Sonnet 54
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Sonnet 54 is one of
Structure
Sonnet 54 is an English or Shakespearean sonnet. The English sonnet contains three quatrains followed by a final rhyming couplet. This poem follows the rhyme scheme of the English sonnet, abab cdcd efef gg and is composed in iambic pentameter, a type of metre in which each line has five feet, and each foot has two syllables that are accented weak/strong. The fifth line exemplifies a regular iambic pentameter:
× / × / × / × / × / The canker blooms have full as deep a dye
- / = ictus, a metrically strong syllabic position. × = nonictus. (×) = extrametrical syllable.
The sixth and eighth lines end with feminine endings.
Synopsis
Sonnet 54 by William Shakespeare is divided into three quatrains and one heroic couplet. The first two quatrains work together, illustrating both the scentless canker bloom [3] and the scented rose. In the first two lines of the first quatrain he says that beauty seems more beauteous as a result of truth. In the next two he gives the example of a rose. He says that beyond its looks, we prize the rose for its scent. This scent is its "truth" or essence. In the second quatrain Shakespeare compares the rose to the canker bloom. They have similar in ways other than scent. Shakespeare's use of the words "play" and "wantonly" together implies that "play" has a sexual connotation.[4] In the third quatrain the author compares the death of the two flowers. The canker bloom dies alone and "unrespected", while roses do not die alone, for "of their sweet deaths are sweetest odours made". The final couplet indicates that the young man, or perhaps that which is beauteous and lovely, will enjoy a second life in verse, while that which is meaningless and shallow will be forgotten.[5] This distillation metaphor can be compared to sonnet 5, where marriage was the distiller and beauty was distilled.[6] In either sonnet one gets the same result from the distillation process, which is beauty. However, in sonnet 5 the distillation process is through marriage, and in sonnet 54 it is through verse. "Vade" in the final line is often used in a sense similar to "fade", but "vade" has stronger connotations of decay. In 1768, Edward Capell altered the final line by replacing the quarto's "by" with "my". This alteration was generally followed through the 19th Century. More recent editors do not favor this alteration, as it narrows the meaning from the larger principles of the sonnet.[7][8]
Roses
This poem is a comparison between two flowers that are representations of the youth's beauty. Shakespeare compares these flowers, which vary greatly in their appearance, although they are essentially the same kind of flower, the "canker-blooms" or
Duncan Jones adds: "There is an additional problem about Shakespeare's contrast between 'The rose' and 'The canker blooms'. It is strongly implied that the latter have no scent, and cannot be distilled into rose-water: for their virtue only is their show. 'They live unwooed, and unrespected fade, Die to them selves. Sweet roses do not so ...' Yet it is clear that some wild roses, especially the sweet briar or
Literary influences
In Sonnet 54's third line "The rose looks fair, but fairer we it deem,” we see a reference to Edmund Spenser's Amoretti, Sonnet 26, the first line of which is "Sweet is the rose, but growes upon a brere." This reference is just one of many which help to "proclaim Shakespeare's deepest literary values and his recurrent aesthetic convictions."[10] While Shakespeare honors his contemporaries, one of the things that make Shakespeare great is how he differed from them. The Amoretti is a series of sonnets focused on a more traditional topic, the courting which led to Spencer's marriage. In the Amoretti, Spenser proposes "that a resolution to the sonneteer's conventional preoccupations with love may be found within the bounds of Christian marriage."[11]
Context in sonnet sequence
The context of the sonnets vary, but the first 126, amongst which sonnet 54 is found, are addressed to a young man of good social status and profess the narrator's platonic love. The love is returned, and the young man seems to yearn for the sonnets, as seen in sonnets 100-103 where the narrator apologizes for the long silence.[12] However, Berryman suggests that it is impossible to determine how the relationship ended up. While theories exist that the sonnets were written as literary exercises, H. C. Beeching suggests that they were written for a patron and not originally intended to be published together.[13]
Sexuality
In an analysis of
Notes
- ISBN 9781408017975.
- ISBN 9781408017975.
- ^ Shakespeare's Sonnets, edited by Stephen Booth (Google Books)
- ^ Shakespeare's Sonnets, edited by Stephen Booth (Google Books)
- ISBN 9781408017975.
- ^ Beeching 96
- ISBN 978-1-349-05443-5
- ISBN 9781408017975.
- ^ Gale A17963205.
- ^ William J. Kennedy, "Shakespeare and the Development of English Poetry", The Cambridge Companion to Shakespeare's Poetry, ed. Patrick Cheney. Cambridge: Cambridge University Press, 2007
- ^ Larsen, Kenneth J. Introduction. Edmund Spenser's Amoretti and Epithalamion: A Critical Edition. Tempe, AZ: Medieval & Renaissance Texts & Studies, 1997.
- ^ Berryman, John. Berryman's Shakespeare. New York: Farrar, Straus, and Giroux, 1999. 287
- ^ The Sonnets of Shakespeare, edited by H. C. Beeching GoogleBooks
- ^ Project MUSE 382796.
References
- Matz, Robert (2010). "The Scandals of Shakespeare's Sonnets". ELH. 77 (2): 477–508. Project MUSE 382796.
- Duncan-Jones, Katherine (1995). "Deep-Dyed Canker Blooms: Botanical Reference in Shakespeare's Sonnet 54". The Review of English Studies. 46 (184): 521–525. Gale A17963205.
- The Sonnets of Shakespeare, edited by H. C. Beeching Google Books
- Berryman, John. Berryman's Shakespeare. New York: Farrar, Straus, and Giroux, 1999.
- Schiffer, James. Shakespeare's Sonnets. New York and London: Garland Publishing, Inc., 1999
- Kennedy, William J. "Shakespeare and the Development of English Poetry", The Cambridge Companion to Shakespeare's Poetry, ed. Patrick Cheney. Cambridge: Cambridge University Press, 2007.
- Larsen, Kenneth J. Introduction. Edmund Spenser's Amoretti and Epithalamion: A Critical Edition. Tempe, AZ: Medieval & Renaissance Texts & Studies, 1997.
- First edition and facsimile
- Shakespeare, William (1609). Shake-speares Sonnets: Never Before Imprinted. London: Thomas Thorpe.
- OCLC 458829162.
- Variorum editions
- OCLC 234756.
- Modern critical editions
- Atkins, Carl D., ed. (2007). Shakespeare's Sonnets: With Three Hundred Years of Commentary. Madison: OCLC 86090499.
- OCLC 2968040.
- Burrow, Colin, ed. (2002). The Complete Sonnets and Poems. OCLC 48532938.
- OCLC 32272082.
- OCLC 15018446.
- Mowat, Barbara A.; Werstine, Paul, eds. (2006). Shakespeare's Sonnets & Poems. OCLC 64594469.
- OCLC 46683809.
- OCLC 36806589.