Paul W. S. Anderson

Source: Wikipedia, the free encyclopedia.
For the American dramatic film director, see Paul Thomas Anderson.

Paul W. S. Anderson
Anderson seated at a microphone
Anderson at WonderCon 2012
Born
Paul William Scott Anderson

(1965-03-04) 4 March 1965 (age 59)
Wallsend, Northumberland, England[1]
Alma materUniversity of Warwick (BA)
Occupations
  • Film director
  • producer
  • screenwriter
Years active1990–present
Spouse
​
(m. 2009)​
Children3, including Ever

Paul William Scott Anderson (born 4 March 1965) is an English film director, screenwriter and producer who regularly works in

video game adaptations
.

Anderson made his feature film debut with the British independent film Shopping (1994), and found commercial success with his second film, the Hollywood-produced Mortal Kombat (1995), based on the first couple of video games of the same name by Midway Games. He is best known as the creative voice behind the first six films of the Resident Evil film series (2002–2016), which stars Milla Jovovich (whom he married in 2009), and is based on the Capcom video game series of the same name. The series's first six films, of which Anderson directed four, have collectively grossed over $1 billion worldwide. Other of Anderson's notable films are Event Horizon (1997), an initial critical and commercial disappointment that found renewed appreciation on home media; Alien vs. Predator (2004), based on the crossover concept of the same name between the Alien and Predator franchises; and Death Race (2008), a remake/prequel to 1975's Death Race 2000.

Anderson and producer Jeremy Bolt founded Impact Pictures in 1992, under which most of Anderson's films have been made.[2]

Early life

Anderson was born in

Royal Grammar School, he became the youngest person ever to graduate from the University of Warwick, with a B.A. in film and literature.[4]

Career

Anderson began his professional career as a writer on the British

Channel Four Films, who had financed it, to also finance the more successful Shallow Grave and Trainspotting films by Danny Boyle, which in turn, he believes, made critics reassess his film in more positive light in later years, as one of the first in a new wave of British films concerning its youth.[7] Shopping is Anderson's one and only British film,[2] as he grew up watching American and mainland European movies, never imagining himself a British filmmaker. When Shopping was accepted in the Sundance Film Festival, American studios noticed its impressive look and style despite its relatively small $2 million budget, which led to opportunies in Hollywood for Anderson.[8]

Mortal Kombat and commercial success

Anderson directed the

fight scenes, had to study every book on visual effects that he could find, and learned about filming the fight scenes while they were being shot, often consulting those who were experienced in fight choreography on set, such as Shou. The film underwent extensive reshoots in order to add additional fights based on feedback from test screenings, which were attended by fans of the video game franchise. The production company decided to release Mortal Kombat in August 1995, in the hope that the film would become a summer blockbuster. Previous video game adaptations, such as Super Mario Bros., Double Dragon, and Street Fighter had received particularly negative reviews; although Street Fighter was a commercial success, Double Dragon failed to break even, while Super Mario Bros. became a notorious box-office bomb. Mortal Kombat was better received by critics, who gave it a mixed to negative reception.[9][10] Critics praised the atmosphere, visuals, and fighting sequences, but criticized the plot, dialogue, and acting. It fared better with audiences and fans of the video games, and scored a high A− on a CinemaScore poll.[11] As a result, it spent three weeks as the highest-grossing film at the US box office, and earned over $122 million worldwide, produced on a budget of $18 million. It proved a major success for Anderson, and has been recognised one of the first financially successful film adaptations of a video game.[12] Anderson and most cast members, including Lambert, declined to return for the sequel, Mortal Kombat Annihilation, which, when released, was critically panned and underperformed at the box office.[13]

Event Horizon, Soldier and The Sight

The success of Mortal Kombat gave Anderson free rein to choose his next project, the

El Niño hurricane, which ended up compromising the film's look. He also verbalized his disappointment with Warner Bros., whom he believes tried to market the film to the same male teen audience as Mortal Kombat, rather than to grown-up audiences, including women.[23]

After his last two films' poor performances, Anderson was forced to put his planned

TV film The Sight, starring Andrew McCarthy. It was meant as a pilot for a potential series,[24] but despite achieving high ratings.[25] it was not picked up. Anderson made his earlier films as "Paul Anderson", the name he registered with the Directors Guild of America, but with The Sight he began crediting himself as "Paul W. S. Anderson", as filmmaker Paul Thomas Anderson had registered himself with the Writers Guild of America as "Paul Anderson", making it impossible for either of them to both write and direct films as "Paul Anderson".[26]

