Spanish poetry
This article concerns poetry in Spain.
Medieval Spain
The Medieval period covers 400 years of different poetry texts and can be broken up into five categories.
Primitive lyrics
Since the findings of the
The epic
Many parts of
Mester de clerecía
The
Collection of verse (Cancionero)
During this movement, language use went from
Spanish ballads
The romanceros have no set number of octosyllables, but these poems are only parallel in this form. Romancero Viejo consists of the oldest poems in these epochs, which are anonymous. The largest amount of romances comes from the 16th century, although early works were from the 14th century. Many musicians of Spain used these poems in their pieces throughout the Renaissance. Cut offs, archaic speech, and recurrent dialogue are common characteristics among these poems; however the type and focus were diverse. Lyrical romances are also a sizeable part of this era. During the 17th century, they were recycled and renewed. Some authors still stayed consistent with the original format. By the 20th century, the tradition still continued.[5]
Notable Spanish poets
Early Middle Ages
- Mozarab Jarchas, the first expression of Spanish poetry, in Mozárabe dialect
- Mester de Juglaría
- Cantar de Mio Cid
- Mester de Clerecía
- Arcipreste de Hita
- Gonzalo de Berceo
- Troubadours
- Xohán de Cangas
- Palla (troubadour)
- Paio Soares de Taveirós
Later Middle Ages
- Macías
- Pero Ferrus
- Juan Rodríguez de la Cámara
- Alfonso Martínez de Toledo, Arcipreste de Talavera
- Jorge Manrique
- Íñigo López de Mendoza, 1st Marquess of Santillana
- Juan de Mena
Arabic and Hebrew poetry during the Moorish period
During the time when Spain was occupied by the Arabs after the early 8th century, the Iberian Peninsula was influenced by the Arabic language in both the central and southern regions. Latin still prevailed in the north.[6] The
- The Alhambra Poets:
- Ibn al-Yayyab
- Ibn Zamrak
- Ibn al-Khatib
- Ibn Sahl of Sevilla
- Ibn Hazm of Córdoba
- Ibn Gabirol
- Moses ibn Ezra
- Abraham ibn Ezra
- Ibn Quzman
- Ibn Arabi
After 1492
- Anonymous writers of the Romancero
- Juan Boscán
- Gutierre de Cetina
- Alonso de Ercilla
- Santa Teresa de Jesús
- San Juan de la Cruz
- Fernando de Herrera
- Garcilaso de la Vega
- Juan del Encina
- Fray Luis de León
- Diego Hurtado de Mendoza
- Lope de Rueda
- Valencian)
The Golden Age (El Siglo de Oro)
This epoch includes the Renaissance of the 16th century and the Baroque of the 17th century.[8] During the Renaissance, poetry became partitioned into culteranismo and conceptismo, which essentially became rivals.
- Culteranismo used bleak language and neologismsand mythological topics. Such characteristics made this form of poetry highly complex, making comprehension difficult.
- Culteranismo used bleak language and
- Conceptismo was a trend using new components and resources. An example of this new extension was the Germanias. Works included comparative and complex sentences. This movement derived from Petrarchanism.
- Conceptismo was a trend using new components and resources. An example of this new extension was the Germanias. Works included comparative and complex sentences. This movement derived from
During the Baroque period, Satire, Neostoicism, and Mythological themes were also prevalent.
- Satire tended to be directed to the elites, criticizing the defects of the society. This form of poetry often resulted in severe punishments being administered to the poets.
- Neostoicism became a movement of philosophical poetry. Ideas from the medieval period resurfaced.
- Mythological themes were more common in culteranismo. Not until the Generation of 1927 did these poems gain more importance. La Fábula de Polifemo y Galatea and Las Soledades are two key works.[9]
- Miguel de Cervantes Saavedra
- Francisco de Quevedo y Villegas
- Luis de Góngora y Argoteestablished culteranismo.
