Palace of Antiochos
The Palace of Antiochos (
History
Antiochos's palace
The palace of Antiochos was constructed as a residence for
The palace was first discovered in 1939, when frescoes depicting the life of
Church of Saint Euphemia
The Church of Saint Euphemia in the Hippodrome (also known as lying "in ta Antiochou", i.e. "the quarters/palaces of Antiochos"
Description
Original architecture of the palace
The original palace consisted of two sections, a southern and a northern. The southern one, inaccessible to the public today, featured the large
The northern section, located between the street that ran along the western wall of the Hippodrome and the Mese thoroughfare, was until recently misidentified as the Palace of Lausus.[4] It comprised a large rotunda of 20 m diameter with niches on the wall, which seems to have functioned as an audience hall for Antiochos. It was attached to a south-eastwards facing, C-shaped portico open to the street along the Hippodrome. A small bath house, also accessible from the street, lay next to the southern side of the portico.[4] In the 5th century, when the palace was imperial property, an elongated hallway was added to the rotunda in the west, accessed through a double-apsed vestibule. Its shape points to its use as a triclinium. It was 52.5 m long and 12.4 m wide with an apse at its end, while in the 6th century, six apses were added on each of its long sides.[4]
Conversion into a church
When the hexagonal hall was converted into a church, several modifications were made. The bēma was placed to the right of the original entrance, in the southeastwards-looking apse, and another entrance was opened up in the opposite apse. The original gate remained in use, but was narrowed at some later point. Two further gates were opened in the two northern circular rooms, to which two mausolea were eventually attached.[12]
The excavations uncovered the remains of the synthronon (seats for the clergy, a
Frescoes
A series of frescoes, dating to the late 13th century, survive on the southwestern wall of the church, and can be seen behind a protective glass. Fourteen of them form a cycle narrating the life and martyrdom of
See also
References
- ^ John Skylitzes, Romanos II, 2.9
- ^ Martindale, Jones & Morris (1992), pp. 101–102
- ^ Bardill (2004), pp. 57–59
- ^ a b c d e f g h i Kostenec (2008)
- ^ Bardill (2004), p. 56
- ^ Bardill (2004), pp. 107–109
- ^ a b Kazhdan (1991), p. 747
- ^ Cameron & Herrin (1984), pp. 22, 63
- ^ Bogdanovic, Jelena (2017). The Framing of Sacred Space. Oxford UP. pp. 190–3.
- ^ Cameron & Herrin (1984), p. 22
- ^ Kazhdan (1991), pp. 747–748
- ^ a b c d e Ball (2008)
Sources
- Ball, Amanda (2008-05-26). "Church of St. Euphemia". Encyclopedia of the Hellenic World, Constantinople. Archived from the original on 2015-12-06. Retrieved 2009-09-27.
- Bardill, Jonathan (2004). Brickstamps of Constantinople, Volume 1. Oxford University Press. ISBN 978-0-19-925524-5.
- Cameron, Averil; Herrin, Judith (1984). Constantinople in the early eighth century: the Parastaseis syntomoi chronikai (introduction, translation, and commentary). Brill Archive. ISBN 978-90-04-07010-3.
- ISBN 978-0-19-504652-6.
- Kostenec, Jan (2008-07-26). "Palace of Antiochos". Encyclopedia of the Hellenic World, Constantinople. Archived from the original on 2015-12-08. Retrieved 2009-09-27.
- Martindale, John R.; Jones, A.H.M.; Morris, J. (1992). The Prosopography of the Later Roman Empire, Volume II: A.D. 395–527. Cambridge University Press. ISBN 978-0-521-20159-9.