Dexter Gordon

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Dexter Gordon
Gordon in concert in Toronto on August 19, 1978
Gordon in concert in Toronto on August 19, 1978
Background information
Also known asLong Tall Dexter
Born(1923-02-27)February 27, 1923
Los Angeles, California, U.S.
DiedApril 25, 1990(1990-04-25) (aged 67)
Philadelphia, Pennsylvania, U.S.
GenresJazz, swing, bebop, hard bop
Occupation(s)Musician, composer, bandleader
Instrument(s)Tenor saxophone, soprano saxophone
Years active1940–1986
LabelsBlue Note, Savoy, Columbia
Websitedextergordon.com

Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist, composer, and bandleader. He was among the most influential early bebop musicians. Gordon's height was 6 feet 6 inches (198 cm), so he was also known as "Long Tall Dexter" and "Sophisticated Giant". His studio and performance career spanned more than 40 years.

Gordon's sound was commonly characterized as being "large" and spacious and he had a tendency to play behind the beat. He inserted musical quotes into his solos, with sources as diverse as "Happy Birthday" and well known melodies from the operas of Wagner. Quoting from various musical sources is not unusual in jazz improvisation, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon's playing as he explored hard bop and modal playing during the 1960s.

Gordon had a genial and humorous stage presence. He was an advocate of playing to communicate with the audience,[1] which was his musical approach as well. One of his idiosyncratic rituals was to recite lyrics from each ballad before playing it.[citation needed]

A photograph by Herman Leonard of Gordon taking a smoke break at the Royal Roost in 1948 is one of the iconic images in jazz photography.[2] Cigarettes were a recurring theme on covers of Gordon's albums.

Gordon was nominated for an

Warner Bros, 1986), and he won a Grammy for Best Jazz Instrumental Performance, Soloist, for the soundtrack album The Other Side of Round Midnight (Blue Note Records, 1986). He also had a cameo role in the 1990 film Awakenings. In 2018, Gordon's album Go (Blue Note, 1962) was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant".[3]

Life and career

Early life

Dexter Keith Gordon was born on February 27, 1923, in Los Angeles, California.

African American Medal of Honor recipients in the Spanish–American War.[5]

Gordon began his study of music with the clarinet at age 13, then switched to the alto saxophone at 15, and finally to the tenor saxophone at 17.[5][4] He studied with multi-instrumentalist Lloyd Reese while attending Thomas Jefferson High School, and studied with the school’s band director, Sam Browne.[6] While still at school, he played in bands with such contemporaries as Chico Hamilton and Buddy Collette.[7]

Between December 1940 and 1943, Gordon was a member of

Nat Cole
for a small label not affected by the strike.

Bebop era recordings

By late 1944, Gordon was resident in New York, a regular at bebop jam sessions, and a featured soloist in the Billy Eckstine big band ("If That's The Way You Feel", "I Want To Talk About You", "Blowin' the Blues Away", "Opus X", "I'll Wait And Pray", "The Real Thing Happened To Me", "Lonesome Lover Blues", "I Love the Rhythm in a Riff"). During early 1945 he was featured on recordings by

On The Road, which also contains descriptions of wild tenormen jamming in Los Angeles. Cherokee, Byas a Drink, and Disorder at the Border are other live recordings of the Gray/Gordon duo from the same concert (all issued on the album The Hunt in 1977). In December 1947, Gordon recorded again with the Savoy label (Settin' the Pace, So Easy, Dexter's Riff, Dextrose, Dexter's Mood, Index, Dextivity, Wee Dot, Lion Roars). Through the mid-to-late 1940s he continued to work as a sideman on sessions led by Russell Jacquet, Benny Carter, Ben Webster, Ralph Burns, Jimmy Rushing, Helen Humes, Gerry Mulligan, Wynonie Harris, Leo Parker, and Tadd Dameron
.

The 1950s

During the 1950s, Gordon's recorded output and live appearances declined as heroin addiction and legal troubles took their toll.

Chino Prison from 1953 to 1955, he recorded the albums Daddy Plays the Horn and Dexter Blows Hot and Cool in 1955 and played as a sideman on the Stan Levey album, This Time the Drum's on Me. The latter part of the decade saw him in and out of prison until his final release from Folsom Prison in 1959. He was one of the initial sax players for the Onzy Matthews big band in 1959, along with Curtis Amy. Gordon continued to champion Matthews' band after he left Los Angeles for New York, but left for Europe before getting a chance to record with that band. He recorded The Resurgence of Dexter Gordon in 1960. His recordings from the mid-1950s onward document a meander into a smooth West Coast
style that lacked the impact of his bebop era recordings or his subsequent Blue Note recordings.

