Gargoyle

Source: Wikipedia, the free encyclopedia.
This article is about the statues on buildings. For the monster, see Gargoyle (monster). For other uses, see Gargoyle (disambiguation).
Gargoyles of Notre-Dame de Paris
Dragon-headed gargoyle of the Tallinn Town Hall, Estonia
Wawel in Kraków, Poland

In

aqueducts were sometimes cut into the buttress to divert water over the aisle walls.[2]

Etymology

The term originates from the French gargouille, which in English is likely to mean "throat" or is otherwise known as the "gullet";[3][4] cf. Latin gurgulio, gula, gargula ("gullet"or "throat") and similar words derived from the root gar, "to swallow", which represented the gurgling sound of water (e.g., Portuguese and Spanish garganta, "throat"; gárgola, "gargoyle"). It is also connected to the French verb gargariser, which shares a Latin root with the verb "gargle"[1]: 8 [5] and is likely imitative in origin.[6] The Italian word for gargoyle is doccione or gronda sporgente, an architecturally precise phrase which means "protruding gutter". Italian also uses gargolla or garguglia, when it has a grotesque shape.

When not constructed as a waterspout and only serving an ornamental or artistic function, the technical term for such a sculpture is a grotesque, chimera, or boss. There are also regional variations, such as the hunky punk. Just as with bosses and chimeras, gargoyles are said to protect what they guard, such as a church, from any evil or harmful spirits.

Legend of the Gargouille

Main article: Gargoyle (monster)

A French legend that sprang up around the name of

bishop of Rouen, relates how he delivered the country around Rouen from a monster called Gargouille or Goji.[7][8] La Gargouille is said to have been the typical dragon with bat-like wings, a long neck, and the ability to breathe fire from its mouth. Multiple versions of the story are given, either that St. Romanus subdued the creature with a crucifix, or he captured the creature with the help of the only volunteer, a condemned man. In each, the monster is led back to Rouen and burned, but its head and neck would not burn due to being tempered by its own fire breath. The head was then mounted on the walls of the newly built church to scare off evil spirits, and used for protection.[9] In commemoration of St. Romain, the Archbishops of Rouen were granted the right to set a prisoner free on the day that the reliquary of the saint was carried in procession (see details at Rouen).[10][11]

History

The term gargoyle is most often applied to

cornice.[14] An excellent example of this are the 39 remaining lion-headed water spouts on the Temple of Zeus.[clarification needed] Originally, it had 102 gargoyles or spouts, but due to the heavy weight (they were crafted from marble), many snapped off and had to be replaced.[15][16]

Many medieval cathedrals included gargoyles and chimeras.[17] According to French architect and author Eugène Viollet-le-Duc, himself one of the great producers of gargoyles in the 19th century,[18] the earliest known medieval gargoyles appear on Laon Cathedral (c. 1200–1220).[19] One of the more famous examples is the gargoyles of Notre-Dame de Paris. Although most have grotesque features, the term gargoyle has come to include all types of images. Some gargoyles were depicted as monks, or combinations of real animals and people, many of which were humorous. Unusual animal mixtures, or chimeras, did not act as rainspouts and are more properly called grotesques. They serve as ornamentation but are now popularly called gargoyles.

Both ornamented and unornamented waterspouts projecting from roofs at parapet level were a common device used to shed rainwater from buildings until the early 18th century. From that time, more and more buildings used drainpipes to carry the water from the guttering roof to the ground and only very few buildings using gargoyles were constructed. This was because some people found them frightening, and sometimes heavy ones fell off, causing damage. In 1724, the London Building Act passed by the Parliament of Great Britain made the use of downpipes compulsory in all new construction.[20]

Catholic Church

There are divided ideas as to the purpose of adding gargoyles to religious structures. Some state that gargoyles were meant to illustrate evil and sin, while others have posited that grotesques in architecture were apotropaic devices.[21] In the 12th century, before the use of gargoyles as rain spouts, St. Bernard of Clairvaux was famous for speaking out against gargoyles carved on the walls of his monastery's cloister:[22]

What are these fantastic monsters doing in the cloisters before the eyes of the brothers as they read? What is the meaning of these unclean monkeys, these strange, savage lions and monsters? To what purpose are here placed these creatures, half beast, half man or these spotted tigers? I see several bodies with one head and several heads with one body. Here is a quadruped with a serpent's head; there a fish with a quadruped's head; then again an animal: half horse, half goat... Surely, if we do not blush for such absurdities, we should at least regret what we have spent on them.[23][24]

According to Lester Burbank Bridaham, writing in Gargoyles, Chimeres and the Grotesque in French Gothic Sculpture, "There is much symbolism in the sculpture of the Gothic period; but we must be wary of reading in too much meaning."[25]

