Anne Carson

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Anne Carson

MacArthur Fellowship
  • Griffin Poetry Prize (twice)
  • T. S. Eliot Prize
  • Member of the Order of Canada
  • Princess of Asturias Award
  • PEN/Nabokov Award
    • SpouseRobert Currie

    Anne Patricia Carson CM (born June 21, 1950)[1] is a Canadian poet, essayist, translator, classicist, and professor.

    Trained at the University of Toronto, Carson has taught classics, comparative literature, and creative writing at universities across the United States and Canada since 1979, including McGill, Michigan, NYU, and Princeton.

    With more than twenty books of writings and translations published to date, Carson was awarded

    Lannan Literary Award, two Griffin Poetry Prizes, the T. S. Eliot Prize, the Princess of Asturias Award, the Governor General's Award for English-language poetry, and the PEN/Nabokov Award, and was appointed a Member of the Order of Canada
    in 2005 for her contribution to Canadian letters.

    Early life and education

    Anne Carson was born in Toronto on June 21, 1950.

    Ph.D. in 1981.[4] She also spent a year studying Greek metrics and Greek textual criticism at the University of St Andrews.[5]

    Writing

    Trained as a classicist, and with an interest in

    Simonides, Sophocles, Stesichorus, and Thucydides. She is also influenced by, and references more modern writers and thinkers, such as Emily Brontë, Paul Celan, Emily Dickinson, Georg Wilhelm Friedrich Hegel, Martin Heidegger, Friedrich Hölderlin, Franz Kafka, John Keats, Gertrude Stein, Simone Weil, and Virginia Woolf
    . Many of her books blend the forms of poetry, essay, prose, criticism, translation, dramatic dialogue, fiction, and non-fiction to varying degrees.

    First editions of Carson's eighteen books of writings (as of 2021) have been published by Alfred A. Knopf, New Directions, and the Princeton University Press in the US, by Brick Books and McClelland & Stewart in Canada, and by Bloodaxe Books, Jonathan Cape, Oberon Books, and Sylph Editions in the UK.

    Works

    Eros the Bittersweet – Carson's first book of criticism, published in 1986 – examines eros as a simultaneous experience of pleasure and pain best exemplified by "glukupikron", a word of Sappho's creation and the "bittersweet" of the book's title.[6] It considers how triangulations of desire appear in the writings of Sappho, ancient Greek novelists, and Plato.[7] A reworking of her 1981 doctoral thesis Odi et Amo Ergo Sum ("I Hate and I Love, Therefore I Am"),[8] Eros the Bittersweet "laid the groundwork for her subsequent publications, […] formulating the ideas on desire that would come to dominate her poetic output",[3] and establishing her "style of patterning her writings after classical Greek literature".[9]

    literary), Thucydides, Leo Tolstoy, and Virginia Woolf
    .

    Carson delivered a series of "short talks", or short-format poems on various subjects, at the address to the

    King James Bible.[11][12]

    Reception

    Carson's first book of poetry – 1984's Canicula di Anna[13] – garnered her first literary prize: the Quarterly Review of Literature Betty Colladay Award.[14][15] Acclaim for her first book of essays, Eros the Bittersweet, grew in the fifteen years after it was published in 1986: the book "first stunned the classics community as a work of Greek scholarship; then it stunned the nonfiction community as an inspired return to the lyrically based essays once produced by Seneca, Montaigne, and Emerson; and then, and only then, deep into the 1990s, reissued as 'literature' and redesigned for an entirely new audience, it finally stunned the poets."[16] By the turn of the millennium, Eros the Bittersweet had also entered into the popular consciousness, voted onto the 1999 Modern Library Reader's List for the 100 Best Nonfiction books of the 20th century,[17] and mentioned (along with Autobiography of Red) in a 2004 episode of the television series The L Word.[18]

    Early recognition for her work also came from the

    MacArthur Fellowship (commonly known as the "Genius Grant") in 2000.[25]

