User:Johanna/sandbox

Source: Wikipedia, the free encyclopedia.

Possible Template:VeronicaMars Episodes

Draft of an article on Reed making

Reed making (also known as reedmaking) is the

single reeds, for playing instruments such as the oboe, cor anglais, oboe d'amore, bassoon, contrabassoon, or clarinet. Reed making for oboe, bassoon, and clarinet differs greatly. For oboe, reed making generally involves the process of gouging, shaping, tying (or wrapping), and scraping cane, although oboists can buy reeds at any stage. In addition, within these broad categories, there are several smaller tasks, each of which can be done quite differently depending on the oboist and what kind of reed they are looking for. In fact, every single stage of reed making has many different ways to complete the task. The predominant reed making style is the one that came out of Philadelphia, headed by Marcel Tabuteau, John de Lancie, Richard Woodhams, and others.Cite error: A <ref> tag is missing the closing </ref> (see the help page
).

(Notes on Bassoon reed making)

(Notes on Clarinet reed making)

Oboe reed making

Making oboe reeds, usually taught to students when they reach an intermediate level, usually takes several years to learn and even longer to master.

Gouging

Academy Award for Best Adapted Screenplay

Year Screenwriter(s) Film Adapted from Ref.
1927/1928
(1st)
Benjamin Glazer 7th Heaven Seventh Heaven, play by Austin Strong [2]
Anthony Coldeway Glorious Betsy Glorious Betsy, play by Rida Johnson Young
Alfred A. Cohn The Jazz Singer The Jazz Singer, play by Samson Raphaelson
1928/1929
(2nd)
Hanns Kräly The Patriot Der Patriot, play by Alfred Neumann
"Paul I", short story by Dmitry Merezhkovsky
[3]
Elliott J. Clawson The Cop
(original)
Tom Barry In Old Arizona [["The Caballero's Way"]], short story by O. Henry
Hanns Kräly The Last of Mrs. Cheyney The Last of Mrs. Cheyney, play by Frederick Lonsdale
Elliott J. Clawson The Leatherneck
(original)
Josephine Lovett Our Dancing Daughters
(original)
Elliott J. Clawson Sal of Singapore "The Sentimentalists", short story by Dale Collins
Elliott J. Clawson Skyscraper "", story by Dudley Murphy
Tom Barry The Valiant Valiant|The Valiant, play by Halworthy Hall and Robert Middlemass
Bess Meredyth A Woman of Affairs The Green Hat, novel by Michael Arlen
Bess Meredyth Wonder of Women Die Frau des Steffen Tromholt, novel by Hermann Sudermann
1929/1930
(3rd)
Frances Marion The Big House
(original)
[4]
Maxwell Anderson
George Abbott
Del Andrews
All Quiet on the Western Front All Quiet on the Western Front, novel by Erich Maria Remarque
Julien Josephson Disraeli Disraeli, play by Louis N. Parker
John Meehan The Divorcee Ex-Wife, novel by Ursula Parrott
Howard Estabrook Street of Chance "", story by Oliver H. P. Garrett
1930/1931
(4th)
Howard Estabrook Cimarron Cimarron, novel by Edna Ferber [5]
Fred Niblo, Jr.
The Criminal Code The Criminal Code, play by Martin Flavin
Horace Jackson Holiday Holiday, play by Philip Barry
Francis Edward Faragoh
Robert N. Lee
Little Caesar Little Caesar, novel by
William R. Burnett
Joseph L. Mankiewicz
Sam Mintz
Skippy Skippy, comic strip by Percy Crosby
1931/1932
(5th)
Edwin J. Burke Bad Girl Bad Girl, novel by Viña Delmar [6]
Sidney Howard Arrowsmith Arrowsmith, novel by Sinclair Lewis
Percy Heath
Samuel Hoffenstein
Dr. Jekyll and Mr. Hyde Strange Case of Dr Jekyll and Mr Hyde, novel by Robert Louis Stevenson
1932/1933
(6th)
Victor Heerman
Sarah Y. Mason
Little Women Little Women, novel by Louisa May Alcott [7]
Robert Riskin Lady for a Day "Madame la Gimp", short story by Damon Runyon
Paul Green
Sonya Levien
State Fair State Fair, novel by Phil Stong
1934
(7th)
Robert Riskin It Happened One Night "Night Bus", short story by Samuel Hopkins Adams [8]
Albert Hackett
Frances Goodrich
The Thin Man The Thin Man, novel by Dashiell Hammett
Ben Hecht Viva Villa! Viva Villa!, book by Edgecumb Pinchon and O. B. Stade
1935
(8th)
Dudley Nichols§ The Informer The Informer, novel by Liam O'Flaherty [9]
Waldemar Young
John L. Balderston
Achmed Abdullah
[[Jones\Grover Jones]]
William Slavens McNutt
The Lives of a Bengal Lancer Lives|The Lives of a Bengal Lancer, novel by Francis Yeats-Brown
Talbot Jennings
Jules Furthman
Carey Wilson
Mutiny on the Bounty Mutiny on the Bounty, novel by Charles Nordhoff and James Norman Hall
Casey Robinson Captain Blood Captain Blood, novel by Rafael Sabatini
1936
(9th)
Pierre Collings
>Sheridan Gibney
The Story of Louis Pasteur (original) [10]
Frances Goodrich
Albert Hackett
After the Thin Man Characters by Dashiell Hammett
Sidney Howard Dodsworth Dodsworth (play), play by Sidney Howard
Dodsworth, novel by Sinclair Lewis
Robert Riskin Mr. Deeds Goes to Town "Opera Hat", short story by Clarence Budington Kelland
Eric Hatch
My Man Godfrey "1101 Park Avenue", short story by Eric S. Hatch
1937
(10th)
Heinz Herald
Geza Herczeg
Norman Reilly Raine
The Life of Emile Zola Zola and His Time, book by Matthew Josephson [11]
Viña Delmar The Awful Truth The Awful Truth, play by Arthur Richman
Marc Connelly
John Lee Mahin
Dale Van Every
Captains Courageous Captains Courageous, novel by Rudyard Kipling
Morrie Ryskind
Anthony Veiller
Stage Door Stage Door, play by Edna Ferber and George S. Kaufman
Dorothy Parker
Alan Campbell
Robert Carson
A Star Is Born A story by William A. Wellman and Robert Carson