Animal

The ancient Egyptians, Greeks, Etruscans, and Romans all used animal-shaped waterspouts.[1]: 11  During the 12th Century, when gargoyles appeared in Europe, the Roman Catholic Church was growing stronger and converting many new people. Most of the population at this time was illiterate, so images were very important to convey ideas. Many early gargoyles depicted some version of a dragon, especially in France. In addition to serving as spouts for water, the gaping mouths of these gargoyles evoked the fearsome destructiveness of these legendary beasts, reminding the laity of the need for the church's protection.[26]

Human qualities were sometimes ascribed to specific animals—that is, the animals were anthropomorphized. This was especially common for pagans, and using these ideas helped conversion to Catholicism. Some animals (such as the rhinoceros and the hippopotamus) were unknown in western Europe during the Middle Ages, so gargoyles of these species (such as the ones at Laon Cathedral) are modern gargoyles and therefore did not have symbolic meaning in Medieval times.[1]: 20 

Gallery

See also

References

  1. ^
    ISBN 978-0-7892-0182-9
    .
  2. ^ "What Is a Gargoyle?". Wonderopolis. Retrieved 19 October 2018.
  3. ISBN 978-0-906362-12-9
    . Retrieved May 11, 2018. The word Gargoyle is derived from 'La Gargouille'—the name of an immense dragon who lived in the river Seine at Rouen. The word Gargouille comes from the word for a throat, and gargle is derived from the same source. La Gargouille was ...
  4. ISBN 978-0-395-82517-4
    .
  5. ^ "gargle". Origin and meaning of gargle by Online Etymology Dictionary. Retrieved May 11, 2018.
  6. ^ "Word of the Day: Gargoyle". Merriam-Webster. September 5, 2015. Archived from the original on June 24, 2017. Retrieved May 11, 2018.
  7. ^ Butler, A.; Thurston, H.; Attwater, D. (1956). Lives of the Saints. Lives of the Saints. Kenedy. p. 183. Retrieved May 11, 2018. ST ROMANUS, Bishop of Rouen (c. a.d. 640) Not much that is certainly authentic is known of this bishop. ... The legend is that this privilege took its rise from St Romanus killing a great serpent, called Gargouille, with the assistance of a ...
  8. ^ Herbermann, C.G.; Pace, E.A.; Pallen, C.B.; Shahan, T.J.; Wynne, J.J.; MacErlean, A.A. (1913). The Catholic Encyclopedia: An International Work of Reference on the Constitution, Doctrine, Discipline, and History of the Catholic Church. Robert Appleton company. p. 209. Retrieved May 11, 2018. St. Romanus (631–641) former chancellor of Clotaire II; legend relates how he delivered the environs of Rouen from a monster called Gargouille, having ...
  9. ISBN 978-1-56523-329-4
    .
  10. ^ Hodder, E. (1881). Cities of the world. p. 46. Retrieved May 11, 2018. The bishop put a leash round its neck, and the criminal led the Gargouille into Rouen, where, amidst the acclamations of the ... And so once a year, on Ascension Day, until the time of the Revolution, the chapter used to select a condemned ...
  11. ^ British Archaeological Association (1939). The Archaeological Journal. Royal Archaeological Institute. p. 361. Retrieved May 11, 2018. During the Merovingian period Rouen occupies a prominent place in the long struggle between Fredegonde and Brunhilda, which culminated in the brutal murder of Bishop Pretextatus in his own cathedral. To the seventh ... The former's legendary victory over the monster Gargouille led to the well-known privilege of the Chapter of releasing a condemned criminal every Ascension Day. Charlemagne ...
  12. ^ Chisholm 1911.
  13. ISBN 978-0-486-26485-1
    .
  14. ISBN 978-0-8196-0283-1
    .
  15. ISBN 978-3-11-003144-7
    .
  16. ISBN 9780714120027
    .
  17. ISBN 978-1-137-56610-2
    . Retrieved May 11, 2018.
  18. ISBN 978-0-19-539536-5
    . Retrieved May 11, 2018.
  19. ISBN 978-1-317-04426-0
    . Retrieved May 11, 2018.
  20. ^ "Holy Horrors". The National Trust Magazine: 66–68. Autumn 2007.
  21. ISBN 978-1-61069-622-7
    . Retrieved May 11, 2018.
  22. ISBN 978-0-8093-2030-1
    . Retrieved May 11, 2018.
  23. ^ Leclercq, Jean; Rochais, H.M., eds. (1963). "Apologia ad Guillelmum abbatem". Tractatus et opuscula. S. Bernardi Opera (in Latin). Vol. 3. Rome: Editiones Cistercienses.
  24. ^ Nathan, W.L. (1961). Art and the Message of the Church. Westminster studies in Christian communication. Westminster Press. p. 74. Retrieved May 11, 2018.
  25. ^ Bridaham, L.B. (1930). Gargoyles, Chimères, and the Grotesque in French Gothic Sculpture. Architectural Book Publishing Company, Incorporated. p. xii.
  26. ISBN 978-1-4357-1142-6.[self-published source
    ]

Further reading

External links

Wikimedia Commons has media related to Gargoyles.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Gargoyle&oldid=1215406745"