Romances (Luis Miguel album)
Romances | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 12 August 1997 | |||
Recorded | 1997 | |||
Studio | Ocean Way Recording (Hollywood) The Hit Factory (New York City) | |||
Genre | Bolero | |||
Length | 54:05 | |||
Language | Spanish | |||
Label | WEA Latina | |||
Producer | Luis Miguel | |||
Luis Miguel chronology | ||||
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Singles from Romances | ||||
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Romances is the twelfth
Romances has sold over 4.5 million copies and received platinum certifications in several Latin American countries, the United States and Spain. Miguel promoted the album by touring the United States, Latin America and Spain. Upon its release, Romances received generally positive reviews from music critics. They mainly praised his vocals and production of the album although few reviewers found the arrangements to be repetitive and the record too similar to its predecessors. The album earned Miguel several awards, including the Grammy Award for Best Latin Pop Performance in the United States. Six singles were released: "Por Debajo de la Mesa", "El Reloj", "Contigo (Estar Contigo)", "De Quererte Así (De T'Avoir Aimee)", "Bésame Mucho", and "Sabor a Mí".
Background
In 1991 Miguel released Romance, a collection of classic Latin ballads, the oldest of which dates back to the 1940s. The album was produced by Armando Manzanero and arranged by Bebu Silvetti,[1] and was credited for revitalizing the bolero genre.[2] It also made history as the first Spanish-language album to be certified gold by the Recording Industry Association of America (RIAA) in the United States.[3] A follow-up to Romance was released in 1994 under the title Segundo Romance (Second Romance), which was produced by Miguel, Juan Carlos Calderón and Kiko Cibrian.[4] Both albums received a platinum certification by the RIAA in the United States and also became successful in countries outside of Latin America and the United States, such as Finland and Saudi Arabia,[5] selling over twelve million copies combined.[5][6][7]
In December 1996 Miguel held a press conference in Buenos Aires, Argentina, where he announced his desire to record a third Romance album and mentioned the possibility of working with Manzanero and Juan Gabriel. He also expressed an interest in singing in Italian and Portuguese,[8] although the album's songs are originally all in Spanish. Two months later Manzanero confirmed that he was working with Miguel on another bolero-inspired ballads album, under the tentative title Tercer Romance ("Third Romance").[9] Miguel's record label confirmed that fourteen tracks would be included on the album under the title Romances.[10]
Recording and musical style
Miguel collaborated with Silvetti for the arrangement of Romances, while Manzanero was in charge of direction.[11] Recording began on 18 March 1997,[12] at Ocean Way Recording in Hollywood and at The Hit Factory in New York City.[13] During the recording of Romances, as in Romance, Silvetti employed his signature style of arrangements known as the "Silvetti Sound", which Leila Cobo of Billboard describes as "anchored in sweeping melodies, lush string arrangements, acoustic instrumentation, and above all, unabashed romanticism".[14] Silvetti has stated that when he produces an album he does not simply copy his own arrangements, because he feels that would be "ridiculous", and prefers to be creative within his own style.[14] About the selection of songs for the album, Manzanero stated that "I give [Miguel] the songs, and he chooses what he wants to record."[15] Participants in the recording sessions included sixty-one musicians from the Los Angeles Philharmonic.[16]