The decade saw Gordon's first entry into the world of drama. He appeared as a member (uncredited) of Art Hazzard's band in the film

The Connection in 1960, replacing Jackie McLean
. He contributed two compositions, Ernie's Tune and I Want More to the score and later recorded them for his album Dexter Calling....

New York renaissance

Gordon signed to Blue Note in 1961. He initially commuted from Los Angeles to New York to record, but took up residence when he regained the cabaret card that allowed him to perform where alcohol was served. The Jazz Gallery hosted his first New York performance in twelve years. The Blue Note association was to produce a steady flow of albums for several years, some of which gained iconic status. His New York renaissance was marked by Doin' Allright, Dexter Calling..., Go!, and A Swingin' Affair. The first two were recorded over three days in May 1961 with Freddie Hubbard, Horace Parlan, Kenny Drew, Paul Chambers, George Tucker, Al Harewood, and Philly Joe Jones. The last two were recorded in August 1962, with a rhythm section that featured Blue Note regulars Sonny Clark, Butch Warren and Billy Higgins. Of the two Go! was an expressed favorite.[5] The albums showed his assimilation of the hard bop and modal styles that had developed during his years on the west coast, and the influence of John Coltrane and Sonny Rollins, whom he had influenced before. The stay in New York turned out to be short lived, as Gordon got offers for engagements in England, then Europe, that resulted in a fourteen-year stay.[4] Soon after recording A Swingin' Affair, he left the United States.

Years in Europe

Over the next 14 years in Europe, living mainly in Paris and Copenhagen, Gordon played regularly with fellow expatriates or visiting players, such as Bud Powell, Ben Webster, Freddie Hubbard, Bobby Hutcherson, Kenny Drew, Horace Parlan and Billy Higgins. Blue Note's Francis Wolff supervised Gordon's later sessions for the label on his visits to Europe. The pairing of Gordon with Drew turned out to be one of the classic matchups between a horn player and a pianist, much like Miles Davis with Red Garland or John Coltrane with McCoy Tyner.

From this period came Our Man in Paris, One Flight Up, Gettin' Around, and Clubhouse. Our Man in Paris was a Blue Note session recorded in Paris in 1963 with backup consisting of pianist Powell, drummer Kenny Clarke, and French bassist Pierre Michelot. One Flight Up, recorded in Paris in 1964 with trumpeter Donald Byrd, pianist Kenny Drew, drummer Art Taylor, and Danish bassist Niels-Henning Ørsted Pedersen, features an extended solo by Gordon on the track "Tanya".

Gordon also visited the US occasionally for further recording dates. Gettin' Around was recorded for Blue Note during a visit in May 1965, as was the album Clubhouse which remained unreleased until 1979.

Gordon found Europe in the 1960s a much easier place to live, saying that he experienced less racism and greater respect for jazz musicians. He also stated that on his visits to the US in the late 1960s and early 1970s, he found the political and social strife disturbing.[8] While in Copenhagen, Gordon and Drew's trio appeared onscreen[9] in Ole Ege's theatrically released hardcore pornographic film Pornografi – en musical (1971), for which they composed and performed the score.[10]

He switched from Blue Note to

Albert "Tootie" Heath; The Panther! (1970) with Tommy Flanagan, Larry Ridley, and Alan Dawson; The Jumpin' Blues (1970) with Wynton Kelly, Sam Jones, and Roy Brooks; The Chase! (1970) with Gene Ammons, Jodie Christian, John Young, Cleveland Eaton, Rufus Reid, Wilbur Campbell, Steve McCall, and Vi Redd; and Tangerine (1972) with Thad Jones, Freddie Hubbard, and Hank Jones. Some of the Prestige albums were recorded during visits back to North America while he was still living in Europe; others were made in Europe, including live sets from the Montreux Jazz Festival
.

