Oh! What a Lovely War
Oh! What a Lovely War | |
---|---|
Directed by | Richard Attenborough |
Written by | Len Deighton (uncredited) |
Based on | Oh, What a Lovely War! by Joan Littlewood |
Produced by | |
Starring | |
Cinematography | Gerry Turpin |
Edited by | Kevin Connor |
Production company | Accord Productions |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 144 minutes |
Country | United Kingdom |
Language | English |
Oh! What a Lovely War is a 1969 British epic comedy historical musical war film directed by Richard Attenborough (in his directorial debut), with an ensemble cast, including Maggie Smith, Dirk Bogarde, John Gielgud, John Mills, Kenneth More, Laurence Olivier, Jack Hawkins, Corin Redgrave, Michael Redgrave, Vanessa Redgrave, Ralph Richardson, Ian Holm, Paul Shelley, Malcolm McFee, Jean-Pierre Cassel, Nanette Newman, Edward Fox, Susannah York, John Clements, Phyllis Calvert and Maurice Roëves.
The film is based on the stage musical Oh, What a Lovely War!, originated by Charles Chilton as the radio play The Long Long Trail in December 1961,[1][2] and transferred to stage by Gerry Raffles in partnership with Joan Littlewood and her Theatre Workshop in 1963.[3]
The title is derived from the music hall song "Oh! It's a Lovely War", which is one of the major numbers in the film.
Synopsis
Oh! What a Lovely War summarises and takes a satirical view on the events of World War I using popular songs of the time, many of which were parodies of older popular songs, and using allegorical settings such as Brighton's West Pier to criticise the manner in which the eventual victory was won.
The diplomatic maneuvering and events involving those in authority are set in a fantasy location inside the pierhead pavilion, far from the trenches. In the opening scene, various foreign ministers, generals and heads of state walk over a huge map of Europe, reciting actual words spoken by these figures at the time. An unnamed photographer takes a picture of Europe's rulers – after handing two red poppies to the
The start of the war in 1914 is shown as a parade of optimism. The protagonists are an archetypal British family of the time, the Smiths, who are shown entering Brighton's West Pier, with General Haig selling tickets – the film later follows the young Smith men through their experiences in the trenches. A military band rouses holidaymakers from the beach to rally round and follow – some even literally boarding a bandwagon. The first Battle of Mons is similarly cheerfully depicted yet more realistic in portrayal. Both scenes are flooded in pleasant sunshine.
When the casualties start to mount, a theatre audience is rallied by singing "Are We Downhearted? No!" A chorus line dressed in frilled yellow dresses, recruits
The red poppy crops up again as a symbol of impending death, often being handed to a soldier about to be sent to die. These scenes are juxtaposed with the pavilion, now housing the top military brass. There is a scoreboard (a dominant motif in the original theatre production) showing the loss of life and "yards gained".
Outside, Sylvia Pankhurst (Vanessa Redgrave) is shown addressing a hostile crowd on the futility of war, upbraiding them for believing everything they read in the newspapers. She is met with catcalls and jeered from her podium.
1915 is depicted as darkly contrasting in tone. Many shots of a parade of wounded men illustrate an endless stream of grim, hopeless faces. Black humour among these soldiers has now replaced the enthusiasm of the early days. "There's a Long, Long Trail a-Winding" captures the new mood of despair, depicting soldiers filing along in torrential rain in miserable conditions. Red poppies provide the only bright colour in these scenes. In a scene of British soldiers drinking in an
An interfaith religious service is held in a ruined abbey. A priest tells the gathered soldiers that each religion has endorsed the war by way of allowing soldiers to eat pork if Jewish, meat on Fridays if Catholic, and work through the sabbath if in service of the war for all religions. He also says the Dalai Lama has blessed the war effort.
1916 passes and the film's tone darkens again. The songs contain contrasting tones of wistfulness, stoicism and resignation, including "The Bells of Hell Go Ting-a-ling-a-ling", "If the Sergeant Steals Your Rum, Never Mind" and "Hanging on the Old Barbed Wire". The wounded are laid out in ranks at the field station, a stark contrast to the healthy rows of young men who entered the war. The camera often lingers on Harry Smith's silently suffering face.
The Americans arrive, but are shown only in the "disconnected reality" of the pavilion, interrupting the deliberations of the British generals by singing "Over There" with the changed final line: "And we won't come back – we'll be buried over there!" The resolute-looking American captain seizes the map from an astonished Haig.
