Glassheart

Source: Wikipedia, the free encyclopedia.
This article is about the Leona Lewis album. For the Mel Parsons album, see Glass Heart. For the song, see Glassheart (song).

Glassheart
A woman stands against a pink-coloured brick wall. Her long dark brown flowing hair is pulled to one side and she stares directly at the camera. She has two star-shaped beauty spots, one beneath each eye. Her red and black sequin dress sits across her shoulders.
Studio album by
Leona Lewis
Released12 October 2012 (2012-10-12)
RecordedLate 2010 – 10 September 2012
Studio
Length48:51
LabelSyco
Producer
Leona Lewis chronology
The Labyrinth Tour: Live from the O2
(2010) 		Glassheart
(2012) 		Christmas, with Love
(2013)
Alternate cover
Deluxe edition artwork
Singles from Glassheart
  1. "Trouble"
    Released: 12 September 2012
  2. "Lovebird"
    Released: 16 November 2012

Glassheart is the third

studio album by English singer Leona Lewis, released on 12 October 2012 by Syco Music. Glassheart was conceived in 2010 shortly after the completion of Lewis' first headline tour, The Labyrinth. Recording and production took place in Denver
, Los Angeles and London; originally the album was due for release in November 2011 but was pushed back several times to accommodate new recording sessions and allow more creative time. The album was the first – and so far only – of Lewis' albums not released in North America.

On Glassheart, Lewis reunites with

cover song extended play (EP) that Lewis released to bridge the gap between Echo
(2009) and Glassheart.

"

Childish Gambino and "Lovebird
" were less successful, the former reaching the top ten in the UK and top thirty in Ireland, while the latter sold fewer than 600 copies in the UK and failed to chart anywhere in Europe.

Glassheart received a mixed reception from critics, who praised the vocals and experimental use of dubstep and electronic music but were less impressed with the album's many ballads. In the UK, the album was Lewis' first album not to reach number one, debuting at number three with 27,000 copies in its first week. Elsewhere the album became Lewis' third top-five album in Ireland, and upon its international release in November 2012, reached the top thirty in some of continental Europe. Following a 2013 release for Austria and Germany, Glassheart peaked at number five and six respectively, outperforming previous album Echo. In April 2013, Lewis embarked on the Glassheart Tour, in support of the album, visiting Switzerland, Germany and the UK.

Background and release

Lewis completed her first headline tour

cover songs that was released in December. In January 2012, Lewis announced that the album was being pushed back again, this time to November 2012. During an interview with Digital Spy, Lewis confirmed that she had recorded with Scottish DJ Calvin Harris and that Smith had been brought on board to help with production.[5] In April 2012, in an interview at the Ariella Couture fashion show, Lewis stated, "I'm now planning to have the album out in the summer [of 2012]. Simon Cowell has heard some of the tracks and he loves it".[6] Cowell would later publicly offer his support, declaring to Lewis that although there had been a wait of two years for new music, "I think this new album is sensational, you've never sounded better."[7]

I had a provisional deadline but I was still in the midst of recording and didn't feel like I'd got the crux of the album. So I kept going and kept writing and then I got Fraser T Smith involved, who went on to executive produce all the songs.

— Lewis talking to the Birmingham Mail.[8]

On 21 June 2012, Smith spoke to

Hackney Weekend, Smith revealed that the album was 80% complete, "We've got the key tracks and we're very close."[9][10] Describing the process as a stark contrast to previous albums Spirit and Echo, Smith said that when you work with many producers "you end up with maybe two or three radio songs and not necessarily the album sales you want."[9] Lewis spoke to reporters back stage after the performance, revealing that the album had been brought forward a month to October 2012.[10][11] By the time July had come around, Smith updated fans to say that the album was now 97% complete.[12]

At the end of August, Lewis began selecting the track listing and approving the final

masters of the songs.[13] On 5 September 2012, Lewis used Twitter to communicate with Smith and inform him that she was approaching the end of listening to all the final mixes.[14] Lewis unveiled the final track listing for the standard edition on 9 September, naming twelve songs, but excluding the album's first single "Collide".[15] Smith confirmed that the final decisions had been made and that the album was 100% complete on 10 September.[16] A two-disc deluxe edition was to be released alongside the standard version as per a Lewis question and answer session with fans.[17][18] Thirty-second snippets of each song were released on 5 October.[19] The album itself was released on 12 October in Ireland and 15 October in the United Kingdom.[11][20]

