Sistine Madonna

Source: Wikipedia, the free encyclopedia.

Not to be confused with Maria Advocata (Madonna del Rosario).
Sistine Madonna
ArtistRaphael
Yearc. 1513–1514
MediumOil on canvas
Dimensions265 cm × 196 cm (104 in × 77 in)
LocationGemäldegalerie Alte Meister, Dresden

The Sistine Madonna, also called the Madonna di San Sisto, is a oil painting by the Italian artist Raphael. The painting was commissioned in 1512 by Pope Julius II for the church of San Sisto, Piacenza, and probably executed c. 1513–1514. The canvas was one of the last Madonnas painted by Raphael. Giorgio Vasari called it "a truly rare and extraordinary work".[1]

The painting was moved to Dresden from 1754 and is well known for its influence in the German and Russian art scene. After World War II, it was relocated to Moscow for a decade before being returned to Germany.

Composition

The oil on canvas painting measures 265 cm by 196 cm.

putti, while two distinctive winged putti rest on their elbows beneath her.[3][4][5][6]

Painting materials

Pigment analysis of Raphael's masterpiece

lead-tin-yellow, vermilion
and lead white in the yellow sleeve of St Barbara.

History

The painting was commissioned by Pope Julius II

Benedictine Monastery of San Sisto in Piacenza, with which the Rovere family had a long-standing relationship.[11] The commission required that the painting depict both Saints Sixtus and Barbara.[6] Legend has it that when Antonio da Correggio first laid eyes on the piece, he was inspired to cry, "And I also, I am a painter!"[12]

Relocation to Germany

In 1754,

francs, whereupon it was relocated to Dresden and achieved new prominence;[12][13][14] this was to remain the highest price paid for any painting for many decades. In 2001's The Invisible Masterpiece, Hans Belting
describes the influence the painting has had in Germany:

Like no other work of art, Raphael's Sistine Madonna in Dresden has fired the Germans' imagination, uniting or dividing them in the debate about art and religion.... Over and again, this painting has been hailed as 'supreme among the world's paintings' and accorded the epithet 'divine'....[15]

If the stories are correct, the painting achieved its prominence immediately, as it is said that Augustus moved his throne in order to better display it.

Dostoyevsky, the painting was "the greatest revelation of the human spirit".[21] Legend has it that during the abortive Dresden uprising of May 1849 Mikhail Bakunin "(unsuccessfully) counseled the revolutionary government to remove Raphael's Sistine Madonna from The Gemäldegalerie, and to hang it on the barricades at the entrance to the city, on the grounds that the Prussians were too cultured 'to dare to fire on a Raphael.'"[22] The story was invoked by the Situationist International as "a demonstration of how the art of the past might be utilized in the present."[22] In 1855, the "Neues Königliches Museum" (New Royal Museum) opened in a building designed by Gottfried Semper, and the Sistine Madonna was given a room of its own.[23]

World War II and Soviet possession

Sistine Madonna-inspired Partisan Madonna of Minsk by Mikhail Savitsky on a Belarusian postage stamp.

Sistine Madonna was rescued from destruction during the

bombing of Dresden in World War II,[20] but the conditions in which it was saved and the subsequent history of the piece are themselves the subject of controversy. The painting was stored, with other works of art, in a tunnel in Saxon Switzerland; when the Red Army encountered them, it took them.[24] The painting was temporarily removed to Pillnitz, from which it was transported in a box on a tented flatcar to Moscow. There, sight of the Madonna brought Soviet leading art official Mikhail Khrapchenko to declare that the Pushkin Museum would now be able to claim a place among the great museums of the world.[25]