Jack notices with disgust that after three years of fighting, he is literally back where he started, at Mons. As the Armistice is sounding, Jack is the last one to die. There is a splash of red which at first glance appears to be blood, but which turns out to be yet another poppy out of focus in the foreground. Jack's spirit wanders through the battlefield, and he eventually finds himself in the room where the elder statesmen of Europe are drafting the coming peace – but they are oblivious to his presence. Jack finally finds himself on a tranquil hillside, where he joins his brothers for a lie down on the grass, where their figures morph into crosses. The film closes with a long slow pan out that ends in a dizzying aerial view of countless soldiers' graves, as the voices of the dead sing "We'll Never Tell Them" (a parody of the Jerome Kern song "They Didn't Believe Me").
Cast (in credits order)
Smith family
- Wendy Allnutt as Flo Smith
- Colin Farrell as Harry Smith
- Malcolm McFee as Freddie Smith
- John Rae as Grandpa Smith
- Corin Redgrave as Bertie Smith
- Maurice Roëves as George Smith
- Paul Shelley as Jack Smith
- Kim Smith as Dickie Smith
- Angela Thorne as Betty Smith
- Mary Wimbush as Mary Smith
At the time, the Beatles were interested in making an anti-war film. At Bertrand Russell’s suggestion, Paul McCartney met with the producer Len Deighton to discuss the opportunity of the band portraying the Smith family, although in the end it was not possible to arrange their appearance.[4]
Also starring
- Vincent Ball as Australian Soldier
- Pia Colombo as Estaminet Singer
- Tsar Nicholas II
- Isabel Dean as Sir John French's Lady
- Christian Doermer as Fritz
- Robert Flemyng as Staff Officer in Gassed Trench
- Meriel Forbes as Lady Grey
- Frank Forsyth as Woodrow Wilson
- Ian Holm as President Poincaré
- David Lodge as Recruiting Sergeant
- Joe Melia as the Photographer
- Guy Middleton as Sir William Robertson
- Juliet Mills as Nurse
- Nanette Newman as Nurse
- Cecil Parker as Sir John
- Natasha Parry as Sir William Robertson's Lady
- Gerald Sim as Chaplain
- Thorley Walters as Staff Officer in Ballroom
- Anthony Ainley as Third Aide
- Michael Bates as Drunk Lance Corporal
- Fanny Carby as Mill Girl
- Cecilia Darby as Sir Henry Wilson's Lady
- Geoffrey Davies as Aide
- Edward Fox as Aide
- George Ghent as Heckler
- Zeph Gladstone as Chauffeur (uncredited)
- Peter Gilmore as Private Burgess
- Ben Howard as Private Garbett
- Norman Jones as Scottish Soldier
- Paddy Joyce as Irish Soldier
- Angus Lennie as Scottish Soldier
- Harry Locke as Heckler
- Clifford Mollison as Heckler
- Derek Newark as Shooting Gallery Proprietor
- John Owens as Seamus Moore
- Ron Pember as Corporal at Station
- Dorothy Reynolds as Heckler
- Norman Shelley as Staff Officer in Ballroom
- Marianne Stone as Mill Girl
- John Trigger as Officer at Station
- Kathleen Wileman as Emma Smith at Age 4
- Penelope Allen as Solo Chorus Girl
- Maurice Arthur as Soldier Singer
- Freddie Ascott as 'Whizzbang' Soldier
- Dinny Jones as Chorus Girl
- Carole Gray as Chorus Girl
- Bernard Jarvis as the whistling blowing soldier in the trench
- Jane Seymour as Chorus Girl (uncredited and film debut)
Guest stars
- Dirk Bogarde as Stephen
- Phyllis Calvert as Lady Haig
- Jean-Pierre Cassel as French Colonel
- John Clements as General von Moltke
- Count Leopold Berchtold
- Jack Hawkins as Emperor Franz Josef I
- Kaiser Wilhelm II
- Laurence Olivier as Field Marshal Sir John French
- Michael Redgrave as Sir Henry Wilson
- Vanessa Redgrave as Sylvia Pankhurst
- Ralph Richardson as Sir Edward Grey
- Maggie Smith as Music Hall Star
- Susannah York as Eleanor
- John Mills as General (later Field Marshal) Sir Douglas Haig
Production
The producers were the novelist Len Deighton, photographer Brian Duffy[5] and Richard Attenborough, who was making his directorial debut.[6] The Deighton Duffy production company had produced the film adaptation of Deighton’s Only When I Larf starring Richard Attenborough.[7] Deighton wrote the screenplay for Oh! What a Lovely War and the opening title sequence was created by Len Deighton's lifelong friend Raymond Hawkey, the designer responsible for many of Deighton's book covers in the 1960s.[8] In an attempt to shame other people who he thought were claiming credit for things they hadn't actually done, Deighton decided not to be listed in the film credits, a gesture he later described as "stupid and infantile".[5]
The 1969 film transferred the mise-en-scène completely into the cinematic domain, with elaborate sequences shot at West Pier in Brighton, elsewhere in Brighton and on the South Downs, interspersed with motifs from the stage production. These included the 'cricket' scoreboards showing the number of dead, but Deighton did not use the pierrot costumes. However, as many critics, including Pauline Kael,[9] noted, the treatment diminished the effect of the numbers of deaths, which appear only fleetingly. Nonetheless, Deighton’s final sequence, ending in a helicopter shot of thousands of war graves is regarded as one of the most memorable moments of the film. According to Attenborough, 16,000 white crosses had to be hammered into individually dug holes due to the hardness of the soil. Although this is effective in symbolising the scale of death, the number of crosses was in fact fewer than the number of deaths in a single battle: depicting the actual number killed in the entire war would have required the scale to have been replicated more than 1000 times.
