Fangsong

This article relies largely or entirely on a single source. Relevant discussion may be found on the talk page. Please help improve this article by introducing citations to additional sources. Find sources: "Fangsong" – news · newspapers · books · scholar · JSTOR (June 2010)

Chinese characters
Chinese family of scripts Written Chinese Kanji Hanja Chữ Hán
Historical forms and styles Neolithic symbols in China Oracle bone Bronze Seal (Bird-worm Large Small) Clerical Cursive Semi-cursive Regular Flat brush Typefaces Fangsong Ming Sans-serif
Properties and classification Components Strokes (order) Radical
Collation and standards Character-form standards Jiu zixing Xin zixing Kangxi Dictionary forms (1716) General Standard Chinese Characters (mainland China, 2013) Graphemes of Commonly-used Chinese characters (Hong Kong, 2007) Standard Form of National Characters (Taiwan, 1982) Grapheme-usage standards General Standard Characters (PRC, 2013) Jōyō kanji (Japan, 2010) Other standards Standardized Forms of Words with Variant Forms (PRC, 2002) Nan Min Recommended Characters (Taiwan, 2009) Previous standards Commonly-used Characters (PRC, 1988) Tōyō kanji (Japan, 1946)
Reforms China Clerical reforms Traditional characters Simplified characters (first round second round) Debate Japan Kyūjitai Shinjitai Ryakuji Korea Yakja Singapore Table of Simplified Characters
Homographs and readings Literary and colloquial readings
Variants Graphemic variants Zetian characters
Derived systems Slavonic transcription Nüshu Kana ( Man'yōgana Hiragana Katakana ) Jurchen script Khitan ( Large Small ) Idu script Bopomofo Sawndip Chữ Nôm
Transliteration of Chinese
v t e

Fangsong (or Imitation Song) is a style of

Characteristics

Characteristics of imitation Song typefaces include:

• The basic structure of regular script.
• Relatively straight strokes, with horizontal strokes slanting up slightly.
• Low stroke width variation between horizontal and vertical strokes, with strokes usually being relatively thin.
• Overall geometrical regularity.

History

The printing industry that began during the Tang dynasty reached an apex in the Song dynasty, during which there were three major areas of production:^[2]

• Zhejiang, where publications imitated the regular script of Ouyang Xun
• Sichuan, where publications imitated the regular script of Yan Zhenqing
• Fujian, where publications imitated the regular script of Liu Gongquan

When Song lost control of northern China to the Jin dynasty (1115–1234), its capital was moved to Lin'an (modern Hangzhou), where there was a revival of printing, especially literature from Tang left in what was conquered by the Jin dnasty. Many publishers were established in Lin'an, including Chén zhái shūjí bù (陳宅書籍鋪) established by Chen Qi (陳起),^[2] from which publications used a distinct style of regular script with orderly, straight strokes. Modern typefaces of this style are classified as imitation Song typefaces.

Imitation Song in computing

References

This typography-related article is a stub. You can help Wikipedia by expanding it.

• v
• t
• e