Recording sessions

Among the first people to work with Lewis was her frequent collaborator Ryan Tedder who penned and produced multiple songs both on Spirit (2007) and Echo (2009). The album is named after "Glassheart", a song recorded in sessions with Tedder in Denver, Colorado, when Lewis asked for a song that she could "dance and jump around [to]".[21] The song's other co-writers were Noel Zancanella and OneRepublic guitarist Brent Kutzle.[22] Kutzle, Zancanella and Tedder worked with Lewis on another song called "Burn".[23][24] A snippet of "Burn" was used during an interview with Clive Davis which aired on 23 October 2011. Davis headed Lewis' former US label J Records before joining RCA Records when the former was folded. Davis had previously played a part in the A&R division for Lewis' albums. The CBS interview titled Clive "The Music Man" Davis – Interview showed Davis talking about Lewis branching out to work with American producers, and about previewing songs before they were presented to Lewis.[25] However, when the track listing for the album was unveiled, "Burn" was omitted in favour of another Zancanlla/Lewis/Tedder track, recorded with Roland Orzabal and Curt Smith, titled "Favourite Scar".[26] "Burn" would later be recorded by British singer-songwriter Ellie Goulding for Halcyon Days (2013), the re-release of her second album Halcyon (2012).[27]

British hip hop artist Tinie Tempah originally approached Lewis to record "Trouble".

British

Grammy-winning songwriter Diane Warren and originally sung by Chinese singer Bibi Zhou in 2010.[30][32] A third Sandé and Lewis-penned song called "I to You" did make the album.[20][33] In September 2011, Sylvia Patterson of The Guardian previewed several tracks including "Sugar" and "Trouble", both of which feature on the album, in addition to the song "Blank Page", which was written by Australian singer-songwriter Sia. The latter was described as "a soaring reverie over mournful piano and strings", but it did not make the album.[20][34] "Blank Page" was later revealed to have been given to American singer Christina Aguilera, as it can be found on her 2012 album Lotus. During this same time period, fellow American producer Brian Kennedy Seals revealed that Lewis would record his song "Open Up".[35]

Sandy Vee produced the album's first single "Collide".

According to

Christopher "Tricky" Stewart noted that he had been asked to submit material for Lewis' new album.[38] French producer Sandy Vee and American songwriter Autumn Rowe presented Lewis with the album's first single "Collide".[citation needed] Digital Spy and Popjustice confirmed that Lewis spent time in the studios with producer and writer Rodney "Darkchild" Jerkins", rapper will.i.am and Polow da Don.[39] Lewis' sessions with Darkchild took place over the weekend of 18–19 May 2012 and produced the song "Shake You Up".[39] Circle House Studios in Miami, Florida was the venue for recording sessions with American songwriter Rico Love.[40][41][42]

MTV revealed that R&B singer-songwriter

Fraser T Smith co-wrote "Un Love Me" with Smith and Kelly Sheehan, a writer known for her work with Mariah Carey.[48]

Calvin Harris (left) worked with Lewis to record, "We Found Love" but eventually the record would be released by Rihanna (right).

At the end of 2011, Lewis spoke about another of her collaborators – this time Scottish DJ Calvin Harris, "I've worked with Calvin on a song and want to do another – he's so talented. I'm planning an EP before the end of the year as I feel bad for everyone who was expecting the album this year. But the lead song won't be the track I've done with Emeli Sandé – that's for the album."

arrangement.[53]

Musical styles and composition

Lewis unveiled the official track listing of the standard edition of Glassheart on 9 September, which excluded the first single "Collide" (with Avicii), although the track did appear on the deluxe edition.

A&R representative Sonny Thkrar said that Smith was brought to "weave a creative thread through the album", elaborating that Smith was ensuring that there was continuity in "the vocal recording, the style, the production and songwriting."[55] Smith also commented that his aim was for "Lewis to make an artist album rather than it being a collection of songs."[55] According to Lewis, Glassheart tells the story of "star-crossed lovers that can't be together."[56]

Influence and sound

In February 2011, Lewis said the album would be more experimental than Spirit and Echo, embodying a "different" yet "classic" sound. She added, "I'm really, really excited about it. I'm working with some new producers, some up and coming people and it's going to be kind of a different sound – but still classic".