Miguel covers twelve ballads in Romances, including songs by José Antonio Méndez, Carlos Arturo Briz, Consuelo Velázquez Álvaro Carrillo, Roberto Cantoral, María Grever, Enrique Santos Discépolo, Agustín Lara.[1][4] He also covers songs from other musical styles including tango ("Uno"), bossa nova ("Mañana de Carnaval"), and French ("De Quererte Así").[17] Miguel had performed some of the aforementioned composers' songs on his previous Romance albums. Miguel recorded Manazero's songs "Voy a Apagar la Luz/Contigo Aprendí" ("I Am Going To Turn Off The Lights/With You I Learned") and "Amanecer" ("To Be Awake").[18] The two original compositions were "Por Debajo de la Mesa" ("Underneath the Table") by Manzanero and "Contigo (Estar Contigo)" ("To Be With You") by Bebu Silvetti and Sylvia Riera Ibáñez.[18]
Promotion
Miguel launched his
Singles
"Por Debajo de la Mesa" was released as the
Critical reception and accolades
Review scores | |
---|---|
Source | Rating |
AllMusic | [11] |
Chicago Tribune | [35] |
Los Angeles Daily News | [36] |
Los Angeles Times | [37] |
The San Diego Union-Tribune | [38] |
The Sydney Morning Herald | [39] |
Upon its release, Romances was met with mostly positive reviews by music critics. Terry Jenkins of
Los Angeles Times editor Ernesto Lecnher gave the album one-and-a-half out of four stars and claimed that Romances "sinks under its own weight, delivering mostly bloated versions of timeless material".[37] Fellow Los Angeles Times contributor Ed Morales disagreed with his review: "Lechner needs to go into his music room, turn down the lights, snuggle up with his significant other and really listen to 'Romances.' I give his review * and 'Romances' ****" .[43] Anne Valdespino of the Los Angeles Daily News praised the selection of songs and Miguel's performance, calling the performer a "class act".[36] The San Diego Union-Tribune music critic Ernesto Portillo Jr. rated Romances three-out-of four stars and claimed that Miguel's "interpretations are first-rate and the music, with production help from famed composer Armando Manzanero, is executed with exquisite precision". However, he questioned the need for a third in the Romance series as he felt it "diminishes the specialness" of Romance and Segundo Romance noted that not all tracks in the album are "true boleros".[38] El Nuevo Herald editor Eliseo Cardona wrote a mostly positive review of the album. He complimented Miguel's vocals and the productions but stated that Miguel's interpretation of "La Gloria Eres Tu" "pales" compared to Lucho Gatica and José José's cover of the song.[44] Ramiro Burr of the San Antonio Express-News said Romances "sparkles with the joy of visiting good friends" and lauded its "timeless music, beautiful orchestration" and complimented Silvetti's arrangements. Burr commented while "we've heard all these classics before, and seemingly a million times" Miguel "does it so well, it hardly seems to matter."[26]
At the 40th Annual Grammy Awards in the 1998, Miguel won the award for Best Latin Pop Performance.[45] Miguel also received a Billboard Latin Music Award for "Male Pop Album of the Year" and a World Music Award for "Best Selling Latin Artist" in the same year.[2][46] Miguel received a Premio Amigo and Premio Onda for "Best Latin Singer of the Year" in Spain,[3] and the album was nominated for a Premio Amigo for "Best Latin Album".[47]
Commercial performance
The album was released on 12 August 1997, in the United States and, by the week of 23 August 1997, it debuted at number two on the
Legacy