In 1946, the painting went temporarily on restricted exhibition in the Pushkin, along with some of the other treasures the Soviets had retrieved.[26][27] But in 1955, after the death of Joseph Stalin, the Soviets decided to return the art to Germany, "for the purpose of strengthening and furthering the progress of friendship between the Soviet and German peoples."[24][26] There followed some international controversy, with press around the world stating that the Dresden art collection had been damaged in Soviet storage.[24] Soviets countered that they had in fact saved the pieces. The tunnel in which the art was stored in Saxon Switzerland was climate controlled, but according to a Soviet military spokesperson, the power had failed when the collection was discovered and the pieces were exposed to the humid conditions of the underground.[24][28] Soviet paintings Partisan Madonna of Minsk by Mikhail Savitsky and And the Saved World Remembers by Mai Dantsig are based on the Sistine Madonna.[29][30]

Stories of the horrid conditions from which the Sistine Madonna had been saved began to circulate.[24] But, as reported by ARTnews in 1991, Russian art historian Andrei Chegodaev, who had been sent by the Soviets to Germany in 1945 to review the art, denied it:

It was the most insolent, bold-faced lie.... In some gloomy, dark cave, two [actually four] soldiers, knee-deep in water, are carrying the Sistine Madonna upright, slung on cloths, very easily, barely using two fingers. But it couldn’t have been lifted like this even by a dozen healthy fellows ... because it was framed.... Everything connected with this imaginary rescue is simply a lie.[24]

ARTnews also indicated that the commander of the brigade that retrieved the Madonna also described the stories as "a lie", in a letter to Literaturnaya Gazeta published in the 1950s, indicating that "in reality, the ‘Sistine Madonna,’ like some other pictures, ...was in a dry tunnel, where there were various instruments that monitored humidity, temperature, etc."[24] But, whether true or not, the stories had found foothold in public imagination and have been recorded as fact in a number of books.

Contemporary display

After its return to Germany, the painting was restored to display in the Gemäldegalerie Alte Meister, where guidebooks single it out in the collection, variously describing it as the "most famous",[31] the "top",[32] the "showpiece",[33] and "the collection's highlight".[34] From 26 May to 26 August 2012, the Dresden gallery celebrated the 500th anniversary of the painting.[35][36]

Putti

Detail, Sistine Madonna

A prominent element within the painting, the winged angels beneath Mary are famous in their own right. The angels of this nature are known as

St. Nicholas Magazine, says that Raphael was inspired by two children he encountered on the street when he saw them "looking wistfully into the window of a baker's shop."[42]

