Fonthill Vase

Source: Wikipedia, the free encyclopedia.

The Fonthill Vase in the National Museum of Decorative Art, Dublin
Louis the Great of Hungary

The Fonthill Vase, also called the Gaignières-Fonthill Vase after

Chinese porcelain vase dated to 1300–1340 AD.[1] It is famous as the earliest documented Chinese porcelain object to have reached Europe.[1][2]

The vase is an early piece of

blue and white porcelain, which started in earnest after 1320.[3][2] It is an unusual "experimental" vase with applied relief decoration in the medallions, in the usual monochrome blueish-white Qingbai glaze.[4]

After probably arriving in Europe when nearly new, the history of the vase can mostly be documented. Eventually it reached the National Museum of Ireland in 1882,[4][5] and in 2018 was on display in the "Curator's Choice" permanent display at the National Museum of Ireland – Decorative Arts and History (Collins Barracks, Dublin).[6]

History

The vase was first part of a collection of

ewer[4] and transferred as a gift to his Angevin kinsman Charles III of Naples in 1381.[1][5]

Various subsequent owners are known, such as the

Its silver mounts were removed in the 19th century, and the vase reappeared in 1882 at a sale of Beckford's heirs at Hamilton Palace without its mount,[1][4][7] "and its history had somehow been forgotten".[8] It was bought by the National Museum of Ireland for about £28. It was only in 1959 that Arthur Lane, the ceramics curator of the Victoria and Albert Museum in London, reconnected the vase with its earlier history.[9]

Jean, duc de Berry is known to have had a similar Chinese porcelain vase in his collection when he died in 1416, although it is unknown how he acquired it.[4] This indicates that "the Gaignieres-Fonthill vase was not the only specimen of its kind [in Europe at the time]".[4] These vases testify to a lost era of exchanges between China and Europe during Medieval times, which can also be seen in pictorial arts with the adoption of some Chinese stylistic conventions in Western painting, such as in the works of Giotto and his followers.[4]

Notes

Sources