In addition to the recordings Gordon did under his American label contracts, live recordings by European labels and live video from his European period have been released. In 1975 Dexter Gordon signed an exclusive recording contract with Danish label SteepleChase and recorded some of his most inspired sessions like The Apartment (1974), More Than You Know (1975), Stable mates, Swiss Nights vol. 1, 2 and 3, Something Different, Lullaby For A Monster, and not least Biting The Apple, recorded during his homecoming trip to New York, featuring Barry Harris, Sam Jones and Al Foster. The album received the Grand Prix De Jazz in Montreux Switzerland 1977. SteepleChase released live dates from his mid-1960s tenure at the Jazzhus Montmartre in Copenhagen. The video was released under the Jazz Icons series.

Homecoming

At the 1980 Edison Award, Amsterdam

Gordon returned to the United States for good in 1976. He recorded "Biting The Apple" for SteepleChase during his homecoming, an album featuring pianist Barry Harris, bassist Sam Jones, and drummer Al Foster. In 1977 the album received the Grand Prix de Disques at the Montreux Jazz Festival in Switzerland. He appeared with

Fusion jazz
era that saw an emphasis on electronic sounds and contemporary pop influences.

Musician Emeritus

Dexter Gordon at Mountain Winery Jazz Festival, Saratoga CA 1981

In 1978 and 1980, Gordon was the

French Order of Arts and Letters by the Ministry of Culture in France.[citation needed
]

During the 1980s, Gordon, a life-long smoker, was weakened by emphysema. He remained a popular attraction at concerts and festivals, although his live appearances and recording dates would soon become infrequent.[citation needed]

Gordon starred in the 1986 movie

Crime Story
.

Soundtrack performances from Round Midnight were released as the albums Round Midnight and The Other Side of Round Midnight, featuring original music by Herbie Hancock as well as playing by Gordon. The latter was the last recording released under Gordon's name. He was a sideman on Tony Bennett's 1987 album, Berlin.

Death

Gordon died of kidney failure and smoking-related cancer of the larynx in Philadelphia, on April 25, 1990, at the age of 67.[12]

Family

Gordon's maternal grandfather was Captain

Buffalo Soldiers).[citation needed
]

Gordon's father, Dr. Frank Gordon, M.D., was one of the first prominent African-American physicians and a graduate of Howard University.[citation needed]

When he lived in Denmark, Gordon became friends with the family of the future Metallica drummer Lars Ulrich, and subsequently became Lars's godfather.[13]

Gordon was married three times and had five children: daughters Robin and Deirdre and sons Mikael, Benjamin, and Woody Louis Armstrong Shaw.[14]

Instruments and mouthpieces

The earliest photographs of Gordon as a player show him with a

Conn 30M "Connqueror" and an Otto Link mouthpiece. Later he adopted the standard Conn tenor, the 10M. In a 1962 interview with the British journalist Les Tomkins, he did not refer to the specific model of mouthpiece but stated that it was made for him personally. He stated that it was stolen around 1952.[1] In the Tomkins interview he referred to his mouthpiece as a small-chambered piece with a 5* (.085" under the Otto Link system) tip opening. He bought a Selmer Mark VI from Ben Webster after he lost his 10M during the trip to Paris. In a DownBeat magazine interview from 1977, he referred to his current mouthpiece as an Otto Link model with a #8 (.110" under the Otto Link system) tip opening.[8]

Discography

As a leader

As sideman

With Gene Ammons

With Louis Armstrong

  • Dexter Gordon, Vol. 1 Young Dex 1941-1944 (Masters Of Jazz MJCD 112)
  • Louis Armstrong And His Orchestra 1944-1945 (Blue Ace BA 3603)
  • Louis Armstrong And His Orchestra (AFRS One Night Stand 240) (V-Disc, 1944)
  • Louis Armstrong And His Orchestra (AFRS One Night Stand 253) (V-Disc, 1944)
  • Louis Armstrong And His Orchestra (AFRS One Night Stand 267) (V-Disc, 1944)
  • Louis Armstrong New Orleans Masters, Vol. 2 (Swing House (E) SWH 44)
  • Louis Armstrong And His Orchestra (AFRS Spotlight Bands 382) (V-Disc, 1944)
  • Louis Armstrong – Chronological Study (MCA Decca 3063 72)
  • Louis Armstrong And His Orchestra (AFRS Spotlight Bands 444) (V-Disc, 1944)
  • Louis Armstrong And His Orchestra (AFRS Spotlight Bands 465) (V-Disc, 1944)
  • Various Artists, Louis, Pops And Tram (IAJRC 21) (off V-Disc, 1944)
  • Louis Armstrong Armed Forces Radio Service 1943/44 (Duke (It) D 1021)