Come Alive" experiments with dubstep and drum and bass.[10] Lewis stated that the song was inspired by the "dirty and heavy" music sound of British electronica band Faithless.[60] She also commented, "We wanted to do an uptempo song, but for it to remain true to what I do".[10] In March 2012, after extending the album's recording sessions, Lewis elaborated on the evolution of her sound, "I've got a track that's got a bit of drum 'n' bass at the end. It's quite different to what I've had out before." Lewis then went on to add "I've got a track that's very '90s. It's just different influences that I've had through my life growing up. I'm really actually looking forward to people hearing it."[61]

Tracy Chapman (left), Kate Bush (right) were Lewis' main influences whilst recording the album.

Throughout the development of the album Lewis explained that she wanted to make an album that is "timeless".[62] In June 2011, when asked about the upcoming album, Lewis described it as "energetic, deep, [and] unique". She also commented that it would have a darker tone and that she would be putting her "heart into [her] lyrics". She cited Tracy Chapman, Kate Bush and Tears for Fears as the album's primary influences.[47] Lewis spoke on the sound of the album saying "Well, when I was on tour, we mixed a lot of dancer beats on it – my cousin actually reproduced a lot of the ballads. I've taken more of that sound into the album; we've got a lot of piano and live instrumentation. I've a song called 'Fireflies' which I really, really love and hope we get to do as a single. it's a really good one. And it's got a guy on it!" She explained "So the album is such an eclectic mix. I've really got to delve into every kind of music that I love, really try everything and make the best of everything. Because I love so many different genres, it's kind of hard to just pick one thing to do, so I just did everything!"[63]

During an interview with

electronic instruments and live instruments.[8]

Songs and lyrics

Lewis unveiled the official track listing of the standard edition of Glassheart on 9 September 2012, which excluded the first single "

A&R representative Sonny Thkrar said that Smith was brought on board to "weave a creative thread through the album", elaborating that Smith was ensuring that there was continuity in "the vocal recording, the style, the production and songwriting."[55] Smith also commented that his aim was for "Lewis to make an artist album rather than it being a collection of songs."[55] According to Lewis, Glassheart tells the story of "star-crossed lovers that can't be together."[56]

Leona Lewis – Trouble (feat. Childish Gambino)
A 21 second sample of "Trouble" featuring Gambino's
rap fades into Lewis' final chorus. Atop the R&B and trip hop
production, Lewis sings of a love that has become destructive with the lyrics "I told you never to get used to me."
Problems playing this file? See media help.

The album opens and closes with two versions of the

Childish Gambino was added along with some additional production.[67] Early critics praised the song's emotive qualities and dark undertones.[68]

"Un Love Me", a song described by Smith as "radio friendly" and "a classic Leona Lewis record", appears as the second track.

techno breakdown towards the end.[68]

As well as co-writing "Trouble", Sandé helped to write "I to You".

"Fireflies" is a

synths and a midtempo "80's pop" melody. Critics compared it to the early work of the late American entertainer Whitney Houston.[68] "Stop the Clocks" returns to the electronic production present on much of the album, but according to critics it was a "lighter instrumental production" that could have been taken from Lewis' last album Echo (2009).[68]

Tedder produced previous singles "Bleeding Love" and "Happy".

"Favourite Scar" was co-written by Lewis, Tedder, Noel Zancanlla, Roland Orzabal and Curt Smith.

up-tempo "Glassheart" was a "welcome change of pace".[68]

The album closes with a "

middle eight section.[67][74]

The deluxe edition features six additional tracks which on CD versions of the album, feature on a second disc. The first three songs are acoustic performances of "Trouble", "Come Alive" and "Glassheart". Tracks four and five are not present on the standard edition.[18] "Colorblind" is song number four, while "Sugar" is a song that Patterson described as "an orchestral landscape".[34] "Sugar" was written by Sandé and Al Shux.[75] The second disc closes with the Afrojack remix of "Collide".[18]

Title and artwork

The album title "Glassheart" was inspired by a conversation that Lewis had with Tedder. During the conversation Tedder asked Lewis about her past experiences with love and life in general. Lewis' response led him to the word "Glassheart". During an interview with Clyde 1 radio, Lewis said "Glassheart represents protecting your heart, yourself and protecting your emotions, its very poignant".[33]

The artwork and visuals for the album were shot with American fashion photography

Play.com,[81] while retailer HMV sold the album with an exclusive slipcase.[82]

