Rock Paper Scissors (2013 film)

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Rock Paper Scissors
Theatrical poster
FrenchRoche papier ciseaux
Directed byYan Lanouette Turgeon[1]
Written byYan Lanouette Turgeon,
André Gulluni
(consultant: Valérie Beaugrand-Champagne)[1]
Produced byChristine Falco[1]
Starring
Cinematography
Québec)[2]

Rock Paper Scissors (

Québec directed by Yan Lanouette Turgeon, which he co-wrote with André Gulluni.[1] The third film to be produced by Camera Oscura (after Marc Bisaillon's well-received La vérité and La lâcheté), producer Christine Falco described it as a work of hyperlink cinema (film choral).[4] Lanouette Turgeon's debut feature is the story of three men—Boucane (Samian), Lorenzo (Remo Girone), and Vincent (Roy Dupuis)—whose lives are brought together through a strange sequence of events.[5]

The film features music by composer and performer Ramachandra Borcar[1] (also known as Ramasutra or DJ Ram).[6]

Plot

A young

Montréal. With only a bag containing clothes and a few possessions he heads south. He hooks up for a lift with Normand, a quirky old gangster
whose truck contains suspicious cargo.

Lorenzo is an old Italian immigrant on his last dime, walking the streets in search of scrap metal that he then tries to sell in order to survive. His wife Rosa Maria suffers from Alzheimer's and Lorenzo's goal is to fulfill the promise he made to Rosa Maria—to return her body for burial in Italy. His efforts at raising money for the trip are not enough.

Vincent, a doctor

Chinese mafia
, treating a clientele of thugs he secretly despises, while managing the organization's pharmaceutical needs. He is married and a few months away from becoming a father; the double life eats away at him. He is desperately seeking a way out.

Originally from France, Shaw Mue-Fan, known as "Muffin", is the common strand bringing these three men together. Well placed within the criminal organization, he is an

enforcer
with a knack for building alliances which has made him the youngest right arm in the history of the Montréal Triads.

Their fates collide on the night of a lunar eclipse beginning with a new kind of Russian roulette.

Frédéric Chau in 2014

Cast

Genres, style, and influences

Lanouette Turgeon and Gulluni had a hard time categorizing the film's genre themselves, the director saying the phrase "dark

B-movie films polars of the 1970s, particularly Denys Arcand's La maudite galette and Jacques Godbout's La gammick.[1][8]

The film's title refers not only to the game

good-luck charm made from a stone),[9] filmed in wide-open spaces, with elements of Western movies;[10] Paper is Lorenzo's story (the "paper" he seeks is the money he desperately needs),[9] filmed in warmer colours, accompanied by classical music and a stable frame;[10] finally, Scissors is Vincent's story, marked by cold colours, chrome in particular, and shot with a hand-held camera.[10]

The filmmakers, being great admirers of other films, in particular directors like

Coen Brothers, included many nods to other films: the drug injection scene is inspired by the Russian roulette scene in Michael Cimino's The Deer Hunter, while the scene in which Boucane learns to shoot at bottles is an homage to Francis Mankiewicz's Le Temps d’une chasse.[11] The overall form of the film was inspired by González Inárritu's masterwork Amores perros.[12][13][14] A certain amount of the Paper part of the film is influenced by the films of Jean-Pierre Jeunet, while the way the Triads are presented is greatly influenced by Park Chan-wook's Old Boy.[14]

Production

Writing and casting

Samian

The director and his co-writer began working on Rock Paper Scissors after they had produced a pair of successful

short films, Papillons noirs and Le revenant, after which Gulluni approached Lanouette Turgeon with a title and an idea for three different films which would be linked by their supporting characters; they quickly realized they could make a single feature if they worked hard enough on the script.[14] They had to find something which would connect the three main characters, which was "easier said than done", as the entire process took them eight years with the re-writes.[11]

The idea for the

Montréal, working regular jobs before making his name in music.[11] Samian, who had to lose thirty pounds for the role (and some five years), only found out four years after the meeting that Lanouette Turgeon had effectively written a role based on his life.[11][15] He agreed that Boucane, which is his first acting role, is a lot like him, and like many young Aboriginals who go to Montréal to start a new life, and find it is not easy.[16]

