The Endless River
The Endless River | ||||
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Studio album by | ||||
Released | 7 November 2014 | |||
Recorded | 1969, 1993, 2013–2014 | |||
Studio |
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Genre | ||||
Length | 53:02 92:26 (deluxe edition) | |||
Label | ||||
Producer |
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Pink Floyd chronology | ||||
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Singles from The Endless River | ||||
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The Endless River is the fifteenth and final studio album by English rock band Pink Floyd, released in November 2014 by Parlophone Records in Europe and Columbia Records in the rest of the world. It was the third Pink Floyd album recorded under the leadership of guitarist David Gilmour after the departure of bassist Roger Waters in 1985, and the first following the death of keyboardist Richard Wright in 2008, who appears posthumously.
The Endless River is a double-album
The Endless River was promoted with the "Louder than Words" single and artwork installations in cities around the world. It became the most pre-ordered album of all time on
Recording
The Endless River is based on music recorded during the sessions for Pink Floyd's previous studio album, The Division Bell (1994). The Division Bell was recorded in 1993 and 1994 in Britannia Row Studios in London, and on the Astoria boat studio, belonging to guitarist David Gilmour.[6] Pink Floyd recorded hours of music during the sessions;[7] the engineer Andy Jackson edited it into an hour-long ambient composition tentatively titled The Big Spliff,[6] but the band did not release it.[8]
Keyboardist Richard Wright died of cancer on 15 September 2008.[9] In 2013, Gilmour and drummer Nick Mason decided to revisit the unused Division Bell recordings to make a new album, rerecording parts, adding new ones, and using modern studio technology.[10] Gilmour said: "With Rick gone, and with him the chance of ever doing it again, it feels right that these revisited and reworked tracks should be made available as part of our repertoire."[10] Only a small part of The Big Spliff was used.[11]
Gilmour asked guitarist and producer
"Autumn '68", named in reference to the 1970 Pink Floyd song "
Composition
The Endless River comprises four pieces, which form a continuous flow of mostly ambient and instrumental music.[20] Gilmour said: "Unapologetically, this is for the generation that wants to put its headphones on, lie in a beanbag, or whatever, and get off on a piece of music for an extended period of time. You could say it’s not for the iTunes, downloading-individual-tracks generation."[21] Mason described the album as a tribute to Wright: "I think this record is a good way of recognising a lot of what he does and how his playing was at the heart of the Pink Floyd sound. Listening back to the sessions, it really brought home to me what a special player he was."[10]
"Louder than Words" is the only track with a lead vocal.[22] Samson wrote the lyrics after observing the band's interaction during the rehearsals for their 2005 Live 8 reunion, their first performance with Waters in over 24 years. She said: "What struck me was, they never spoke ... It’s not hostile, they just don’t speak. And then they step onto a stage and musically that communication is extraordinary."[23] The album title is taken from a lyric on the last track of The Division Bell, "High Hopes": "The water flowing / The endless river / For ever and ever." Gilmour said it suggested a continuum between the records.[24]
Packaging
The Endless River cover art depicts a young man punting a Thames skiff across a sea of clouds towards the sun.[25][26] After the death of longtime Pink Floyd artist Storm Thorgerson in 2013,[27] Pink Floyd collaborated with Aubrey Powell, co-founder of Thorgerson's design company Hipgnosis.[28] Powell discovered 18-year-old Egyptian artist Ahmed Emad Eldin and asked to use the concept from his piece Beyond the Sky for The Endless River.[29] Eldin was a Pink Floyd fan and accepted enthusiastically.[30] Powell felt Ahmed's concept had "an instant Floydian resonance", and described it as "enigmatic and open to interpretation".[31] The final cover is a recreation of Eldin's work by London design firm Stylorouge.[32] Powell felt that the cover summed up the title and music, and was appropriate for the recording on the Thames.[25]
The Endless River was also released in boxed DVD and Blu-ray "deluxe" editions, containing a 24-page hardback book, postcards, and a bonus disc of three additional tracks and six music videos.
