Baptismal font


A baptismal font is an ecclesiastical architectural element, which serves as a receptacle for baptismal water used for baptism, as a part of Christian initiation for both rites of infant and adult baptism.[1]
Aspersion and affusion fonts
The earliest western fonts are found in the Catacombs of Rome. The fonts of many western Christian denominations that practice infant baptism are designed for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal with a holder for a basin of water. The materials vary greatly, consisting of carved and sculpted stone (including marble), wood, or metal in different shapes. Many fonts are in octagonal shape, as a reminder of the new creation and as a connection to the Old Testament practice of circumcision, which traditionally occurs on the eighth day.[2] Some fonts are three-sided as a reminder of the Holy Trinity to represent the unity of Father, Son, and Holy Spirit as three persons in one.

Fonts are often placed at or near the entrance to a
The quantity of water is usually small. There are some fonts where water pumps, a natural spring, or gravity keeps the water moving to mimic the moving waters of a stream. This visual and audible image communicates a "living waters" aspect of baptism. Some
The mode of a baptism at a font is usually one of sprinkling, pouring, washing, or dipping in keeping with the Koine Greek verb βαπτίζω. Βαπτίζω can also mean "immerse", but most fonts are too small for that application. Some fonts are large enough to allow the immersion of infants, however.
Regional types
In certain regions of England, a common historic type of font design can be identified. In
In Northern Europe, baroque font covers in the shape of a floating angel which are hung vertically from the ceiling of the choir became fashionable in the Lutheran churches of Germany, Denmark and Sweden during the 17th and 18th centuries. During the baptism ceremony, they were lowered using a pulley which symbolized the angel bringing the baptismal water directly from heaven.

Immersion fonts
The earliest baptismal fonts were designed for full immersion, and were often cross-shaped, usually with three steps to represent Holy Trinity, leading down into the baptismal pool. Often such baptismal pools were located in a separate building, called a
Full-immersion baptisms may take place in a man-made tank or pool, or a natural body of water such as a river or lake. The entire body is fully immersed, dunked, submerged or otherwise placed completely under the water. This practice symbolizes the death of the old nature, as found in Romans 6:3–4. In Hagia Sophia, the water was supplied to the baptismal tank from a water tower.[13] In the
In the
Baptisms of
Examples
Aspersion and affusion fonts
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Octagonal baptismal font in Magdeburg Cathedral, Germany
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Ship's bell as Baptismal font at chapel, Yeo Hall, Royal Military College of Canada
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Font in a church atLenzen, Brandenburg, Germany
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Oval marble font made before 1686, St Robert's Church, Pannal, North Yorkshire
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Baptismal font at Fort Michilimackinac in Mackinaw City, Michigan
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The baptismal font ofMarne, Italy
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Baptismal font of St. John the Evangelist's Anglican Church, İzmir in the shape of a scallop
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The twin-fonts of Saint-Léon Church of La Baussaine, France
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Baroque baptismal font of Catholic City Church of Bremgarten, Canton of Aargau, Switzerland
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Font of Saint-Étienne Church depicts the Holy Spirit as a dove descending, in Wolxheim, France
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Gothic baptismal font of Catholic parish church of Perg, Austria
Immersion fonts
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The baptismal font atSt. Raphael's Cathedral, Dubuque, Iowa, was expanded in 2005 to include a small pool for immersion of adults.
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Russian Orthodox immersion font in Leninsky District, Tula Oblast, Russia
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Baptism of an infant in theSt. Petersburg)
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Tinned copper baptismal font from Bulgaria
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LDS Church, ca. 1912. The twelve oxen supporting the font represent the Twelve Tribes of Israel.
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Baptismal font used inMulanthuruthy Marthoman Church
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Baptismal Font in the Basilian Monastery of Santa Maria, Grottaferrata near Frascati, Italy
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Font of Metz Cathedral in France is an ancient Roman bath converted into a baptismal font
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Bronze baptismal font of St. Mary's Church, Lübeck, Germany
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Immersion font of St. Petrus Catholic Church in Wolfenbüttel, Germany
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Modern immersion font of Evangelical Lutheran St.-Petri-Pauli-Church in Eisleben, Germany
See also
- Baptistery
- Bronze laver (Temple)
- Mikveh
- Holy water font
- Nipson anomemata me monan opsin
- Church of the priest Félix and baptistry of Kélibia
References
Notes
- ^ The sixth day of Holy Week was Good Friday; the following Sunday (of the resurrection) was thus the eighth day.[5]
Citations
- ^ "New Advent Catholic Encyclopedia, Baptismal Font". Retrieved 6 October 2023.
- ^ "Church Fathers on infant baptism". Retrieved 7 October 2023.
- ^ "What Lutherans Teach about the Sacraments". Retrieved 7 October 2023.
- ^ Macalister, Robert Alexander Stewart (1911). Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol. 10 (11th ed.). Cambridge University Press. p. 605. . In
- ^ a b Huyser-Konig, Joan (12 May 2006). "Theological Reasons for Baptistry Shapes". Calvin Institute of Christian Worship. Retrieved 30 October 2015.
- ^ ISBN 978-0-929650-00-5.
- ^ Augustine of Hippo (426). . p. Book 22, Chapter 30 – via Wikisource.
- ^ "Liturgical Use of Water". Retrieved 7 October 2023.
- ISBN 978-0-300-09584-5. Retrieved 31 May 2020.
- ^ Batty, Robert Eaton (1848). Some particulars connected with the history of baptismal fonts. p. 33. Retrieved 31 May 2020.
- ISBN 978-0-09-191251-2. Retrieved 31 May 2020.
- ^ "Baptismal Angels in Nordic Lutheran countries". Retrieved 7 October 2023.
- ^ "Baptistry of St. Sophia of Constantinople". Retrieved 7 October 2023.
- ^ "The Orthodox Baptismal Font - The Divine Womb". 21 October 2021. Retrieved 6 October 2023.
Further reading
- Combe, Thomas; Paley, Frederick Apthorp (1844). Illustrations of baptismal fonts. London: J. Van Voorst.
- Peterson, John Bertram (1907). Catholic Encyclopedia. Vol. 2. New York: Robert Appleton Company. . In Herbermann, Charles (ed.).
- Leclercq, Henri (1910). Catholic Encyclopedia. Vol. 7. New York: Robert Appleton Company. . In Herbermann, Charles (ed.).
- Collier's New Encyclopedia. 1921. .
- Farrugia, David (2017). The Rediscovery of the Baptismal Font in the Liturgy. University of Malta.