, but Warner talked her into it. Wood was unhappy with her career and her personal life, having been divorced from Robert Wagner in April 1962. Warner asked Curtis if he would give a percentage of his film royalties to Wood as an enticement, but Curtis refused. He said "I couldn't give her anything to make her want to do the movie."[10] Instead of more money, Warner promised Wood that if she completed The Great Race, she could star in Gavin Lambert's drama Inside Daisy Clover, a role she greatly wished to have.[10] Wood agreed, thinking that filming would be brief on Edwards' movie.
Shooting began on June 15, 1964.[10] Many of the sight gags for The Great Race were expensive to create, and the costs ballooned to US$12 million by the time the film was finished. Edwards, sometimes with Wood in tow, repeatedly visited Warner in his office to ask for more money. Warner approved nearly all of the requests. When it was released, it was the most expensive comedy ever filmed.[2]
Shooting ended in November 1964. During the five months of filming, Wood's unhappiness was not visible to the cast and crew, and her characterization of Maggie DuBois was playful. Her sister Lana Wood thought that Wood looked the prettiest she ever had, but Lana sensed that the film "was physically taxing" for Wood.[11] On Friday, November 27, the day after Thanksgiving, Wood wrapped the last bit of dialog work, then went home and swallowed a bottle of prescription pills. Groggy from the drugs, she called her friend Mart Crowley who took her to the hospital for emergency treatment.[11]
Music for the film was by Henry Mancini, and the costumes were designed by Edith Head. Production design, setting the period and augmenting the visual humor, was by Fernando Carrere who had designed The Great Escape and The Pink Panther for Blake Edwards. The unique slideshow-style title design was by Ken Mundie.[12]
Custom cars
The hero's white car, the Leslie Special, was built by Warner Brothers to resemble a
Another of the four appears painted dark green in the 1970 Warner Brothers film The Ballad of Cable Hogue—the grille can be seen bearing the words Leslie Special, with the wheels and tires remaining their original white color. This vehicle shows up during the last 30 minutes of the movie carrying a lead character, and has a pivotal role at the end of the movie.
The villain's black car was named the Hannibal Twin-8; five were constructed. One is on display at the Petersen Automotive Museum, powered by a Volkswagen industrial engine. Another is at the Volo Auto Museum in Volo, Illinois. This model includes a prop "cannon" and a working smoke generator. The Volo museum describes the Hannibal Twin-8 as built by Warner Brothers at a cost of US$150,000 ($1,450,264 in 2023 dollars [16]), powered by a Corvair six-cylinder engine with three-speed manual transmission and six wheels. All four rear wheels are powered by a chain drive.[17]
Both vehicles were first on display at Movie World's
Pie fight
The Technicolor scene for the pie fight in the royal bakery was filmed over five days.[2] The first pastry thrown was part of a large cake decorated for the king's coronation. Following this was the throwing of 4,000 pies,[2] the most pies ever filmed in a pie fight.[4] The scene lasts four minutes and 20 seconds and cost US$200,000 ($1,930,000 in 2023 dollars [16]) to shoot; US$18,000 ($170,000 in 2023 dollars [16]) just for the pastry.[2]
Colorful cream pies with fillings such as raspberry, strawberry, blueberry and lemon were used.[4] For continuity between days of shooting, the actors were photographed at the end of each day and then made up the following morning to have the same colorful appearance, the same smears of pie crust and filling.[4]
Edwards told the cast that a pie fight by itself is not funny, so to make it funny they would build tension by having the hero, dressed all in white, fail to get hit with any pies. He said "The audience will start yearning for him to get it".[4] Finally, the hero was to take a (white) pie in the face at "just the right moment".[4]
Shooting was halted while the actors took the weekend off. Over the weekend, the pie residue spoiled all over the scenery. When the actors returned Monday morning, the set stank so badly that the building required a thorough cleaning and large fans to blow out the sour air. The missing pie residue was recreated carefully with more pies, and shooting resumed.[4]
At first, the actors had fun with the pie fight assignment, but eventually the process grew wearisome and dangerous. Wood choked briefly on pie filling which hit her open mouth. Lemmon exaggerated that he got knocked out a few times; he said "a pie hitting you in the face feels like a ton of cement".[4] At the end of shooting, when Edwards called "cut!", he was barraged with several hundred pies that members of the cast had hidden, waiting for the moment.[4]
