Sivko-Burko

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Sivko-Burko
Alexandr Afanasyev
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Sivko-Burko (

Alexandr Afanasyev in his three-volume compilation Russian Fairy Tales. The tale is a local form in Slavdom
of tale type ATU 530, "The Princess on the Glass Mountain", wherein the hero has to jump higher and reach a tower or terem, instead of climbing up a steep and slippery mountain made entirely of glass.

Summary

A father has three sons, the youngest named Ivan the Fool, for he usually stays on the stove most of the time. On his deathbed, the man asks his sons to hold a vigil on his grave for three nights, each son on each night.

The man dies and is buried. When the time comes, the elder brother sends Ivan in his stead. Ivan goes to his father's grave on the first night. The grave opens and his father's spirit asks if his elder son is there, but Ivan answers that it is him. The spirit summons a horse named Sivko-Burko, "Magic Black Steed", and asks the animal to serve his son just as it has served him.

On the second night, the middle brother sends Ivan in his stead. He meets his father's spirit near the grave and Sivko-Burko appears to him again. On the third night, Ivan the Fool goes himself to his father's grave and is given the horse Sivko-Burko, then his father's spirit finally rests in the grave.

Some time later, the tsar issues a proclamation: whoever jumps high enough on a horse and tear the princess's portrait down "from high up on the house" shall have her a wife. Ivan's brothers leave him by the stove at home and go to watch the event. Meanwhile, Ivan the Fool summons Sivko-Burko. The horse comes, venting fire from its nostrils. Ivan the Fool climbs into one of the horse's ears and comes out of the other dresses in knightly garments.

The mysterious knight rides to the tsar's palace and jumps very high to tear down the princess's portrait, but misses by "three logs". He rides back to the steppe, turns back to Ivan the Fool, dismisses Sivko-Burko and goes back home to the stove. The brothers return home and comment on the mysterious riders.

Time passes, and the tsar reiterates the proclamation. Ivan's brothers want to attend again, and leave Ivan at home. Ivan summons Sivko-Burko, rides to the tsar's assemblage and jumps very high to tear down the portrait, but misses it by two logs. The third time, Ivan rides the horse, tears down the portrait with the bunting, and rides back home.

The tsar then holds a ball and summons all male participants, boyards, voivodes, peasants, the like. Ivan the Fool also comes and sits by the chimney. The princess serves beer to the guests and hopes to check if any one of them wipes his brow with the bunting, but no luck on the first day, neither in the second. On the third day, Ivan the Fool, sat by the chimney, wipes his brow with a cloth. The princess recognizes him as the rider and goes to serve him beer. She proclaims Ivan is her intended, and marries him.[1][2]

Analysis

Tale type

Russian scholarship classifies the tale as type 530, "Сивко-Бурко" ("Sivko-Burko"), of the

Aarne-Thompson-Uther Index.[4]

Motifs

The horse helper

The fierce steed Sivko-Burko, venting fire from his nostrils. Image from a Russian postcard.

Russian scholar

Eurasian steppe.[8]

The horse's name, Sivko-Burko, refers to the horse the hero's father summons to help his son, sometimes translated as "Grey-Brown,[9][10] "Silver-Roan",[11] or "The Grey and Chestnut Horse".[12] The steed is described as venting fire from his nostrils,[13][14] and with the ability to fly.[9] Russian scholarship remarks that the character of the magical horse Sivka already appears in Russian literature by the late 15th century.[15]

Some scholars trace the origin of the wonder horse to Central Asian epic narratives, from there spreading to Eastern Asia, South Asia, the Middle East and then to Europe.[16]

Other motifs

cult of ancestors, since the third brother is the only one who fulfills the dead father's request.[18]

Scholarship notes that, in variants from Eastern Europe, Russian and Finland, the princess is not located atop a Glass Mountain, but is trapped or locked in a high-store tower.[19][20]

Related tales

Russian variants often begin with the challenge of the Glass Mountain or the high store tower, but continue as type ATU 530A, The Pig With Golden Bristles, wherein the foolish hero, to test his mettle, is made by his father-in-law to provide him with marvellous creatures, such as the titular golden-bristled pig.[4] In The Tale of Little Fool Ivan, after he holds a vigil on his father's grave for three nights, Ivan gains his father's trusty horse, Sivko-Burko, and uses it to beat the challenge of Tsarevna Baktriana: to reach her in a high store terem. After they marry, the Boyards on the Tsar's court lie that Ivan's brothers boast that they can accomplish impossible tasks. As a result, the Tsar sends Ivan's brothers on dangerours errands, such as to capture a pig with golden bristles.[21]