See also

Notes

  1. ^ Raphael, Masters Collections., The Masterpieces: Sistine Madonna
  2. ISBN 978-0-300-08156-5
    .
  3. ^ Sweetser, Moses Foster (1877). Raphael. J.R. Osgood and company. p. 120. Retrieved 27 June 2010.
  4. ^ Gilman, Daniel Coit; Harry Thurston Peck; Frank Moore Colby (1903). "Raphael Santi". The New International Encyclopædia. Vol. 13. Dodd, Mead and Company. p. 823. Retrieved 27 June 2010.
  5. ^ Huneker, James (1913). Pictures We Love to Live With ... The associated newspaper school. p. 4. Retrieved 27 June 2010.
  6. ^
    ISBN 978-1-4099-4570-3
    . Retrieved 27 June 2010.
  7. ^ Weber, K-H. Die Sixtinische Madonna, Maltechnik-Restauro, 90, 4 1984, 9-28
  8. ^ Raphael, Sistine Madonna, ColourLex
  9. ^ Angelo Walther, Raffael, Die Sixtinische Madonna. 2nd edition. Leipzig: Seemann, 2004.
  10. ^ Andreas Henning, Die Sixtinische Madonna von Raffael. Berlin: Deutscher Kunstverlag, 2010.
  11. ^ "Shelley Esaak, "The Sistine Madonna by Raphael"". Archived from the original on 30 March 2013. Retrieved 22 March 2013.
  12. ^ a b c Gruyer (1905), p. 57.
  13. ^ Sweetser (1877), pp. 121–122.
  14. ISBN 978-0-226-04215-2
    . Retrieved 27 June 2010.
  15. ISBN 978-0-226-04265-7
    . Retrieved 27 June 2010.
  16. ^ Belting (2001), 53.
  17. ^ Belting (2001), 54–55.
  18. ^ Belting (2001), 56–57.
  19. ^ Belting (2001), 58–59.
  20. ^
    ISBN 978-0-8223-3694-5
    . Retrieved 27 June 2010.
  21. ^ Kjetsaa, Geir (15 January 1989). A Writer's Life. Fawcett Columbine. p. 261.
  22. ^
    ISBN 978-0262134774
    .
  23. ^ Belting (2001), p. 61.
  24. ^ a b c d e f g Akinsha, Konstantin; Grigorii Kozlov (April 1991). "Spoils of War". ARTnews. Archived from the original on 15 November 2008. Retrieved 27 June 2010.
  25. ISBN 978-0-674-78405-5
    . Retrieved 27 June 2010.
  26. ^
    ISBN 978-0-8014-3963-6
    . Retrieved 27 June 2010.
  27. ^ Vasily Grossman writes about viewing the painting in the Pushkin. "The Sistine Madonna," in The Road, pp. 163-174.
  28. ^ Gesellschaft für Kulturelle Verbindungen mit dem Ausland (1982). GDR review. Verlag Zeit im Bild. Retrieved 27 June 2010. During the Second World War the valuable painting was seriously endangered. In 1943 the German fascists stored it and many other world-famous paintings in "T". This letter stood for a tunnel in a sandstone works near Pirna in Saxon Switzerland. As a result of the underground humidity the "Madonna" was exposed to destruction.
  29. ^ "М.Савицкий "Партизанская Мадонна Минская"" (in Russian). Belarusian National Arts Museum. Archived from the original on 4 March 2016. Retrieved 10 December 2015.
  30. ^ ""И помнит мир спасенный" Мая Данцига вошел в коллекцию картин Арт-фонда семьи Филатовых". The Tretyakov Gallery Magazine (in Russian). 15 May 2013. Retrieved 10 December 2015.
  31. ISBN 978-1-58843-503-3
    . Retrieved 27 June 2010.
  32. ISBN 978-0-312-36070-2
    . Retrieved 27 June 2010.
  33. ISBN 978-0-470-47402-0
    . Retrieved 27 June 2010.
  34. ISBN 978-1-59880-294-8
    . Retrieved 27 June 2010.
  35. ^ The Sistine Madonna: Raphael's iconic painting turns 500 Archived 16 January 2013 at the Wayback Machine
  36. ^ Dresden has the Original: The Sistine Madonna and her Angels Archived 11 April 2013 at the Wayback Machine
  37. ISBN 978-3-11-020528-2
    .
  38. ^ Kobbé, Gustav (1913). Cherubs in art ... The associated newspaper school. p. 3. Retrieved 27 June 2010.
  39. ^ url=https://www.socksmith.com/products/womens-bamboo-sistine-madonna-socks?variant=51785928523
  40. ^ Thorson, Larry (4 December 1995). "Raphael's angels are widely used detail of sublime painting". Luddington Daily News. Associated Press. Retrieved 27 June 2010.
  41. ISBN 978-0-7661-6403-1
    . Retrieved 27 June 2010.
  42. ^ Mary Mapes Dodge (1912). St. Nicholas: a monthly magazine for boys and girls. p. 335. Retrieved 27 June 2010.

References

  • Carus, Carl Gustav (1867). Ueber die sixtinische Madonna des Raphael. Dresden.{{cite book}}: CS1 maint: location missing publisher (link) Complete digitalized version available at Die Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden (SLUB)
  • Grossman, Vasily, "The Sistine Madonna," in The Road, Chandler, Robert, ed., New York Review Books, 2010.
  • Gruyer, F.A., Les Vierges de Raphaël, Paris 1869, in Singleton, Esther, Great Pictures, as Seen and Described by Famous Writers, New York: Dodd, Mead and Co., 1899, English translation
  • Koja, Stephen, ed., Raphael and the Madonna, Munich, Germany: Hirmer Publishers, 2021.
  • Mombert, Jacob Isador, Raphael's Sistine Madonna, New York: E.P. Dutton, 1895.

External links

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