Roy Dupuis

To find an Italian

francophone actor who was also the right age to play Lorenzo, the team went to France and held auditions, there being relatively few such actors in Québec.[10] When veteran Italian stage and film actor Remo Girone auditioned for the part, Lanouette Turgeon knew immediately he had found the right actor; then, Girone's wife, Victoria Zinny, came in carrying a few DVDs of Girone's previous films, and the director asked if they would mind doing a screen test together. It "gave him the shivers" (frissons) to see them bringing his characters to life.[14] The rest of his team felt the same.[7]

Roy Dupuis was on board as soon as he had read the script. He liked the idea of the film starting with an Aboriginal in the "Grand Nord" moving slowly towards the cosmopolitan city of Montréal where everyone is just trying to get by. Dupuis considers the film daring and genuinely poetic.[11]

In writing the story of Boucane and his trip with Normand, Lanouette Turgeon immediately thought of Roger Léger to play him.[14] Léger called it a great and nuanced character.[17]

Despite her long acting career, Rock Paper Scissors marked the first appearance by Marie-Hélène Thibault in a feature film. Her scenes as Beverley were shot in three days.[16]

Financing

Funding for Rock Paper Scissors was secured in May 2011,

Société Radio-Canada, Fonds Quebecor,[1] Astral Media, and Super Écran, as well as the Government of Canada in the form of a tax credit for Canadian film or video.[18]

Filming

HDCAM SR.[18]

Music

electro-acoustic music for Vincent. In an interview, Borcar admits he was not always sure it was working; his intention was for the styles to blend together as the stories came together: the spaghetti Western music transforms into a waltz.[20]

In addition to the score, the film features several other

Budos Band and two composed by Gabriel Fauré.[21] Of particular significance is a selection from his Pavane, which plays during a key emotional moment: it is a piece which haunted Lanouette Turgeon during the eight years of work on the project, and for him, is inseparable from the character of Lorenzo.[7]

Release

The film's world premiere was as the opening feature at the 31st

Québec City, on 21 February 2013, at the Imperial Cinema in Montréal; it was released in theatres the next day, 22 February 2013.[19][11][22]

Home media

A DVD was released in Québec on 11 June 2013, in the original French with English subtitles.[1][23]

Soundtrack

A soundtrack album was released on 22 February 2013 from Semprini Records.[21] It is also currently available on Spotify[24] and iTunes.[25]

Track listing

No.TitleLength
1."Le Nord"1:46
2."Ciseaux"3:04
3."Attente"2:20
4."Papier"2:20
5."Roche"1:00
6."L'église"2:03
7."Mon inuit"2:54
8."Un trois temps pour le cœur"2:23
9."Un corps avant l'autre"3:44
10."La livraison / Quatre roues"1:53
11."Roche-papier-ciseaux"4:50
12."La roulette"5:48

Reception

Commercial performance

Rock Paper Scissors was the fifth-highest-grossing film of the year in the Province of Quebec by mid August 2013, collecting $107,000 in box office receipts.[2]

Critical response

Shirley Noel calls the film daring and finds the script and its actors believable, and wishes that Samian and Léger's characters could have had a road movie feature on their own.[26] Philippe Michaud gives the film 4.5 stars, saying the film captivates from beginning to end, impressed by the fact that often not a word is spoken, the camera resting on the face of an actor whose expression says everything, like in a spaghetti Western.[27] Maxime Labreque says Lanouette Turgeon is a master filmmaker for managing the three interwoven stories, with different styles and film genres, the key to such a film being in its alternating scenes, timed, not systematically, but for the sake of better developing the stories.[3] Annie Tanguay gives the film a 7.5/10, saying that despite being "Hollywood" kind of genre film, it is not very predictable.[10]