Promotion

Marketing

On 23 July 2012 Lewis released her first video prior to the album release, saying "In the lead-up to my album, I wanted to make some video blogs and share with you my journey (!) and everything that goes on, from the video I'm doing very soon, to going on the road doing shows. Every week I'm going to be doing a little video blog and this is the first one."[83] A second blog entry on 10 August, showed Lewis heading to the studio to record acoustic performances of the album's songs.[84] Later, another blog revealed that five songs had been recorded with the backing provided solely by piano and cello.[13] The first of those acoustic performances was for the album's lead single, "Trouble" featuring Gambino. Filmed in black and white and featuring Lewis singing solo, the performance was released through Lewis' official Vevo account on 5 September.[citation needed] A newsletter to fans on 24 August 2012 mentioned the "Trouble" release and officially revealed details about a competition for aspiring musicians.[85] In association with TalentHouse, fans had the opportunity to compete for the chance to have Lewis' website release their remix. Lewis and Smith would be among the judges.[85]

Additionally, a separate competition gave fans the opportunity to appear in the album's deluxe edition artwork. Fans were encouraged to send in pictures of themselves interacting with a heart (or hearts), from which images would be used for the deluxe edition cover.

Amazon.co.uk.[90] "Colorblind" was originally performed by American rock band Counting Crows; Lewis covered the song for her 2011 release, Hurt: The EP
and that version is also featured on the deluxe edition of Glassheart.

Live performances

On 3 September 2011 Lewis performed "Collide" for the first time on the first episode of

I'm Coming Home" (with special guest Wretch 32), a mash-up of previous single "Better in Time" with Rihanna's "Man Down", as well as "Come Alive", "Collide" and "Run". A remix of "Collide" produced by Anderson was commissioned for the performance, while the Hackney Empire Community Gospel Choir joined in on "Run".[92]

Lewis performing "I to You" at the Royal Albert Hall on 9 May 2013

She reprised her performance of "Come Alive" during an acoustic set at the Amberliegh Charity Foundation Event on 25 August 2012. The set also included previous singles "Run", "

Cosmopolitan Ultimate Women Awards.[99]

Singles

Childish Gambino — the American actor, comedian and rapper features on lead single "Trouble
".

On 14 July 2011, "

Hot Dance Club Songs chart. In Ireland and the United Kingdom, "Collide" debuted and peaked at number three and four respectively.[105] The Afrojack remix of "Collide" is included on the bonus disc of the deluxe edition of Glassheart; the original single version is excluded from all editions of the album.[80]

Following a year of delays, Lewis followed up "Collide" with a new version of the song "

International Singles Chart.[117]

Glassheart Tour

Main article: Glassheart Tour

In 2013, Lewis embarked on her second headline tour titled "Glassheart Tour",[118] visiting twenty-one venues across Germany and the United Kingdom. The tour began on 15 April in Berlin.[119] The list expanded from an initial sixteen to include five dates in Germany.[120] Lewis then proceeded with UK dates beginning in Glasgow, including two dates at London's Royal Albert Hall before finishing on 18 May in Plymouth.[121] During an interview with Digital Spy, Lewis told Tom Eames that Glassheart has a running theme about "star-crossed lovers that can't be together", and so it was likely that this idea would feature on the tour. Lewis also cited William Shakespeare as another source of inspiration.[56]

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic60/100[122]
Review scores
SourceRating
AllMusic[123]
BBC Musicmixed[124]
Daily Mirror[69]
Digital Spy[125]
Evening Standard[126]
Financial Times[127]
The Guardian[128]
The Independent[129]
The Observer[130]
Virgin Media[70]

Glassheart received mixed reviews from critics.

up-tempo songs. Ludovic Hunter-Tilney from the Financial Times found that although there was still a "preponderance of Adele-aping break-up songs", the delays in releasing Glassheart had worked in Lewis' favour by forcing her to "confront her lack of [musical] direction".[127] Hunter-Tilney praised both the Mariah Carey-styled vocals and use of "echoing snare drums" in many of the songs, concluding that Lewis' singing "has an extra edge to it" while the music "strays out of her comfort zone".[127] The Daily Mirror's Dean Piper also noted similarities to Adele, commenting that although both Lewis and Adele had worked with Smith, Lewis' album would "not translate to a universal audience" like Adele's 21 had.[69] However Piper did call the comparison unfair because Glassheart "reminds you what an extraordinary talent Leona is", also saying "there's no doubting the music is good and Glassheart does appear to be her most personal album to date."[69] Amongst the songs Piper picked out were "Un Love Me", "Favourite Scar" and "Fingerprint".[69] Another positive review came from Digital Spy's Lewis Corner who said that Lewis surprised on "the pacey numbers full of angst and torment that standout". Commending her falsetto, Corner awarded Lewis five out of five stars and ended by saying "Like many artists before her, Leona has channelled the darker side of love's grasp into her work – and the result is nothing short of spectacular."[125]