    The

    Forward Prize in 1998 for Glass and God, her first book of poetry published in the UK.[30] Shortlisted for the T. S. Eliot Prize four times between 1999 and 2013, Carson won for The Beauty of the Husband in 2001 (her third consecutive nomination),[31] making her the first woman to be awarded this honour.[32] Carson was the first poet to be awarded the Griffin Poetry Prize (for Men in the Off Hours in 2001),[33] and the first to win the prize for a second time (for Red Doc> in 2013).[34][35] She was also a judge for the 2010 Griffin Poetry Prize.[36]

    Carson was appointed a Member of the Order of Canada in 2005, the announcement describing her as "a singular voice in the literature of our country".[37] She was awarded an honorary degree by her alma mater, the University of Toronto, in 2012.[10] She also received an honorary degree of Doctor of Letters in 2014 from the University of St Andrews, where she studied for a diploma with Kenneth Dover in 1975–1976.[38]

    In 2018, Carson was longlisted for the one-time New Academy Prize in Literature, established as an alternative to the postponed 2018 Nobel Prize.[39] In 2020, she was awarded the Princess of Asturias Award for Literature, with the jury noting that she "has attained levels of intensity and intellectual standing that place her among the most outstanding of present-day writers".[40] In 2021, Carson won the PEN/Nabokov Award for Achievement in International Literature, honouring a body of work marked by "enduring originality and consummate craftsmanship",[41] and received the 2020 Governor General's Award for English-language poetry for Norma Jeane Baker of Troy, an award she was first shortlisted for in 2001 (for Men in the Off Hours).[42]

    Carson has been the subject of two edited volumes: Anne Carson: Ecstatic Lyre, edited by Joshua Marie Wilkinson and published by the University of Michigan Press in 2015, which is dedicated to the breadth of her works;[43] and Anne Carson/ Antiquity (sic), edited by Laura Jansen and published by Bloomsbury in 2021, which examines Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry.[44]

    In recent years, Carson has been regarded as a likely candidate for the Nobel Prize in Literature, alongside such writers as Margaret Atwood, Maryse Condé, Haruki Murakami, Ngũgĩ wa Thiong'o, Lyudmila Ulitskaya, and Can Xue.[45][46][47][48]

    Translation

    Carson has published translations of ten

    Agamemnon), two by Sophocles (Antigone, Electra), and seven by Euripides (Alcestis, Hecuba, Herakles, Hippolytus, Iphigenia in Tauris, Orestes, and The Bacchae) – as well as the poetry of Sappho
    in English.

    First editions of Carson's seven books of translations have been published by Alfred A. Knopf, Farrar, Straus and Giroux, the New York Review of Books, and the University of Chicago Press in the US, and by Oberon Books and the Oxford University Press in the UK.

    Carson was a Rockefeller Scholar-in-Residence at the 92nd Street Y (New York City) from August 1986 to August 1987, where she worked on a translation of Sophocles' Electra.[49] It was eventually published in 2001[50] and included in her 2009 book An Oresteia,[51] which won the PEN Award for Poetry in Translation in 2010.[52] Featuring Aeschylus' Agamemnon, Sophocles' Electra, and Euripides' Orestes, An Oresteia was staged in New York by the Classic Stage Company in 2009.[53]

    Carson was also an Anna-Maria Kellen Fellow at the American Academy in Berlin in 2007, where she worked on a translation of the ancient Greek play Prometheus Bound (attributed to Aeschylus),[54] an excerpt of which was published in 2010.[55]

    In 2015, a production of Carson's Antigone[56] directed by Ivo van Hove and starring Juliette Binoche opened at Les Théâtres de la Ville de Luxembourg in 2015 before travelling to cities in Europe and the US, including London (Barbican Centre), New York (BAM), and Paris (Théâtre de la Ville).[57]

    Teaching

    Carson began her Classics teaching career at the University of Calgary in 1979, before completing her Ph.D. at the University of Toronto.[3] In 1980, she joined Princeton University, where she taught as instructor, and later assistant professor.[58] She also taught at the 92nd Street Y in New York during her time there as a Rockefeller Scholar in Residence (1986–1987).[59] Failing to make tenure,[60] Carson left Princeton in 1987 to teach classical languages and literature at Emory University in Atlanta for a year, before moving to Montreal to join McGill University as Director of Graduate Studies in Classics.[9]

    In the late 1990s, Carson's teaching career hit a hurdle when McGill cancelled all graduate courses in ancient Greek, closed its Classics Department, and moved all remaining Classics courses to its History Department.