The pie fight scene paid homage to the early Mack Sennett practice of using a single thrown pie as comedic punctuation, but to a greater degree, it was a celebration of movie pie fights such as Behind the Screen (1916) with Charlie Chaplin; The Battle of the Century (1927) starring Stan Laurel and Oliver Hardy; and In the Sweet Pie and Pie (1941) with the Three Stooges.[19] In his script for The Great Race, Edwards called for a "Battle of the Century–style pie fight". Although Edwards used 4,000 pies over five days, many of these were used as set dressing for continuity. Laurel and Hardy used 3,000 pies in only one day of shooting, so more are seen flying through the air. Leonard Maltin compared The Great Race pie fight to The Battle of the Century and determined that Laurel and Hardy's pacing was far superior, that the more modern film suffered from an "incomplete understanding of slapstick" while the 1927 pie fight remains "one of the great scenes in all of screen comedy."[20]
Reception
The Great Race was generally not well-received upon release and critical assessment was mostly negative, making it the first notable failure for director Edwards. Most critics attacked its blatant and overdone slapstick humor and its lack of substance. It also suffered from comparisons with another race-themed "epic comedy" of 1965, Those Magnificent Men in Their Flying Machines. Film critic Richard Schickel wrote that, although the film "bumps along very pleasantly for the most part", Edwards failed at his attempt to recreate the slapstick atmosphere of a Laurel and Hardy comedy.[21] Schickel felt that Wood was "hopelessly miscast", and that the energies of Lemmon and Curtis did not quite make the slapstick work.[21] Maltin wrote that Wood "never looked better" and that the film's comedy sometimes worked but was otherwise forced: "a mixed bag".[22] On review aggregator Rotten Tomatoes, the film has an approval rating of 72% based on 25 reviews, with an average score of 6.00/10.[23]
Despite earning theatrical rentals of over $11.4 million in the United States and Canada, due to its high cost, it caused a loss to the studio.[24]
Awards and nominations
Soundtrack
Before the film was released, the soundtrack was re-recorded in Hollywood by RCA Victor Records for release on vinyl LP.
- "He Shouldn't-A, Hadn't-A, Oughtn't-A Swang on Me" – Mancini/Mercer
- Performed by Dorothy Provine
- "Buffalo Gals" – Traditional Western song performed by the chorus girls in Boracho saloon, with different lyrics and a middle section, for a 1900s atmosphere
- "The Sweetheart Tree" (chorus) – Mancini
- "The Royal Waltz" – Mancini
- "Great Race March" – Mancini
- "They're Off!" – Mancini
- "Push the Button, Max!" (Professor Fate's theme) – Mancini
- "The Great Race March" – Mancini
- "Cold Finger" – Mancini
- "Music to Become King By" – Mancini
- "Night, Night, Sweet Prince" – Mancini
- "The Pie in the Face Polka" – Mancini
- "The Desert Song"
- Music by Sigmund Romberg
- "It Looks Like a Big Night Tonight"
- Music by Egbert Van Alstyne
- "Big Night Tonight"
- "Toccata and Fugue in D minor, BWV 565"[32][33]
- Written by Johann Sebastian Bach
- "Tales from the Vienna Woods"
- Written by Johann Strauss
- "The Beautiful Blue Danube"
- Written by Johann Strauss
Adaptations
Slightly in advance of the film's release, as was the custom of the era, a paperback novelization of the film was published by
The novelization, based on the screenplay rather than the finished film, differs from the film in various aspects. In the novel, the country of Carpania is called Ruritania (as in Hope's Prisoner of Zenda), Keenan Wynn's character is called Jebediah (not Hezekiah) and stays behind in Ruritania, having fallen in love with a local noblewoman. The pie fight is missing, and the drivers are chased by cowboys (rather than native Americans) before arriving in Boracho. A few minor changes concern Leslie's courting of Maggie Dubois: in the novelization, it's she who suggests sharing the blanket in the snowstorm, and she also gets to drive the Leslie Special when Leslie has his arm in a sling. Scenes not included in the film include: a rainstorm, Fate's car sinking in a river, and a more extended stay in Russia (mirroring the Boracho episode).[34]
Legacy
The film was a major influence on
See also
- Monte Carlo or Bust!, aka Those Daring Young Men in Their Jaunty Jalopies (1969)
Notes
- ^ Tied with Von Ryan's Express.
References
- ^ "The Great Race, Box Office Information". The Numbers. Retrieved January 22, 2013.
- ^ ISBN 978-0-8195-6915-8.
- ^ Evans, Art (2011-09-28). "The Greatest Race – 1908 New York to Paris". sportscardigest.com. Archived from the original on 29 November 2011. Retrieved 23 December 2018.