Play It Again, Dick

Play It Again, Dick
Genre
CW Seed
ReleaseSeptember 16 (2014-09-16) –
November 4, 2014 (2014-11-04)

Play It Again, Dick is an American

Dick Casablancas
. The series was created and executive produced by Rob Thomas, produced by Danielle Stolzyk, written by Thomas and Bob Deaden, and directed by Viet Nguyen.

Production

The origin of the series was connected to the production and release of the film adaptation of Veronica Mars. The digital division of Warner Bros. initially approached Hansen with the idea of a Dick-centered series, intended to promote the film. Most of the original starring cast responded to the concept agreeably and decided to participate.[12] The CW was open to the premise for the series.[13] However, Thomas was reluctant to be involved in the project, as he was engaged in other pursuits, including the Veronica Mars film and several television pilots. Because he almost did not agree to produce the project, it was almost cancelled; the network brought in several of Thomas's acquaintances to write and direct in order to lighten the creator's workload.[14]

Thomas thought that the filming would be a casual affair. He stated in an interview, "I honestly thought we would do it in a day and it would be like Ryan Hansen's sitting on a couch playing Xbox and you just rotate the other five or six cast members and it would just be them chatting, like three or four minutes of funny chatting on a couch. When I said yes, that's what I imagined. When I showed up at the first production meeting and they had given us so much more money and they had such higher expectations."[14] The filming schedule for the entire series lasted for eight days at the beginning of August 2014, with Hansen recalling that the cast and crew shot 14 script pages a day.[12] On returning to the character of Dick, Hansen said, "Once you play Dick, he develops inside of you."[12]