    California College of Arts and Crafts in Oakland (Spring 2001).[3] She was appointed John MacNaughton Professor of Classics at McGill in 2000.[62]

    Carson moved to

    Professor of Poetry Chair at the University of Oxford, placing second behind the eventual appointment Christopher Ricks, with around 30 nominations.[64] She was cited as a potential contender for the four-year position again in 2009.[65]

    Carson joined the New York University Creative Writing Program as Distinguished Poet-in-Residence and Visiting Professor in 2009.[66] Together with her husband and collaborator Robert Currie, she teaches an annual class at NYU on the art of collaboration, called "Egocircus".[67] Carson was an Andrew D. White Professor-at-Large at Cornell University from 2010 to 2016,[68] and the Mohr Visiting Poet at Stanford University (Creative Writing Program) in 2013.[69] She joined Bard College as Visiting Distinguished Writer-in-Residence in 2014, teaching classical studies and the written arts.[70] Carson has described her more diverse role in the latter part of her career as "a visiting [whatever]", and her decades spent teaching ancient Greek as "a total joy".[67]

    Honours

    Carson was elected a Royal Society of Literature International Writer in 2022.[71] In May 2023, she was announced as Honorary President of the Classical Association, 2023–24.[72]

    Personal life

    Carson is known to be reticent about her private life, and discourages autobiographical readings of her writings.[73] Information about her in publications is often limited to the phrase: "Anne Carson was born in Canada and teaches ancient Greek for a living."[74] While not a confessional poet, her work is considered personal.[7] Carson has said that in her work, she uses her life democratically as just one set of facts among others in the world.[75]

    Carson's first marriage, during which she used the surname Giacomelli, lasted eight years and ended in 1980.

    The Beauty of the Husband.[76] Carson has confirmed that her first husband took her notebooks when they divorced (as happens to the protagonist in The Beauty of the Husband), though later returned them.[77]

    Carson's father Robert had Alzheimer's disease. "The Glass Essay" (collected in Glass, Irony, and God), "Very Narrow" (collected in Plainwater), and "Father's Old Blue Cardigan" (collected in Men in the Off Hours) all deal with his mental and physical decline.

    Carson's mother Margaret (1913–1997) died during the writing of Men in the Off Hours. Carson closed the collection with the prose piece "Appendix to Ordinary Time", using crossed-out phrases from the diaries and manuscripts of Virginia Woolf to craft an epitaph for her.[3] Red Doc> has been read as a second elegy for the death of her mother.[7] Carson has described her mother as the love of her life.[77][78]

    Carson's brother Michael was arrested for drug dealing in 1978. Jumping bail, he fled Canada and she never saw him again.[77] Carson dealt with the disappearance of her brother from her life in "Water Margins: An Essay on Swimming by My Brother" (collected in Plainwater), which is written as a kind of memoir.[73] In 2000, he called her and they arranged to meet in Copenhagen where he lived, but he died before they could reconnect.[79] Nox, an epitaph Carson created for her brother in 2000 and published in 2010, has been described as her most explicitly personal work.[7]

    Carson is married to the artist Robert Currie, whom she met in

    Ann Arbor while teaching at the University of Michigan.[67] She has described Currie as "my collaborator-husband person".[5] Projects they have worked on together include book designs and performances for Nox and Antigonick. Carson also refers to Currie as "the Randomizer" during their creative process.[80]

    On April 19 2022, Carson and Currie were granted Icelandic citizenship.[81]

