Kao (bull)

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This article is about a bull in Meitei mythology. For the Japanese chemical and cosmetics company, see Kao Corporation. For other uses, see Kao (disambiguation).
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Kao
Manipuri folklore
)
Other name(s)Kau, Kaw, Cao, Cau, Caw, Cow
Country
  • Ancient Manipur
    (historical)
  •  India (present)
RegionMoirang, Manipur
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Meitei mythology
A tableau depicting Meitei divine mythical beings, like Hiyang Hiren and Pakhangba.
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Kao (

Khamba Thoibi epic.[1][2][3][4]

Mythology

Kongyamba, a rich nobleman of the

Thangjing spoke through him. Saying he was "sated with offerings of flesh and fish", he demanded to be given the flesh of the bull that was terrorizing the people of Khuman. He added that "my servant Khamba vows that he will bring it for my honor and for the welfare of the State."[6] When the king asked Khamba about his promise, he denied it, but in the end was forced to acquiesce and to try and catch the bull if it was the God's will; the king promised him he could marry Princess Thoibi if he were successful.[6][7]

Embassy to Khuman kingdom

The king of

embassy to the king of Khuman. The embassy proposed to organize the great sport of capturing the wild bull. The Khuman king agreed. A grand colosseum was built for the event. The colosseum could hold a capacity of the audiences from both the two kingdoms.[6][7]

Capture by Khamba

Khamba capturing the Kao

Khamnu revealed a secret to Khamba. She said that the bull had once belonged to their father. She told him that if Khamba told the bull their father's name, it would be tame and gentle:

"This great bull was once the Lord of your father's herd. Go to him, speak your father's name in his ear, and show him this Rope of silk."[6][8]

On the day of the adventure, Khamba stood face to face with the bull. The bull ran towards him with its dangerous horns. Khamba bent a little to the side. The people watching asked him if he was afraid. Khamba answered that he was waiting for a good position. Then, he stood on firm ground and caught the bull. The strong bull carried him away into the thick woods.[8] Khamba did everything as his sister had told him to do. Immediately, the wild bull became tame and gentle. Khamba brought the bull back.[8][7]

On the way back, Kongyamba came to him before anyone saw them. Kongyamba pretended to help Khamba to hold the bull. Kongyamba held the rope. When everyone saw, Kongyamba claimed that he had captured the bull. He added that he even rescued Khamba who had fallen into the ditch. Once again, there was a great conflict between Khamba and Kongyamba over the claim. The two kings could not find out who was right. So, Kongyamba was asked to fight the bull within an enclosure. But Kongyamba was afraid of the bull. He climbed up on the heights to save himself. Khamba faced the bull bravely. He once again captured the bull.[8][7]

In popular culture

In popular culture, Kao appears in arts, books, movies, theatres and many others.

Kangla in Manipur
on 2 December 2006

Painting

Khambana Kao Phaba

In 2001, Khambana Kao Phaba (painting) was kept in the permanent collection of the Indira Gandhi Rashtriya Manav Sangrahalaya (IGRMS) Museum, Bhopal, India. In July 2019, the painting was selected as the "Exhibit of the Month" in the same museum.[9]

Theatre

Kao, the sacred bull

In 2011, "Kao, the sacred bull" was produced by the

Thangjing. Orphan Khuman Khamba was chosen to capture the bull. He was known for his bravery and goodness. To capture the bull with no harm to it was not easy. Khamba's motherly sister Khamnu disclosed to him the secrecy of the bull. The bull was once domesticated and treated as a family member during the good days of their parents.[10][11]

Kao Faba

In 2020, a Shumang Kumhei named "Kao Faba" was produced by Western Cultural Association in Manipur. It was sponsored by the Sangeet Natak Akedemi of New Delhi, India. The play was released in the Iboyaima Shumang Leela Shanglen, Palace Compound, Imphal. The play is based on the legend of capturing the bull in Ancient Moirang.[12][13][14]

See also

Notes

  1. ^ also pronounced as "Cow" ("/kaʊ/")

References

  1. ^ E. Ishwarjit (2005). Manipur, a Tourist Paradise. B.R. Publishing Corporation. ISBN 978-81-7646-506-9.
  2. ISBN 978-93-91145-59-0
    .
  3. ISBN 979-8-6942-6317-7
    .
  4. ISBN 978-81-246-0182-2
    .
  5. ^ Hodson, T. C. (Thomas Callan) (1908). The Meitheis. Duke University Libraries. London: London, D. Nutt. p. 142.
  6. ^ a b c d e Hodson, T. C. (Thomas Callan) (1908). The Meitheis. Duke University Libraries. London, D. Nutt. p. 192.
  7. ^ a b c d Indian Antiquary. Popular Prakashan. 1877. p. 222.
  8. ^ a b c d Hodson, T. C. (Thomas Callan) (1908). The Meitheis. Duke University Libraries. London, D. Nutt. p. 144.
  9. ^ "Traditional Manipuri painting 'Khambana Kao Phaba' on display - Times of India". The Times of India. 24 July 2019.
  10. ^ "KAO - A Glimpse of Manipuri Opera". e-pao.net.
  11. ^ ""Kao - the sacred bull" by Laihui on 6 March 2011". e-pao.net.
  12. ^ "Kao Faba displayed". e-pao.net.
  13. ^ "Kao Faba displayed". www.thesangaiexpress.com.
  14. ^ "Kao Faba displayed". thesangaiexpress.com.
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