Matthew Horton writing for

Fall to Grace by Paloma Faith.[133]

Commercial performance

According to mid-week predictions from the

UK Download Chart, Glassheart fared better, debuting at number two, having beaten Babel, but losing out to Bugg's debut album.[138]

In Scotland, the album also debuted at number three.

Swiss Albums Chart.[141] Additionally in Spain, Glassheart opened at number fifty-four, whereas Echo peaked in the top-twenty and Spirit peaked in the top-thirty.[142] Glassheart was most successful in Austria and Germany where it peaked at number five and six, respectively. In Austria it became Lewis' second top-five album, besting Echo's peak of number eight but losing out to Spirit which peaked at number one.[143] Similarly in Germany, the album became Lewis' second top-ten album, after Spirit reached number one and Echo peaked at number twelve.[144]

In South Korea, Glassheart peaked at number 13. Within the four-week period of the album charted, both "Trouble" and "Lovebird" entered the international singles chart. South Korea was the only country in which "Lovebird" charted, where it experienced strong download sales. The total number of downloads between the two singles was 36,980. In total, the album shifted over 20,000 copies in the four weeks it remained on the chart.

Track listing

Standard edition (disc 1)
No.TitleWriter(s)Producer(s)Length
1."Trouble"
3:41
2."Un Love Me"
  • Smith
  • Chris Loco
4:12
3."Lovebird"
3:32
4."Come Alive"
  • Smith
  • Chris Loco
  • Tim Deluxe[b]
4:03
5."Fireflies"Craigie DoddsDodds3:55
6."I to You"
  • Christopher Crowhurst
  • Sandé
  • Smith
  • Chris Loco
3:18
7."Shake You Up"
Jerkins3:40
8."Stop the Clocks"
Smith4:01
9."Favourite Scar"
  • Tedder
  • Zancanella
3:36
10."When It Hurts"
  • Smith
  • Naughty Boy
3:12
11."Glassheart"
3:56
12."Fingerprint"
  • Smith
  • LP
  • Lewis
Smith4:07
13."Trouble" (featuring
Childish Gambino
)
  • Khan
  • Sandé
  • Craze
  • Chegwin
  • Smith
  • Lewis
  • Murray
  • Omer
  • Donald Glover
  • Smith
  • Naughty Boy
  • Chris Loco[a]
  • Tucker[b]
3:42
Total length:48:51
Deluxe edition (disc 2) / Digital deluxe edition bonus tracks
No.TitleWriter(s)Producer(s)Length
1."Trouble" (Acoustic)
  • Khan
  • Sandé
  • Craze
  • Chegwin
  • Smith
  • Lewis
  • Murray
  • Omer
Smith3:43
2."Come Alive" (Acoustic)
  • Smith
  • Wroldsen
Smith4:25
3."Glassheart" (Acoustic)
  • Tedder
  • Kutzle
  • Zancanella
  • Franks
  • Shkreli
  • Lewis
  • Svensson
  • Tommy King
  • Ira Glansbeeik
3:46
4."Colorblind"
Smith3:22
5."Sugar"
Al Shux3:36
6."Collide (Afrojack Remix)" (Leona Lewis / Avicii)
5:54
Total length:24:44
iTunes Store bonus video[145]
No.TitleWriter(s)Length
7."Glassheart" (Live Acoustic)
  • Tedder
  • Kutzle
  • Zancanella
  • Franks
  • Shkreli
  • Lewis
  • Svensson
3:49
Total length:28:33

Notes

Personnel and credits

Adapted from album credits and album liner.[80]

Recording studios

  • Denver, Colorado – Patriot Studios
  • London, UK – Air Studios, Air Edel Studios, Angel Recording Studios, The Dairy Studios, Metropolis Studios, MyAudioTonic Studios (The Matrix), The Pool
  • Los Angeles, California – 2nd Floor Studios, Harmony Recording Studios,
    Henson Recording Studios, Side 3 Studios, Pulse Recording, Westlake Recording Studios
    , UMPG Studios