With Benny Carter

  • The Fabulous Benny Carter (1946, Audio Lab AL 1505)
  • Benny Carter And His Orchestra (AFRS Jubilee 246) (V-Disc, 1947)
  • Various Artists – Jazz Off The Air, Vol. 3 (Spotlite (E) SPJ 147) (off V-Disc 1947)

With Billy Eckstine

  • The Chronological Billy Eckstine and His Orchestra, 1944-1945 (CD, Classic Records [France], 1997)
  • Billy Eckstine, The Legendary Big Band (SVY 17125)

With Dizzy Gillespie

  • Dexter Gordon, Vol. 2 Young Dex 1944-1946 (Masters Of Jazz MJCD 128)
  • Dizzy Gillespie – Groovin' High (Savoy MG 12020, 1992; SV 152, 2010)

With Lionel Hampton

With Herbie Hancock

With Fletcher Henderson

With Helen Humes

  • Various Artists – Black California (Savoy SJL 2215)
  • Helen Humes – Be-Baba-Leba 1942-52 (Whiskey, Women And... Gene Norman "Just Jazz" concert, February 2, 1952, KM 701)
  • Helen Humes – New Million Dollar Secret (Whiskey, Women And... Gene Norman "Just Jazz" concert, February 2, 1952, KM 707)

With Jackie McLean

With Gerry Mulligan

  • Gerry Mulligan – Capitol Jazz Classics, Vol. 4: Walking Shoes (Capitol M 11029)
  • Classic Capitol Jazz Sessions (Mosaic MQ19-170)

With Leo Parker

  • The Be Bop Boys (Savoy SJL 2225)
  • Leo Parker – Birth Of Bop, Vol. 1 (Savoy XP 8060)

With Pony Poindexter

  • Pony's Express (Epic, 1962)
  • Stella By Starlight
     (co leader) (SteepleChase 1966)

With Jimmy Rushing

  • Jimmy Rushing/Don Redman/Russell Jacquet/Joe Thomas – Big Little Bands (1946, Onyx ORI 220)
  • Black California, Vol. 2: Anthology (1946, Savoy SJL 2242)

With others

References

  1. ^ a b "Dexter Gordon interview with Les Tomkins, 1962". National Jazz Archive. March 11, 2020. Archived from the original on August 14, 2020. Retrieved March 6, 2021.
  2. ^ "From the Harvard Art Museums' collections Dexter Gordon, Royal Roost, New York City". Harvardartmuseums.org.
  3. ^ Andrews, Travis M. (March 20, 2019). "Jay-Z, a speech by Sen. Robert F. Kennedy and 'Schoolhouse Rock!' among recordings deemed classics by Library of Congress". The Washington Post. Retrieved March 25, 2019.
  4. ^
    ISBN 0-85112-939-0
    .
  5. ^ a b c "Biography". DEXTERGORDON.COM. Archived from the original on April 14, 2015. Retrieved August 28, 2015.
  6. ISBN 0-306-80361-5
    . pp. 4, 26.
  7. ^ Joop Visser, essay booklet with Settin' the Pace, Proper box set.
  8. ^ a b "Dexter Gordon interview with Chuck Berg, Downbeat Magazine, 1977". Jazzprofiles.blogspot.com. Archived from the original on May 28, 2015. Retrieved October 11, 2019.
  9. ^ "Dexter Gordon & Kenny Drew – Pornography A Musical (1971) OST", YouTube video.
  10. ^ David Meeker,"Jazz on the Screen – A jazz and blues filmography", Library of Congress, Performing Arts Encyclopedia.
  11. ISBN 9780520968219
    .
  12. ^ Watrous, Peter (April 26, 1990). "Dexter Gordon Dies at 67; A Charismatic Jazz Figure". The New York Times. Retrieved September 8, 2021.
  13. ^ Joel McIver, Justice for All: The Truth about Metallica, Omnibus Press, 2004.
  14. ^ Watrous, Peter (April 26, 1990). "Dexter Gordon Dies at 67; A Charismatic Jazz Figure". New York Times. Retrieved March 22, 2024.

Further reading

  • Gordon, Maxine (2018) Sophisticated Giant: The Life and Legacy of Dexter Gordon (University of California Press)

External links

Wikimedia Commons has media related to Dexter Gordon.
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