The CW announced the decision to produce a Veronica Mars spinoff on January 15, 2014, although its release date was unclear at that point.[15] Network executive Mark Pedowitz noted that a premise had not been decided upon at that point and that "[Thomas] talked about potential people being involved, but he didn't commit to anybody."[16] When asked for a brief description of the series by Alan Sepinwall, Thomas responded:

"The web series will have more in common with Party Down tonally, but it will be about Ryan Hansen, or at least a version of Ryan Hansen, deciding to capitalize on the current 'Veronica Mars' heat to get his own series on the air. He'll try to pull his actor pals into the venture with varying degrees of success."[16]

To play the role of Duncan Kane, Thomas tried to contact original actor Teddy Dunn, who had left acting to become a lawyer. Dunn was initially open to appearing in the series, stating "I would have actually liked to have done it, see everybody and catch up and have some fun." He did not specify why he refused the offer but also said that he was very hesitant to return to the role in any canonical appearance. The role was later given to Ryan Devlin who had previously appeared on the show.[17]

An official

The Newsroom.[21]

Cast

On August 12, 2014, the website

Reception

Although the CW Seed does not release viewing figures for episodes, Pedowitz stated that the pilot episode's premiere was the best ever for the network ratings-wise.[12]

The review aggregator Metacritic does not currently have an average score but lists two reviews, both of which it considers to be mixed.[25] Mike Hale of The New York Times thought that the difference in tone between Veronica Mars and Play It Again, Dick was the most interesting aspect about the web series, writing that it had a "broader, coarser, self-mocking style". Giving his overall opinion on the series, the reviewer opined, "For a short-form digital series, 'Play It Again, Dick' is fairly amusing." However, he found that Thomas and the cast often used the series as a means of self-promotion.[26] In an article for TV.com, Kaitlin Thomas gave the first episode a very positive review, writing that it "does not disappoint." She thought that small details and jokes were the core of the series but that one should experience these firsthand. She concluded, "the idea of Dick-centric series shouldn't work, but ultimately does."[27]

in-jokes.[28] Miriam Krule of Slate thought that the plot of the series was thin and did not live up to its parent series. "So yes, the plot is sparse and the jokes are old, but, honestly, if you’re watching this Samsung ad disguised as a Web series, you don’t really care about the plot."[29] Esther Zuckerman of Entertainment Weekly thought that the show would be best suited to those who liked the Veronica Mars cast, not the show itself. The reviewer also criticized the tone of the series, writing, "For a show that’s attempting to skewer Hollywood egos, there’s something just a tad egomaniacal about the whole enterprise. [...] it lacks the bite of [Party Down], which was realistic in its depiction of the inherent disappointment involved in pursuing a career in Hollywood."[30]

Episodes

No. in
series
No. in
season
Title Directed by Written by Original air date
11"Episode 101"Viet Nguyen[31]Rob Thomas
Bob Dearden
September 16, 2014 (2014-09-16)
12"Episode 102"Viet NguyenRob Thomas
Bob Dearden
September 23, 2014 (2014-09-23)
13"Episode 103"Viet NguyenRob Thomas
Bob Dearden
September 30, 2014 (2014-09-30)
14"Episode 104"Viet NguyenRob Thomas
Bob Dearden
October 7, 2014 (2014-10-07)
15"Episode 105"Viet NguyenRob Thomas
Bob Dearden
October 14, 2014 (2014-10-14)
16"Episode 106"Viet NguyenRob Thomas
Bob Dearden
October 21, 2014 (2014-10-21)
17"Episode 107"Viet NguyenRob Thomas
Bob Dearden
October 28, 2014 (2014-10-28)
18"Episode 108"Viet NguyenRob Thomas
Bob Dearden
November 4, 2014 (2014-11-04)


Paige Jennings
The Americans character
First appearance"Pilot"
Created byJoe Weisberg
Portrayed byHolly Taylor
In-universe information
OccupationStudent
FamilyPhilip Jennings(father)
Elizabeth Jennings(mother)
Henry Jennings(brother)
ReligionProgressive Christianity

Paige Jennings is a

The Americans. Created by series creator Joe Weisberg and portrayed by Holly Taylor since the show's pilot episode, Paige is the teenage daughter of protagonists Philip (Matthew Rhys) and Elizabeth Jennings (Keri Russell
).