    Awards and fellowships

    Selected bibliography

    Main article: Anne Carson bibliography

    References

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    2. ^ "Anne Carson". Archived from the original on 2 July 2022. Retrieved 2 July 2022.
    3. ^ a b c d e f g h i Rae, Ian (27 December 2001). "Anne Carson". The Literary Encyclopedia. Archived from the original on 16 September 2020. Retrieved 16 September 2020.
    4. ^ Ross, Val (23 March 2001). "Alumni: Classic Carson". University of Toronto Magazine. Archived from the original on 16 September 2020. Retrieved 16 September 2020.
    5. ^ a b Munoz, Theresa (9 October 2013). "Theresa Munoz and Anne Carson at Cove Park". Scottish Review of Books. Archived from the original on 17 September 2020. Retrieved 16 September 2020.
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    8. ^ Carson, Anne (1981). Odi et Amo Ergo Sum. Toronto: University of Toronto. [Doctoral thesis; under the name Anne Carson Giacomelli]
    9. ^ a b c d "Anne Carson". The Poetry Foundation. Archived from the original on 26 July 2020. Retrieved 14 September 2020.
    10. ^ a b c Au-Yeung, Gavin (12 November 2012). "Celebrating Fall Convocation 2012". University of Toronto. Archived from the original on 3 December 2018. Retrieved 12 September 2020.
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    13. ^ Carson, Anne (1984). Weiss, Renée; Weiss, Theodore (eds.). "Canicula di Anna". Quarterly Review of Literature. Contemporary Poetry Series 6. 25. Princeton: 4–39.
    14. ^ a b Meyer, Paul (2016). "Foreword". She] ⟨Ha?⟩ She – The Canicula di Anna: A Fractal Approach (PDF). Toronto: University of Toronto. p. 2. Archived (PDF) from the original on 31 March 2023. Retrieved 26 August 2020.
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    34. ^ a b "Anne Carson: Griffin Poetry Prize 2014". The Griffin Trust for Excellence in Poetry. Archived from the original on 21 September 2020. Retrieved 12 September 2020.
    35. ^ "Anne Carson adds second Griffin poetry prize". Calgary Herald. 7 June 2014. Retrieved 13 September 2020.
    36. ^ a b "Griffin Poetry Prize: 2010 Judges". The Griffin Trust for Excellence in Poetry. Archived from the original on 10 August 2020. Retrieved 12 September 2020.
    37. ^ a b "Order of Canada: Anne Carson, C.M." Governor General of Canada Archives. 29 June 2005. Archived from the original on 19 June 2020. Retrieved 12 September 2020.
    38. ^ a b Sweetman, Rebecca (1 December 2014). "Laureation address: Anne Carson". University of St Andrews. Archived from the original on 17 June 2021. Retrieved 22 September 2020.
    39. ^ a b "Margaret Atwood, Kim Thúy and Anne Carson nominated for alternative Nobel Prize". CBC. 12 July 2018. Archived from the original on 18 November 2022. Retrieved 17 October 2020.
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    53. ^ "An Oresteia". Classic Stage Company. Archived from the original on 1 October 2020. Retrieved 15 September 2020.
    54. ^ a b "Fellows & Distinguished Visitors: Anne Carson (Class of Fall 2007)". The American Academy in Berlin: Hans Arnhold Center. Archived from the original on 24 September 2020. Retrieved 12 September 2020.
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    90. ^ Flood, Alison (23 January 2014). "Thomas Pynchon in line for Kitschies' Red Tentacle award: Famously reclusive author joins Anne Carson, Patrick Ness, Ruth Ozeki and James Smythe on science fiction prize shortlist". The Guardian. Archived from the original on 12 November 2020. Retrieved 2 October 2020.
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    99. ISBN 9780608027401
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    100. ISBN 978-1-77131-342-1
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    101. ISBN 978-0-8112-1302-8
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    102. ISBN 0-679-43178-0
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    103. ISBN 0-375-40133-4
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    104. ISBN 0-691-03677-2
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    105. ISBN 978-0-375-40803-8
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    106. ISBN 9780375408045
      .
    107. ISBN 978-1-4000-4349-1
      .
    108. ISBN 978-0-8112-1870-2
      .
    109. ISBN 9780811219570
      .
    110. ISBN 9780307960597
      .
    111. ISBN 978-1-90963103-8
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    112. ISBN 978-0-8112-2317-1
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    113. ISBN 978-1-101-94684-8
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    114. ISBN 9781786827616
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    115. ISBN 9780811230797
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    116. ISBN 9780811231237
      .
    117. ISBN 978-0-375-41067-3
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    118. ISBN 1-59017-180-2
      .
    119. ISBN 978-0-226-20362-1
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    120. ISBN 978-1-78319-915-0
      .

    External links
    Retrieved from "https://en.wikipedia.org/w/index.php?title=Anne_Carson&oldid=1194868759"