The Shadow of the Past
"The Shadow of the Past" is the second chapter of J. R. R. Tolkien's bestselling fantasy work, The Lord of the Rings, which was published in 1954–1955. Tolkien called it "the crucial chapter";[1] the Tolkien scholar Tom Shippey labelled it "the vital chapter".[2] This is because it represents both the moment that Tolkien devised the central plot of the book, and the point in the story where the protagonist, Frodo Baggins, and the reader realise that there will be a quest to destroy the Ring. A sketch of it was among the first parts of the book to be written, early in 1938; later that year, it was one of three chapters of the book that he drafted. In 1944, he returned to the chapter, adding descriptions of Gollum, the Ring, and the hunt for Gollum.
The chapter changes the book's tone from the first chapter's light-hearted hobbit partying, and introduces major themes of the book. These include a sense of the depth of time behind unfolding events, the power of the Ring, and the inter-related questions of providence, free will, and predestination.
History
Context
The
Further Hobbit-style adventures
Tolkien's biographer, Humphrey Carpenter, writes that at the end of 1937, Tolkien wrote the first chapter of The Lord of the Rings, "A Long-Expected Party", but "had as yet no clear idea of what the new story was going to be about".[4] A sketch of "The Shadow of the Past" soon followed; it was among the first parts of the book to be written, early in 1938.[5][1]
The scholar Christina Scull notes that Tolkien's words, "I wrote and tore up and rewrote most of it a good many times", applies as much to the start of The Lord of the Rings as to the section of book 4 to which he applied it. By beginning the work with a "long-expected" party, he was consciously echoing the "unexpected party" that began The Hobbit. She suggests that he was clearly planning that the hero – whether Bilbo, or in draft variants his son or his adopted young cousin Bingo – would throw the party and then set off on The Hobbit-style adventures.[6] In February 1938 he wrote to his publisher that as he had not intended to write a sequel, he feared "I squandered all my favourite 'motifs' and characters on the original 'Hobbit'."[T 1]
"The crucial chapter"

Tolkien told his publisher that "stories tend to get out of hand, and this has taken an unpremeditated turn"; a Black Rider, of unknown provenance, had appeared, searching intently for the Hobbits.
Tolkien sent drafts of three chapters to his publisher for comment.[5] They were read by the 12-year-old Rayner Unwin, who had given a favourable opinion of The Hobbit to his father some years earlier; this time he reported that he had enjoyed the material, but that there was "too much Hobbit talk".[3][4]
Tolkien had thus made the Ring the central element of the chapter, and of the book, but it still took in
Plot

Present-tense start
Frodo grows restless in his comfortable home, Bag End, in the Shire, and starts to hear rumours of a dark power growing in the East. His gardener, Sam Gamgee, who likes tales of Elves, discuss the rumours in the Green Dragon Inn with Ted Sandyman, the miller's son. Ted thinks the tales are irrelevant nonsense.[T 5]
Flashback narrative
The
Gandalf tells Frodo of the Ring's history: Sauron made the Ring in
Structure

Kate Nepveu, writing for
Shippey mentions another distinctive structural feature of the chapter. The whole two-book volume is narrated as a single strand with Frodo as the protagonist, except for the flashback narratives within "The Shadow of the Past" and later "The Council of Elrond".[11] The Tolkien scholar Verlyn Flieger adds that the two chapters are similar in that "the past must be recapitulated by Gandalf or Elrond [in their respective flashback sections] in order to explain the present".[12]
Themes
Time and depth
After the light tone of the first chapter, "
The chapter was originally titled "Ancient History". This contributes to the feeling, Lawrence Krikorian writes in
Gollum and the Ring
"The Shadow of the Past" begins to reveal the power of the Ring. The chapter transforms the Ring from the simple
Shippey summarizes Gandalf's explanations of the Ring as "three basic data". Firstly, the Ring is enormously powerful, whether in the right or the wrong hands. Secondly, it is dangerous "and ultimately fatal to all its possessors – in a sense, there are no right hands".
Shippey states that the centre of Gandalf's account in the chapter is the
One Ring to rule them all, One Ring to find them,
One Ring to bring them all and in the darkness bind them
In the land of Mordor where the Shadows lie.
Providence, free will and predestination
The chapter introduces Tolkien's thinking on the interrelated questions of
Behind that there was something else at work, beyond any design of the Ring-maker. I can put it no plainer than by saying that Bilbo was meant (sic) to find the Ring, and not by its maker. In which case you also were meant to have it. And that may be an encouraging thought.[10]
The scholar Kathleen Dubs examines the Boethian philosophy of providence that in her view Tolkien seems to follow. In this case, it is that bearing the Ring is in some way "meant" or "appointed" for Frodo, yet all the same his will is free: he can choose to accept the task or not.[19] She quotes English literature scholar Paul Kocher's analysis of Frodo's acceptance of the quest. He writes that Gandalf, like Elrond in "The Council of Elrond", is quite tentative in his guidance. Gandalf does not assume that Frodo will do "what he was intended to do, though he should". Instead, he makes it clear to Frodo that "the decision lies with you".[19][20]
War
The scholar Elizabeth Goodenough writes that the chapter's title "resonantly links not only the past and coming war against Sauron" but also both the First World War, in which Tolkien had fought, and the Second World War, during which he wrote much of The Lord of the Rings.[3] In his foreword to the second edition, Tolkien denied that either the book or the chapter reflected the Second World War:
[The Lord of the Rings] is neither allegorical nor topical. As the story grew it put down roots (into the past) and threw out unexpected branches: but its main theme was settled from the outset by the inevitable choice of the Ring as the link between it and The Hobbit. The crucial chapter, "The Shadow of the Past", is one of the oldest parts of the tale. It was written long before the foreshadow of 1939 [the start of the Second World War] had yet become a threat of inevitable disaster, and from that point the story would have developed along essentially the same lines, if that disaster had been averted. Its sources are things long before in mind, or in some cases already written, and little or nothing in it was modified by the war that began in 1939 or its sequels.[1]
In film