Storylines

Season 1

In the first season finale "The Colonel", Paige is left in care of the Beemans supposedly because of Elizabeth's sick great-aunt, but in reality, their absence is due to Elizabeth's gunshot wound. However, Paige is actually suspicious of her parents' disappearance, so she returns to her house and searches in vain for clues.[32]

Season 2

In the finale, "Echo", Philip and Elizabeth learn that despite the failure of the first attempt to recruit a "second-generation illegal", the KGB expects Paige to be the next candidate. The couple both vehemently oppose the idea, but Elizabeth starts to admit some attraction to it in the season's final scene.[32]

Season 3

Season 4

Development

Casting

Paige is portrayed by American actress Holly Taylor. After appearing in Billy Elliot the Musical on Broadway for several years, Taylor and her parents decided to move to Los Angeles and begin temporarily homeschooling to give her a chance to develop her acting skills.[33]

Characterization

FX's official character description describes her as someone whose parents' secret "completely unraveled the fabric of her life" and puts forward that her central internal conflict is to "confront the true boundaries of trust."

Yahoo.com listed her basic character traits as "suspicious and savvy".[34] After Philip and Elizabeth reveal their true identities to Paige, she loses a grasp on her national identity "in tiny increments", according to Vulture.[32] Over the course of season four, Paige becomes more like her mother, and by the end of the season, she has learned how to use some manipulative techniques. Philip "can see the transformation she's undergone" and has a mixed reaction to it.[32] According to The Wall Street Journal, Paige is a "poster child for straight-laced rebellion" in the 1980s.[35] According to Taylor, Paige's Christianity and desire to become baptized functioned both to "make her feel like herself for once, and know who she is" and to rebel against her parents."[35]

Taylor described her character's revelation about her parents as a turning point in her character development, stating that "it really hurt Paige to find out" and that it made her lose her senses of family and security. The actress also noted that Paige's feelings about this knowledge were more similar to "an emotional journey" than just anger.[34]

Acting

When asked about her reaction to becoming an important part of the show in season three, Taylor responded, "It’s really fun. I try not to think of it as being the actual center because there’s so many story lines going on and it’s so complicated, and also I don’t want to stress myself out."[35] In the same interview, Taylor expressed her desire for Paige to know her parents' country of origin.[35] After receiving the the script for the episode "Stingers", in which Elizabeth and Philip reveal their secret to Paige, Taylor reported being very excited and speechless.[34]

