Strzyga

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Strzyga, an artistic vision by Filip Gutowski. Excerpt from The Sarmatian Bestiarium by Janek Sielicki

Strzyga (Polish pronunciation:

Slavic mythology, which stems from the mythological Strix of ancient Rome and ancient Greece.[4] The demon is similar to a vampire,[5] and is predominantly found in Polish and Silesian
folklore.

Etymology and origin

According to Aleksander Brückner, the word is derived from Strix, Latin for owl and a bird-like creature which fed on human flesh and blood in Roman and Greek mythology.[4] Hungarian sztriga, the Albanian shtriga and Romanian: strigă are also cognate and related.

It is unclear how the word strzyga was adapted by the Polish people, though it might have been through the Balkan peoples. The term strzyga could also sometimes mean a vampire or upiór.[6][7][8] After the 18th century, there was a distinction between strzyga and upiór; the first one was more connected to witchcraft, while the latter was more of a flying, vampiric creature.[9][5]

The strzyga remained a popular element in the folklore of rural Poland well into the late 19th and early 20th century, as shown by Władysław Reymont in his Nobel Prize-winning novel Chłopi (The Peasants). Its story takes place during the 1880s in Congress Poland and follows the everyday life of the peasantry in a typical Polish village. In the tenth chapter of book two, some of the characters gather together to exchange stories and legends, in one of which the striga is described as having a bat's wings (strzygi z nietoperzowymi skrzydłami przelatują).[10]

Beliefs

Scrambles amongst the Alps, an illustration by Edward Whymper of the Notre Dame Cathedral gargoyle called La Stryge.[11]

A strzyga is a usually female demon similar to vampire in

Banshees
.

Methods of protection

When a person believed to be a strzyga died, decapitating the corpse and burying the head separate from the rest of the body was believed to prevent the strzyga from rising from the dead;[16] burying the body face down with a sickle around its head was believed to work as well.[9] Other methods of protection from the strzyga (some similar to those from vampires) included:

  • Burning the body
  • Hammering nails, stakes etc. into various parts of the strzyga's body
  • Putting a flint into its mouth after exhumation[9]
  • Pealing the church bells (the strzyga then turns into tar)[5]
  • Slapping it across the face with one's left hand[5]
  • Burying it again, outside of the village, and pinning it down with a big rock[14]
  • Scattering poppy seeds in the shape of the cross in every corner of the house[5]
  • Exhumation in the presence of a priest and burying the body again, after additional rituals (such as putting a piece of paper with the word "Jesus" written on it under the strzyga's tongue)[17]
  • Putting small objects in the strzyga's grave to make it count them.[12]

See also

References

  1. ISSN 2391-5137
    .
  2. ISSN 1068-2090
    .
  3. ^ Jarosław Kolczyński (2003). "Jeszcze raz o upiorze (wampirze) i strzygoni (strzydze)" (PDF). Etnografia Polska. p. s. 214.
  4. ^ a b Kolberg, Oskar (1882). The People. Their Customs, Way of Life, Language... Vol. 15. Kraków: Uniwersytet Jagielloński. p. 24.
  5. ^ a b c d e f g "Strzygoń/strzyga - Polska bajka ludowa. Słownik - red. Violetta Wróblewska". bajka.umk.pl. Retrieved 2019-01-12.
  6. OCLC 228025091
    .
  7. ^ Kolczyński, Jarosław (2003). "Jeszcze raz o upiorze (wampirze) i strzygoni (strzydze)". Etnografia Polska.
  8. ^ a b Kozłowski, Kornel (1863). Pieśni, podania, baśnie, zwyczaje i przesądy ludu z Mazowsza czerskiego.
  9. ^
    OCLC 20935625.{{cite book}}: CS1 maint: others (link
    )
  10. ^ Reymont, Władysław (1904). "Book II: Chapter 10". Chłopi. Warszawa: Gebethner i Wolff. Po polach błądzili ciemnych, prześwietlonych widziadłami, co jak żagwie buchały krwawą pożogą; na one ruczaje szli srebrne, pełne śpiewań nierozeznanych, tajemnych wołań, plusków; w bory zaklęte, gdzie rycerze, wielkoludy, zamki one; widma straszliwe, smoki piekielnym ogniem zionące; po rozstajach stawali strwożeni, gdzie upiory z chichotem przelatywały, gdzie potępionych głosem jęczą wisielce, a strzygi z nietoperzowymi skrzydłami przelatują; błądzili po mogiłkach za cieniami pokutujących samobójców; w pustych rozwalonych zamkach i kościołach słuchali głosów dziwnych, patrzeli się nieskończonym korowodom mar przerażających, w bojach byli, pod wodami, gdzie śpiące jaskółki, poplątane w girlandy, budzi o każdej wiośnie Matka Boża i na świat wypuszcza.
  11. ^ DigitalGeorgetown (1981). "Notre Dame Cathedral Grotesque Le Stryge". DigitalGeorgetown. Retrieved 2020-01-22.
  12. ^ a b Grochowski, Piotr (2017). "Od strzygoni do wampirów energetycznych. Folklor jako system praktyk interpretacyjnych". Przegląd Kulturoznawczy. 32 (2).
  13. OCLC 153770629
    .
  14. ^ a b c Dekowski, Jan Piotr (1987). Strzygi i topieluchy: opowiadania sieradzkie.
  15. ^ J. Bohdanowicz (1994). "Demonologia ludowa. Relikty wierzeń w strzygonie i zmory". Literatura ludowa.
  16. ^ Kolberg, Oskar (1874). The People. Their Customs, Way of Life, Language... Vol. 7 (published 1962).
  17. ^ Ulanowska, Stefania (1887). "Wśród ludu krakowskiego". Wisła: miesięcznik geograficzno-etnograficzny.
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