Malcolm Fraser, writing for Cult MTL, says the director has a good command of suspense and atmosphere, opining that the film is at its best "in its quiet moments; the plot with Samian and Léger is the strongest, with the relationship between the two men building slowly and subtly". He is also impressed by the realistic portrayal of the criminal world, where characters regret their decisions yet feel they have no choice but to continue a life of crime. The film's main flaw is a common one, the interweaving of too many storylines.[28] Reviewing the film for Le Devoir, Odile Tremblay found the film well put together, despite a few unrealistic elements and missing linkages. The acting is exceptional, the camera work imaginative, and the sets alternately wonderfully kitsch or blood-curdling, while Ramachandra Borcar's score, here classical, there exotically themed, keeps the action going without overwhelming it.[13]

Brendan Kelly, writing for the

B-movie which reflects the social and ethnic reality of modern Québec, at times vascillating between a horror film and a psychological thriller which loses its way during the Russian roulette sequence somewhat, faulting it for having a fairly predictable ending.[8] Jonathan Quesnel says the debut feature is done with panache, style and talent, borrowing here and there from, say, Wong Kar-wai or the Cohen Brothers, depicting a tableau of dark human despair with stunning aplomb; but the multiplicity of genres is also the film's weakness, undermining its coherence and integrity with so many stylistic nods to so many of the director's beloved films, rendering the tone uneven and less hard-hitting than it could be in the end. Yet, he thinks there is no doubt this is a promising filmmaker.[29] Boris Nonveiller feels the film is neither really bad nor really good, the script being its weakest point, but still a good effort for a first film.[30]

Accolades

The film was also nominated for Canadian Screen Award for Best Original Score[32] at the 2nd Canadian Screen Awards, but lost to Enemy.