Variants

Russia

Professor Jack Haney reported at least 60 variants from Russian sources.[4]

Russian folklorist Alexander Afanasyev collected a variant named "Царевна Елена Прекрасная" (Tsarevna Yelena Prekrasnaya; "Tsarevna Yelena, the Beautiful"): Prince Ivan stands at his father's grave and longs for the beautiful Princess Helena the Fair. Sensing his son's deep longing, the father's spirit appears to him and summons a horse to help the prince to gain the affections of the fair princess.[22] This tale was translated by Leonard Arthur Magnus as The Princess to be Kissed at a Charge;[23] as Princess Helena The Fair, by William Ralston Shedden-Ralston;[24] and by French illustrator Edmund Dulac as Ivan and the Chestnut Horse, in his book Fairy Tales of the Allied Nations.[25]

Alexander Afanasyev collected another Russian variant ("Сивко, Бурко, Вѣщій Воронко"),[26] and a Belarusian one (originally "Конь със Злато-Серебряной Шерсткой",[27] "The Horse with Golden-Silver Skin"), all grouped under the name "Сивко-бурко" (Sivko-burko).[28]

Russian-born British author Edith Hodgetts published, in a book of Russian fairy tales, the story Ivan and the Chestnut Horse: a peasant named Ivan the Fool wants to go to the king's feast, but is mocked by his brothers. Suddenly, a horse of chestnut color materializes and reveals its intention to help the youth. Ivan then rides the horse to get the shining ring from the king's daughter, a princess who was cursed to remain unmoving on her balcony until someone brave enough took the ring from her hand.[29]

In a tale from Perm Krai with the title "Сивка-бурка" ("Sivka-Burka"), an old couple have three sons and wheat fields. One summer, they begin to notice that something has been trampling the fields, and order their sons to stand guard. The elder two fail, but the youngest, Vanyusha, discovers a wild horse. Vanuysha jumps on the horse to tame it and the animal flies away with him on a aerial journal. The horse lands back on the fields and teaches the youth a command to summon it, then departs. Some time later, the king places his daughter on a high tower, and announces that whoever jumps very high, reach the tower window and get the princess's ring, shall have her as wife and half of the kingdom. Vanyusha tries three times on three days, succeeding in getting the ring on the third time. He rushes back home, dismisses Sivka-Burka, and lies on the oven. The princess looks for her suitor during the ceremony, to no avail. All males are invited to the wedding, including Vanyusha. The princess recognizes him and brings him to her table.[30]

In a version published by Irina Zheleznova, Chestnut-Grey, the magical horse Sivko-Burko is named Chestnut-Grey.[31]

A variant of the tale type has been collected from a Komi source.[32]

Five variants of the tale type have been collected in "Priangarya" (Irkutsk Oblast), in East Siberia.[33]

Ukraine

In Ukraine, a previous analysis by professor Nikolai Andrejev noted an amount between 16 and 20 variants of the tale type.[12]

In a Ukrainian tale, "Коршбуры попелюхъ" or Korsbury-popeljuh ("Dirty Cinder-boy"), given in abridged form by English folklorist Marian Roalfe Cox, the hero tames three wild sea horses that have been grazing the king's fields. Later he uses the horses to reach the princess in the second story of the castle, for a kiss.[34] August Leskien, in his summary of this story, described that each horse had, respectively, a star, a moon and the Sun on their bodies.[35]

In a tale collected by O. Malinka, Батько и тры сыны ("The Man and his Three Sons"), only the youngest son attends his father's funeral and receives three horsehairs to summon a magical horse. His father warns him that he will not succeed the first two times, but in the third time he will reach a verandah on the fifth floor of the palace, where the princess is located.[36]

In another tale with the title "Дурень-Терешка" ("Fool-Tereshka"), the king places his daughter on a Glass Mountain, and announces that whoever reaches her, shall have her for wife. Meanwhile, an old man is dying and asks his sons to attend his funeral for three nights. Only the youngest, a fool, fulfills his late father's wishes.[37]