The film was shot in the summer of 1968 in Sussex, mostly in the Brighton area. Many of the extras were local people, but a great many were students from the
The song
The song was written by J. P. Long and Maurice Scott in 1917 and was part of the repertoire of music hall star and male impersonator Ella Shields.[10] The first verse and the chorus follow:
Up to your waist in water,
Up to your eyes in slush –
Using the kind of language,
That makes the sergeant blush;
Who wouldn't join the army?
That's what we all inquire,
Don't we pity the poor civilians sitting beside the fire.
Chorus:
Oh! Oh! Oh! it's a lovely war,
Who wouldn't be a soldier eh?
Oh! It's a shame to take the pay.
As soon as reveille is gone
We feel just as heavy as lead,
But we never get up till the sergeant brings
Our breakfast up to bed
Oh! Oh! Oh! it's a lovely war,
What do we want with eggs and ham
When we've got plum and apple jam?
Form fours! Right turn!
How shall we spend the money we earn?
Oh! Oh! Oh! it's a lovely war.
Two pre-musical renditions, one from 1918, can be found at Firstworldwar.com.[11] Almost all of the songs featured in the film also appear on the CD41 album series Oh! It's a Lovely War (four volumes).[12]
Release
The film had its premiere at the Paramount Theatre on Piccadilly Circus in London on 10 April 1969 before opening to the public the following day.[13]
Reception
The film presently has a score of 75% on Rotten Tomatoes based on 16 reviews, with an average grade of 8.2 out of 10.[21]
The Toronto Star received complaints from veteran organizations about the advertisement for the film that featured cemetery crosses and later ran the adverts without the image.[22]
Box office
It ranked the 16th film at the UK box office in 1969.[23]
Accolades
Award | Category | Nominee(s) | Result | Ref. |
---|---|---|---|---|
British Academy Film Awards | Best Film | Richard Attenborough | Nominated | [24] |
Best Direction | Nominated | |||
Best Actor in a Supporting Role | Laurence Olivier | Won | ||
Best Actress in a Supporting Role | Mary Wimbush | Nominated | ||
Best Art Direction | Donald M. Ashton | Won | ||
Best Cinematography | Gerry Turpin | Won | ||
Best Costume Design | Anthony Mendleson | Won | ||
Best Editing | Kevin Connor | Nominated | ||
Best Soundtrack | Don Challis and Simon Kaye | Won | ||
United Nations Award | Richard Attenborough | Won | ||
British Society of Cinematographers | Best Cinematography in a Theatrical Feature Film | Gerry Turpin | Won | [25] |
Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | Richard Attenborough | Nominated | [26] |
Golden Globe Awards | Best English-Language Foreign Film | Won | [27] | |
Mar del Plata International Film Festival | Best Feature Film | Richard Attenborough | Nominated | [28] |
New York Film Critics Circle Awards | Best Film | Runner-up | [29] | |
Best Director | Richard Attenborough | Runner-up |
References in popular culture
- English rock band Colonel Bagshot released an anti-war album of the same name in 1971, their first and only LP.
- BBC Radio 4's 15 Minute Musical portrayed Tony Blair's premiership in the style of Oh! What a Lovely War in a September 2006 episode entitled "Oh! What a Lovely Blair".