- Félix Lope de Vega Carpio
- Pedro Calderón de la Barca
- Sor Juana Inés de la Cruz
Romanticism
- Manuel José Quintana
- José Zorrilla
- Gustavo Adolfo Bécquer
- Rosalía de Castro (in Galician and Spanish)
- José de Espronceda
1898 until 1926
- Rubén Darío
- César Vallejo
- Pablo Neruda
- Miguel de Unamuno
- Antonio Machado
- Manuel Machado
- Ultraism
1927 until 1936
The
- Rafael Alberti
- Vicente Aleixandre
- Dámaso Alonso
- Manuel Altolaguirre
- Luis Cernuda
- Gerardo Diego
- Manuel de Falla; influential on poets, for his vision of Moorish Spain
- Juan Ramón Jiménez
- Federico García Lorca
- Jorge Guillen
- Emilio Prados
- Pedro Salinas
1939 until 1975
Poets during the
- Juan Ramón Jiménez received the Nobel Prize in Literature 1956, "For his lyrical poetry, which in Spanish language constitutes an example of high spirit and artistical purity." Was the last survivor of Generation of 1898. During the mid-20th century, works steadily moved back to literary and political aspects.[12]
- Gabriela Mistral
- Nicanor Parra
- Alejandra Pizarnik
- Luis Buñuel
- Ángel Crespo
- Jaime Gil de Biedma
- Carlos Edmundo de Ory
- León Felipe
- Ángel González Muñiz
- Miguel Hernández
- José Hierro
- Lluis Llach
- Leopoldo Panero
- José María Pemán
1975 until present
These works became experimental, using themes, styles and characteristics of traditional poetry throughout Spain’s time and combining them with current movements. Some poets remain more traditional, while others more contemporary.
Post-Franco and Contemporary Spanish Poets:
- Blanca Andreu
- Miguel Argaya
- María Victoria Atencia
- Felipe Benítez Reyes
- Carlos Bousoño
- Giannina Braschi
- Francisco Brines
- José Manuel Caballero Bonald
- Matilde Camus
- Luisa Castro
- Antonio Colinas
- Isla Correyero
- Aurora de Albornoz
- Luis Alberto de Cuenca
- Francisco Domene
- Rafael Pérez Estrada
- José María Fonollosa
- Gloria Fuertes
- Vicente Gallego
- Antonio Gamoneda
- Enrique García-Máiquez
- José Agustín Goytisolo
- Félix Grande
- Clara Janés
- Diego Jesús Jiménez
- Chantal Maillard
- Antonio Martínez Sarrión
- Carlos Marzal
- Bruno Mesa
- Juan Carlos Mestre
- Luis García Montero
- Luis Javier Moreno
- Lorenzo Oliván
- Leopoldo María Panero
- Francisco Pino
- Juan Vicente Nuevo Piqueras
- Claudio Rodríguez
- Ana Rossetti
- Ángel Rupérez
- Elvira Sastre
- Jaime Siles
- Jenaro Talens
- Andrés Trapiello
- José Miguel Ullán
- José Ángel Valente
- Álvaro Valverde
- Luis Antonio de Villena
See also
- List of Spanish language poets
- Latin American poetry
- Arabic poetry
- List of Catalan language poets
References
- ^ "PRIMITIVE LYRICS". www.spanisharts.com.
- ^ "THE EPIC". www.spanisharts.com.
- ^ "MESTER DE CLERECÍA". www.spanisharts.com.
- ^ "CANCIONERO". www.spanisharts.com.
- ^ "THE SPANISH BALLADS". www.spanisharts.com.
- ^ "Archived copy". Archived from the original on 2011-09-10. Retrieved 2011-09-22.
{{cite web}}
: CS1 maint: archived copy as title (link) - ^ "Poetry and History in Jewish Culture". Archived from the original on 2008-08-21. Retrieved 2021-04-20.
- ^ "GOLDEN AGE POETRY". www.spanisharts.com.
- ^ "Poetry in the Golden Age - Literature in Spain | donQuijote.org". Archived from the original on 2011-07-01. Retrieved 2011-09-22.
- ^ "Romanticism". Archived from the original on 2011-04-08. Retrieved 2011-09-22.
- ^ "Answers - The Most Trusted Place for Answering Life's Questions". Answers.
- ^ "The Nobel Prize in Literature 1956". NobelPrize.org.
Further reading
- D. Gareth Walters. The Cambridge Introduction to Spanish Poetry: Spain & Spanish America. (2002).
- Linda Fish Compton. Andalusian Lyric poetry and Old Spanish Love Songs (1976) (includes translations of some of the medieval anthology of love poems, compiled by Ibn Sana al-Mulk, the Dar al-tiraz).
- Emilio Garcia Gomez. (Ed.) In Praise of Boys: Moorish Poems from Al-Andalus (1975).
- F. J. Gea Izquierdo. Antología esencial de la poesía española, Independently published. Alicante (2021).
- Paul Halsall has a bibliography online, listing journal articles in English on medieval poetry in Spain.
- Carmi, T. (Ed.) The Penguin Book of Hebrew Verse. New York: Penguin Books (1981). ISBN 0-14-042197-1(includes translations of Judah Al-Harizi, Nahmanides, Todros Abulafia and other Jewish poets from Spain).
- A. Robert Lauer, University of Oklahoma, on Spanish Metrification: the common structures of Spanish verse
- "‘The Nymph’ by Góngora and Other Poetry by Nervo and Vega, Translated by Alan Steinle" at the website of the Society of Classical Poets