Hendrick ter Brugghen

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Hendrick ter Brugghen
Pieter Bodart's Portrait of Henric Ter Brugghen (1708), engraving after a lost drawing by Gerard Hoet, 15.8 x 10.6 cm
Born1588
The Hague
Died1 November 1629 (aged 40–41)
Utrecht
EducationAbraham Bloemaert
Known forPainting
Notable workThe Denial of Saint Peter
The Crucifixion with the Virgin and St. John
MovementCaravaggisti

Hendrick Jansz ter Brugghen (or Terbrugghen) (1588 – 1 November 1629) was a

Gerrit van Hondhorst and Dirck van Baburen, Ter Brugghen was one of the most important Dutch painters to have been influenced by Caravaggio.[1]

Biography

Getty Museum, Los Angeles
Statens Museum for Kunst, Copenhagen
The Supper at Emmaus (1621), 109 x 141 cm, Sanssouci Picture Gallery, Berlin
The Incredulity of St. Thomas (c. 1621—1623), 108.8 x 136.5 cm, Rijksmuseum, Amsterdam

No references to Ter Brugghen written during his life have been identified.[2] His father Jan Egbertsz ter Brugghen, originally from Overijssel, had moved to Utrecht, where he was appointed secretary to the Court of Utrecht by the Prince of Orange, William the Silent. He had been married to Sophia Dircx. In 1588, he became bailiff to the Provincial Council of Holland in The Hague, where Hendrick was born.[1]

The earliest brief reference to the painter is in

Mannerist painter. Sandrart also refers to the painter's "tiefsinnige, jedoch, schwermütige Gedanken in seinen Werken" [profound, but melancholic thoughts in his works].[4]

From this unsure footing, the artist's son Richard ter Brugghen sought to rehabilitate his father's reputation as a painter in the early 18th century. He secured a letter, dated 15 April 1707, from Adriaen van der Werff in Rotterdam, attesting to his appreciation of Hendrick's work. Later that year, on 5 August 1707, Richard presented the government council of Deventer with four paintings of the Evangelists, to be hung in the Town Hall as a permanent memorial to his father.[2]

An engraving, in all likelihood commissioned by Richard ter Brugghen from Pieter Bodart, and based on an earlier drawing by Gerard Hoet, was put about in 1708. It shows an idealised portrait of Hendrick, the family coat-of-arms, and a printed caption translated from the Dutch as:

Born in Overijsel in 1588, travelled from Utrecht to Rome, and ten years later returned to Utrecht, married there, lived there interruptedly, and died at the age of 42 on 1st Nov. 1629; he was a great and famous history painter from life, painting life-size figures in the Italian manner, so very superior to all others that the famous P. P. Rubens on travelling through the Netherlands declared on coming to Utrecht that he had found only one painter, namely Henricus ter Brugghen. G. Hoet del. P. Bodart, fec.[2]

Cornelis de Bie, in his Spiegel vande Verdrayde Werelt (1708),

Ernst Casimir of Nassau-Dietz in the spring of 1607, and for this reason, Ter Brugghen is thought to have been in Italy, but only in that year, rather than as previously believed in 1604 (inferred as it was from the inscription on the Bodart print). This would certainly mean that he never met Caravaggio in Rome; that artist had fled Rome on a murder charge in 1606. However, it is certain that he was the only Dutch painter in Rome during Caravaggio's lifetime.[1]

By 1614, Ter Brugghen was in Milan, on his way home. On 1 April 1615, Thyman van Galen and Ter Brugghen are witnesses before the court in Utrecht.[2] He is already listed as a member of the Utrecht painter's guild in 1616, and on 15 October of that year he married Jacomijna Verbeeck, his elder brother Jan's stepdaughter.[1]

Ter Brugghen died in

Utrecht on 1 November 1629, possibly a victim of the plague. The family had been living in the Snippenvlucht. Ter Brugghen's last child of eight, Hennickgen, was born four months later on 14 March 1630.[2]

Work and impact

He certainly studied Caravaggio's work, as well as that of his followers–the Italian Caravaggisti–such as

Domenichino and Guido Reni
.

Upon returning to Utrecht, he worked with Gerard van Honthorst, another of the Dutch Caravaggisti. Ter Brugghen's favourite subjects were half-length figures of drinkers or musicians, but he also produced larger-scale religious images and group portraits. He carried with him Caravaggio's influence, and his paintings have a strong dramatic use of light and shadow, as well as emotionally charged subjects. His treatment of religious subjects can be seen reflected in the work of Rembrandt, and elements of his style can also be found in the paintings of Frans Hals and Johannes Vermeer. Peter Paul Rubens described ter Brugghen's work as "...above that of all the other Utrecht artists".

Selected works

Works include:

  • Saint Sebastian Tended by Irene
     (1625)
  • The Crucifixion with the Virgin and St. John
    , (c. 1625)
  • The Denial of St. Peter (1628)

References

  1. ^
    ISBN 9781588392732
    .
  2. ^ a b c d e Nicolson, Benedict (1958). Hendrick Terbrugghen. The Hague: Martinus Nijhoff.
  3. ^ de Bie, Cornelis (1661). Het gulden Cabinet vande edel vry schilder const, inhoudende den lof vande vermarste schilders, architecte, beldthowers ende plaetsnyders van dese eeuw. Belgium: Jan Meyssens. p. 132.
  4. ^ Von Sandrart, Joachim (1675). Teutsche Academie der Edlen Bau, Bild- und Mahlerey-Künste. pp. 303, 308.
  5. ^ De Bie, Cornelis (1708). Den spiegel vande verdrayde werelt: te sien in den bedriegelijcken handel, sotte, en ongeregelde manieren van het al te broos menschen leven. Joannes Paulus Robyns.
  6. ^ Houbraken, Arnold (1718–1721). De groote schouburgh der Nederlantsche konstschilders en schilderessen. Arnold Houbraken. pp. 134–136.
  7. ISBN 9789027249616
    .

External links
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