- At a Google Talks event, James Rado, one of the original writers and creators of Hair, stated that Oh! What a Lovely War was what made him want to work on a musical dealing with war.Archived at Ghostarchive and the Wayback Machine: "@Google: The Public Theatre's Revival of Hair". youtube. Retrieved 26 August 2008.
- The song "The Bells of Hell Go Ting-a-ling-a-ling" was used as the play-out music for Ned Sherrin's 1964 BBC-TV show Not So Much a Programme, More a Way of Life.
- Babyshambles named their live album Oh! What a Lovely Tour after this film.
References
Citations
- ISBN 978-0-521-82077-6.
- ^ Vincent Dowd (11 November 2011). "Witness: Oh what a lovely war". Witness. London. BBC World Service.
- ^ Banham (1998, 645), Brockett and Hildy (2003, 493), and Eyre and Wright (2000, 266–69).
- ^ "Len Deighton: The spy and I". The Independent. 4 January 2006. Retrieved 8 August 2015.
- ^ a b Scott, Robert Dawson (4 January 2006). "Len Deighton: The spy and I". The Independent. UK. Retrieved 14 January 2014.
- ^ Dempsey, Mike (14 December 2001). "Immaculate conception". Design Week. Archived from the original on 19 July 2011. Retrieved 6 December 2007. Alt URL
- ^ Nikkhah, Roya (5 June 2010). "Fashion and portrait photographer Brian Duffy dies aged 76". The Telegraph. London. Retrieved 5 June 2010.
- Daily Telegraph. 30 August 2010. Retrieved 14 January 2014.
- ^ Kael, Pauline (1971) 'Off with the statues' heads!' in Deeper into Movies, Calder Boyars
- ^ Max Arthur (2001) When This Bloody War Is Over. London, Piatkus: 47
- ^ firstworldwar.com
- ^ "Automatic Redirect".
- ^ "Entertainment Guide". Evening Standard. 2 April 1969. p. 19.
- ^ Canby, Vincent (3 October 1969). "Film Festival: Jolly Satire". The New York Times. p. 34.
- ^ "Oh! What a Lovely War". Variety. 16 April 1969. p. 6.
- Chicago Sun Times. Retrieved 7 October 2020 – via RogerEbert.com.
- ^ Siskel, Gene (31 October 1969). "O! what a lovely motion picture!". Chicago Tribune. p. 17, Section 2.
- ^ Thomas, Kevin (17 September 1969). "'Lovely War' Accomplishes a Difficult Artistic Task". Los Angeles Times. p. 1, Part IV.
- ^ Arnold, Gary (17 October 1969). "'Lovely War'". The Washington Post. p. B13.
- ^ Wilson, David (May 1969). "Oh! What A Lovely War". The Monthly Film Bulletin. 36 (424): 94.
- ^ "Oh! What A Lovely War". Rotten Tomatoes. 22 September 2015. Retrieved 6 February 2024.
- ^ "Toronto Star 'Censors' Ads For 'Lovely War'; 'Cemetery' Irks Vets". Variety. 15 October 1969. p. 22.
- ^ "The World's Top Twenty Films." Sunday Times [London, England] 27 Sept. 1970: 27. The Sunday Times Digital Archive. accessed 5 Apr. 2014
- ^ "BAFTA Awards (1970)". British Academy of Film and Television Arts. Retrieved 23 November 2013.
- ^ "Best Cinematography in Feature Film" (PDF). Retrieved 3 June 2021.
- ^ "22nd DGA Awards". Directors Guild of America Awards. Retrieved 5 July 2021.
- HFPA. Retrieved 5 July 2021.
- ^ "37th Mar del Plata International Film Festival". Mar del Plata International Film Festival. 26 December 2022. Retrieved 26 December 2022.
- ^ "1969 New York Film Critics Circle Awards". New York Film Critics Circle. Retrieved 3 June 2021.
Sources
- Banham, Martin, ed. 1998. The Cambridge Guide to Theatre. Cambridge: ISBN 0-521-43437-8.
- Brockett, Oscar G. and Franklin J. Hildy. 2003. History of the Theatre. Ninth edition, International edition. Boston: Allyn and Bacon. ISBN 0-205-41050-2.
- ISBN 0-7475-4789-0.
External links
- Oh! What a Lovely War at IMDb
- Oh! What a Lovely War at Rotten Tomatoes
- Oh! It's A Lovely War album series at CD41
- Len Deighton article on producing the film, on the Deighton Dossier website