Warner Music released a three-disc compilation album titled Todos Los Romances ("All The Romances") in 1998, which contains all the tracks from Miguel's Romance albums.[68] The album peaked at number twelve in the Billboard Top Latin Albums chart and at number six in the Billboard Latin Pop Albums chart.[69] It was certified gold in Argentina.[70] Romances was followed by one more bolero album, Mis Romances (2001) which was produced by Miguel.[71]
Track listing
No. | Title | Writer(s) | Year of composition[13] | Length |
---|---|---|---|---|
1. | "Voy a Apagar la Luz / Contigo Aprendí" | Armando Manzanero |
| 4:11 |
2. | "Sabor a Mí" | Álvaro Carrillo | 1959 | 3:06 |
3. | "Por Debajo de la Mesa" | Manzanero | 1997 | 3:05 |
4. | "La Gloria Eres Tú" | José Antonio Mendez | 1952 | 3:21 |
5. | "Amanecer" | Manzanero | 1978 | 3:31 |
6. | "Encadenados" | Carlos Arturo Briz | 1956 | 3:59 |
7. | "Bésame Mucho" | Consuelo Velázquez | 1941 | 5:26 |
8. | "Contigo (Estar Contigo)" |
| 1997 | 4:11 |
9. | "Noche de Ronda" | Agustín Lara | 1940 | 4:16 |
10. | "El Reloj" | Roberto Cantoral | 1956 | 3:02 |
11. | "Júrame" | María Grever | 1959 | 3:57 |
12. | "De Quererte Así (De T'Avoir Aimee)" |
| 1958 | 3:14 |
13. | "Uno" |
| 1943 | 4:48 |
14. | "Mañana de Carnaval (Manhã de Carnaval)" |
| 1960 | 4:07 |
Personnel
Adapted from AllMusic and the Romances liner notes:[13][18]
Performance credits
|
|
Vocals For "La Gloria Eres Tu"
For "Bésame Mucho"
Additional musicians
|
Technical credits
- Alejandro Asensi – art coordinator, production coordination
- Greg Burns – assistant engineer, mixing assistant
- Daniela Federici – photography
- Marco Gamboa – assistant engineer, mixing assistant
- Mauricio Guerrero – mixing
- Jac Holzman – mixing producer
- Keith Holzman – production coordination
- Armando Manzanero – art direction, composer
- Ron McMaster – mastering
- Luis Miguel – producer
- Gabrielle Raumberger – graphic design
- John Rod – assistant engineer, mixing assistant
- Benny Faccone– engineer, mixing
- Sander Selover – pro-tools
- Bebu Silvetti – musical direction, piano, synthesizer
- Jeremy Smith – engineer
- H. Thompson – assistant engineer, mixing, mixing assistant
Charts
Weekly charts
Monthly charts
|
Year-end charts
|
Certifications and sales
‹See Tfd›‹See Tfd›Region | Certification | Certified units/sales |
---|---|---|
Argentina (CAPIF)[62] | Diamond | 781,000[58] |
Bolivia[3] | 2× Platinum | 20,000[78] |
Brazil (Pro-Música Brasil)[80] | Gold | 200,000[79] |
Central America (CFC)[55] | 4× Platinum | 100,000[81] |
Chile ( IFPI)[3]
|
8× Platinum | 433,000[82] |
Colombia ( ASINCOL)[55]
|
2× Platinum | 88,000[83] |
Ecuador ( IFPI)[55]
|
Platinum | 15,000[84] |
Mexico (AMPROFON)[85] | 4× Platinum+2× Gold | 1,675,000[86] |
Paraguay ( IFPI)[55]
|
2× Platinum | 20,000[84] |
Peru ( IFPI)[55]
|
Platinum | 10,000[84] |
Spain (PROMUSICAE)[59] | 9× Platinum | 1,000,000[65] |
United States (RIAA)[56] | Platinum | 687,000[53] |
Venezuela ( APFV)[55]
|
6× Platinum | 120,000[84] |
Summaries | ||
Argentina & Mexico Sales in 1997 |
— | 2,000,000[87] |
Asia-Pacific | — | 50,000[88] |
Worldwide Worldwide sales up to 1999 |
— | 4,500,000[65][66] |
See also
- 1997 in Latin music
- List of best-selling albums in Argentina
- List of best-selling albums in Chile
- List of best-selling albums in Mexico
- List of best-selling albums in Spain
- List of best-selling Latin albums
- List of best-selling Latin albums in the United States
- List of diamond-certified albums in Argentina
- List of number-one Billboard Top Latin Albums from the 1990s
- List of number-one albums of 1998 (Spain)
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Luis Miguel, que sólo en Argentina y México vendió dos millones de unidades en 1997
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ignored (help - Billboard. 28 March 1998. p. 42. Archivedfrom the original on 17 July 2022. Retrieved 29 November 2021 – via Google Books.