Performers

Musicians and technicians

  • Josh Abraham – producer
  • Phil Allen –
    engineer
  • Beatriz Artola – engineer
  • Brandon N. Caddell – assistant engineer
  • Smith Carlson – engineer
  • Stephanie Cavey – violinist
  • Matt Chamberlin – engineer
  • Matt Champlin – mixing technician
  • Hugo Chegwin – composer
  • Joshua "
    Ammo
    " Coleman – producer, composer
  • Harry Craze – composer
  • Christopher Crowhurst (Chris Loco) – drum programming, guitar, keyboards, producer, programming, composer
  • Rosie Danvers – cello, string arrangements
  • Tim Deluxe – additional production
  • keyboard
    , piano, producer, programming
  • Alison Dods – violin
  • Jörgen Elofsson – composer
  • Guy Farley – string arrangements, string conductor
  • Justin Franks (DJ Frank E) – composer, producer
  • percussion
    , piano, producer, programming
  • Mike Freesh – bass, drum programming, synthesizer
  • Ben Georgiadis – string engineer
  • Serban Ghenea – mixing
  • Lukasz Gottwald
    – composer
  • Alex Graupera – assistant engineer, engineer
  • Matty Green – mixing assistant
  • Jack Guy – engineer
  • John Hanes – mixing engineer
  • Helen Hawthorn – violin
  • Charlie Hugall – engineer, percussion
  • Sally Jackson – violin
  • Bryony James – cello
  • Rodney "Darkchild" Jerkins
    – composer, mixing, musician, producer
  • Becky Jones – viola
  • Luke Juby – composer
  • Patrick Kiernan – violin
  • Shahid "Naughty Boy" Khan – composer, producer
  • Brent Kutzle – composer, producer
  • Colin Leonard –
    mastering
  • Leona Lewis – composer
  • Steve Mair – double bass
  • Andrea Martin – composer
  • Trent Mazur – drum programming, guitar, synthesizer
  • Bonnie McKee – composer
  • James Murray – composer
  • Oligee – producer
  • Mustafa Omer – composer
  • Roland Orzabal – composer
  • Brent Paschke – guitar
  • Kerenza Peacock – violin
  • Laura Pergolizzi – composer
  • Steve Price – string engineer
  • Brian Ray – guitar
  • Daniela Rivera – assistant engineer, engineer
  • Jenny Sacha – violin
  • Emeli Sandé – composer
  • Phil Seaford – mixing assistant
  • Sarah Sexton – violin
  • Kelly Sheehan – composer
  • Fio "Alastor" Shkreli (Fis Shkreli) – composer, drum programming, producer
  • Curt Smith – composer
  • Ash Soan – drums
  • Mark "Spike" Stent – mixing
  • Peter Svensson – composer
  • Phil Tan – mixing
  • Ryan Tedder – composer, instrumentation, producer
  • Orlando "Jalil Beats" Tucker – additional production, programming
  • Olivia Waithe (Livvi Franc) – composer
  • Seth Waldmann – engineer, vocal recording
  • Bruce White – viola
  • Darin "Piano Man" Whittington – drums, keyboards
  • Deborah Widdup – violin
  • Ryan Williams – engineer
  • The Wired Strings – strings
  • Ina Wroldsen – composer
  • Noel Zancanella – composer, instrumentation, producer

Charts and certifications

Release history

Table of release dates, formats, editions and record labels
Region Date Format Editions Label
Ireland 12 October 2012 CD, digital download Standard, Deluxe[11]
Sony Music Entertainment
United Kingdom 15 October 2012 Standard,[152] Deluxe[153] Syco Music, Sony Music
Italy 5 November 2012 Standard[154] Sony Music Entertainment
Belgium 23 November 2012 Standard[155]
Netherlands Standard[156]
Norway Standard[157]
Switzerland Standard[158]
France 26 November 2012 Standard,[159] Deluxe[160]
Spain 27 November 2012 Standard,[161] Deluxe[115]
Denmark 28 November 2012 Deluxe[162]
Finland Standard,[163] Deluxe[164]
Sweden Standard,[165] Deluxe[166]
Australia 30 November 2012 Standard, Deluxe[167]
Germany 11 January 2013 Deluxe[168]
Portugal 28 January 2013 Standard, Deluxe[169]
United States 25 October 2019[citation needed] Digital download,
streaming
 Deluxe

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