Resident Evil, Alien vs. Predator and Death Race

Anderson returned to cinema screens in 2002 with

Alice.[29] Jovovich is the only actor that reprised her role in all of the series' six films. In comparison to Anderson's previous two films, Resident Evil was produced on a moderate budget of $33 million and became a commercial success with a little over $100 million at the box office.[30] It also performed strongly on home media. Critically, Resident Evil was not received well,[31][32] although, similarly to Mortal Kombat, some reviews characterized it as one of the better attempts at adapting a video game.[33][34][35][36] It received the "fair" rating of B by audiences on a Cinemascore poll.[11] Its relative popularity made Capcom put homages to it in video games Resident Evil 4 and Resident Evil: The Umbrella Chronicles.[37][38] Anderson did not direct, but he wrote, produced, and was otherwise heavily involved with the making of two sequels, Resident Evil: Apocalypse (2004) and Resident Evil: Extinction (2007), which completed the first of the eventual two trilogies of Resident Evil films. In these two sequels, Anderson began to introduce characters from the games, albeit in supporting roles compared to Alice.[28] Both films received similarly negative reviews to the first,[39][40][41][42] but were even bigger commercial successes.[43][44]

Anderson's next project was

Dark Horse comics and hinted at in Predator 2. A film version had been stuck in development hell for several years, despite the franchise's crossing into every other form of media, from books to comics to video games. Anderson directed the film from a script of his own, and it was released in 2004. It received negative reviews,[45][46] and a B on a Cinemascore poll by audiences.[11] It was a big commercial success, however, grossing somewhat over $170 million on a $60 million budget.[47] A sequel was made, Aliens vs. Predator: Requiem, in which Anderson was not involved, and which failed to match Anderson's film's commercial or even critical performance, a fact that Anderson has used to defend his film.[14]

After completing Alien vs. Predator, Anderson resumed work on his planned remake of Death Race 2000, which was released as Death Race in 2008. The science fiction action thriller stars Jason Statham, and Anderson directed it based on his own screenplay. He refers to it as more of a prequel than a remake on the commentary of the home video releases. It received an average reception by critics,[48][49] and scored a solid B+ on a Cinemascore poll.[11] It grossed little over $75 million on a budget of $45 million, failing to prove a commercial success on the level of Anderson's previous two films.[50] Anderson wrote and produced two straight-to-video prequels, Death Race 2 (2011) and Death Race 3: Inferno (2013), set before the events of the 2008 film. He later wrote and executive-produced Death Race: Beyond Anarchy (2018), a sequel to the first film.

The Resident Evil productions were criticized for unsafe filming and using shell companies to avoid liability.[51] During the filming of Resident Evil: The Final Chapter (2016), crew member Ricardo Cornelius died when he was caught beneath a Humvee sliding off of a rotating platform. Stunt-woman Olivia Jackson lost most of an arm and was partially paralyzed when she collided with a camera crane during the filming of a motorcycle stunt in rain and freezing conditions. It was determined that she was wearing inadequate safety equipment, and that the stunt's timing had been changed without her knowledge.[52] During the filming of Resident Evil: Retribution (2012), twelve extras were hospitalized with leg, neck, and back wounds after falling from a collapsing high-wheeled platform.[51]

Resident Evil, The Three Musketeers and Pompeii

In 2010, Anderson wrote and directed the first installment in a second trilogy of Resident Evil films, titled Resident Evil: Afterlife. The film continues the storyline from where that last one ended. Anderson envisioned the new trilogy as a way to make use of a new stylistic approach, using slow motion and 3D.[53][54] Anderson filmed in native 3D, using the Sony F35 camera, mounted on the Fusion Camera System, which was previously used in Avatar.[55] Despite negative reviews by critics,[56][57] and a lukewarm B in a Cinemascore poll by audiences,[11] the film grossed $300 million on a budget of $60 million, making over $150 million that the previously most successful film in the franchise, Resident Evil: Extinction.

Anderson's next film was the 2011 3D

Cinemascore poll.[11] Commercially it did not perform very well, grossing around $132–140 million on a reported budget that ranges between $75 and 90 million.[61][62]

Anderson wrote and directed the fifth installment in the Resident Evil film franchise, Resident Evil: Retribution, in 2012. Anderson brought back several actors from the original trilogy of films to play alternate versions of their characters.[63][64] The film received generally negative reviews,[65][66] and a C+ on a Cinemascore poll, the series' lowest.[11] Produced with a budget of $65 million, it grossed $240 million on the box office which is $60 million lower than the previous film's gross, but still overall larger than the grosses of each films of the original trilogy.[67]

In 2014 his 3D

eruption of Mount Vesuvius in 79 that destroyed Pompeii, a city of the Roman Empire, the film was written by Janet Scott Batchler, Lee Batchler and Michael Robert Johnson and stars Kit Harington, Emily Browning, Carrie-Anne Moss, Adewale Akinnuoye-Agbaje, Jessica Lucas, with Jared Harris, and Kiefer Sutherland. The film was generally negatively received by critics,[68][69] and was rated a B on a Cinemascore poll.[11] Pompeii was a modest box office success on the box office, grossing $108–118 million on a reported budget between $80 and 100 million.[70][71]

In late 2016 in Japan, and early 2017 in the rest of the world, Anderson's

Red Queen introduced in the original film.[72] The film received average to negative reviews, slightly better than the previous installments, and more along the lines of the original film.[73][74] It was rated B by audiences on a Cinemascore poll, which is the highest rating in the series, and shared with the first and second films.[11] The film grossed $312 million, on a budget of $40 million,[75] in large part due to a record $94.3 million opening in China,[76]
making it Anderson's highest-grossing film.