Promotion
Pink Floyd were affected by the sale of EMI to the Universal Music Group, which lasted from 2011 to 2013. The European Commission and the Federal Trade Commission approved the sale with conditions, including the sale of certain EMI assets.[33] Pink Floyd, along with many other bands under the EMI roster, were transferred to different labels during the process. The Parlophone Label Group was formed under Parlophone as one of many assets to be sold off by Universal following the acquisition of EMI, with Pink Floyd transferred to the Parlophone Label Group during the sale.[34] The Warner Music Group, in 2013, struck a deal with Universal to buy the Parlophone Label Group from EMI, acquiring publishing rights to Pink Floyd's back catalog and future releases in the process.[35][36]
In a tweet on 5 July 2014, Samson released the album title and a projected release window of October 2014[37] to pre-empt a tabloid newspaper report.[6] The announcement was followed by backing vocalist Durga McBroom posting a photo of her alongside Gilmour in the recording studio.[38] Details about The Endless River were announced on Pink Floyd's website on 7 July.[39]
Pink Floyd and Parlophone unveiled The Endless River on 22 September 2014, including the release date, artwork and track listing, accompanied by a promotional website, a
The album's only single, "Louder than Words", premiered on
Critical reception
Aggregate scores | |
---|---|
Source | Rating |
Pitchfork | 5.7/10[59] |
PopMatters | [60] |
Rolling Stone | [61] |
Uncut | [53] |
On the review aggregator site Metacritic, The Endless River has a score of 58 based on 24 reviews, indicating "mixed or average reviews".[53]
Ludovic Hunter-Tilney of the Financial Times praised the nostalgic "Floydian" sound, reminiscent of Pink Floyd's work prior to The Wall (1979), and wrote: "How fitting that a band so accustomed to loss should close their account with an engrossing elegy to their own past."[63] Cameron Cooper of The Music gave the album three and a half out of five, writing that it felt "less like a swansong and more like a final homage ... the lack of vocals gives the music more freedom, allowing it to speak for itself".[64] In The Guardian, Alexis Petridis described it as "not a new album from an extant band, but an echo from the past – or a last, warm but slightly awkward group hug ... on those terms, it works just fine". He praised the lead single and final track "Louder than Words" as "stately, poignant and open-hearted".[54] In Rolling Stone, David Fricke wrote: "Wright was the steady, binding majesty in the Floyd's explorations. This album is an unexpected, welcome epitaph."[61] The Observer wrote that the album is "an understated affair but unmistakably the Floyd ... a pretty good way to call it a day."[58]
J.C. Maçek III of
Commercial performance
In the week before its release, The Endless River displaced
Track listing
All tracks produced by
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Things Left Unsaid" | David Gilmour, Richard Wright | 4:26 |
2. | "It's What We Do" | Gilmour, Wright | 6:17 |
3. | "Ebb and Flow" | Gilmour, Wright | 1:55 |
Total length: | 12:38 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Sum" | Gilmour, Wright, Nick Mason | 4:48 |
2. | "Skins" | Gilmour, Wright, Mason | 2:37 |
3. | "Unsung" | Wright | 1:07 |
4. | "Anisina" | Gilmour | 3:16 |
Total length: | 11:48 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "The Lost Art of Conversation" | Wright | 1:42 |
2. | "On Noodle Street" | Gilmour, Wright | 1:42 |
3. | "Night Light" | Gilmour, Wright | 1:42 |
4. | "Allons-y (1)" | Gilmour | 1:57 |
5. | "Autumn '68" | Wright | 1:35 |
6. | "Allons-y (2)" | Gilmour | 1:32 |
7. | "Talkin' Hawkin'" | Gilmour, Wright | 3:29 |
Total length: | 13:39 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Calling" | Gilmour, Anthony Moore | 3:37 |
2. | "Eyes to Pearls" | Gilmour | 1:51 |
3. | "Surfacing" | Gilmour | 2:46 |
4. | "Louder than Words" | Gilmour, Polly Samson | 6:36 |
Total length: | 14:50 53:02 |
- The vinyl track listing is used regardless of format (CD, DVD, Blu-Ray, digital).
