Elisabeth Jerichau-Baumann
Elisabeth Jerichau-Baumann | |
---|---|
Born | Anna Maria Elisabeth Lisinska Baumann 21 November 1819 |
Died | 11 July 1881 | (aged 61)
Nationality | Polish-Danish |
Education | Düsseldorf/Rome |
Known for | Painting |
Notable work | Mermaid |
Patron(s) | Queen Louise of Denmark |
Anna Maria Elisabeth Lisinska Jerichau-Baumann (21 November 1819 – 11 July 1881) was a Polish-Danish painter. She was married to the sculptor Jens Adolf Jerichau.
Early life and career
Elisabeth Jerichau-Baumann was born in Żoliborz (French: Joli Bord) a borough of Warsaw.[1] Her father Philip Adolph Baumann (1776–1863), a mapmaker, and her mother, Johanne Frederikke Reyer (1790–1854), were of German extraction.[2]
At the age of nineteen, she began her studies at the
The harems of the Ottoman Empire
In 1869–1870, Baumann traveled extensively in the Eastern Mediterranean and Middle East, and again in 1874–1875 accompanied by her son Harald. Being a woman, she was able to gain access to the harems of the Ottoman Empire and as a result was able to paint scenes of harem life from personal observation, in contrast to most artists of the time, whose work on this popular subject was entirely derived from the imagination or other artists in the same position as themselves (see Orientalism). Nevertheless, as Roberts[4] points out, she had to curb her desire to paint the women of the harems as Europeans liked to imagine them because they insisted on being painted in the latest Paris fashions.
In 1869, she was admitted into the harem of Mustafa Fazil Paşa. She was able to gain entry because of her royal patronage in Denmark and brought with her a letter of introduction from
Her work from this period is sometimes decorative and frequently sentimental but with a fine sense of colour and lighting.[5] The sensualism in some of these paintings was still considered taboo in some parts of Europe and the Danish art world tried to keep these works out of sight. Until recently, her paintings were kept in museum storerooms in Denmark. The erotic quality in many of her husband's statues may have helped her to disregard this provincialism in spite of the obvious social risks to a woman at the time.[6]
Personal life
Baumann met her husband,
Children
- Thorald Harald Adolph Carol Lorentz (1848)
- Marie (1850)
- Harald (1851)
- Caroline Elisabeth Nanny (1853)
- Louise (1859)
- Sophie Dagmar Elisabeth (1859)
- Holger Hvitfeldt (1861)[2]
Selected works
Title | Medium | Date | Collection | Dimensions | Image |
---|---|---|---|---|---|
Jens Adolf Jerichau | oil on canvas | 1846 | National Gallery of Denmark | 94 cm × 142 cm | |
Mother Denmark | oil on canvas | 1851 | Ny Carlsberg Glyptotek | 119 cm × 149 cm | |
A young girl reads out the Bible, the grandparents listen devoutly | oil on canvas | 1854 | Private collection | 34 cm × 42 cm | |
A Wounded Danish Soldier | oil on canvas | 1865 | National Gallery of Denmark | 107 cm × 142.5 cm | |
An Egyptian Fellah Woman with her Baby | oil on canvas | 1873 | National Gallery of Denmark | 98.5 cm × 129.2 cm | |
Mermaid | oil on canvas | 1873 | Ny Carlsberg Glyptotek | 98 cm × 126 cm | |
An Egyptian Pot Seller at Gizeh | oil on canvas | 1876-78 | National Gallery of Denmark | 92 cm × 114 cm |
Drawings
- Portrait of Jenny Lind (1845), 19x21.5 Pencil
- A child, 'Titi' (1856), Gouache/paper
- An Angel (1857) Watercolour, pencil/paper
- Damenportrait (1859) 19x13 Ink
- Portraet af egyptisk kvinde or Portrait of an Egyptian fellah woman holding a wine jug (dated Cairo 1870). With Baraset House Fine Art.
- Höjtlaesning ved sygelejet (1878), 11.5x19 Ink
- Höjtlaesning ved sygelejet (1878), 11.5x19 Ink/paper
- Havfrue 21x31, Pencil/paper
- Adam og Eva 32x21, Pencil/paper
- Dameportraet, Pencil/paper
- Portraet af Johanne-Luise Heiberg, 8x6Ink, pen
- Lille dreng med bog, 31x21 Pencil/paper
Written works
Elisabeth Jerichau-Baumann wrote two books about her life:
- Ungdomserindringer (Youthful Memories) (1874)
- Brogede rejsebilleder (Motley Travel Pictures), Copenhagen (1881)
See also
- Art of Denmark
- Mermaid (Jerichau-Baumann)
References
- ^ Albert Ellery Berg, (1884), The Drama, Painting, Poetry, and Song, P.F. Collier, New York. digitized by Google.
- ^ a b "Dansk Kvindebiografisk Leksikon – Elisabeth Jerichau Baumann". www.kvinfo.dk. May 15, 2003.
- ^ Johan de Mylius, (1998), The Life of Hans Christian Andersen. Day By Day.
- ^ a b Mary Roberts, Harem Portraiture: Elisabeth Jerichau-Baumann and the Egyptian Princess Nazli Hanım – in:
Local/global: Women Artists in the Nineteenth Century edited by Deborah Cherry and Janice Helland, Ashgate Publishing, Ltd. (2006)ISBN 0-7546-3197-4 - ^ Elisabeth Jerichau-Baumann
- ^ a b "Paper in the John L. Loeb Jr., Danish Art Collection". Archived from the original on October 4, 2011. Retrieved June 12, 2008.
- ^ "Holger Hvitfeldt Jerichau ( 1861 – 1900) Well-listed Danish artist". obro-artgallery.com.
Bibliography
- Nicolaj Bøgh, Elisabeth Jerichau-Baumann (Copenhagen 1886).
- Sigurd Müller, Nyere dansk Malerkunst, Copenhagen (1884).
- Peter Nørgaard Larsen, Elisabeth Jerichau Baumann, Øregaard Museum (1996)
- Peter Nørgaard Larsen in: Weilbach, Vol. 4, Copenhagen (1996).
- Elisabeth Oxfeldt, (2005), Nordic Orientalism: Paris and the Cosmopolitan Imagination 1800–1900, Museum Tusculanum Press. ISBN 87-635-0134-1
- Sine Krogh og Birgitte Fink, Breve fra London. Elisabeth Jerichau Baumann og den victorianske kunstverden, Ny Carlsbergfondet og Strandberg Publishing (2018)