Monster Hunter

In December 2020, Anderson directed Monster Hunter, based on Capcom's Monster Hunter video-game franchise. It was released in December 2020 following delays relating to the COVID-19 pandemic, leading to a disappointing gross of $43 million against a $60 million budget.[77][78] It received mixed to negative reviews.[79][80]

Future projects

Anderson is set to write and direct an adaptation of

George R.R. Martin's short story, In the Lost Lands.[81] Peter V. Brett's fantasy novel The Warded Man was optioned for film production by Anderson and longtime producing partner Jeremy Bolt,[82] but a 2016 update of Brett's website stated that they were no longer involved in the project.[83]

Personal life

Anderson with wife Milla Jovovich at the 2010 San Diego Comic-Con promoting Resident Evil: Afterlife

Anderson began dating Resident Evil star Milla Jovovich in 2002 after the film's release. He proposed to her in 2003, and they were "engaged on-and-off for four years" before becoming a couple again early in 2007.[84][85][86] On 3 November 2007, Jovovich gave birth to their first child, daughter Ever Anderson,[87] in Los Angeles, California.[88] They married on 22 August 2009.[89] Their second child, a daughter, Dashiel, was born in April 2015.[90] In August 2019, Jovovich revealed that they were expecting a third daughter, Osian, after losing her pregnancy two years prior.[91] Their third daughter was born in February 2020.

Filmography

Film

Year Title Director Writer Producer
1994 Shopping Yes Yes No
1995 Mortal Kombat Yes No No
1997 Event Horizon Yes No No
1998 Soldier Yes No No
2002 Resident Evil Yes Yes Yes
2004 Alien vs. Predator Yes Yes No
Resident Evil: Apocalypse No Yes Yes
2007 Resident Evil: Extinction No Yes Yes
2008 Death Race Yes Yes Yes
2010 Resident Evil: Afterlife Yes Yes Yes
2011 The Three Musketeers Yes No Yes
2012 Resident Evil: Retribution Yes Yes Yes
2014 Pompeii Yes No Yes
2016 Resident Evil: The Final Chapter Yes Yes Yes
2020 Monster Hunter Yes Yes Yes
2024 In the Lost Lands Yes Yes No

Also cameo appearance in The Shot (short film, 2011).

Producer

Executive producer

Direct-to-video

Year Title Writer Producer
2010 Death Race 2 Story Yes
2013 Death Race 3: Inferno Story Yes
2018 Death Race: Beyond Anarchy Story Yes

Television

Year(s) Title Director Executive
Producer 		Writer Notes
1990–1992 El C.I.D. No No Yes 5 episodes
2000 The Sight Yes Yes Yes
Unsold pilot
2006 Drift Yes Yes No
2018 Origin Yes Yes No 3 episodes

Commercial

Reception

Critical reception to Anderson's films has been negative.[93][94] While Mortal Kombat and some of the Resident Evil films commonly feature on lists about the best film adaptations of video games, such lists mention that films of the genre are, at best, lackluster.[95][96][97][98] Anderson has repeatedly stated he considers himself a "populist filmmaker", who only cares about whether his movies entertain the audience and make them cheer in the cinema, rather than their reception by professional critics.[99][29][100][101][102][103]

Reception of Paul W. S. Anderson films
Title Rotten Tomatoes[93] Metacritic[94]
Cinemascore[11]
 Budget[104][105][106] Box office[106]
Shopping — — — $2 million[8] —
Mortal Kombat 47% 58/100 A– $18 million[13] $122.2 million
Event Horizon 27% 35/100 D+ $60 million $26.7 million (US only)
Soldier 12% — B+ $60 – 75 million $14.6 million (US only)
Resident Evil 36% 33/100 B $33 – 35 million $103.0 million
Alien vs. Predator 20% 29/100 B $60 – 70 million $172.5 million
Death Race 42% 43/100 B+ $45 – 65 million $75.7 million
Resident Evil: Afterlife 22% 37/100 B– $57.5 – 60 million $300.2 million
The Three Musketeers 26% 35/100 B $75 – 90 million $132.3 million
Resident Evil: Retribution 29% 39/100 C+ $65 million $240.0 million
Pompeii 27% 39/100 B $80 – 100 million $117.8 million
Resident Evil: The Final Chapter 37% 49/100 B $40 million $306.9 million
Monster Hunter 46% 44/100 — $60 million $19.8 million
Average 31% 41/100 B — —

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  103. ^ Capone. "The third in Capone's RESIDENT EVIL: AFTERLIFE interview series brings us writer-director Paul..." Aint It Cool. Archived from the original on 18 February 2017. Retrieved 17 February 2017.
  104. ^ "Paul Anderson – Box Office". The Numbers. Archived from the original on 19 February 2017. Retrieved 19 February 2017.
  105. ^ "Paul W.S. Anderson – Box Office". The Numbers. Archived from the original on 19 February 2017. Retrieved 19 February 2017.
  106. ^ a b "Paul W.S. Anderson Movie Box Office Results". Box Office Mojo. Archived from the original on 19 February 2017. Retrieved 10 March 2022.

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