Personnel
Adapted from the 2014 release[76]
Pink Floyd
- David Gilmour – guitars (all tracks), EBow (1, 3, 10), lead vocals (18), backing vocals (7, 14, 17), keyboards (7, 15, 16), piano (6, 7), EMS VCS 3 (4, 6), bass guitar (2, 4, 7, 17), Hammond organ (18), percussion (8), voice samples (1), producer
- Nick Mason – drums (2, 4, 5, 7, 9, 11, 13, 14, 16, 17, 18), percussion (15, 18), rototoms (5), gong (5, 12, 16), voice samples (1)
- synthesiser(1, 2, 8, 10, 14, 17, 18), voice samples (1, 18)
Additional musicians
- Guy Pratt – bass guitar (9, 14)
- Bob Ezrin – bass guitar (11, 13, 18), additional keyboards (1), co-producer 1993 sessions
- Andy Jackson – bass guitar (5, 16), effects (15), engineer, producer, mixing, mastering of bonus content on DVD and Blu-ray
- Jon Carin – synthesisers (9, 11, 13), percussion loop (11, 13)
- Damon Iddins – additional keyboards (4, 12)
- Anthony Moore – keyboards (15)
- Gilad Atzmon – tenor saxophone (7), clarinet (7)
- Durga McBroom – backing vocals (14, 17, 18)
- Louise Marshall – backing vocals (18)
- Sarah Brown – backing vocals (18)
- Stephen Hawking – voice sample (14)
- Youth– producer, additional programming, engineering, sound design, assorted synthesisers and keyboards
- Eddie Bander – additional programming, engineering, sound design, assorted synthesisers and keyboards
- Michael Rendall – additional programming, engineering, sound design, assorted synthesisers and keyboards
- Escala:
Production and design
- Phil Manzanera – producer
- Damon Iddins – engineer
- James Guthrie – mastering for CD[77]
- Joel Plante – mastering for CD
- Doug Sax – mastering for the vinyl issue
- Aubrey Powell – creative director
- Stylorouge – sleeve design
- Ahmed Emad Eldin – album cover concept
Charts
Weekly charts
|
Year-end charts
Decade-end charts
|
Certifications
‹See Tfd›‹See Tfd›Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[139] | Platinum | 70,000^ |
Austria (IFPI Austria)[140] | Gold | 7,500* |
Belgium (BEA)[141] | Gold | 15,000* |
Brazil (Pro-Música Brasil)[142] DVD |
Platinum | 30,000* |
Canada (Music Canada)[144] | Platinum | 89,000[143] |
Denmark (IFPI Danmark)[145] | Gold | 10,000^ |
France ( SNEP)[146]
|
2× Platinum | 200,000* |
Germany (BVMI)[147] | 3× Gold | 300,000‡ |
Hungary (MAHASZ)[148] | Platinum | 2,000^ |
Italy (FIMI)[149] | 4× Platinum | 200,000* |
Mexico (AMPROFON)[150] | 3× Platinum+Gold | 210,000‡ |
New Zealand (RMNZ)[151] | Platinum | 15,000^ |
Norway (IFPI Norway)[152] | Gold | 15,000* |
Poland (ZPAV)[153] | 3× Platinum | 60,000‡ |
Sweden (GLF)[154] | Gold | 20,000‡ |
Switzerland (IFPI Switzerland)[155] | Platinum | 20,000^ |
United Kingdom (BPI)[156] | Platinum | 300,000* |
United States (RIAA)[157] | Gold | 500,000^ |
Summaries | ||
Europe (IFPI)[158] | Platinum | 1,000,000* |
Worldwide (IFPI) | — | 2,500,000[159] |
* Sales figures based on certification alone. |
Release schedule
The Endless River | ||||
---|---|---|---|---|
Region | Date | Format | Label | Catalogue no. |
Australia | 7 November 2014 | Digital download | Columbia Records | none[160] |
Germany | Parlophone | none[161] | ||
France | 10 November 2014 | none[162] | ||
United States | Columbia Records | none[163] | ||
United Kingdom | Compact Disc
|
Parlophone / Warner Bros. Records
|
||
Digital download | none[164] | |||
2x Vinyl
|
[citation needed] | |||
Canada | 11 November 2014 | Digital download | Columbia Records | none[165] |
The Endless River deluxe edition | ||||
---|---|---|---|---|
Region | Date | Format | Label | Catalogue no. |
Germany | 7 November 2014 | Digital download | Parlophone | none[166] |
France | 10 November 2014 | none[167] | ||
United States | Columbia Records | none[168] | ||
United Kingdom | Compact Disc, DVD | Parlophone / Warner Bros. Records | [citation needed] | |
Compact Disc, Blu-ray
|
[citation needed] | |||
Digital download | none[169] | |||
Canada | 11 November 2014 | Columbia Records | none[170] |
Adaptations
- Ian Emes, a British artist and film director, and Pink Floyd's original animator, created a film using The Endless River music that was released in 2019.[171]
See also
References
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Bibliography
- Mason, Nick (2005), Philip Dodd (ed.), ISBN 0-7538-1906-6
External links
- The Endless River promotional website Archived 7 October 2014 at the Wayback Machine
- The Endless River at Discogs (list of releases)