Reception

References

  1. ^ Messich, Reed G. (November 12, 2012). [Reid G. Messich: The Philadelphia Influence on the Art of Reed Making: http://diginole.lib.fsu.edu/cgi/viewcontent.cgi?article=6894&context=etd "The Philadelphia Influence on the Art of Reed Making"]. FSU DigiNole Commons. Retrieved December 12, 2014. {{cite web}}: Check |url= value (help)
  2. ^ "The 1st Academy Awards (1929) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Retrieved August 27, 2013.
  3. ^ "The 2nd Academy Awards Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved August 27, 2013.
  4. ^ "The 3rd Academy Awards (1930) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Retrieved August 27, 2013.
  5. ^ "The 4th Academy Awards (1931) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Retrieved August 27, 2013.
  6. ^ "The 5th Academy Awards (1932) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Retrieved August 27, 2013.
  7. ^ "The 6th Academy Awards (1933) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Retrieved August 27, 2013.
  8. ^ "The 7th Academy Awards (1935) Nominees and Winners". Academy of Motion Picture Arts and Sciences (AMPAS). Retrieved August 27, 2013.
  9. ^ "The 8th Academy Awards (1936) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved August 27, 2013.
  10. ^ "The 9th Academy Awards (1937) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved August 27, 2013.
  11. ^ "The 10th Academy Awards (1938) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved August 27, 2013.
  12. ^ a b c d Friedlander, Whitney (September 23, 2014). "'Play It Again, Dick's Ryan Hansen Talks the 'Veronica Mars' Spinoff Series". Variety. Retrieved May 24, 2016.
  13. ^ Rigney, Todd (September 17, 2014). "'Veronica Mars' Creator Talks 'Play It Again, Dick'". Inquisitr. Retrieved May 24, 2016.
  14. ^ a b Harnick, Chris (September 16, 2014). "The Power of Veronica Mars: How Rob Thomas Turned a One-Episode Character Into a Spinoff". E!. Retrieved May 24, 2016.
  15. ^ Friedlander, Whitney (January 15, 2014). "'Veronica Mars' Gets Web Series Spinoff". Variety. Retrieved May 24, 2016.
  16. ^ a b Starr, Liane Bonin (January 15, 2014). "Veronica Mars to Get Digital Spin-Off". HitFix. Retrieved May 24, 2016.
  17. ^ Gennis, Sadie (October 1, 2014). "Exclusive: Whatever Happened to Duncan Kane? Veronica Mars Star Teddy Dunn Speaks Out". TV Guide. Retrieved April 13, 2015.
  18. ^ "CW Seed Debuts 'LA Rangers' and 'Whose Line Is It Minis'". The Futon Critic. May 5, 2014. Retrieved May 24, 2016.
  19. Slashfilm
    . Retrieved May 24, 2016.
  20. ^ Eakin, Marah (September 8, 2014). "It's Marshmallow Time for Dick Casablancas in the Play It Again, Dick Trailer". The A.V. Club. Retrieved May 24, 2016.
  21. ^ Ge, Linda (September 12, 2014). "'Veronica Mars' Spinoff 'Play It Again, Dick' Spoofs 'The Newsroom' in New Trailer (Video)". TheWrap. Retrieved May 25, 2016.
  22. ^ Wieselman, Jared (August 12, 2014). "The Whole "Veronica Mars" Gang Is Coming Back For A New Web Series". BuzzFeed. Retrieved May 24, 2016.
  23. ^ Wickman, Kase (August 12, 2014). "Look Who's Back for the 'Veronica Mars' Webseries". MTV. Retrieved May 24, 2016.
  24. ^ Krule, Miriam (August 12, 2014). "The 'Veronica Mars' Cast Will Be Back for a Web Series That Sounds a Lot Like 'Party Down'". Slate. Retrieved May 24, 2016.
  25. ^ "Play It Again, Dick: Season 1 Reviews". Metacritic. Retrieved May 25, 2016.
  26. ^ Hale, Mike (September 15, 2014). "'Play It Again, Dick,' an Online Series". The New York Times. Retrieved May 25, 2016.
  27. ^ Thomas, Kaitlin (September 16, 2014). "There's Only One Reason to Watch The CW's Play It Again, Dick: Because It's Awesome". TV.com. Retrieved May 25, 2016.
  28. ^ Viruet, Pilot (September 16, 2014). "'Veronica Mars' Spinoff 'Play It Again, Dick' Is Aimless, But Great Fun". Flavorwire. Retrieved May 26, 2014.
  29. ^ Krule, Miriam (September 16, 2014). "So Far, the Veronica Mars Spinoff Is Just Amusing Enough to Keep Me Watching". Slate. Retrieved May 26, 2015.
  30. ^ Zuckerman, Esther (September 16, 2014). "'Play It Again, Dick' Is For Those Who Love 'Veronica Mars' Stars, Not 'Veronica Mars'". Entertainment Weekly. Retrieved May 26, 2016.
  31. ^ "Play It Again, Dick". The CW Press. Retrieved May 23, 2016.
  32. ^ a b c d Chaney, Jen (June 9, 2016). "Paige Jennings and the Future of 'The Americans'". Vulture. Retrieved October 2, 2016.
  33. ^ a b "Holly Taylor: Paige Jennings". FX. Retrieved October 2, 2016.
  34. ^
    Yahoo.com
    . Retrieved October 4, 2016.
  35. ^ a b c d February 18, 2015. "'The Americans' Actress Holly Taylor on Paige's Big Bombshell". The Wall Street Journal. Archived from the original on March 2, 2015. Retrieved October 4, 2016.{{cite web}}: CS1 maint: numeric names: authors list (link)