See also

References

  1. ^ Сивко-бурко. In: Afanasyev, Alexander. "Народные Русские Сказки". Tom 2. Tale Numbers 179-181.
  2. .
  3. ^ Barag, Lev. "Сравнительный указатель сюжетов. Восточнославянская сказка". Leningrad: НАУКА, 1979. pp. 149-150.
  4. ^ .
  5. .
  6. ^ Propp, Vladimir. Theory and History of Folklore. Translated by Ariadna Y. Martin and Richard P. Martin and several others. Edited, with an Introduction and Notes, by Anatoly Liberman. Theory and History of Literature, Volume 5. Minneapolis: University of Minnesota Press, 1984. p. 207 (Chapter 8, footnote nr. 2).
  7. .
  8. ^ Владимировна, Мжельская Татьяна (2015). "Русская Волшебная сказка «Сивко-Бурко» в контексте археологии". СибСкрипт (2-6 (62)): 87–93.
  9. ^
    S2CID 190855205
    .
  10. .
  11. .
  12. ^ .
  13. ^ de Gubernatis, Angelo. Zoological mythology; or, The legends of animals. Vol. 1. London: Trübner & Co. 1872. pp. 296-297.
  14. .
  15. .
  16. ^ Anderson, Earl R. with Mark Host. "Genetic and Diffusional Themes in the Armenian Sasna Crer: The Sanasar Cycle". In: Journal of the Society for Armenian Studies Vol. 14 (2005): 31.
  17. ^ Leskien, August/Brugman, K.. Litauische Volkslieder und Märchen. Straßburg: Karl J. Trübner, 1882. p. 524.
  18. .
  19. ^ de Kooi, Jurjen van. "De prinses op de glazen berg". In: Van Aladdin tot Zwaan kleef aan. Lexicon van sprookjes: ontstaan, ontwikkeling, variaties. 1ste druk. Ton Dekker & Jurjen van der Kooi & Theo Meder. Kritak: Sun. 1997. pp. 286-287.
  20. .
  21. ^ Polevoi, Petr. Russian fairy tales from the Russian of Polevoi. Translated by R. Nisbet Bain. New York: Frederick A. Stokes Co.. 1915. pp. 165-187.
  22. ^ Афанасьев, Александр Николаевич. Народные русские сказки. Выпуск VI. Moskva: 1861. pp. 135-137. [1]
  23. ^ Afanasʹev, Aleksandr Nikolaevich; and Leonard Arthur Magnus. Russian Folk-tales. New York: E.P. Dutton, 1916. pp. 220-222.
  24. ^ Ralston, William Ralston Shedden. Russian fairy tales: a choice collection of Muscovite folk-lore. New York: Pollard & Moss. 1887. pp. 262-265.
  25. ^ Dulac, Edmund. Edmund Dulac's fairy-book: fairy tales of the Allied nations. New York: G.H. Doran. 1916. pp. 61-71.
  26. ^ Афанасьев, Александр Николаевич. Народныя русскія сказки. Moskva: 1863. pp. 253-257. [2]
  27. ^ Афанасьев, Александр Николаевич. Народные русские сказки. Выпуск ІІІ. Moskva: 1857. pp. 21-23. [3]
  28. .
  29. ^ Hodgetts, Edith M. S.. Tales And Legends From the Land of the Tzar: A Collection of Russian Stories. New York: C. E. Merrill & co., 1892. pp. 62-69.
  30. .
  31. ^ A Mountain of Gems: Fairy Tales of the Peoples of the Soviet Land. Translated by Irina Zheleznova. Raduga Publishers. 1983. pp. 18-24.
  32. .
  33. ^ Прокопьевна, Матвеева Руфина (2011). "Народные русские сказки Приангарья: локальная традиция". Вестник Бурятского государственного университета. Философия (10): 209–214.
  34. ^ Cox, Marian Roalfe. Cinderella; three hundred and forty-five variants of Cinderella, Catskin, and Cap o'Rushes, abstracted and tabulated, with a discussion of mediaeval analogues, and notes. London: The Folk-lore society. 1893. pp. 438 and 449. [4]
  35. ^ Leskien, August/Brugman, K.. Litauische Volkslieder und Märchen. Straßburg: Karl J. Trübner, 1882. pp. 524.
  36. ^ Малинка, Олександр Никифорович. Сборник материалов по малорусскому фольклору. Черниговская, Волынская, Полтавская и некот. др. губ. Чернигов: Типография Губ. земства, 1902. pp. 300-302. [5]
  37. ^ Лукашевич, Клавдия Владимировна. "Сказки Украины" [Ukrainian Fairy Tales]. Magazin Pravoslavnoe Slovo, 2006. pp. 26-30.