- ^ a b c d e f g h i j Zeitlin, David (July 9, 1965). "Greatest Pie Fight Ever". Life. Vol. 59, no. 2. pp. 84–88. Retrieved July 7, 2011.
- ^ A misspelling of the Spanish word Borracho (drunk).
- ^ "Movie Gurus – The Movie Review Community". movie-gurus.com.
- ^ p.239 Mirisch, Walter I Thought We Were Making Movies, Not History Univ of Wisconsin Press, 27/02/2008
- ^ Scheuer, Philip K. (July 8, 1963). "The American Girl' Seen Lost to Films: Males Dominate Producer Jurow Mourns: Tells Plans". Los Angeles Times. p. D13.
- ISBN 978-0-307-40849-5.
- ^ ISBN 978-0-307-42866-0.
- ^ a b Finstad, 2009, p. 299
- ^ "The Great Race". www.artofthetitle.com.
- ^ Bowers, Jesse (2010-12-15). "Just a car guy : In the movie "The Great Race" you may have liked the "Leslie Special" ... but did you think they'd ever put it in another movie? I'm 1st to notice". Justacarguy.blogspot.com. Retrieved 2014-06-10.
- ^ "1965 Hannibal 8". Petersen Automotive Museum. Archived from the original on 5 July 2010. Retrieved 2014-08-25.
- ^ "Tupelo Automobile Museum". Tupeloautomuseum.com. Archived from the original on February 15, 2018. Retrieved 2014-06-10.
- ^ a b c 1634–1699: McCusker, J. J. (1997). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States: Addenda et Corrigenda (PDF). American Antiquarian Society. 1700–1799: McCusker, J. J. (1992). How Much Is That in Real Money? A Historical Price Index for Use as a Deflator of Money Values in the Economy of the United States (PDF). American Antiquarian Society. 1800–present: Federal Reserve Bank of Minneapolis. "Consumer Price Index (estimate) 1800–". Retrieved February 29, 2024.
- ^ "Volo Auto Museum:: 1964 HANNIBAL 8 PROFESSOR FATE THE GREAT RACE MOVIE CAR COLLECTION – Used Inventory". Volocars.com. Archived from the original on 2014-07-14. Retrieved 2014-06-10.
- ^ "Movieworld – Cars of the Stars | Orange County Memories". Octhen.com. 2008-02-17. Retrieved 2014-06-10.
- ISBN 0-8065-0146-4.
- ^ Maltin, Leonard (1970). Movie comedy teams (2 ed.). New American Library. p. 19.
- ^ a b Schickel, Richard (September 17, 1965). "A $12 Million Romp in Hollywood's Attic". Life. p. 8. Retrieved July 7, 2011.
- ISBN 978-0-452-28978-9.
- ^ The Great Race at Rotten Tomatoes
- ^ Beaupre, Lee (May 15, 1968). "Rising Skepticism On Stars". Variety. p. 1.
- ^ "The 38th Academy Awards (1966) Nominees and Winners". oscars.org. Retrieved September 4, 2011.
- HFPA. Retrieved July 5, 2021.
- ^ "4th Moscow International Film Festival (1965)". MIFF. Archived from the original on 2013-01-16. Retrieved 2012-12-02.
- ^ Phillips, Jevon (March 6, 2003). "'Towers,' 'Report' top Saturn nominees". Variety. Retrieved March 6, 2003.
- ^ "Awards Winners". Writers Guild of America. Archived from the original on 2012-12-05. Retrieved 2010-06-06.
- ^ "RCA to Handle LP Soundtrack From 'Race'". Billboard. Hollywood. May 22, 1965. p. 10. Retrieved July 7, 2011.
- ^ "Full cast and crew for The Great Race (1965)". IMDb. Retrieved July 7, 2011.
- ISBN 0-7907-0543-5.
- ^ "The Great Race Soundtrack". IMDb. Retrieved 27 March 2015.
- ^ Albert, Marvin H. (1965). The Great Race. New York: Dell.
- ^ Dell Movie Classic: The Great Race at the Grand Comics Database
- ^ Dell Movie Classic: The Great Race at the Comic Book DB (archived from the original)
- ^ "It's the Wacky Races!". John V. Schmidt. Archived from the original on May 16, 2011. Retrieved 2014-08-25.
- ^ "The 38th Academy Awards (1966) Nominees and Winners". oscars.org. Retrieved 2011-08-24.
External links
- The Great Race at the American Film Institute Catalog
- The Great Race at IMDb
- The Great Race at the TCM Movie Database
- The Great Race at AllMovie