The Tolkien scholar Daniel Timmons notes that
See also
- The Council of Elrond – where the Fellowship is assembled and the quest defined
- The Scouring of the Shire – where the hobbits use their new skills to restore their home to order
References
Primary
- ^ Carpenter 2023, #23 to C. A. Furth of Allen & Unwin, 17 February 1938
- ^ Tolkien 1988, chapter 2, "From Hobbiton to the Woody End". The encounter with the Black Rider ultimately became part of the third chapter, "Three is Company"
- ^ Tolkien 1988, chapter 3, "Of Gollum and the Ring"
- ^ Tolkien 1989, pp. 259–260
- ^ a b c Tolkien 1954a, book 1, ch. 2, "The Shadow of the Past"
Secondary
- ^ a b c d e The Lord of the Rings, 2nd edition, "Foreword".
- ^ a b c d Shippey 2005, p. 154.
- ^ a b c Goodenough 2008, p. 141.
- ^ a b c d Carpenter 1978, pp. 189–190.
- ^ a b c St. Clair 1995, pp. 145–150.
- ^ a b Scull 2006, pp. 102–103.
- ^ Carpenter 1978, pp. 191.
- ^ a b c d Rutledge 2004, pp. 57–59.
- ^ Hammond & Scull 2005, p. 81.
- ^ a b c d e f g Nepveu 2008.
- ^ Shippey 2005, p. 183.
- ^ a b Flieger 2001, p. 21.
- ^ Krikorian 2018, pp. 14–17.
- ^ Hammond & Scull 2005, p. 80.
- ^ Matthew 7:1
- ^ a b Shippey 2005, p. 155.
- ^ Shippey 2005, p. 126.
- ^ Scott 2011, pp. 31–33.
- ^ a b Dubs 2004, p. 139.
- ^ Kocher 1974, pp. 36–37.
- ^ a b Croft 2005, Timmons, Peter. "Frodo on Film: Peter Jackson's Problematic Portrayal", pp. 124–125
Sources
- ISBN 978-0-04-928039-7.
- ISBN 978-0-35-865298-4.
- ISBN 978-1887726092.
- Dubs, Kathleen E. (2004). "Providence, Fate, and Chance: Boethian Philosophy in The Lord of the Rings". In ISBN 978-0-8131-2301-1.
- ISBN 978-0-87338-699-9.
- Goodenough, Elizabeth (2008). Under Fire: Childhood in the Shadow of War. OCLC 173135727.
- ISBN 978-0-007-20907-1.
- ISBN 978-0140038774.
- Krikorian, Lawrence (December 2018). "Realism in Fantasy: The Lord of the Rings As 'History ... Feigned'". Mallorn(59): 14–17.
- Nepveu, Kate (16 December 2008). "LotR re-read: Fellowship I.2, 'The Shadow of the Past'". Tor.com. Retrieved 25 January 2022.
- ISBN 978-0-80282-497-4.
- Scott, Bud (2011). "Tolkien's use of free will versus predestination in The Lord of the Rings". Mallorn(51): 31–33.
- OCLC 298788493.
- ISBN 978-0-261-10275-0.
- St. Clair, Gloriana (1995). "Tolkien as Reviser: A Case Study". Mallorn. 21 (2): 145–150.
- OCLC 9552942.
- ISBN 978-0-395-49863-7.
- ISBN 978-0-395-51562-4.