References

  1. ^ a b c d e f g h i j k l m n o p q r Ramond, Charles-Henri (16 January 2013). "Roche Papier Ciseaux – Film de Yan Lanouette Turgeon". Films du Québec (in French). Retrieved 13 January 2019.
  2. ^ a b Lemieux, Marc-André (12 August 2013). "Box-office: Démarrage difficile pour Hot Dog". Le Journal de Montréal (in French). Retrieved 21 January 2019.
  3. ^
    ISSN 0037-2412
    . Retrieved 23 January 2019.
  4. ^ a b Duschesne, André (3 May 2012). "Tournage de Roche-papier-ciseaux : le coup d'envoi est donné". La Presse (in French).
  5. ^ "Roche papier ciseaux (Rock Paper Scissors)". The Fundy Film Society. Retrieved 12 January 2019.
  6. ^ a b Valenti, François (26 February 2013). "Ramachandra Borcar signe la bande sonore de Roche Papier Ciseaux". Caisse de son (in French). Retrieved 21 January 2019.
  7. ^ a b c d Duguay, Alexandre (21 February 2013). "Yan Lanouette Turgeon / Roche papier ciseaux : Les jeux sont faits". Voir (in French). Retrieved 23 January 2019.
  8. ^ a b Ramond, Charles-Henri. "[Critique] Roche Papier Ciseaux: sang mêlé". Films du Québec (in French). Retrieved 13 January 2019.
  9. ^ a b c Gaulin, Francine (1 April 2013). "Roche Papier Ciseaux... un jeu dangereux!". L'Indice Bohémien (in French). Retrieved 23 January 2019.
  10. ^ a b c d e Tanguay, Annie (9 July 2013). "Roche Papier Ciseaux – En trois temps". Le Petit Septième. Retrieved 23 January 2019.
  11. ^ a b c d e f Houdassine, Ismaël (21 February 2013). ""Roche papier ciseaux" au RCVQ: trois gars, trois destins rassemblés dans un film (PHOTOS)". Le Huffington Post Québec (in French). Retrieved 12 January 2019.
  12. ^
    Montreal Gazette
    . Retrieved 21 January 2019.
  13. ^ a b Tremblay, Odile (21 February 2013). "Les 31es Rendez-vous du cinéma québécois s'amorcent avec Roche papier ciseaux". Le Devoir (in French). Retrieved 21 January 2019.
  14. ^ a b c d e f Vallet, Stéphanie (17 February 2013). "Roche papier ciseaux: jeu de vilains". La Presse (in French). Retrieved 23 January 2019.
  15. ^ a b Kosta33 (22 February 2013). "Entrevue avec Samian, le rappeur algonquin qui a obtenu un rôle principal dans le film Roche Papier Ciseaux". 33MAG (in French). Retrieved 21 January 2019.{{cite journal}}: CS1 maint: numeric names: authors list (link)
  16. ^ a b c Duschesne, André (4 June 2012). "Roche papier ciseaux : histoires de gars, film de personnages". La Presse (in French). Retrieved 23 January 2019.
  17. Radio-Canada. Retrieved 23 January 2019. {{cite web}}: |first1= has generic name (help
    )
  18. ^ a b "Roche papier ciseaux". Éléphant (in French). Quebecor. Retrieved 23 January 2019.
  19. ^ a b "2013/02 - ROCHE PAPIER CISEAUX (Fiche technique)". ROY DUPUIS EUROPE... & PARTNERS! (in French). Retrieved 12 January 2019.
  20. ^ Basirico, Benoit (interviewer) (16 March 2014). "Ramachandra Borcar, québécois prolifique". Cinézik (in French). Retrieved 24 January 2019. {{cite web}}: |first1= has generic name (help)
  21. ^ a b "Roche papier ciseaux (2013)". Cinézik (in French). Retrieved 22 January 2019.
  22. ^ Godin, Sandra (21 February 2013). "Tapis bleu: Roche Papier Ciseaux". Le Journal de Montréal (in French). QMI. Retrieved 23 January 2019.
  23. ^ "Roche papier ciseaux". Cinoche (in French). Retrieved 13 January 2019.
  24. ^ "Roche Papier Ciseaux (Original Soundtrack) by Ramachandra Borcar". Spotify. Retrieved 21 January 2019.
  25. ^ "Roche-papier-ciseaux (Original Soundtrack) / Ramachandra Borcar". iTunes. Apple Inc. 22 February 2013. Retrieved 23 January 2019.
  26. ^ Noel, Shirley (22 February 2013). "Roche Papier Ciseaux". Infoculture.biz (in French). Retrieved 30 January 2019.
  27. ^ Michaud, Philippe (19 February 2013). "Critique cinéma: "Roche, pierre, ciseaux"". Affaire des gars (in French). Retrieved 23 January 2019.
  28. ^ Fraser, Malcolm (22 February 2013). "Film Friday: Sex and violence, Quebec style". Cult MTL. Retrieved 22 January 2019.
  29. ISSN 0820-8921
    . Retrieved 21 January 2019. Lanouette Turgeon sait incontestablement créer un univers décadent et pervers à souhait, empruntant ici à Wong Kar-wai, là aux frères Cohen, dépeignant avec un étonnant aplomb le sombre tableau du désespoir humain. Toutefois, cette pluralité des genres devient peu à peu la faiblesse du film, car à force d'insérer des clins d'œil stylistiques, le film perd en cohérence ce qu'il gagne en cinéphilie. Par moment, on a l'impression qu'il s'étiole dans ce désir probablement assumé du cinéaste de toucher à tout, au point de devenir une sorte de mosaïque de citations cinéphiliques plutôt qu'une entité unifiée. Ainsi, la tonalité paraît inégale et l'effet coup de poing du rendu y perd au final. Mais là réside notre seul bémol pour ce beau premier long métrage, prémisse d'un réalisateur prometteur.
  30. ^ Nonveiller, Boris (23 February 2013). "Roche Papier Ciseaux: pas mauvais, mais pas vraiment bon non plus". Les Méconnus (in French). Retrieved 30 January 2019.
  31. ^ Cummins, Julianna (24 March 2014). "'Strong' showing from Louis Cyr at 2014 Jutra Awards". Playback. Retrieved 21 January 2019.
  32. ^ West, Rachel (15 January 2014). "Jake Gyllenhaal, Daniel Radcliffe and more score Canadian Screen Awards nominations". Words by Rachel West. Retrieved 22 January 2019.

External links

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